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GEORGES ROUAULT (1871-1958)Christ de profil from passion,1939 Eau-forte en couleurs. Signée et datée dans la planche. Titrée et datée au dosEts in kleuren. Getekend en gedateerd in de plaat. Getiteld en gedateerd op de achterkantColour etching. Signed and dated in the plate. Titled and dated on the back45 x 34,7 cm (image)32,7 x 22,6 (sheet)This lot is subject to the following lot symbols: ARAR Un pourcentage supplémentaire sera demander aux acquéreurs pour les lots précédés du symbole AR correspondant aux droits de suite aux artistes en vertu de la réglementation de 2006 sur le droit d'auteur. Veuillez vous référer aux conditions de ventes pour plus de détails.De koper is ons een extra premie verschuldigd ter dekking van onze kosten in verband met de betaling van royalty's krachtens de Artists Resale Right Regulations 2006. Zie onze algemene voorwaarden voor meer informatie.An Additional Premium will be payable to us by the Buyer to cover our Expenses relating to payment of royalties under the Artists Resale Right Regulations 2006. See our terms and conditions for further details.For further information on this lot please visit Bonhams.com

GEORGES MINNE (1866-1941)La madonne d'argent,1939 Eau-forte en noire. Signée et datée dans la planche. Titrée et numérotée 160/386 au crayon. Issue de l'édition des Contes d'Horace Van Hoffel numérotée 160/386. Editions des Artistes, BruxellesEts in zwart. Getekend en gedateerd in de plaat. Getiteld en genummerd 160/386 in potlood. Uit de editie van Les Contes d'Horace Van Hoffel genummerd 160/386. Editions des Artistes, BrusselEtching in black. Signed and dated in the plate. Titled and numbered 160/386 in pencil. From the edition of Contes d'Horace Van Hoffel numbered 160/386. Editions des Artistes, Brussels23 x 16 cm (sheet) 19 x 14.7 cm (image)FramedFor further information on this lot please visit Bonhams.com

PIERRE ALECHINSKY (born 1927)Sans l'écorce D,1991 Eau-forte et aquatinte en noir. Le tour en aquatinte en couleurs. Signée, annotée D, datée et numérotée 34/99Ets en aquatint in zwart. De wending in aquatint in kleuren. Getekend, geannoteerd D, gedateerd en genummerd 34/99Etching and aquatint in black. The aquatint in colour. Signed, annotated D, dated and numbered 34/9978.5 x 110 cmFramedThis lot is subject to the following lot symbols: ARAR Un pourcentage supplémentaire sera demander aux acquéreurs pour les lots précédés du symbole AR correspondant aux droits de suite aux artistes en vertu de la réglementation de 2006 sur le droit d'auteur. Veuillez vous référer aux conditions de ventes pour plus de détails.De koper is ons een extra premie verschuldigd ter dekking van onze kosten in verband met de betaling van royalty's krachtens de Artists Resale Right Regulations 2006. Zie onze algemene voorwaarden voor meer informatie.An Additional Premium will be payable to us by the Buyer to cover our Expenses relating to payment of royalties under the Artists Resale Right Regulations 2006. See our terms and conditions for further details.For further information on this lot please visit Bonhams.com

PIERRE ALECHINSKY (born 1927)Tison,2012 Eau-forte et aquatinte. Titrée, datée, signée et numérotée 16/99. Avec livre de Hélène Cixous. Numéroté 16/99. Signé par l'auteur et par l'artiste. Ed. Galilée, ParisEts en aquatint. Getiteld, gedateerd, getekend en genummerd 16/99. Met boek van Hélène Cixous. Genummerd 16/99. Getekend door de auteur en de kunstenaar. Ed. Galilée, ParijsEtching and aquatint. Titled, dated, signed and numbered 16/99. With book by Hélène Cixous. Numbered 16/99. Signed by the author and the artist. Ed. Galilée, Paris13.4 x 17.4 cm (image)21.2 x 22.7 cm (sheet)This lot is subject to the following lot symbols: ARAR Un pourcentage supplémentaire sera demander aux acquéreurs pour les lots précédés du symbole AR correspondant aux droits de suite aux artistes en vertu de la réglementation de 2006 sur le droit d'auteur. Veuillez vous référer aux conditions de ventes pour plus de détails.De koper is ons een extra premie verschuldigd ter dekking van onze kosten in verband met de betaling van royalty's krachtens de Artists Resale Right Regulations 2006. Zie onze algemene voorwaarden voor meer informatie.An Additional Premium will be payable to us by the Buyer to cover our Expenses relating to payment of royalties under the Artists Resale Right Regulations 2006. See our terms and conditions for further details.For further information on this lot please visit Bonhams.com

