We found 71174 price guide item(s) matching your search

Salvador Dali (Spanish, 1904-1989)Sombra Sombre la Playa etching in silver 34 x 24cm ARR

Michel Boulet (French, b. 1936)By The Sea signed in pencil 'Michel Boulet' (lower left) reproduction print 56 x 70cm together with a signed and inscribed Rupert Gatfield poster; an abstract print by Peter Richards; at etching of a table by a window by Penelope Downes; an indistinctly signed and numbered print of figures holding a chicken; and an abstract print of a metal structure (6) ARR

SALVADOR DALI 'Knightly Combat', 1972, colour etching, edition of 250, artist proof, signed lower right, 50cm x 65cm, framed and glazed. (Subject to ARR - see Buyers Conditions)

JOSÉ MARIA CANO (Spanish b.1959) 'The Gherkin', 2010, copper plate etching, E/A, signed and dated, 220cm x 93cm, framed and glazed. (Subject to ARR - see Buyers Conditions)

JOSÉ-MARIA CANO (Spanish b.1959) 'Queen Elizabeth Tower', 2010, copper plate etching, E/A, signed and dated, 220cm x 93cm, framed and glazed. (Subject to ARR - see Buyers Conditions)

Walter Dendy Sadler (British 1854-1923): A Lively Meal, engraving signed in pencil by artist and engraver pub. 1900, 57cm x 68cm; William Heath (British 1794-1840): 'Dressing for the House on the March 1829', hand-coloured etching pub. Thomas McLean (1788-1875) 24th March 1829, 25cm x 35cm; Richard Dagley (c.1761-1841): 'Taking Likenesses', 19th century hand-coloured engraving 14cm x 18cm (3)

Douglas Ian Smart (British 1879-1970): 'Limoges', drypoint etching signed in pencil, titled verso on gallery label; Romain Malfliet (Belgian 1910-2006): Busy Continental River, etching signed titled and numbered 43/100 in pencil; and a further Scottish coastal etching signed Walter Towers, max 24cm x 68cm (3)

Chinese School (20th century): Birds and Flowers, set five watercolours on silk 18cm x 12cm, an etching of Tin Ghaut Whitby and a print of the same subject max 21cm x 13cm (7)

A 22ct gold wedding band with decorative etching to surface. Size K, 4.8gms.

Samual Palmer (1805 - 1881), The Rising Moon, etching, 14.5 x 20.5cms, framed

A Joseph Pennell Etching "The Palaces, Venice"

A small limited edition Print, no. 22/150 of a grand building possibly Luxemborgh on stamped paper, indistinctly signed, along with a small print of an etching possibly Russian.

Julius C. TURNER (1881-1948) The harbor, etching, 11/75, marked in lower right. 1935. (31 x 22 cm)

Koen SCHERPEREEL (1961-1997) self portrait, etching 3/6, march 1984. (31,5 x 31,5 cm)

David Carpanini (b.1946),'South Winder',signed, inscribed and numbered 2/20,limited edition etching,47 x 35 cm CONDITION REPORT: Dimensions for image only.

Christine Hodgson (20th Century),'Melons', signed, dated 61 and numbered 4/10,etching and aquatint, 37 x 50 cm CONDITION REPORT: Dimensions for image only.

Patti Smith and Robert Mapplethorpe,'Desire',limited edition book with c.o.a.,together with a cased giclee etching entitled 'Now + Never' by Marcus Aitken*Please Note: VAT will be added to the hammer price on this lot

Dan Wheale (contemporary),'Desckscape 7',signed and inscribed,etching and monoprint,2007 competition label verso,57 x 73 cm CONDITION REPORT: Dimensions for image only.

Edward Francis Wells, 'Windsor Castle', signed and titled in pencil, etching, I.22.5 x 30.5cm. 

