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AUDUBON, John James (1785-1851).Yellow-winged Sparrow (Plate CXXX)Fringilla Passerina. Wils.Engraving with etching, aquatint and hand-coloring, on watermarked paper 22 1/2 x 15 1/4 in. (570 x 388 mm) sight, matted and framed.Low p.79For condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com

AUDUBON, John James (1785-1851).Greenshank (Plate CCLXIX)Engraving with etching, aquatint and hand-coloring, 1935, on J Whatman paper watermarked 1835, sheet 25 x 37 7/8 in. (635 x 962 mm). Some overall toning, a few short marginal tears.Low p.125For condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com

AUDUBON, John James (1785-1851).Tell-tale Godwit or Snipe (Plate CCCVIII)Totanus Melanoleucus, VieillEngraving with etching, aquatint and hand-coloring, 1836, on J Whatman paper watermarked 1836, sheet 25 1/2 x 38 in. (650 x 965 mm), matted and framed. Upper margin with a few small chips, a few tiny spots, slight mat burn.Low p.138Property from the Collection of Arthur B. ChandlerFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com

AUDUBON, John James (1785-1851).American Avocet. (Plate CCCXVIII)Recurvirostra americanaEngraving with etching, aquatint and hand-coloring, 1836, on J Whatman paper watermarked 1836, sheet 26 x 38 1/4 in. (660 x 970 mm), matted and framed. A few stains to extreme outer margin, a few tiny spots, some minor mat burn, some toning.Low p.141Property from the Collection of Arthur B. ChandlerFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com

AUDUBON, John James (1785-1851).Yellow-Crowned Heron (CCCXXXVI)Ardea Violacea, L.Engraving with etching, aquatint and hand-coloring, 1836, on sheet 37 3/4 x 25 in. (960 x 638 mm), matted and framed. Laid down on foam backing board, browning and some staining.Low p.147Property from the Collection of Arthur B. ChandlerFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com

AUDUBON, John James (1785-1851).Western Duck (Plate CCCCXXIX)Fuligula StelleriEngraving with etching, aquatint and hand-coloring, 1838, on J Whatman Turkey Mill paper sheet 23 7/8 30 in. (606 x 760 mm), matted and framed. Some slight toning or rippling to sheet.Low p.181For condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com

[CHICAGO]. A group of two views, comprising:WHITEFIELD, E. View of Rush St. Bridge & c. Chicago: E. Whitefield, 1861 [but actually 20th century digital reproduction]. A modern reproduction of Whitefield's scarce pre-fire Chicago lithograph, matted and framed, 345 x 495 mm sheet. Creased, adhesive remnants verso.[With:] VARIN, Raoul, after. Corner of State and Washington Streets Chicago, 1923. Aquatint and etching with hand-coloring, matted and framed, unexamined out of frame.Property from a Distinguished Midwestern CollectionFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com