PIERRE ALECHINSKY (born 1927)Sphinx au chapeau,1983 Eau-forte et aquatinte sur papier Japon. Le tour au pochoir à l'aquarelle. Signée, titrée, datée et numérotée 3/35Ets en aquatint op Japans papier. De aquarel stencil beurt. Getekend, getiteld, gedateerd en genummerd 3/35Etching and aquatint on Japon paper. The watercolour stencil. Signed, titled, dated and numbered 3/3565 x 97 cm (sheet)FramedThis lot is subject to the following lot symbols: ARAR Un pourcentage supplémentaire sera demander aux acquéreurs pour les lots précédés du symbole AR correspondant aux droits de suite aux artistes en vertu de la réglementation de 2006 sur le droit d'auteur. Veuillez vous référer aux conditions de ventes pour plus de détails.De koper is ons een extra premie verschuldigd ter dekking van onze kosten in verband met de betaling van royalty's krachtens de Artists Resale Right Regulations 2006. Zie onze algemene voorwaarden voor meer informatie.An Additional Premium will be payable to us by the Buyer to cover our Expenses relating to payment of royalties under the Artists Resale Right Regulations 2006. See our terms and conditions for further details.For further information on this lot please visit Bonhams.com

PIERRE ALECHINSKY (born 1927)De toute part,1983 Eau-forte et aquatinte sur papier Japon. Le tour au pochoir à l'aquarelle. Signée, titrée, datée et numérotée 1/35Ets en aquatint op Japans papier. De aquarel stencil beurt. Getekend, getiteld, gedateerd en genummerd 1/35Etching and aquatint on Japon paper. The watercolour stencil. Signed, titled, dated and numbered 1/3565 x 97 cm (sheet) FramedThis lot is subject to the following lot symbols: ARAR Un pourcentage supplémentaire sera demander aux acquéreurs pour les lots précédés du symbole AR correspondant aux droits de suite aux artistes en vertu de la réglementation de 2006 sur le droit d'auteur. Veuillez vous référer aux conditions de ventes pour plus de détails.De koper is ons een extra premie verschuldigd ter dekking van onze kosten in verband met de betaling van royalty's krachtens de Artists Resale Right Regulations 2006. Zie onze algemene voorwaarden voor meer informatie.An Additional Premium will be payable to us by the Buyer to cover our Expenses relating to payment of royalties under the Artists Resale Right Regulations 2006. See our terms and conditions for further details.For further information on this lot please visit Bonhams.com

PIERRE ALECHINSKY (born 1927)Rhizomes,1983 Eau-forte et aquatinte sur papier Japon. Le tour au pochoir à l'aquarelle. Signée, titrée, datée et numérotée 17/35Ets en aquatint op Japans papier. De aquarel stencil beurt. Getekend, getiteld, gedateerd en genummerd 17/35Etching and aquatint on Japon paperWatercolour stencilled on the reverse. Signed, titled, dated and numbered 17/3565 x 97 cm (sheet)FramedThis lot is subject to the following lot symbols: ARAR Un pourcentage supplémentaire sera demander aux acquéreurs pour les lots précédés du symbole AR correspondant aux droits de suite aux artistes en vertu de la réglementation de 2006 sur le droit d'auteur. Veuillez vous référer aux conditions de ventes pour plus de détails.De koper is ons een extra premie verschuldigd ter dekking van onze kosten in verband met de betaling van royalty's krachtens de Artists Resale Right Regulations 2006. Zie onze algemene voorwaarden voor meer informatie.An Additional Premium will be payable to us by the Buyer to cover our Expenses relating to payment of royalties under the Artists Resale Right Regulations 2006. See our terms and conditions for further details.For further information on this lot please visit Bonhams.com