WILLIAM LIONEL WYLLIE (1851-1931): A large framed and glazed pencil signed etching "Escape of HMS Calliope" published by Art Union of London, 1892. Plate size 47.5cm x 61cm. (Paper waved at bottom, creases to both sides)

GLYN THOMAS (b.1946): A framed and glazed coloured etching titled 'Low Tide at Pin Mill'. Pencil signed and numbered 60/150. Plate size 36.5cm x 27.5cm

SEAN CRAMPTON (1918-1999): Fox in Landscape 1957 etching, limited edition 4/5, artists proof. Crampton was a past President of The Royal Society of British Sculptors. Plate size 24.7cm x 35.2cm

ROWLAND LANGMAID RN. RA. (1897-1956): A framed and glazed etching, "Plymouth Harbour". Pencil signed bottom right. Plate size 9cm x 32.5cm

W. Rawson, Beauchief Abbey, etching; early XX Century oil on board of a ruined abbey, watercolour of a Lighthouse, picture frames:- One Box

Marc Chagall Etching 30 x 25 cms

NO RESERVE Morland (George), After. Children Fishing; Children Gathering Black-Berries, a pair, mezzotints with etching by P. Dawe, printed in colours and finished by hand, platemark 500 x 350 mm (19 3/4 x 13 3/4 in), small margins, under glass, minor surface dirt and abrasion, uniformly framed, William Dickinson, 1788 (2)Literature:Beazley, David, Images of Angling. Three Centuries of British Angling Prints, Creel Press, 2010, no. 58

Morland (George), After. A Party Angling; The Anglers' Repast, a pair, mezzotints with etching by George Keating and William Ward, printed in colours and finished by hand, each platemark approx. 465 x 560 mm (18 1/4 x 22 in), good margins, under glass, minor surface dirt and abrasion, uniformly framed, J.R. Smith 1789 (2)Provenance:Arthur Ackermann & Son Ltd., LondonLiterature:Beazley, David, Images of Angling. Three Centuries of British Angling Prints, Creel Press, 2010, nos. 59-60⁂ "A Party Angling captures the very essence of angling's own 'age of elegance' [...] and comes from the period when Morland was producing his best work and is one of his best-known images... This wonderful picture of the artist and his friends enjoying a moment's fishing will always be there as a memory of his happiest days." [Beazley op. cit. p.44]

NO RESERVE Morland (George), After. A Party Angling; The Anglers' Repast, a pair, mezzotints with etching by George Keating and William Ward, on laid paper with indistinct watermarks, platemarks each approx. 465 x 560 mm (18 1/4 x 22 in), trimmed with small margins, some nicks and tears to extremities, minor surface dirt, browning, and handling creases, J.R. Smith, 1789 (2)Literature:Beazley, David, Images of Angling. Three Centuries of British Angling Prints, Creel Press, 2010, cf. nos. 59-60

George IV fishing satire.- Williams (Charles) A King-Fisher, etching with original hand-colouring, on wove paper without watermark, sheet 242 x 347 mm (9 1/2 x 13 5/8 in), trimmed just within the platemark, minor surface dirt and light handling creases, hinged onto card support, unframed, [BM Satires 15137.a], published by S.W. Fores, 1826; together with 6 others similar, including John Fairburn's A King-Fisher, and A Water-Wag-Tail, 1826 [Not in BM], A King-Fishing Party attributed to Heath, 1827, [BM 15413.A], A King-Fisher, 1826 [BM 15126], Gillard's A King-Fisher on the banks of the Thames, 1826, [cf. BM 15147], William Heath's The Virginia Fishing Smack, 1827 [BM 15410], and Charles Williams' Gudgeon fishing a la conservatory, 1811 [BM 11729], etchings, all with hand-colouring, various sizes, all unframed, [circa 1811-1827] (7)Literature:Beazley, David, Images of Angling. Three Centuries of British Angling Prints, Creel Press, 2010, cf. nos. 66-70

