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![JAMES TISSOT [FRENCH 1836-1902] ETCHING AND DRYPOINT FIVE "L`ENFANT PRODIGUE SUITE": The title image printed as fro](http://lot-images.atgmedia.com/SR/33875/2880365/2026-2013320161440_468x382.jpg)
Lot 227
1945 PATTERN NAVAL DIRK with brass hilt and lions head pommel leather handle held by twisted wire, the cross guard having attached anchor badge and acorn finials, the 18| blade bearing the remains of the etching, lacking scabbard. Slight tarnishing to pommel and oxidisation to handle, blade has patches of rust and pitting and is well worn.
Lot 418
After George Vernon Stokes (1873-1954) TWO LIMITED EDITION COLOURED ORNITHOLOGICAL ETCHINGS, the first entitled ~Blackcock~, signed and numbered 7/75 in pencil to margin, card mounted, simply framed, under glass. 32.5cm x 28cm; the second untitled and unframed, signed and numbered 66/75 to margin, card mounted. 28cm x 32cm Some discolouration and fading, one small foxing spot to unframed etching.
Lot 99
NORMAN C. JAQUES (b.1922) MONOCHROME ETCHING Street scene with buildings 21 1/2" x 14 3/4" (54.5cm x 37.5cm) AND, BY THE SAME ARTIST COLOUR ETCHING Boat yard 15 1/2" x 12" (39.3cm x 30.5cm) ANOTHER COLOUR ETCHING 12" x 9" (30.5cm x 22.9cm) AND ACRYLIC ON PAPER Abstract floral pattern 18" x 12" (45.7cm x 30.5cm) All signed Unframed (4)
Lot 412
Marie Astoin, French 1923-2011- View of Sacre Coeur, Paris; pen and black ink and watercolour, signed, 26x20cm: together with a small landscape study in gouache by the same hand, signed (twice), 10x16.3cm: William J MacLean, British exh 1895-1913- Portrait of a lady, quarter-length turned to the right, (recto), unfinished still life composition, (verso); oil on canvas, signed and dated 28, bears inscribed label attached to the reverse, in an oak frame, 45.7x30.5cm: Victor Maunier, French b.1890- "Maison et Studio de Theodore Rousseau, Rue des Artistes a Barbizon"; etching, signed and inscribed in pencil, 17x24cm., (4) (may be subject to Droit de Suite
Lot 501
Charlotte Halliday RBA RWS NEAC, British late 20th/early 21st century- "Sunday Afternoon, Little Venice"; pencil and watercolour on grey, signed and dated 1993 in pencil, 24x25.5cm: John Brunsdon ARCA, British b.1933- "Salthouse"; etching with aquatint printed in colours, signed, titled and inscribed Artist Proof XX/XXV in pencil, 45x60cm: G P Pugh, British early/mid 20th century- "Arundel Castle, West Sussex from the River Arun"; watercolour, signed in pencil, 28x38cm: Martin Andrews, British mid/late 20th century- "Egyptian Scene, Temple of Iris", c.1965; pencil, 45x38cm: Thomas Higham, British 1795-1844- "Proposed New Houses of Parliament", from Stationers` Almanack 1837; hand coloured engraving, 24.5x43cm, (5), (may be subject to Droit de Suite)
Lot 545
After Thomas Henwood, British 1797-1861- "The Procession of the Lewes Bonfire Boys, Nov 5th 1853"; hand-coloured lithograph, 30.5x49.5cm: William Ward Jnr, British c.1800-1840- "The Right Honble C W W Wynn, MP", after Sir M A Shee PRA, publ August 1835 by Messrs Colnaghi & Company 33 Cockspur Street Charing Cross; mezzotint, in a 19th century glazed maple veneered frame, 37x28cm: George Cruickshank, British 1792-1878- "A Very Good Man, no Doubt, but a Bad Sailor", publ Margate August 21 1845; etching, 23.5x16.5cm: British School, early 19th century- "His Most Gracious Majesty King William the Fourth"; engraving, 28.5x22.5cm: British School, late 19th century- "The Celeban Black Baboon"; chromolithograph, 16.5x10.5cm., (5)
Lot 617