EDUARDO CHILLIDA (1924-2002)Aldikatu III,1972 Eau-forte et aquatinte. Signée et numérotée 33/75Ets en aquatint. Getekend en genummerd 33/75Etching and aquatint. Signed and numbered 33/7576 X 100 cmFramedThis lot is subject to the following lot symbols: ARAR Un pourcentage supplémentaire sera demander aux acquéreurs pour les lots précédés du symbole AR correspondant aux droits de suite aux artistes en vertu de la réglementation de 2006 sur le droit d'auteur. Veuillez vous référer aux conditions de ventes pour plus de détails.De koper is ons een extra premie verschuldigd ter dekking van onze kosten in verband met de betaling van royalty's krachtens de Artists Resale Right Regulations 2006. Zie onze algemene voorwaarden voor meer informatie.An Additional Premium will be payable to us by the Buyer to cover our Expenses relating to payment of royalties under the Artists Resale Right Regulations 2006. See our terms and conditions for further details.For further information on this lot please visit Bonhams.com

Three Artworks by Different Artists to Include: 'Clare Bassett - 'Looking for Mr. Right', limited edition print in colour, signed, titled and numbered 6/15 in pencil below; Pauline Vennald? - 'View of Nympsfield (2), oil on canvas, signed and titled verso, 20.4 x 50.8 cm; together with Rosara Mahony? - 'Flight', limited edition drypoint etching, signed, titled and numbered 2/25 in pencil below, 8.6 x 23 cm, all framed (3)

Panayiotis Kalorkoti (b.1957) - Picasso (1982), limited edition etching in colours, signed, dated and numbered 9/40 in pencil below, 20.6 x 29.4 cm, framed and glazed

Eight Framed Prints to Include: Henry Wilkinson (1921-2011) - limited edition drypoint etching in colours, 49/100, 22 x 32 cm; After Edmund Blampied (1886-1966) - Two Dogs Playing Music, signed in print 33 x 22 cm; Vincent Balfour Browne - limited edition print numbered 620/850 and blindstamped below, published by The Brotherston Gallery, 1978; a framed collection of miniature chromolithographs; together with two hunting prints: Signed Michael Lyne print, bearing 'H.D.E.' blindstamp lower left, 53 x 38 cm, published 1956 by Frost & Reed Ltd.; together with After J. Godly & H. Merke - 'Woodcock Shooting' and two other framed prints (8)

THREE FRAMED ARTWORKS: 20th Century Abstract - indistinctly signed and dated above, oil on board, 50 x 60 cm; After Hans Volkmann - 'Lord Seaham Boy', oleograph print, 50 x 40 cm, gilt frame; and William Monk (1863-1937) - 'Hampstead, May 98' etching, signed below in pencil, framed and glazed (3)

Twelve Miniature Prints to Include: Claire Dalby (b.1944) - Three limited edition signed etchings: 'he Stables at Nettlecombe' 24/150, 7 x 10 cm; 'Cottage Orne' 27/100; and 'The Gazebo, West Dean' 50/75, all titled, signed and numbered in pencil below, framed as a set; 'Sunday' etching in coloured 29/150 by Suzan; Heidelberg, Rhein Voyage 1989, etching 129/150; a photograph of Hong Kong in 1950 and others (12)

JAMES ABBOTT MCNEILL WHISTLER (1834-1903) 'THAMES POLICE (WAPPING WHARF) 1859, etching on paper mounted in a frame and glazed33cm x 16cm **Please note this lot will be available for collection at an offsite location near Wimbledon at KT2 7AL**