Caricatures.- Cawse (John) Devils- angling for lawyers!!!, fishing related satire on the legal profession, etching with hand-colouring, on wove paper with 'Cansell' watermark and dated '1822', sheet 257 x 395 mm (10 1/8 x 15 1/2 in), trimmed to or just within the platemark, minor nicks to edges, unframed, [BM Satires 9607], published by S.W. Fores, circa 1800 [but ca. 1820s]; together with 9 further fishing related caricatures, including McCleary's Union Fishery, Plate 2d, [not in BM satires], and 8 others, all but 2 by John Doyle "HB" from Thomas McClean's 'Political Sketches' series, lithographs, various sizes, occasional nicks and tears, all unframed, [circa 1830] (10)Literature:Beazley, David, Images of Angling. Three Centuries of British Angling Prints, Creel Press, 2010, nos. 64-65, and 71-79

Fishing Satire.- London.- Roberts (Piercy) Patience at Paddington or angling in the Junction Canal, after George Moutard Woodward, etching with hand-colouring on wove paper without watermark, platemark 260 x 355 mm (10 1/4 x 14 in), sheet 270 x 415 mm (10 5/8 x 16 1/4 in), minor handling creases, some faint surface dirt, unframed, [BM Satires 10890], published by Thomas Tegg, 1807; together with Woodward's Angling at Sadler's Wells, and a duplicate, etching with hand-colouring, 170 x 212 mm (6 3/4 x 8 1/4 in), one laid onto card, the other a slightly later impression, surface dirt and browning, unframed, [Not in BM], [c. 1794] (3) Literature:Beazley, David, Images of Angling. Three Centuries of British Angling Prints, Creel Press, 2010, nos. 87-88

NO RESERVE Fishing Satire - Cats Fishing.- Seymour (Robert) Waltonizing or - Green-land Fisherman, etching by "Shortshanks" (Seymour), original hand-colouring, sheet 245 x 340 mm (9 3/4 x 13 1/2 in), mounted on paper support, trimmed to borderline, unframed, published by Thomas McLean, [circa 1830]; together with two hand-coloured lithographs of anthropomorphised cats fishing by Seymour, Angling-Capital Sport and Angling - No Sport at All, with an uncoloured duplicate of the latter, each approx. 218 x 295 mm (8 1/2 x 11 3/4 in), surface dirt, spotting, handling creases, unframed, published by William Spooner, [circa 1830s] (4).Literature:Beazley, David, Images of Angling. Three Centuries of British Angling Prints, Creel Press, 2010, nos. 89-91

NO RESERVE Fishing Satire.- Pyall & Hunt (publishers) Fishing in Troubled Waters, or The Consequence of invading Matrimonial Rights & Privileges, etching with hand-colouring on wove paper without watermark, sheet 260 x 340 mm (10 1/4 x 13 1/4 in), trimmed within the platemark, inset at edges into window mount, small nicks and tears, unframed, [Not in BM Satires], [circa 1820]; together with a good group of 8 further fishing caricatures, including a slightly later impression of Rowlandson's Comforts of an Irish Fishing Lodge, Summers' Fish Fags, a later impression of Woodward's Patience at Paddington..., a trimmed impression of Seymour's Waltonizing or - Green-land Fisherman, and four others similar by various hands, etchings with hand-colouring, various sizes, all unframed, [19th century] (9)Literature:Beazley, David, Images of Angling. Three Centuries of British Angling Prints, Creel Press, 2010, nos. 92-97

NO RESERVE Scottish Fishing.- Tweedside.- Catton (Charles), After. Kelso Bridge and Abbey, from the suite of six Scottish views, etching and aquatint by Francis Jukes, on cream Whatman wove paper with watermark date '1794', with extensive hand-colouring, platemark 460 x 640 mm (18 x 25 1/4 in), sheet 550 x 840 mm (21 3/4 x 33 in), minor handling creases, unframed, published by Jukes, 1793Literature:Beazley, David, Images of Angling. Three Centuries of British Angling Prints, Creel Press, 2010, no. 8⁂ An early illustration of a Salmon angler.

