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![Hunting.- Wolstenholme the Elder (After Dean) [Fox Hunting] Plates I-IV, the set of four, aquatints with etching and engravin](https://cdn.globalauctionplatform.com/f65b37a5-bb7b-4d51-a5e7-aa3301133ee4/effa35f7-e642-4394-9730-aa3800ae5b55/468x382.jpg)
Lot 28
Hunting.- Wolstenholme the Elder (After Dean) [Fox Hunting] Plates I-IV, the set of four, aquatints with etching and engraving by Richard Reeve, each sheet approx. 490 x 615 mm. (19 1/4 x 24 1/4 in), some careful restoration, under glass in uniform frames by Bourlet, published by Reeve, 1806; together with 'Coursing in Sussex', a mezzotint after James Ward, framed (5).
Lot 73
NO RESERVE Gillray (James, 1756-1815) Overthrow of the Republican-Babel, etching with hand-colouring on wove paper, sheet approx. 400 x 314 mm. (15 3/4 x 12 3/8 in), central horizontal fold, the upper half laid onto support, some small nicks and tears, minor loss to left edge at upper centre, framed and glazed, published by Hannah Humphrey, 1809.Literature:BM Satires 11327
Lot 74
Anglo-French satire.- Gillray (James, 1756-1815) The Hand-Writing upon the Wall, an invasion print, with Napoleon presiding over a feast with dishes moulded to represent English buildings, etching with hand-colouring on wove paper without watermark, platemark 250 x 360 mm. (9 3/4 x 14 1/4 in), sheet 265 x 380 mm. (10 1/2 x 15 in), contemporary ink inscription in lower margin identifying 'Buonaparte' and 'The Empress Josephine', small tear in lower left corner but not into image, another small repaired tear in the upper centre, just going into the image, with the whole upper edge affixed onto paper support, otherwise some surface dirt, unframed, published by Hannah Humphrey, 1803.Literature:BM Satires 10072
Lot 75
NO RESERVE Anglo-French satire.- Napoleon.- Williams (Charles) An Imperial bonne bouche or the dinner of Tilsit, etching with hand-colouring, sheet approx. 240 x 340 mm. (9 1/2 x 13 1/2 in), some browning and surface dirt, published by Walker, 1807; together with 3 others, including Rowlandson's 'Vive le roi! - Vive l'empereur. Vive le diable', an engraved copy after 'The Plumb-pudding in danger...', and 'Proposition de constitution aux habitants de l'île St Hélène par l'ex empereur et roi' by Louis, etchings and engravings with hand-colouring, various sizes, framed and glazed, [early 19th century] (4).
Lot 76
NO RESERVE Anglo-French satire.- Cruikshank (George) Louis XVIII climbing the Mât de Cocagne, etching with hand-colouring, sheet 345 x 245 mm. (13 1/2 x 9 3/4 in), under glass, [BM Satires 12614], publsihed by William Hone, 1815; together with 3 others, including Rowlandson's 'Sketch of politicks in Europe 24th January 1786, birth day of the King of Prussia', Samuel De Wilde's 'British cookery or "out of the frying-pan into the fire"', and 'Political balance- unexpected inspection- or a good old master takeing a peep into the state of things himself' published by Thomas Tegg, etchings with hand-colouring, various sizes, framed and glazed, late 18th and early 19th century (4).
Lot 77
NO RESERVE Anglo-French satire.- Gillray (James, 1756-1815) Tiddy-doll, the great French-Gingerbread-Baker; drawing out a new Batch of Kings, etching with hand-colouring on thin wove paper, sheet approx. 242 x 360 mm. (9 1/2 x 14 1/4 in), trimmed within the borderlines, minor handling creases and some surface dirt, framed and glazed, published by Hannah Humphrey, [BM Satires 10581], 1806; together with The British butcher, supplying John Bull with a substitute for bread, vide Message to Lord Mayor, etching with hand-colouring, sheet approx. 250 x 170 mm. (9 7/8 x 6 3/4 in), some minor browning, framed and glazed, [BM Satires 8665]; and with a copy after Gillray's Political-Dreamings!-Visions of Peace!-Perspective Horrors!, framed and glazed, 1802 (3).
Lot 522
Victorian Naval Officer’s Sword29 1/4 inch, single edged blade with large fuller. Traces of etching. Blade pitted. Brass guard with Vic crowned anchor cartouche. Folding rear section. Lion mask pommel and backstrap. Shagreen grip with twist wire binding. Contained in a black leather scabbard with white metal mounts. Leather damaged.
Lot 206
After: Louis Icart, French (1888 - 1950) Etching, Young Women In An Open Carriage, Pencil Signed Lower Right. Inscribed in French on lower margin. Copyright mark in the plate. Measures 16" H x 17-1/2" W, frame measures 25-3/8" H x 27-1/4" W. Condition: Light spotting, minor creasing otherwise good condition. Estimate: $700.00 - $900.00 Domestic Shipping: Third party
Lot 212
Louis Icart, French (1888 - 1950) Etching "Lady with Greyhounds" Signed and Numbered 214/350, Windmill blindstamp lower left. Copyright: Les Gravures Ardennes Sight measures 19" H x 26" W, frame measures 30-1/2" H x 37-1/2" W. Condition: Some toning to paper otherwise good condition Estimate: $250.00 - $400.00 Domestic Shipping: Third party
Lot 664
An Elizabeth II 1912 pattern cavalry officer's sword of the 16th (The Queen's) Lancers, regulation Wilkinsons blade 3 in., etching including regimental emblem and initials 'R.D.B.'; EIIR cypher, numbered 86406; scroll embellished nickel-plated steel guard; complete with service and full cress scabbards, corresponding sword knots and a sword bag. .See also lot 547 for this officer's medals.
