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Lot 195
Sir William Russell Flint (British, 1880-1969), Allegro, dry point etching, signed and numbered 'LV', signature faded, titled label verso, image size 12cm x 15cm, Provenace: P.& D. Colnaghi & Co. Ltd. Old Bond Street, London, W.1., and Travers Gallery, London, W.8., together with another W.R.F. etching, A dwelling in Aragon, signed and numbered 'V', image size 22cm x 34cm, both overmounted and framed (2)
Lot 262
Rachel Mooney (British, 20th / 21st century) Pergola and statue etching, signed with initials RM lower right, painted and gilt frame 4 7/8 x 6in. (12.4 x 15.25cm.), frame size 32.7 x 34.2cm; together with another coloured etching, 'Nena', signed indistinctly and dated '92, 11 x 8½in. (27.9 x 21.6cm.), in a blue limed frame, 49 x 36.7cm. (2)
Lot 263
Continental School (early 20th century) Portrait of a cocker spaniel etching, signed indistinctly lower right, gilt frame plate size 27.5 x 21.7cm., sheet size 47.5 x 37.25cm. visible, frame size 51.5 x 41cm.; together with a watercolour of a pair of Mallard ducks by J. Booth, signed and dated 1982, 21 x 30.25cm., the chrome frame 38.75 x 46.25cm. (2)
Lot 58
Reproduction brass Spanish foil, eagle and snake handled bowie knife with etching to blade in leather sheath, a small Stiletto dagger with ornate brass handle with sheath, a ornate Stiletto knife with Poseidon handle and leather sheath, a Indian Kukri knife set in leather sheath and a 1938 shell casing with wooden bullet head (6)
![L.S.Lowry Reproduction Limited Edition print 'The Old Town Hall, Middlesbrough'. [Frame 57.5 x 47cm] E.Herbert Whydale Etchin](https://cdn.globalauctionplatform.com/70fcd7fb-a797-4b74-aba4-b0b600a8fc48/ae73f524-0538-4293-a453-b0b800b99027/468x382.jpg)
Lot 586
Arthur Briscoe (British school, 1873-1943) - A limited edition original etching depicting a scene of fishermen sorting the net by the pier. Signed "A Briscoe" and dated 26 to the bottom. Limited edition numbered 56 of 75 and signed in pencil to margins. Framed and glazed. Measures approx. 27cm x 36cm.
Lot 587
Arthur Briscoe (British school, 1873-1943) - The Fore T-Gallant Sail. A limited edition original etching depicting a topgallant sail. Signed "A Briscoe" and dated 27 on the to thee bottom left. Limited edition numbered 70 of 75 and signed in pencil to margins. Framed and glazed. Measures approx. 37cm x 24cm.
Lot 158
NO RESERVE δ Jake & Dinos Chapman (b.1966 & b.1968)Untitled from Bedtime Tales for Sleepless NightsEtching with aquatint printed in colours, 2013, signed in pencil, from the edition of 35, printed by Paupers Press, published by Charles Booth-Clibborn under his imprint The Paragon Press, on Somerset Velvet paper, with full margins, sheet 432 x 350mm (17 x 13 ¾ in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 255
δ Salvador Dalí (1904-1989)The voice of my beloved! Behold!, from Song of Songs (Field 71-17F; M&L 473)Etching and pochoir printed in colours with gold ink, 1971, signed in pencil, numbered from the edition of 250, printed by Atelier Daniel Jacomet, published by Léon Amiel, Paris, with their blindstamp, on Arches paper, with full margins, sheet 563 x 381mm (22 1/8 x 15in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 157
NO RESERVE δ Jake & Dinos Chapman (b.1966 & b.1968)Untitled from Bedtime Tales for Sleepless NightsEtching with aquatint printed in colours, 2013, signed in pencil, from the edition of 35, printed by Paupers Press, published by Charles Booth-Clibborn under his imprint The Paragon Press, on Somerset Velvet paper, with full margins, sheet 432 x 350mm (17 x 13 ¾ in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 159
NO RESERVE δ Jake & Dinos Chapman (b.1966 & b.1968)Untitled from Bedtime Tales for Sleepless NightsEtching with aquatint printed in colours, 2013, signed in pencil, from the edition of 35, printed by Paupers Press, published by Charles Booth-Clibborn under his imprint The Paragon Press, on Somerset Velvet paper, with full margins, sheet 432 x 350mm (17 x 13 ¾ in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 254
