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Lot 4
Collection of Prints, to include: a post-Impressionist print titled Afternoon by the river, framed measurements 45 x 53 cm, a reproduction framed print of a Venetian flower girl, framed measurements 52 x 42 cm and a photographic print of a Victorian lady in an oval frame, framed measurements 67 x 50 cm, a large reproduction print of a dancer, framed measurements 114 x 85, a Lionel Smythe ARA etching of a young lady wearing a cap, signed bottom left, label for Dunthorne and Brown of the Rembrandt Gallery Liverpool verso (5)
Lot 18
Alexis de Leeuw (Belgian 1822-1900), The Timber Wagon, chromolithograph on canvas, signed bottom right, framed 62 x 92cm, frame 87 x 117 cm 19th-early 20th century French School, coloured etching of Windmill, Georges Pettit blind stamp bottom left, signed 'Fienne Frisus' bottom right, 37 x 46 cm (PL), frame 55 x 65 cm Ralph Duck (Irish 20th Century), The Old Cedar Tree, watercolour, signed bottom right, mounted and framed. Measurements 34 x 27 cm (i), frame 55 x 47.5 cm. Previous auction label verso.There is a record for Ralph Duck as a member of the Dublin Sketching Club with whom he exhibited with in 1967. Together with: John Purser (British School), Leaving Harbour at Whitby, watercolour, signed bottom right. Measurements 25 x 34.5 cm and Geoff Marsters, The Weaver Bend, limited edition print, signed and dated 1989 bottom right, numbered 250/300, measurements 21cm x 31 cm (PL), frame 38 x 45 cm (3)
Lot 137
Naum Slutzky (1894-1965), a group of copper etching plates One depicting Russian fighters, with rifles, 20.5cm x 30.5cm, signed; together with another depicting a man playing a harmonica, standing before a peasant farmstead, 33.3cm x 20.5cm; also three smaller etched sketches on copper plates, loose in a wooden box (5) Provenance: From the studio of Naum Slutzky 1966, thence by decent and then to the present owner. Purchased: Roseberys, Fine Art Auction, 6th September 2016, Lot 276Please refer to department for condition report
Lot 116
Collection of pictures circa 1920-1930 from Birmingham Municipal School of Art, provenance from the family of Ormond Edwin Gollins, assistant principal of Birmingham Municipal School of Art 1920-1930 Black and white woodblock printSnowshill Station, possibly by Elizabeth Field, signed in pencil to reverse of mount, 19cm x 27cmAttributed to Margaret Noble2 Colour woodblock printsViews of possibly St Martin's Church, Birmingham, 12cm x 13.8cmUnattributedLimited edition Colour woodblock print Industrial canal scene with figure, probably Birmingham, 6/10, 16cm x 16.5cm Margaret G Marshall Etching"Old Market House ...", signed in pencil, 12.5cm x 15cm A Thorne(?) Black and white print, possibly linocutCattle in stable x 2, one signed in pencil, 10cm x 14cm, all mounted and five other prints, all in folder (12)
Lot 573
A collection of miscellaneous prints and engravings, including James Gillray, 'A Fundamental Error in the Art of Skaiting', 23 x 33cm, and Crispijn van de Passe the Younger, figure 10 from `L `Instruction de Roy en l`Excercise de Monter a Cheval` by Antoine de Pluviel (both framed), with various unframed prints including, Kenneth Steel, signed etching with drypoint, Shewsbury School from the River, Hogenberg after Hoefnagel, 'Palatium Regium in Angliæ Regno apellatum Nonciutz', Emblem after Allom, 'The Post Office, St Paul's Cathedral and Bull & Mouth Inn, London in 1829' and 'A View of the Bridge over the River at Hampton Court' etc.