J George Cooper (1836-1901)- Dry point etching 'Highland Dogs' After Sir Edwin Henry Landseer. 78cm x 63cm inclusive of frame.some marks to surface

Martyn Lack, pencil signed etching of a rural scene

Charles John DeLacy (1856-1936) and Albany E. Howarth (1872-1936), drypoint etching, 'The Storming of Zeebrugge Mole. St George's Day, 23rd April 1918', signed by both artists, 44 x 60cm

Eileen Soper (1905-1990), drypoint etching, 'Leapfrog', signed in pencil, 12 x 20cm

Dame Laura Knight (British, 1877-1970), drypoint etching, 'Watching the Aerial Act', signed in pencil, 30 x 19.5cm

WARWICK WILLIAM LENDON (1883-1971) FOUR PAINTINGS AND ETCHINGS, comprising an abstract study of flowers in a vase reflected in a mirror, signed bottom right, oil on canvas laid on board, approximate size 59cm x 49cm, a portrait of a young man, signed bottom left, mixed media on paper?, approximate size 28cm x 23cm, a dry point etching 'La Andaluzia' depicting a study of a semi naked woman, signed and titled to lower margin and a limited edition dry point etching 'Dagnente from the rock of Arona, Lake Maggiore', signed, titled and numbered 3/5 to lower margin - stain to lower left corner

Indian Sword: Curved blade with remains of etching 78 cms long in original scabbard.

Fine sepia etching of "A Sheer Hulk" moored at low tide carrying a mast with three other ships in the background by George Stevenson. Signature, title and date engraved in plate on lower right: A Sheer Hulk, S. C., 1880. Sight size: 9.50"L x 7.60"H. Frame size: 12.10"L x 12.10"H x 0.75"W. Artist: George StevensonIssued: 1880Country of Origin: EnglandCondition: Age related wear. Vertical crease in center left.

Henry Ziegler (Mustang Rider) Grouping of detailed cowboy scenes. All etchings are signed Henry Ziegler or (Mustang Rider) and dated from 1935-1938. Sight sizes range from 10"H x 8.5"W to 4"H x 4.3"W.About the artist: HENRY ZIEGLER (1899 - 1968) Painter, illustrator, and etcher Henry Ziegler was born in Sherman, Texas. He studied at the Art Students League in New York, where he studied etching with Joseph Pennell and painting with William R. Leigh. He is best known for his western etchings, illustrations, and paintings. His commissions included a series of forty-nine etchings for the 1927 book Cowboy Stuff, published in a first edition of 12 copies and a trade edition of 500 copies in 1928. His etchings were exhibited at the art competition of the 1936 Summer Olympics in Berlin. Ziegler?s western etchings and monoprints were included in The Cowboy in American Prints, published in 1985 by Ohio University Press. His work is held in the collections of The Fine Arts Museums of San Francisco, the Great Plains Art Museum, Smithsonian Institution, National Portrait Gallery, and Georgetown University. Henry Ziegler died in New York City. Issued: 1889-1968Condition: Age related wear.

Etching titles 'Begrabnis' Dated 1936 Signed by Danish Painter and Illustrator Soren Hjorth Nielsem (1901-1983) - Framed 67.5cm x 57cm

2 unframed Etchings and an Engraving to include Adrian Collaert 'Christ in the Temple', Ruins of an Abbey and Charles Oliver Murray RE St Marks Venice and Percy Robertson RPE 1869 - 1934 View of Westminster Etching signed in Pencil

an etching and a lithograph printed in colors || Lot (2) grafiek : - kleurets getekend Marleen van Look : "Paard" - kleurlitho n° 29/99 getekend Katrien Caymax : "De zon en de maan"

lot (2) with an etching signed George Libbrecht and an illegibly signed etching || Lot (2) grafische werken : - ets n° 3/7 getekend George Libbrecht : "Libelles" - onleesbaar getekende ets n° 5/100 : "Vlinder"

lot (4) with 3 lithographs printed in colors and an etching - each signed Jacques Jacob and dated 2004 and 2006 || JACOB JACQUES (1939 - 2014) lot (4) met 3 kleurlithos op 50 exemplaren met telkens de voorstelling van dansende personages, telkens getekend en gedateerd 2004 en een kleurets n° 6/30 : "Man met hoed" - getekend en gedateerd 2006