δ Salvador Dalí (1904-1989)Behold his bed, which is Solomon's therefore..., from Song of Songs (Field 71-17H; M&L 471)Etching and pochoir printed in colours with gold ink, 1971, signed in pencil, numbered from the edition of 250, printed by Atelier Daniel Jacomet, published by Léon Amiel, Paris, with their blindstamp, on Arches paper, with full margins, sheet 563 x 381mm (22 1/8 x 15in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 256
δ Salvador Dalí (1904-1989)I am my beloved, my beloved is mine, from Song of Songs (Field 71-17J; M&L 477)Etching and pochoir printed in colours with gold ink, 1971, signed in pencil, numbered from the edition of 250, printed by Atelier Daniel Jacomet, published by Léon Amiel, Paris, with their blindstamp, on Arches paper, with full margins, sheet 564 x 381mm (22 1/8 x 15in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 156
NO RESERVE δ Jake & Dinos Chapman (b.1966 & b.1968)Untitled from Bedtime Tales for Sleepless NightsEtching with aquatint printed in colours, 2013, signed in pencil, from the edition of 35, printed by Paupers Press, published by Charles Booth-Clibborn under his imprint The Paragon Press, on Somerset Velvet paper, with full margins, sheet 432 x 350mm (17 x 13 ¾ in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 262
δ Salvador Dalí (1904-1989)Le dos divin de Gala, from After 50 Years of Surrealism (Field 74-8B; M&L 669)Etching with hand-colouring, 1974, signed in pencil, inscribed 'EA', an artist's proof aside from the edition of 195, printed by Ateliers Rigal, Paris, published by Transworld Art, New York, with their blindstamp, on Japon nacré paper, with full margins, sheet 675 x 515mm (26 1/2 x 20 1/4in)This work was authenticated by Dali Trade on 24/09/21 and bears the authentication signature in pencil verso.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 257
δ Salvador Dalí (1904-1989)Visage Surréaliste, from Aurélia (Field 72-5A; M&L 562b)Drypoint etching printed in colours, 1972, signed in pencil, numbered from the edition of 100, printed by Ateliers Rigal, Editions d'Art de Francony, Paris, on Auvergne paper, with full margins, sheet 798 x 585mm (31 1/4 x 23in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 264
δ Salvador Dalí (1904-1989)Paysage Ibérique, from Neuf Paysages (Field 80-2G; M&L 243)Drypoint with etching and aquatint in colours, 1980, signed in pencil, numbered from the edition of 80, printed by Jean Schneider, Basel, published by Werbungs- und Commerz Union Anstalt, on wove paper, with full margins, sheet 501 x 497mm (19 3/4 x 19 5/8in)This work was authenticated by Dali Trade on 14/08/23 and bears the authentication signature in pencil verso.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 265
δ Salvador Dalí (1904-1989)Piano Chevelure dans un Désert, from Neuf Paysages (Field 80-2F; M&L 242)Drypoint with etching and aquatint in colours, 1980, signed in pencil, numbered from the edition of 80, printed by Jean Schneider, Basel, published by Werbungs- und Commerz Union Anstalt, on wove paper, with full margins, sheet 504 x 497mm (19 3/4 x 19 5/8in)This work was authenticated by Dali Trade on 14/08/23 and bears the authentication signature in pencil verso.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 139
δ Robyn Denny (1930-2017)Generation 7Etching with aquatint printed in colours, 1978, signed and dated in pencil, inscribed verso, numbered from the edition of 35, printed by JC Editions, published by Bernard Jacobson, London, on wove paper, the full sheet printed to the edges, sheet 522 x 703mm (20 1 /2 x 27 5/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 167
Maria Helena Vieira da Silva (1908-1992)"André Malraux"Etching on paperSigned and numbered 2-100Accompanying the text "Malraux, celui qui vient. Entretiens entre André Malraux, Guy Suarès, Jose Bergamin" presented by Claude GlaymaSigned by the authors and numbered 2Ed. Stock, 100 copiesWith fabric-lined box21,7x17,8 cm (mancha/image)29,5x24 cm (papel/sheet)35x27,5x4 cm (caixa)
Lot 38
Günther Förg (1952-2013)"Ground"Watercolored etching on folded cardboard, with text on the left sideSigned and dated 9951x36 cm (cartão dobrado/folded cardboard)This print was part of the "Groud" portfolio comprising 20 watercolored prints, each with text on the left, selected by Rudi Fuchs, in an edition of 30 copies.