LIMITED EDITIONS CLUB.A very extensive run of The Limited Editions Club publications through 2010, v.p. [mostly New York], 1929-2010, approximately 555 works, comprising all but 59 of the primary publications and one of the special publications listed in Limited Editions Club A Collectors Guide & Checklist 1929-2012 (Bill R. Majure, compiler). Various Folio to 8vo sizes. Illustrated. Original bindings. (Some light occasional wear to a few volumes, but generally in fresh condition). LIMITED EDITIONS, most one of 1,500 copies signed by the artists. Included are: · SWIFT, Jonathan. The Travels of Lemuel Gulliver. 1929. Signed by Alexander King. (No. 1)· HUGO, Victor. Notre-Dame de Paris. 1930. Signed by Frans Masereel. In the original European-style paper wraps. (No. 13)· DODGSON, Charles Lutwidge. Alice's Adventures in Wonderland. 1932. Signed by Frederick Warde. (No. 36)· APULEIUS, Lucius. The Golden Asse. 1932. Signed by Percival Goodman. (No. 37)· ARISTOPHANES. Lysistrata. 1934. Illustrated and signed by Pablo Picasso. (No. 57)· O. HENRY. The voice of the City. 1935. Signed by George Grosz. (No. 67)· JOYCE, James. Ulysses. 1935. Illustrated and signed by Henri Matisse. (No. 71)· THOREAU, Henry David. Walden. 1936. Illustrated and signed by Edward Steichen. (No. 78)· LEWIS, Sinclair. Main Street. 1937. Illustrated and signed by Grant Wood. (No. 89)· STOWE, Harriet Beecher. Uncle Tom's Cabin. 1938. Signed by Miguel Covarrubias. (No. 97)· BAUDELAIRE, Charles. Les Fleurs Du Mal "“ Flowers of Evil. 1940. With both the English- and French-language editions. (No. 117)· GRAHAME, Kenneth. The Wind in the Willows. 1940. Signed by Bruce Rogers. (No. S-7)· STEINBECK, John. The Grapes of Wrath. 1940. Signed by Thomas Hart Benton. (No. S-8)· SHAKESPEARE, William. The Comedies, Histories, and tragedies of William Shakespeare. 1939-1940. (No. 118)· COOPER, James Fenimore. The Prairie. 1940. Signed by John Steuart Curry. (No. 119)· WHITMAN, Walt. Leaves of Grass. 1942. Signed by Edward Weston. (No. 141)· TWAIN, Mark. Life on the Mississippi. 1944. Signed by Thomas Hart Benton. (No. 158)· GIBBON, Edward. The History of the Decline and Fall of the Roman Empire. 1946. (No. 174)· BROWNING, Elizabeth Barret. Sonnets from the Portuguese. 1948. Signed by Valenti Angelo. (No. 186)· ZOLA, Emile. Nana. 1948. Signed by Bernard Lamotte. (No. 188)· SWIFT, Jonathan. A Voyage to Lilliput"¦ -- A Voyage to Brobdingnag. 1950. (No. 204)· TURGENEV, Ivan. Fathers and Sons. 1951. Signed by Fritz Eichenberg. (No. 212)· Beowulf. 1952. Illustrated by Lynd Ward. (No. 225)· DOSTOEVSKY, Feodor. The Idiot. 1956. Illustrated and signed by Fritz Eichenberg. (No. 264)· VERNE, Jules. Twenty Thousand Leagues Under the Sea. 1956. Signed by Edward A. Wilson (No. 268)· HARDY, Thomas. Far From the Maddening Crowd. 1958. Signed by Agnes Miller Parker. WITH ORIGINAL ENGRAVING LAID-IN. (No. 287)· The Living Talmud: The Wisdom of the Fathers. 1960. Signed by Ben-Zion. (No. 315)· WELLS, H. G. The War of the Worlds. "“ The Time Machine. 1964. Signed by Joe Mugnaini. (No. 354)· STOKER, Bram. Dracula. 1965. Signed by Felix Hoffman. (No. 376)· JEFFERSON, Thomas. The Writings of Thomas Jefferson. 1967. Signed by Lynd Ward. (No. 397)· STEINBECK, John. Of Mice and Men. 1970. Signed by Fletcher Martin. (No. 423)· WILDE, Oscar. Lady Windermere's Fan. "“ The Importance of Being Earnest. 1973. Signed by Tony Walton. (No. 457)· CRANE, Stephen. Maggie, a Girl on the Streets. 1974. Signed by Sigmund Abeles. WITH THE ORIGINAL SIGNED LIMITED EDITION ORIGINAL COPPER ETCHING OF THE FRONTISPIECE laid-in. (No. 472)· WALCOTT, Derek. Poems of the Carribbean. 1982. Signed by Derek Walcott and Romare Bearden. WITH AN ORIGINAL HAND-NUMBERED LIMITED EDITION LITHOGRAPH laid-in. (No 525)· HERSEY, John. Hiroshima. 1983. Illustrated and signed by Jacob Lawrence. (No. 527)· POE, Edgar Allen. Fall of the House of Usher. 1985. Illustrated and signed by Raphael Soyer. (No. 534)· JOYCE, James. Dubliners. 1986. Illustrated and signed by Robert Ballagh. (No. 538)· PAZ, Octavio. Three Poems. 1988. Illustrated and signed by Robert Motherwell. (No. 545)· BECKETT, Samuel. Nohow On. 1989. Illustrated and signed by Robert Ryman. (No. 549)· WHITMAN, Walt. Song of the Open Road. 1990. Illustrated and signed by Aaron Siskind. (No. 552)· CONRAD, Joseph. The Heart of Darkness. 1992. Illustrated and signed by Sean Scully. (No. 560)· POUND, Ezra. Cathay. 1992. Illustrated and signed by Francisco Clemente. (No. 561)· KYOKA, Izumi. The Tale of the Wandering Monk. 1995. Illustrated and signed by Setsuko Ideta. 1995. (No. 568)· HUGHES, Langston. Sunrise is Coming After While. 1998. Signed by Maya Angelou, Illustrated and signed by Phoebe Beasley. (No. 576)· HURSTON, Zora Neale. Bookmarks in the Pages of Life. 2001. Signed by Betye Saar. (No. 580)· ANGELOU, Maya. Deep Rivers in My Soul. 2003. Signed by Maya Angelou, Dean Mitchell, and Wynton Marsalis. (No. 584)· CAVAFY, Constantine P. A Tribute to Cavafy"¦ 2003. Signed by Duane Michals.· KING, Martin Luther. Letter from a Birmingham City Jail. 2008. Illustrated and signed by Faith Ringgold. (No. 588)· The Declaration of Independence. 2010. Illustrated and signed by Robert Frank. (No. 589)[With:] A virtually complete run of all special and promotional publications, including: DWIGGINS. Towards a Reform of the Paper Currency. 1932. (No. S-1). -- The Dolphin, a Journal of the Making of Books. Nos. 1-3. 1933, 1935, 1938. (Nos. S-2, S-3, S-4). -- Bibliography of the Fine Books Published by the Limited Editions Club 1929-1985. (S-9). -- Monthly Letters: The First Fifty Monthly Letters, 1929-1933. (S-10). [Also with:] A complete run of Promotional Publications. -- A profusion of ephemera including prospectuses, pre-publication announcements and holiday greetings.Of the first fifty-eight series of LEC publications, twenty-four are absolutely complete; sixteen are lacking only one volume. The collection also includes the majority of the publications issued after series numbering was discontinued.The Limited Editions Club, founded in 1929 by George Macy, sought to publish finely illustrated and produced classics of world literature. It was the longest-lasting and most successful publishing venture of its kind. The present collection includes books from the golden era of the Club, when it was under the direction of George Macy, as well as livres d'artiste produced by The Club under the direction of Sidney Shiff.Property from the Collection of Jack BelcherFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com