20th Cent. etching in colors by Albert Saverys - signed Hebbelinck || SAVERYS ALBERT (1886 - 1964) / HEBBELINCK kleurets n° 310/350 : "Winterlandschap" - 49 x 58 getekend Hebbelinck

20th Cent. etching - signed Gaston Callens || CALLENS GASTON (1925 - 2004) ets n° 25/50 : "Zeewaarts" - 10 x 15 getekend

etching in colors by Hebbelinck after a work by Ruyters || Kleurets n° 41/350 gerealiseerd door Hebbelinck naar een werk van Ruyters : "Buste van een jonge vrouw" - 64 x 49

antique Rembrandt van Rijn plate signed etching || VAN RIJN REMBRANDT (1606 - 1669) antieke ets : ""De zegening" - 17 x 18,5 getekend in de plaat

antique Rembrandt van Rijn plate signed etching of Christ healing a leper || VAN RIJN REMBRANDT (1606 - 1669) antieke ets : "Christus geneest een melaatse" - 13,5 x 17,5 getekend in de plaat

antique Rembrandt van Rijn plate signed etching with Saul and the witch of Endor || VAN RIJN REMBRANDT (1606 - 1669) antieke ets : "Saul en zijn dienaren bij de heks van Endor" - 11,5 x 15,5 getekend in de plaat

antique Rembrandt van Rijn plate signed etching with a portrait || VAN RIJN REMBRANDT (1606 - 1669) antieke ets : "Portret van Jan Uytenbogaert" - 22 x 18,5 getekend in de plaat

Jules De Bruycker signed etching "Vieux pignons à Gand" || DE BRUYCKER JULES (1870 - 1945) ets n° 31/50 : "Vieux pignons à Gand" - 45 x 45 getekend

20th Cent. Belgian etching - signed Jules De Bruycker || DE BRUYCKER JULES (1870 - 1945) ets n° 32/75 getiteld : "Jacobus Alijn" - 53 x 37 getekend

20th Cent. rare etching and aquatint - signed Frans Everbag and to be dated in 1926 || EVERBAG FRANS (1877 - 1947) zeldzame ets en aquatint in kleur n° E.A. : "Vier muisjes" - 19 x 23 getekend en te dateren in 1926

18th. Cent. etching - plate signed Petrus Schenk || SCHENK PETRUS (1660 - 1718) ets : "De omgevallen muur achter de Santa Maria del Popolo" - 17 x 20 getekend in de plaat en te dateren in 1705

etching - signed G. Thans || THANS G. ets n° 7/20 : "Schermbloem" - 20 x 30 getekend

Floris Jespers signed etching || JESPERS FLORIS (1889 - 1965) ets : "Clown met viool" - 17,5 x 11 getekend

20th Cent. Dutch etching in colors - signed Lucebert and dated(19)89 || LUCEBERT (1924 - 1994) kleurets n° 18/35 getiteld "Honger" - 34 x 44,5 getekend en gedateerd (19)89

20th Cent. Balgian etching - signed Yvan Theys and dated 1976 || THEYS YVAN (1936 - 2005) ets n° 11/50 getiteld : "De badkamer" - 39 x 30 (blad : 66 x 50) getekend en gedateerd 1976

20th Cent. etching - signed Erik Heyninck and dated (19)86 || HEYNINCK ERIK (° 1952) ets en Chinese collé n° 27/50 : "De draad van Ariadne" - 11 x 14 getekend en gedateerd (19)86

Roger Raveel signed etching || RAVEEL ROGER (1921 - 2013) ets n° 34/50 : "Vader" - 34 x 26,5 getekend

Assorted pictures and prints, including a fishing etching of Leaderfoot Viaduct (10)