NO RESERVE Scottish Fishing.- Tweedside.- Catton (Charles), After. Jedburgh Abbey, from the suite of six Scottish views, etching and aquatint by Francis Jukes, on cream Whatman wove paper with watermark date '1794', with extensive hand-colouring, platemark 460 x 640 mm (18 x 25 1/4 in), sheet 550 x 840 mm (21 3/4 x 33 in), minor handling creases, unframed, published by Jukes, 1793Literature:Beazley, David, Images of Angling. Three Centuries of British Angling Prints, Creel Press, 2010, no. 10

London.- Fishing in Hyde Park.- Jukes (Francis) View of the Serpentine River Hide Park looking from Kinsington Gardens, after a drawing by Jacob Schnebbilie, etching and aquatint with hand-colouring on wove paper without watermark, platemark 420 x 550 mm (16 1/2 x 21 3/4 in), under glass good margins, some spotting and browning with exposure lines, framed, 1796Provenance:Frank T. Sabin, LondonLiterature:Beazley, David, Images of Angling. Three Centuries of British Angling Prints, Creel Press, 2010, nos. 119

London Fishing.- Hamett O'Neale (Jefferyes) A View taken of the Thames from Milbank, towards Chelsea and Battersea, from a set of "Six Views near London", etching and aquatint on wove paper without watermark, platemark 250 x 350 mm (9 3/4 x 13 3/4 in), sheet 290 x 420 mm (11 1/2 x 16 1/2 in), even toning and minor surface dirt, small nicks to edges, unframed, published by Sayer & Bennett, 1783; together with 8 others, including 2 views of men fishing beside Sadler's Wells, an engraved view of 'The House of Moses Hart...[near] Twickenham', Francis Juke's 'Millbank looking Eastward', and 4 others similar but not of London, various sizes, all unframed, 18th century (9)

Pollard (James), After. [Punt Fishing on the Thames], etching with hand-colouring, on wove paper without watermark, platemark 185 x 350 mm (7 1/4 x 13 3/4 in), under glass, some browning, spotting and surface dirt, framed, published by R. Pollard & Sons, 1823; together with a good group of other prints after Pollard, including a duplicate modern impression of '[Punt Fishing on the Thames]', an impression of '[Bottom Fishing near Totten Mill]', a pair of later impressions of 'Fly Fishing' and 'Bottom Fishing', and Trolling for Pike; Fly Fishing, a pair of modern facsimile prints, all framed, [19th and 20th century] (7)Literature:Beazley, David, Images of Angling. Three Centuries of British Angling Prints, Creel Press, 2010, cf. nos. 141-142, 145-147, and 150

NO RESERVE Pollard (James), After. Live-Bait Fishing for Jack; Fly Fishing for Trout, a pair, aquatint and etching, slightly later impressions, printed in colours and finished by hand, each platemark approx. 300 x 350 mm (11 3/4 x 13 3/4 in), good margins, under glass, minor surface dirt, framed, printed by Collins & Scarrott, [1842 but circa 1914] (2)Literature:Beazley, David, Images of Angling. Three Centuries of British Angling Prints, Creel Press, 2010, nos. 151-152

NO RESERVE Constable (John), After. Mill Stream, mezzotint with etching by David Lucas, platemark 175 x 220 mm (6 7/8 x 8 3/4 in), sheet 260 x 290 mm (10 1/4 x 11 1/2 in), some spotting and browning, unframed, Bohn edition, 1831 [but circa 1855]; together with four further works, including 3 sepia printed mezzotints with etching by Turner and William Say, with two variant impressions of 'Near Blair Athol, Scotland', and one of 'Young Anglers', and John Boydell's engraving 'No. 4. Drawn From Nature' after Gainsborough, all unframed, [circa 1770s to 1811] (5)Literature:Beazley, David, Images of Angling. Three Centuries of British Angling Prints, Creel Press, 2010, cf. nos. 154-158