Lot 1084
Thomas Vivares (b. 1744), after George Morland (1763 - 1804), Self-Portrait Beside a Country Inn, a pig, a dog and his easel by his side, From an original Drawing in the pofsefsion (sic) of John Graham Esqr, To whom this Engraving is respectfully inscribed bu his obliged h:ble Serv:t Edwd Orme (sic), Published by Edward Orme, London 1805, hand-coloured soft-ground etching, 38cm x 50cm, Hogarth-type frame Condition Report: Generally good. Some foxing. Some losses to frame. See images.
Lot 1086
Pablo Picasso (1881-1973) by and after, a single etching from La Suite Vollard; sculptor and model reclining by a window and sculptured head, signed by the artist to margin, Picasso watermark, drypoint etching, papersize 33.5cm x 45cm Condition Report: It was booked in as an original, there is no provenance
Lot 193
λElyse Ashe-Lord (British 1900-1971) Seated Dancer Etching printed in colours with hand-colouring Signed in pencil and numbered 62/75 34 x 24.5cm (13¼ x 9½ in.) Provenance: Royal Exchange Art Gallery, London Acquired from the above by The Lord Wraxall λ Indicates that this lot may be subject to Droit de Suite royalty charges. Please see our Terms & Conditions for more information.
Lot 234
λHenry Moore (British 1898-1986) Mother and child XXV (from Mother and child) (Cramer 695) Etching and aquatint printed in colours, 1983 Signed in pencil, inscribed PL XXV and numbered 44/65 Plate: 30.5 x 22.5cm (12 x 8¾ in.) Provenance: Goldmark Gallery, Rutland Acquired from the above by The Lord Wraxall in 2003 λ Indicates that this lot may be subject to Droit de Suite royalty charges. Please see our Terms & Conditions for more information.
Lot 238
λMariette Lydis (Austrian 1887-1970) Nude with hat and stocking Etching with aquatint printed in colours Signed in pencil Plate: 15 x 15cm (5¾ x 5¾ in.) Together with another etching by the same hand. (2) Provenance: Royal Exchange Art Gallery, London Acquired from the above by The Lord Wraxall in 2000 λ Indicates that this lot may be subject to Droit de Suite royalty charges. Please see our Terms & Conditions for more information.
Lot 353
W R Wakefield; a drypoint etching of Liverpool Docks, with Liver Buildings on the background, monogrammed and dated 1919 within the print, signed in pencil to the border, 22.5 x 15cm, framed and glazed and a reproduction print of 'The South West Prospect of Liverpoole, in the County Palatine of Lancaster', 22 x 63cm, framed and glazed (2).
![Tristram Ellis (artist), View of Constantinople Harbour, signed etching on paper [n.p. dated 1893 AD] single leaf, original e](https://cdn.globalauctionplatform.com/fff603a9-bd65-4443-97f7-aa1e010a4cc5/18b08acb-00f8-4457-9926-aa1e010bf3a2/468x382.jpg)
Lot 26
Tristram Ellis (artist), View of Constantinople Harbour, signed etching on paper [n.p. dated 1893 AD] single leaf, original etching with artist's name and date printed in lower left-hand corner, signed by the artist in pencil below the image, with illustration of men in boats also in the lower margin of the image, leaf a little browned, overall excellent condition, 320 by 565 mm; mounted on thick card; together with another modern etching of Constantinople Tristram Ellis (1844-1922) was an English artist known for his paintings and etchings of scenes from the Middle East and the Eastern Mediterranean. This is particularly celebrated for his waterfront views, as depicted here in the present etching.
Lot 152
George Earl (1824-1908) IN THE BRAMBLES Signed c.r., oil on board 34 x 34cmLots 152-185 The Bryan Steele Collection Many years ago Bryan was browsing an antiques auction when he came across a very appealing, small, pencil-signed Herbert Dicksee etching of a sleeping puppy. He left a commission bid and happened to secure it. He liked it so much that he went on to buy a few more dog etchings by the same artist and over ensuing years he amassed a large collection of works by Dicksee, travelling far. He had become a fanatical collector and over the years has created a large and virtually complete collection of etchings and other works by Herbert Thomas Dicksee R.E. (1862 – 1942). Bryan has taken the decision to begin the disposal of his collection, his reason is simply his advancing years. The Collection includes over 180 different-subject, original signed artist proof etchings (about 100 mounted and framed to conservation standards, the remainder stored flat and protected by individual folders). Many were purchased from the artist’s descendants and the family art dealer respectively. Sales will include items of interest to both print connoisseurs and collectors alike. We are delighted to present the first selection from the Bryan Steele collection in this sale, with further items to be offered in the forthcoming Fine Interiors sale on the 25 and 26 June 2019.
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71174 item(s)/page