Paul Rayon 1843-1888 framed etching in sanguine portrait of a young lady, measures approx 29cm x 24cm

James Abbot McNeil Whistler (1834-1903) 'Rue St Jacques', etching, 15 x 11cm, framed under glass

ARR William Lionel Wyllie, 1851-1931, harbour scene, etching, signed in pencil, 28 x 47cm

ARR William Lionel Wyllie, 1851–1931, coastal landscape, etching, signed, 21 x 50cm

Etching - the Goblin's Tower, Rothenberg by A.P. Thomson

A signed etching of a Spaniel and four assorted prints

Abstrakter Expressionismus - - Robert Motherwell. (1915 Aberdeen/Washington - 1991 Provincetown/MA). Oy/Yo. 1978. Weichgrundätzung, Farbaquatinta, Radierung und Collage auf hellbraunem, festem Velin. 50,1 x 39,6 cm (68 x 55 cm). Signiert und nummeriert. Mit dem Copyright-Blindstempel des Künstlers "Robert Motherwell / Editions". - Papier im Ober- und Unterrand technikbedingt gering gewellt, verso in den beiden oberen Ecken schmale Montierungsreste, insgesamt sehr gut. Prachtvoller, experimentell anmutender Druck mit leicht eingeprägter Plattenkante und breitem Rand, links mit dem Schöpfrand. Belknap 196, Engberg/Banach 227. - Eines von 78 Exemplaren (+ 10 AP). - Hrsg. v. Brooke Alexander, Inc., New York, gedruckt im Atelier des Künstlers, Greenwich. - Provenienz: Horizon Gallery, Massachussets, mit deren Gaslerieetikett auf der Rahemnrückpappe. - Imposant setzt Motherwell die schwarze rechteckige Form vor ein dichtes neutrales Farbfeld aus sattem Ocker und sandfarbenem Papier. Es weckt Erinnerungen an einen dicken Pinselstrich, selbstbewusst präsentiert vor dem Hintergrund. Motherwell nutzt Erdtöne häufig, um seine schwarzen Formen und Linien in der Wirkung zu verstärken. Text ist in seinen Graphiken vor allem der 1970er Jahre ein Mittel, auf das er immer wieder zurückgreift. In unserem Blatt wird der feinlinige, rote Text auf der schwarzen zentralen Fläche -wie "Oy/Yo" besagt - von Hand auf die Platte gezeichnet. Motherwell verschränkt Bild und Schrift zu einer untrennbaren Einheit miteinander, verschmelzt sie zu einem eindrucksvoll kalligraphischen Schriftbild. Soft ground etching, colour aquatint, etching and collage on light-brown, strong wove paper. Signed and numbered. With the artist's copyright blindstamp "Robert Motherwell / Editions". - Paper hardly buckled in upper and lower margin due to technique, small traces from previous mounting in both upper cornes on the verso, all in all very good. Splendid, experimental-like impression with lightly impressed plate mark and wide margin, deckle edge on the left. - One of 78 copies (+ 10 AP). - Published by Brooke Alexander, Inc. New York, printed at the artist's studio, Greenwich. - Imposingly Motherwell sets the black rectangular form against a dense neutral colour field of rich ochre and sand-coloured paper. It evokes memories of a thick brushstroke, confidently presented against the background. Motherwell often uses earth tones to enhance the effect of his black shapes and lines. Text is a device he returns to again and again in his prints, especially in the 1970s. In our print the fine-lined red text on the black central area - as "Oy/Yo" states - is drawn by hand on the plate. Motherwell intertwines image and script into an inseparable unity, fusing them into an impressively calligraphic typeface.