Jones (William) Evening October, etching and aquatint by H. Pyall, with hand-colouring and heightened with gum arabic, 170 x 315 mm (6 3/4 x 12 1/4 in), under glass, possible repair within lettered margin, otherwise minor surface dirt, framed, published by S. Knights, 1832; together with another impression of Evening October, and its pair 'May, Fly Fishing', both under glass, framed, 1833 (3)Literature:Beazley, David, Images of Angling. Three Centuries of British Angling Prints, Creel Press, 2010, no. 166-167

NO RESERVE Reinagle (George Philip), After. [Fishermen], etching and aquatint by J. Hassell and W. Nicholls, with hand-colouring, sheet approx. 375 x 515 mm (14 3/4 x 20 1/4 in), under glass, margins trimmed, some surface dirt and browning, framed, published by Hassell and Nicholls, 1814; together with a variant lettered impression of the same, but possibly printed slightly later, restoration visible, framed, 1814 (2)Literature:Beazley, David, Images of Angling. Three Centuries of British Angling Prints, Creel Press, 2010, no. 170

Angling's Age of Romance.- Sayer (Robert, publisher) & J. Bennett. The Angelic Angler, Lennox-Boyd's final state (of three), mezzotint with etching on laid paper with early hand-colouring, 365 x 260 mm (14 1/4 x 10 1/4 in), under glass, some damp-stains and surface dirt, framed, published by Sayer & Bennett, 1781; together with another anonymous mezzotint with early hand-colouring, 'Spring', published by G. Thompson and J. Evans, 255 x 255 mm (14 x 10 in), under glass, surface dirt and browning, framed, 1796 (2)Literature:Beazley, David, Images of Angling. Three Centuries of British Angling Prints, Creel Press, 2010, nos. 45 and 52

NO RESERVE Whymper (Charles) Salmon Fishing, etching by H.R. Robertson, on thick wove paper, platemark 650 x 410 mm (25 1/2 x 16 1/8 in), full margins, some toning from previous mount visible, other minor surface dirt and browning, unframed, Fine Art Society, 1890; together with 3 other large Salmon Fishing prints, including Francis S Walker's Salmon Fishing, 375 x 620 mm (14 3/4 x 24 1/4 in), and a pair by George Earl, Salmon Fishing and Salmon Poacahing, each approx. 550 x 300 mm (21 3/4 x 21 3/4 in), all unframed, [late 19th century] (4)Literature:Beazley, David, Images of Angling. Three Centuries of British Angling Prints, Creel Press, 2010, nos. 192, 193, 195, and 196

NO RESERVE Staniland (Charles Joseph) [Enthusiasm and Misery], etching, printed chine collé, on cream wove paper, signed in pencil by the artist, with Printseller's Association blindstamp, platemark 410 x 670 mm (16 1/8 x 26 1/4 in), under glass, good margins, framed, published by Arthur Ackermann, 1897; together with 2 others similar, including a photogravure after a Trout fishing scene by Heywood Hardy and Frank Walton, and an etching by Brunet-Debaines, signed in pencil, 550 x 360 mm (21 3/4 x 14 1/4 in) and 370 x 500 mm (14 3/4 x 19 3/4 in), respectively, framed and glazed, 19th century (3)Literature:Beazley, David, Images of Angling. Three Centuries of British Angling Prints, Creel Press, 2010, nos. 218 and 320 [the Brunet-Debaines not recorded]

Angling's Age of Romance.- Dighton (Robert), After. Fair Emily, mezzotint with etching, platemark 350 x 250 mm (13 3/4 x 9 7/8 in), under glass, minor surface dirt, framed, published by Haines & Son, 1796; together with 3 others, including a hand-coloured mezzotint published by Carrington Bowles after Dighton, 'August / Aout', a mezzotint by Thomas Burford 'August', and a stipple engraving printed in colours by John Pierson of an angling couple, each between 310 x 220 mm (12 1/4 x 8 1/2 in) and 370 x 270 mm (14 1/2 x 10 1/2 in), all under glass, framed, [late 18th century] (4)Literature:Beazley, David, Images of Angling. Three Centuries of British Angling Prints, Creel Press, 2010, nos. 41, 46, 47, and 55