Claude Hayes (1852-1922) RI, watercolour landscape scene, signed lower left, set in gilt frame 25 x 35cm and After Jean Louis Ernest Meissonier (1815-1891) Farmyard scene etching, signed Abel Mignon 41 x 49cmLocation: RWM

Collection of nine framed prints, comprising: Eli Marsden Wilson (1877-1965), Poplar Hawk Moth, etching, signed in pencil l.r., 10.5cm by 12cm (plate-mark); G. F. Scotson Clark, 'Herbert Campbell, Running to Waist', colour woodblock, 21.5cm by 18.5cm, Michael Lewis Gallery label verso; M. M. Rudge, York Minster from City Walls, etching, signed in pencil l.r., 19cm by 25cm (plate-mark); a copper-engraved portrait of French collector Claude de Bourdaloue, 1704, engraved by Nicolas de Largilliere after Nicolas Pitau the Younger, 41cm by 28.5cm; Robert Morden map of Shropshire, copper engraving on laid paper, 37cm by 43cm (not glazed); Pieter Van den Keere map of Hertfordshire, 9cm by 13cm; a hand-coloured etching of The Rivals, cartoon, by Marks, 12.5cm by 16.5cm; a black & white photograph of the Grierson Award for Best Short Film of the Year, bearing typed label verso, 'Presented to Sir Harold Wilson on the occasion of the first Grierson Day - 10th February 1977 - with appreciation of the Grierson Trustees for support and interest in the short film', signed by Basil Wright, Chairman, 23.5cm by 18.5cm; a modern colour print of a prize cow, 25cm by 27cm (9)