Günther Förg. (1952 Füssen - 2013 Freiburg im Breisgau). Unikat IV. 1996/98. Radierung, aquarelliert, auf Velin. 24,7 x 31,9 cm (38,1 x 45,7 cm). Signiert, datiert und nummeriert. Verso punktuell auf Unterlage befestigt. Unter Glas gerahmt (geöffnet). - In den beiden rechten Ecken je ganz leichte Knickspur, im Ober- und Unterrand sehr wenige leichte Griffspuren, verso kleine Bleistiftannotation, insgesamt sehr gut, die Aquarellierung farbfrisch. Ausgezeichneter Druck mit feinliniger Plattenkante, zartem Plattenton und breitem, vollem Rand. Eines von lediglich 16 Exemplaren. Etching, water-coloured, on wove paper. Signed, dated and numbered. Spot-mounted to underlying mat on the verso. Framed under glass (opened). - Light crease mark in both right corners, very few light grip marks in upper and lower margin, small pencil annotation on the verso, all in all very goodd, watercolour very fresh. Superb impression with fine lined platemark, delicate plate tone and wide, full margin. - One of only 16 copies.

Helen Frankenthaler. (1928 New York - 2011 Darien). Earth Slice. 1978. Vernis mou, Zuckerreservage und Farbaquatinta auf cremefarbenem, leichtem Velin. 22,2 x 50,2 cm (38,4 x 66,2 cm). Signiert, datiert und nummeriert. - In den Rändern punktuelle, sehr blasse (Finger-)flecken, verso punktuelle blasse Braunflecken, zwei kurze druckbedingte Anrisse in den beiden rechten Darstellungsecken, insgesamt sehr gut und tadellos schön. Prachtvoller, farblich herrlich nuancierter und experimentell anmutender Druck mit breitem Rand. Harris 59. - Eines von 46 Exemplaren. - Hrsg. von Tyler Graphics Ltd., Bedford Village, New York, gedruckt von Rodney Konopaki, Paul Sanders und Kenneth Tyler. Mit dem Blindstempel des Herausgebers. - Bekannt vor allem für ihre ungebremste Experimentierfreudigkeit, wendet sich Frankenthaler in den 1960er Jahren verstärkt der Druckgrafik zu, einem Medium voller kreativer Möglichkeiten. Wie ihre Leinwände versteht sie es, Papier auf ebenso farbenfrohe und expressive Weise zu nutzen. Vorliegende Arbeit, in vier Farben von vier Platten gedruckt, ist ein ausdrucksstarkes Beispiel für ihre experimentelle Formensprache und ein Zeugnis ihrer Naturverbundenheit. Fließend gehen die erdigen Töne der horizontal angelegten Komposition ineinander über, schaffen ein harmonisch nuanciertes Ganzes. "Earth Slice" bezieht sich auf die Erde selbst, ist ein subtiler Verweis auf Ursprünglichkeit. Soft-ground etching, sugar-lift etching and colour aquatint on cream, light wove paper. Signed, dated and numbered. - Isolated, very faint (finger) stains in margins, on the verso isolated faint brown spots, two short surface tears in both right depiction corners, due to technique, all in all very good and impeccably nice. Splendid, colourfully nuanced and experimental-like impression with wide margins. - One of 46 copies. - Puiblished by Tyler Graphics Ltd., Bedford Village, New York, printed by Rodney Konopaki, Paul Sanders and Kenneth Tyler. With publisher's chimp. - Known primarily for her unstoppable drive to experiment, Frankenthaler turns increasingly to printmaking in the 1960s, a medium full of creative possibilities. Like her canvases, she knows how to use paper in equally colourful and expressive ways. Our work, printed in four colours from four plates, is an expressive example of her experimental formal language and a testimony to her closeness to nature. The earthy tones of the horizontally arranged composition flow into each other, create a harmoniously nuanced whole. "Earth Slice" refers to the earth itself, is a subtle reference to origin.

Marwan (d.i. Kassab Bachi Marwan). (1934 Damaskus - 2016 Berlin). Gesicht. 1972. Radierung in Braun auf Velin. 39 x 49,5 cm (53,5 x 61,5 cm). Signiert, datiert und nummeriert. - Tadellos erhalten. Prachtvoller, gratiger Druck mit ausdrucksvollem Plattenton und klar zeichnender Plattenkante, mit breitem Rand. Merkert 118. - Eines von 100 Exemplaren. Etching in brown on wove paper. Signed, dated and numbered. - Very fine condition. Splendid, burr-like impression with expressive plate tone and clearly drawn plate mark, with wide margin. - One of 100 copies.