Fishing Portraits.- Zoffany (Johan), After. Master James Sayer, at the age of 13, mezzotint with etching by Richard Houston, scratch letter proof on laid paper, platemark 505 x 360 mm (19 3/4 x 14 1/8 in), under glass, wide margins, minor surface dirt, framed, 1772.Literature:Chaloner Smith 109 i/iiBeazley, David, Images of Angling. Three Centuries of British Angling Prints, Creel Press, 2010, nos. 225

NO RESERVE Sadler (Walter Dendy), After. Habet!, etching by L Muller, signed in pencil by artist and engraver, platemark 540 x 390 mm (21 1/4 x 15 1/4 in), marginal abrasion, surface dirt and browning, unframed, published by LH Lefevre, 1906; together with four further prints after Walter Dendy Sadler, including a hand-coloured impression of WH Boucher's etching after 'Thursday', Oswald Burne's 'The Angler's Rest', and two photogravures after 'Thursday' and 'Friday', various sizes, all unframed, circa 1900-1920 (5) Literature:Beazley, David, Images of Angling. Three Centuries of British Angling Prints, Creel Press, 2010, nos. 276, 281 and cf. 274-275

NO RESERVE Sadler (Walter Dendy), After. Izaac Walton and His Pupil, etching by RB Parkes, with Printseller's Association blindstamp, platemark 530 x 690 mm (20 7/8 x 27 1/4 in), under glass, even toning, surface dirt and browning, framed, published by LH Lefevre, 1885; together with 2 others after Sadler, including L'Huillier's etching 'The Disappointed Anglers', James Dobie's 'The Time-Honoured Guest', and with a large photogravure by Sadler's contemporary, Frank Hyde (1849-1947), 'Hook, Dine and Finger', various sizes between 340 x 470 mm (13 1/4 x 18 1/2 in) and 560 x 710 mm (22 x 28 in), surface dirt and browning, all framed, [late 19th century] (4)Literature:Beazley, David, Images of Angling. Three Centuries of British Angling Prints, Creel Press, 2010, nos. 277-280

NO RESERVE Slocombe (Fred) Trout Fishing, etching on thick wove paper, platemark 420 x 610 mm (16 1/2 x 24 in), sheet 545 x 730 mm (21 1/2 x 28 3/4 in), minor spotting and surface dirt, unframed, published by The Fine Art Society, 1889; together with 7 others similar, including Colin Hunter's etching 'The Gareloch', etchings and engravings, various sizes, all unframed, [19th century] (8)Literature:Beazley, David, Images of Angling. Three Centuries of British Angling Prints, Creel Press, 2010, cf. nos. 285, 301

NO RESERVE Simpson (Jackson) The Burnside; The Ghillie; Fishing No. 1, three works, etchings, each signed in pencil, the latter mentioned with watercolour, each platemark between 145 x 220 mm (5 3/4 x 8 3/4 in) 200 x 250 mm (7 7/8 x 9 3/4 in), under glass, minor surface dirt, framed, [circa 1920s]; together with 2 others, including an etching of a fisherman in a landscape by Fred Slocombe, and the other by John Fullwood, etchings, signed in pencil, framed, late [19th century] (5)Literature:Beazley, David, Images of Angling. Three Centuries of British Angling Prints, Creel Press, 2010, nos. 297-299

NO RESERVE Simpson (Joseph) The Border Angler, etching and drypoint, signed in pencil, an excellent impression printing with plate tone on cream laid paper, platemark 302 x 212 mm (12 x 8 1/4 in), sheet 450 x 285 mm (17 3/4 x 11 1/4 in), hinged into mount, expsoure lines visible with browning, unframed, [circa 1927]Literature:Beazley, David, Images of Angling. Three Centuries of British Angling Prints, Creel Press, 2010, no. 300