![Adriaen van Ostade (Dutch 1610-1685), The Peasant Settling His Debt, etching [1646 and later] and three other small prints, c](https://cdn.globalauctionplatform.com/ae1a2039-90b8-4e8f-91ec-ac2900e3f071/d1184aea-a44c-40e6-a35f-ac6301059487/468x382.jpg)
Lot 594
Adriaen van Ostade (Dutch 1610-1685), The Peasant Settling His Debt, etching [1646 and later] and three other small prints, comprising two etchings after Stefano della Bella (1610-1664) from 'Varii Capricci Militari' [plates 1 and 5] and an engraving of a 17th century falconer releasing his game birds (4, two in one frame), 10 x 8.5cm to 13 x 16cm
Lot 524
*Malcolm Osborne (1880-1963) Portrait of Sydney Jones, seated, sketching etching, signed in pencil l.r. 34.5 x 26cm Provenance: The Estate of Virginia Chapman, late of Debden Manor. *Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frame. No obvious condition issues.
Lot 547
*Augustus John OM RA (1878-1961) Percy Wyndham Lewis: large plate, circa 1903 etching and drypoint, signed in pencil l.r. 19.5 x 15.5cm Provenance: with Fine Art Society, London. *Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frame. Spots of foxing and staining to margin.
Lot 461
For your consideration is this 1885 first edition copy of Volume 1 Personal Memoirs of U.S. Grant. Showering the reader with his personal thoughts and excerpts from his life, the volume includes an amazing look into an honorable man. Showing plain leather covers with bold gold stamped lettering along the spine. Of all the memoirs written by former U.S. presidents, those of U.S. Grant are often considered to be the best: being well written and the most readable; full of interesting detail and insight. For example, there is a fascinating fold-out of the terms of surrender given to Robert E. Lee. Volume I shows an excellent etching of Grant as a young soldier. The volume was published by Grant's friend, Samuel Clemmons (Mark Twain) under the alias of his nephew, Charles L. Webster. The condition of this book is fair with wear marks to the spine and cover due to age and use. The measurements of this book are 9 1/2" x 6 1/2".
Lot 116
John Clerk of Eldin (Scottish, 1728-1812), "The hill of Arthur's Seat and Town of Edinburgh from Loch End", etching, monogrammed and dated 1774 in the plate, framed. Plate 146mm by 380mm. Note: Clerk was a prominent Scottish Enlightenment amateur artist. He was the brother-in-law of Robert Adam and his wealth afforded him the opportunity to travel around Scotland drawing and was successfully encouraged to take up etching by Paul Sandby. Another example of the subject etching was used as the cover illustration for Bertram, Geoffrey, "The Etchings of John Clerk of Eldin" pub. 2012
![A Large Caithness art glass vase with etching of a golfer to the front. Signed A J Webster 2001 to the base. [27cm height]](https://cdn.globalauctionplatform.com/44c5e0a3-7815-460b-ab91-ac5d00d489f8/56469328-561b-4048-b8f9-ac600116a465/468x382.jpg)
![A Small etching of a church [Possibly Dunfermline Abbey] signed R. Eadie and dated 1913. Fitted with an arts and crafts woode](https://cdn.globalauctionplatform.com/44c5e0a3-7815-460b-ab91-ac5d00d489f8/0ab049b0-19b4-466a-bc2f-ac600141aae7/468x382.jpg)
Lot 256
EDWARD J. CHERRY, YE ANCIENT HOUSE OF MOLL, CATHEDRAL CLOSE, etching, signed, 17cm x 10.5cm Mounted, framed and under glass, along with other etchings and prints including an etching by Wilfred Appleby, a print of Perspective View of the Royal Palace and Gardens at Hampton Court and a map of Kent, each framed and under glass (7)
![An etching of a young lady reading and a small watercolour of Lynmouth. [2]](https://cdn.globalauctionplatform.com/b6c05b48-3e31-479b-97f8-ac300108e6b2/c7d4e1b9-e699-46c8-be6e-ac5300974165/468x382.jpg)
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71174 item(s)/page