Marwan (d.i. Kassab Bachi Marwan). (1934 Damaskus - 2016 Berlin). Gesicht III. 1972. Kaltnadelradierung auf Velin. 34,5 x 49,5 cm (53,5 x 77 cm). Signiert, datiert und nummeriert. - Vereinzelt im weißen Rand minimal knickspurig. Insgesamt sehr gut erhalten. Prachtvoller, gratiger Druck mit schmalem, vollem Rand. Merkert 120. - Eines von 150 Exemplaren. Drypoint etching on wove paper. Signed, dated and numbered. - Occasionally minimally creased the white margin. Altogether in a very good condition. Splendid, burr-like impression with narrow, full margin. - One of 150 copies.

Marwan (d.i. Kassab Bachi Marwan). (1934 Damaskus - 2016 Berlin). Kopf. 1972. Radierung auf Velin. 23 x 31,5 cm (46,5 x 59 cm). Signiert, datiert und bezeichnet "E.A". - Insgesamt in sehr gutem Zustand. Prachtvoller, gratiger Druck mit zartem Plattenton und fein zeichnender Plattenkante, mit breitem Rand, mit Schöpfrand oben. Merkert 116. - Épreuve d'artiste-Exemplar außerhalb der Auflage. Etching on wove paper. Signed, dated and insrcibed "E.A". - Altogether very well-preserved. Splendid, burr-like impression with delicate plate tone and finely impressed platemark, with wide margin, with deckle edge at top. - Épreuve d'artiste-copy aside the edition.

13 Arbeiten des Informel. Verschiedene Techniken, u. A. mit (Farb)Lithographie und Radierung, je auf Velin. Blattmaße von 47,3 x 37,3 cm bis 40 x 40,5 cm. 1 Arbeit signiert, die restlichen je drucksigniert bzw. -monogrammiert, teils -datiert. Teils auf Unterlage punktuell und unter Passepartout montiert. Teils verso mit typographischen Werksangaben. - Vereinzelt mit leicht bestoßenen Kanten und Griffspuren. 1 Arbeit an den Rändern mit oberflächlichen Fleckchen, auch verso. Insgesamt in guten Zustand. Ausgezeichnete und kräftige Drucke. U. A. mit Arbeiten von: Fred Thieler - Pierre Tal-Coat - Maria Helena Vieira da Silva - Giuseppe Santomaso - Fritz Winter - Emil Schumacher. - Mit 10 Arbeiten aus dem "Epitaph". 13 works. Various techniques, including (colour) lithography and etching, each on wove paper. 1 work signed, the others each print-signed or -monogrammed, partly -dated. Partly mounted on backing in spots and under passepartout. Partly with typographical indications on verso. - Only occasionally with slightly bumped edges and traces of handling. 1 work with superficial spots at the margins, also on verso.Altogether in good condition. Excellent and strong prints. - With works among others as listed above. - With 10 works from "Epitaph".

Joseph Beuys. (1921 Krefeld - 1986 Düsseldorf). Raumecke Filz und Fett. 1982. Radierung à la poupée auf grauem Velin. 14,5 x 19,8 cm (37,6 x 38 cm). Signiert und nummeriert. - Vereinzelt wenig merkliche Griffspuren. Insgesamt sehr gut. Ausgezeichneter, gratiger Druck mit breitem Rand, rechts mit dem Schöpfrand. Schellmann 432. - Eines von 75 Exemplaren. - Aus der Suite "Zirkulationszeit". - Hg. vom Grafos-Verlag, Vaduz 1982. Etching à la poupée on grey wove paper. Signed and numbered. - Occasionally barely noticeable traces of handling. All in all very good. Superb, burr-like impression with wide margin, scooped edge on the right. - One of 75 copies. - From the suite "Zirkulationszeit". - Ed. by Grafos, Vaduz 1982.