NO RESERVE Short (Sir Frank) The Angler's Bridge on the Wandle, etching with plate tone, signed in pencil, platemark 150 x 200 mm (5 7/8 x 7 7/8 in), sheet 195 x 270 mm (7 7/8 x 10 5/8 in), unframed, 1898; together with 4 other etchings by various hands, including Jackson Simpson, William Henry Urwick, David Law and Fred Burridge, various sizes, unframed, [late 19th or early 20th century] (5)Literature:Beazley, David, Images of Angling. Three Centuries of British Angling Prints, Creel Press, 2010, cf. nos. 291-293

NO RESERVE Himely (Sigismund) Trout, after a painting by S. Elmer, etching and aquatint, on wove paper without watermark with extensive hand-colouring, heightened with gum arabic, sheet 505 x 400 mm (19 3/4 x 15 3/4 in), minor handling creases and surface dirt, unframed, published by Alfred Compan, Paris, [mid- to late 19th century]; together with an uncoloured duplicate impression without the Parisian imprint, unframed, [mid- to late 19th century] (2)Literature:Beazley, David, Images of Angling. Three Centuries of British Angling Prints, Creel Press, 2010, [not included]

AFTER JAMES GILRAY. BRITISH 1756-1815 A satirical cartoon - Temperance. Ltd ed. no 1201/2500. Etching 16' x 12'

Eduardo Paolozzi R.A. (Scottish 1924-2005) Homage to Michaelangelo, 1975, signed, dated and numbered XXX/200 in the margin, published by the Foundation Bruckmann Stiftung, Munich, from portfolio to celebrate the 500th anniversary of the birth of Michaelangelo, on BFK Rives paper, intaglio colour etching.80cm x 59.5cm (31.5in x 23.5in)Footnote:Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report:The print is in very good, original condition with no obvious faults to report. The print is unframed.

Frank Vernon Martin (British 1921-2005) "Atlantique", signed and titled in pencil in the margin, numbered 64/100, etching with aquatint.plate size 34.5cm x 54.5cm (13.5in x 21.5in)Footnote:Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report:The print is in very good, original condition with no obvious faults to report. The print is framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

Signed and dated 1927 in pencil in the margin, numbered 47/50, etching.plate size 15cm x 10cm (6in x 4in)Footnote: Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report: The print is in good, original condition. The paper has browned universally across the sheet and there is some time staining and browning around the edges of the paper near the mount board. The print is framed and glazed.

* Military Prints. Dighton (Richard, 1795-1880). Triumph of the British Flag over the French Eagles & Colours, taken by our brave soldiers in different actions, as they appear'd in the park, May 18th, 1811, hand-coloured etching, published by Deighton, Spring Gardens, May 1811, plate size 20.5 x 28 cm (8 x 11 ins), with margins, framed and glazed, together with 12 other various early 19th century hand-coloured engravings of military costume, including: Cornet of the Horse Guards, circa 1820, hand-coloured copper engraving (sold at Suffolk St., Dublin), plate size 14.5 x 9.5 cm (5.75 x 3.75 ins) with margins, gilt frame, glazed; 5 hand-coloured prints by G. E. Madeley (1798-1858): Fifth Foot 1688, Sixteenth Regiment of Foot, Twenty Second Regiment, Royal Regiment of Horse Guards, 1828 & Eighth or King's Regiment of Foot; H. Ridley, 5th Dragoon Guards, hand-coloured aquatint, circa 1825; E. Howell, Royal Artillery Officers, circa 1830, hand-coloured lithograph; 14th Light Dragoons, hand-coloured wood engraving, circa 1860s; and two others, similar sizes, all framed and glazedQty: (13)

LIONEL ARTHUR LINDSAY (AUSTRALIAN 1874-1961) - A shepherd with his goats, etching, signed in pencil, framed, 21cm x 31cm, frame size 42cm x 58cm, also another etching by the same hand. (2)