Lot 39
Günther Förg (1952-2013)"Ground"Watercolored etching on folded cardboard, with text from Joseph Brodsky on the left sideSigned and dated 9951x36 cm (cartão dobrado/folded cardboard)This print was part of the "Groud" portfolio comprising 20 watercolored prints, each with text on the left, selected by Rudi Fuchs, in an edition of 30 copies.
Lot 126
Carminio I (Crimson I) is an abstract color etching by artist Janine Cox. Signature in pencil lower right: Cox. Title in lower center: Carminio I. Numbered on lower left: 250/250. Housed in a gilded wood frame with light cream matting. Sight size: 20""L x 16.25""H. Frame size: 29.25""L x 26.25""H x 1.25""W. Certificate of Authenticity included. Artist: Janine CoxIssued: 1994Edition Number: 250 of 250 Condition: Age related wear.
Lot 127
Beautiful color etching by Abstract artist Janine Cox who composed a burnt red central square that expands in shimmering gold, deep purples and blue colored shapes and areas. Black ink cursive writings are visible in the central field and multiple tool marks are scattered throughout the composition. Signature in pencil lower right: Janine Cox. Title in lower center: Meridian II. Numbered on lower left: 210/250. Housed in a gilded wood frame with a white mat and gold tone border. Frame size: 34"L x 40"H x 1.50"W. Sight size: 20.25"L x 27"H. Certificate of Authenticity included. Artist: Janine Cox (20th century)Issued: c. 1995Edition Number: 210 of 250 Condition: Age related wear.
Lot 613
Felix Augustin Milius (French, 1843-1894) after Willem van de Velde the Younger (Dutch, 1633-1707). Etching on laid paper after the van de Velde painting titled "Marine" depicting ship-filled seascape, 1883. Signed in plate by Milius along the lower right. The print is from Albert Wolff "Cent Chefs-d'Oeuvre: The Choice of French Private Galleries." Paris: Georges Petit and Ludovic Bashet, 1883. Distributed by Knoedler & Co., New York.Height: 12 1/2 in x width: 17 3/4 in. />Condition: The sheet is lightly toned and there is a light undulation to the sheet. No tears, creases, losses, or restorations. Some wear to the deckled edges. The number "88" is written in pencil along the upper right. "Marine Van de Velde" is written in pencil along the verso in the upper left. Not framed.
Lot 543
Henry Moore (English, 1898-1986). Complete set of "Sketchbook 1928 The West Wind Relief" including: one etching and aquatint on Arches paper and one facsimile sketchbook with the accompanying catalog. Contained within the original green paper-covered portfolio. The sketchbook signed and numbered B 3/75 along the front page. The print signed along the lower right and numbered 3/75 along the lower left.(Case) height: 16 in x width: 13 in x depth: 1 3/4 in. (Print) height: 11 3/4 in x width: 15 in. />Condition: There are no major tears, losses, scratches, or restorations. There are some creases and handling marks on the featured print sleeve as well as some minor marks on the back of the sleeve.The sketchbook is lacking one page. There are minor instances of undulation to a few of the pages. There are no major losses to the sketchbook catalog. There are some minor stains and wear to the outer case.
Lot 608
Alfred-Alexandre Delauney (French, 1830-1894) after Constant Troyon (French, 1810-1865). Etching on laid paper after a 1853 Troyon painting titled "Cattle Pasture in the Touraine (Pasturage in the Touraine, near Chateau-La-valliere)" depicting cows and sheep under a cloud-filled sky, 1883. Signed in plate by Delauney along the lower right. With an "MA" watermark. The Troyon painting is in the collection of the Nelson-Atkins Museum of Art. The print is from Albert Wolff "Cent Chefs-d'Oeuvre: The Choice of French Private Galleries." Paris: Georges Petit and Ludovic Bashet, 1883. Distributed by Knoedler & Co., New York.Height: 12 1/2 in x width: 17 3/4 in. />Condition: The sheet is lightly toned and there is a light undulation to the sheet. There is a loss along the lower left edge. There is a minute crease along the lower right corner. Wear to the edges. There is a small tear along the upper left edge. The number "66" is written in pencil along the upper right. Not framed.