Augustus John: a signed etching, "Woman's head", 5 3/4" x 3 7/8", in painted frame

Augustus John: a signed etching with tone, "The flowered toque", 7 7/8" x 4 7/8", in painted frame

A FRAMED ABSTRACT BY DOLF RESERARTISTS PROOF OF ORIGINAL, NOT PRINT ETCHING & LISTED ARTIST, HIS WORK IS IN THE V&A MUSEUM

A LIMITED EDITION ETCHING 22/60 BY CHRIS NOBLE

Four pictures, to include Ann Shinglton (b 1953). Scratch, etching, signed, titled, dated and numbered, 18/75, 1984, 9cm x 13cm, after Lowry, two late street scenes, prints, and after Alec Wiles print, lady nude. (4)

ETCHING BY R SHORTBILL - UNIVERSITY, CHAMBERLAIN SQUARE, BIRMINGHAM 1944 F/G 31CM X 21CM APPROX

Goltz (Hubert). Le Vive Imagini di tutti quasi gl'Imperatori, a C. Iulio Caesare, in sino a Carlo. V. et Ferdinando suo fratello, dalle vechie medaglie con grandissima solertia cavate, et al vero fidelissimamente adumbrate, con le vite, atti, maniere, virtu, et vicii delli medesimi Imperatori, secundo i proprii loro colori, col historico penello depinte, al potentissimo Prencipe Don Philippo Re di Spagna ... dedicate per Huberto Goltz Wirtzburgense pittore, Antwerp [Stampato ... per cura diligenza e spesa dell'ingenioso Huberto Goltz Wirtzburgense & egregio Pittore, nella botteca di Egidio Copenio Diesthemio], 1557, title within strapwork cartouche, colour-printed from at least 2 woodblocks (brown and white) over an etched outline (close-trimmed at head), 125 chiaroscuro medallion portrait woodcuts over etching printed in tones of brown and sepia (with show-through), 14 others with woodcut borders but no image, colophon to final leaf, ink markings to some letterpress dates to leaves avi, bi & bvi, lacking final blank, few leaves (G2-H2 & H4-I2) with staining to foremargins, some scattered spotting, front free blank torn at gutter, bookplates of John Chaloner Smith and Rosenheim Collection, late 19th/early 20th century half calf, marbled sides, extremities rubbed, folio (31.7 x 22.7 cm)Qty: (1)Provenance: Patricia Milne-Henderson (1935-2018), art historian.NOTESDekesel (C.E.). Hubertus Goltzius, the father of ancient numismatics, [Ghent]: Bibliotheca Numismatica Siliciana, Gandavum Flandrorum, 1988, page 49. In 1557 the German painter, engraver, and printer Hubert Goltzius (1526-1583) issued a folio volume from the press of Copen (?) Diesthem in Antwerp, entitled Lebendige Bilder gar nach all Keyersern, von C. Julio Caesare, bisz auff Carolum.V. und Ferdinandum seinem Bruder, auxz den alten Medalien. He also issued this book in Latin and Italian in 1557, in French in 1559, and in Spanish in 1560. Each edition was illustrated with etched portrait medallions of each emperor with woodcut colour. In addition to illustrating medallic portraits of Roman emperors, Goltzius provided histories of their reigns.