Georgina Porter, British, late 20th/early 21st century- "Open Fields"; screenprint in colours, signed and numbered 1/2 in pencil, 90.5x70.5cm: together with another screenprint in colours by the same artist titled "Suntrap", signed and numbered 2/4 in pencil, 67x96cm: James Cox, British b.1956- "Tuscan II"; etching with aquatint printed in colours, signed, titled and numbered v/xxv in pencil, 69x98cm, (3) (may be subject to Droit de Suite)
Lot 655
Nicky Neate, British, late 20th/early 21st century- Untitled abstract composition; watercolour, gouache and mixed technique, 68x72cm: Nicky Neate, British, late 20th/early 21st century- Untitled abstract composition; gouache and silver coloured paint, 44x32cm., (mounted) (unframed): Pauline Poupko Meehan, Irish b.1963- Untitled; etching with aquatint, signed, numbered `1/10 and dated 95 in pencil on the mount, 49x33cm: together with three hand-coloured monoprints by the same hand of similar subjects, various sizes, 48x36cm., (max): Russian School, late 20th century- Seashell in landscape; batik, bears label attached to the reverse, 70x60cm., (7) (may be subject to Droit de Suite)
Lot 661
John Brunsdon ARCA, British b.1933- "Gordale Scar"; etching with aquatint printed in colours, signed, titled and numbered 139/150 in pencil, 44x58cm: Mary Ford, British b.1944- Still life by a window; lithograph printed in colours, signed, numbered 12/200 and dated 79 in pencil, 61x51cm: Michael Blaker, British b.1928- "The Bridge at Flatford"; hand-coloured etching, signed within the plate, signed, titled and numbered 11/200 in pencil, 27.5x36.5cm: Ilana Richardson, British, late 20th/early 21st century- "Cool Veranda"; screenprint in colours, signed, titled, numbered 37/200 and dated 82 in pencil, 55x64cm: Alyson Stoneman, British b.1948- "Autumn Evening, Lamorna"; mezzotint printed in colours, signed, titled and numbered 82/200 in pencil, 36.5x42cm: Deirdre Morgan, British b.1933- Courtyard and fountain, Morocco; lithographs printed in colours, two, both signed and numbered 76/195 in pencil, 40.5x30cm., ea: Lilan Richardson, British, late 20th/early 20th century- "Sens Interdit"; screenprint in colours, signed, titled, numbered 38/225 and dated 87 in pencil, 55x45cm: Francois Ledan, Fanch, French b.1949- "Square G Baty" and Tour Eiffel; lithographs printed in colours, two, both signed, one numbered 23/200 and the other 72/200 in pencil, 59.5x79 and 79x59cm., respectively: Mario Fellani, Italian b.1934- Portrait of a woman seated at a table; lithograph printed in colours, signed and numbered 122/200 in pencil, 57x67cm., (11) (may be subject to Droit de Suite)
Lot 685
Leonard Baskin, American 1922-2000- Woman daydreaming with a bat, raven and other animals; etching, signed and numbered 72/100 in pencil, dated 1972 within the plate, 17.5x12.8cm: Jack Coughlin, Irish/American b.1932- Catwoman; etching, signed and inscribed `AP`, 9.5x7.5cm, (2) (may be subject to Droit de Suite)
Lot 686
Albany E Howarth ARE, British 1872-1936- "Bamburgh"; etching, signed, titled and dated 1919 within the plate, signed in pencil, 40x55cm: Albany E Howarth ARE, British 1872-1936- Ludlow; etching, signed in pencil, 40x55cm: together with two further etchings by the same hand, one of Seaton and the other of Chiddingstone, the latter signed, titled and dated 1919 within the plate, both signed in pencil, 23.5x40 cm and 27.5x36.5cm., respectively: Stanley Anderson, British 1884-1966- Ruined palace; etching, signed in pencil, 26x35cm: Margaret M Rudge, British, early-mid 20th century- Windswept landscape; etching, signed in pencil, 15x17.5cm: Charles Octavius Wright, British 1874-1964- View of a college; etching with drypoint, signed and numbered 25/50 in pencil, 13.5x19cm., (7) (may be subject to Droit de Suite)
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