Lot 586
Max Ernst (German, 1891-1976). Aquatint and etching from "Paroles Peintes (," depicting an abstract shape in black and subtle reds, 1962. Published by Lazar-Vernet, Paris; printed by Georges Visat, Paris. Pencil signed along the lower right; numbered 19/50 along the lower left.Literature: Leppien - Spies No. 85.Sight; height: 9 in x width: 6 3/4 in. Framed; height: 17 1/2 in x width: 14 1/2 in. />Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Lot 614
Pierre Salvy Fred. Teyssonnieres (French, 1834-1912) after Alexandre-Gabriel Decamps (French, 1803-1860). Etching on laid paper after an 1839 Decamps artwork titled "Samson Destroying the Philistines" depicting a biblical fight, 1883. Signed in plate by Teyssonnieres along the lower right of the image. Decamps signature and date in plate along the lower left of the image. With an "MA" watermark. The print is from Albert Wolff "Cent Chefs-d'Oeuvre: The Choice of French Private Galleries." Paris: Georges Petit and Ludovic Bashet, 1883. Distributed by Knoedler & Co., New York.Height: 12 1/2 in x width: 17 3/4 in. />Condition: There is light toning and undulation to the sheet throughout. There is light wear and handling marks along the edges. No major creases, tears, losses, or restorations. Pencil number 58 along the upper right. Not framed.
Lot 584
Rudy Pozzatti (American, 1925-2021). Etching on paper titled "Computer Person II" depicting a profile of a figure surrounded by machinery, 1975. Pencil signed and dated along the lower right; numbered 8/18 along the lower center; titled along the lower left.Sight; height: 11 1/2 in x width: 16 1/4 in. Framed; height: 20 1/2 in x width: 24 1/2 in. />Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Lot 556
Edda Renouf (American, b. 1943). Set of eight etching and/or aquatints on Rives BFK paper titled "Clusters." Printed by Doris Simmelink, Crown Point Press, Oakland, California. Published by Parasol Press, Ltd., New York. From an edition of 25 with 10 artists proofs, July 1976. Each print pencil signed and dated along the lower right; numbered 5/25 along the lower left. Each print is additionally numbered 1-8 corresponding with the order of the portfolio. Together with the title page and held within a green cloth-bound portfolio.(Prints, each) height: 8 3/4 in x width: 8 3/4 in. (Portfolio) height: 9 3/4 in x width: 9 1/2 in. />Condition: There are no major tears, losses, or restorations. There are minute spots of foxing on several of the sheets. Each sheet has a small area with a rectangular accretion along the verso. Print eight has a small crease along the upper left corner. There is minor wear to the case including some scratches and areas of discoloration.
Lot 587
Jacques Villon (French, 1875-1963). Etching depicting a self-portrait (or autoportrait) head in loose lines, 1955. Pencil signed along the lower right; numbered 26/30 along the lower left. Jacques Villon was Marcel Duchamp's brother.Sight; height: 9 3/4 in x width: 8 3/4 in. Framed; height: 16 1/2 in x width: 14 1/2 in. />Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Lot 611
Charles Louis Kratke (French, 1848-1921) after Etienne Pierre Theodore Rousseau (French, 1812-1867). Etching on laid paper after a Theodore Rousseau painting titled "Banks of the Oise" depicting an idyllic riverside landscape and a fisherman, 1883. Signed in plate by Kratke along the lower right. Th. Rousseau signature in plate along the lower right of the image. Crown watermark. The print is from Albert Wolff "Cent Chefs-d'Oeuvre: The Choice of French Private Galleries." Paris: Georges Petit and Ludovic Bashet, 1883. Distributed by Knoedler & Co., New York.Height: 12 1/2 in x width: 17 3/4 in. />Condition: Light toning and light undulation to the sheet throughout. Some light wear along the edges. Light crease to the upper left corner. Pencil number 24 along the upper right. Spot of foxing to the upper right corner. Not framed.
Lot 566
John Stuart Gibson (American, b. 1958). Etching and aquatint depicting a sphere with geometric triangle designs in orange and black. Pencil signed and numbered 1/95 along the lower right; editioned 10/30 along the lower left.Sight; height: 20 1/4 in x width: 15 1/4 in. Matted; height: 28 1/4 in x width: 23 1/4 in. />Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Lot 605
Auguste Boulard Jr. (French, 1852-1927) after Etienne Pierre Theodore Rousseau (French, 1812-1867). Etching on laid paper after a Theodore Rousseau painting titled "Edge of the Woods of Monts Girard" depicting an idyllic landscape, 1883. Signed in plate by Boulard along the lower right. Crown watermark. The print is from Albert Wolff "Cent Chefs-d'Oeuvre: The Choice of French Private Galleries." Paris: Georges Petit and Ludovic Bashet, 1883. Distributed by Knoedler & Co., New York.Height: 12 1/2 in x width: 17 3/4 in. />Condition: There is light toning and undulation to the sheet. Light wear along the edges. No major creases, tears, losses, or restorations. Pencil number 64 along the upper right corner.
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