Goltz (Hubert). Vivae omnium fere Imperatorum imagines, a C. Iulio Caes. usque ad Carolum v. et Ferdinandum eius fratrem, ex antiquis veterum numismatis solertissime, non ut olim ab aliis, sed vere ac fideliter adumbratae; nec non eorundem vitae, acta, mores, virtutes, vitia , suis coloribus historico penicillo delineatae. Potentiss, principi Philippo, Hisp. Angl. Franc. et Neapol. regi, etc. Dedic. per Hubertum Goltz Wirtzburgensem pictorem, Antwerp: [in officina Aegidii Copenii Diesthemii], 1557, title within strapwork cartouche, colour-printed from at least 2 woodblocks (green and white) over an etched outline (close-trimmed), manuscript contents leaf after title, 133 chiaroscuro medallion portrait woodcuts over etching printed in tones of brown and sepia, 16 others with woodcut borders but no image, colophon to final leaf, ink markings obscuring some letterpress dates to leaves ai, aii, av, avi, bi & bvi, few other small ink marks, frayed to upper outer corners mostly at front of volume, contemporary mottled calf, gilt decorated spine, joints and head & foot of spine neatly repaired, corners repaired, folio (30.5 x 21.3 cm)Qty: (1)Provenance: Patricia Milne-Henderson (1935-2018), art historian.NOTESAdams G838. In 1557 the German painter, engraver, and printer Hubert Goltzius (1526-1583) issued a folio volume from the press of Copen (?) Diesthem in Antwerp, entitled Lebendige Bilder gar nach all Keyersern, von C. Julio Caesare, bisz auff Carolum.V. und Ferdinandum seinem Bruder, auxz den alten Medalien. He also issued this book in Latin and Italian in 1557, in French in 1559, and in Spanish in 1560. Each edition was illustrated with etched portrait medallions of each emperor with woodcut colour. In addition to illustrating medallic portraits of Roman emperors, Goltzius provided histories of their reigns.

Goltz (Hubert). Vivae omnium fere Imperatorum imagines, a C. Iulio Caes. usque ad Carolum v. et Ferdinandum eius fratrem, ex antiquis veterum numismatis solertissime, non ut olim ab aliis, sed vere ac fideliter adumbratae; nec non eorundem vitae, acta, mores, virtutes, vitia , suis coloribus historico penicillo delineatae. Potentiss, principi Philippo, Hisp. Angl. Franc. et Neapol. regi, etc. Dedic. per Hubertum Goltz Wirtzburgensem pictorem, Antwerp: [in officina Aegidii Copenii Diesthemii], 1557, title within strapwork cartouche, colour-printed from at least 2 woodblocks (green and white) over an etched outline (early ownership to recto 'M. Carnegy 1641' & inscription to verso 'Mr Robertus Graius...'), 128 (of 133) chiaroscuro medallion portrait woodcuts over etching printed in tones of brown and sepia, 16 others with woodcut borders but no image, colophon to final leaf, without first leaf of index (ai) and incomplete at rear, three leaves from a smaller copy, light toning, dust-soiling and some marks, some fraying to margins, light damp staining mostly towards rear of volume, sewing broken and leaves detached, front pastedown with armorial bookplate of John Yeates, ownership inscription of D. Vines 1869 and bookplate of Patricia Milne-Henderson, 18th/early 19th century marbled boards with calf spine strip, covers detached, worn, folio (31.5 x 23 cm)Qty: (1)Provenance: Patricia Milne-Henderson (1935-2018), art historian.NOTESAdams G838. Sold with all faults, not subject to return.

* Rowlandson (Thomas). Rural Sports. A Milling Match.Took Place at Thisselton Gap in the County of Rutland Septr 28.1811. betwixt Cribb and Molineaux on a 25 foot Stage and was the second Public contest between these two Pugilists. It lasted 19 Minutes and 10 Seconds and was decicive (sic) in favour of Cribb. Thomas Tegg, 1811, etching with contemporary hand colouring, mounted to neat line, 240 x 340, framed and glazedQty: (1)NOTESThis famous fight took place before a crowd estimated at 15,000. The English champion Thomas Cribb is shown striking Tom Molineux, who falls backwards. This was the second contest between the fighters and took place at Thisselton Gap, Rutland on September 28, 1811. Molineaux was an African-American, who was purported to be an ex-slave. He had fought Cribb before, at Sheninghton Hollow, in Oxfordshire on December 3, 1810, and was defeated in 35 rounds in a disputed decision. This re-match lasted 19 minutes, Cribb broke his opponent's jaw in the 9th round and knocked him out in the 11th. Note the two pickpockets in the foreground - one male and one female - helping themselves from the distracted spectators.

Attributed Archibald Standish HARTRICK (1864-1950) etching "The cleaners", unframed16 x 34 cm

Samuel CHAMBERLAIN (1895-1975), pencil signed, limited edition etching (20/100) "Sunlit tower of Culmar", original frame,36 x 20 cmFine

Paul DOM (Holland 1885-1978) etching "Amsterdam street scene", signed and inscribed in pencil, wood frame and glazed,30 x 30 cm

Piers Browne, pencil signed, 1990 limited edition (78/100) coloured etching together with a pencil signed print by Morval Morrisseau (2), both framed and glazed

Circle of Luicen Freud, etching, head of young lady, bears pencil signature and inscription, framed, The etching measures 14 x 18 cm Please note - there is no history, paperwork or provenance with this etching hence our cataloging "Circle of"

A.J Lowes (British 20th Century), 'The Mill Pond Swanage', uncoloured etching, signed in pencil by the artist dated 1933. 14 x 18cm approx, framed and glazed. (B.P. 21% + VAT)

18th Century designed coloured print 'Bat and Ball', together with a flat glass crystoleum 'Saint Matthew' and three other furnishing prints; 'Coal Rations', a small etching and a bird print. (5)(B.P. 21% + VAT)

Etching, portrait of Queen Victoria, original oak frame, and 2 other prints (3)

Joseph Farquharson, hand coloured etching, sheep by moonlight, image 50cm x 70cm

British Royal Naval Officer's 1827 Pattern Pipe Back Sword30 1/2 inch, single edged, pipe back, quill point blade.  Traces of foliage panels and cypher etching.  Gilt brass guard with Victorian crowned, fouled anchor cartouche.  Rear folding section of guard. Gilt brass, lion pommel and backstrap.  Shagreen covered grip with twist wire binding.  

Late 19th Century Knights of Pythias Society Sword28 1/2 inch, double edged, narrow blade.  Foliage etching and “Knights of Pythias” with gilt infill.  Named to “T H Dresser”.  Brass shell guard decorated with knight on horseback and American eagle.  Blackened alloy crossguard.  Brass knights helm and eagle pommel.  Leather covered grip with twist wire binding.  Contained in its plated steel scabbard. 

Mid 19th Century Spanish Main Gauche Left Hand Dagger12 1/4 inch, single edged blade with sharpened back edge point.  Chiselled spine.  Forte with blade braking slots.  The blade with etched and gilt filled floral panels.  Similar decoration to the forte with “Artilleria Fabrica De Toledo”.  9 /12 inch, steel crossguard.  Steel bowl guard with floral etching.  Steel pommel.  Copper wire bound grip with steel edge bars.  Still retains its steel scabbard throat with floral etching.  Fine quality made piece. 

LOW COUNTRIES -- LIMBURG -- "MAESTRICHT. Rives de la Meuse". Paris, Veith & Hauser, c. 1840. Lithogr. view of the city by E. Hostein. 166 x 252 mm. -- "VUE du Wrythoff à Maestricht". c. 1840. Tinted lithogr. view by De Jobard. 137 x 204 mm. -- "GEZICHT op Maastricht". c. 1910. Etching by A.L. Koster. 148 x 231 mm. -- "RUREMONDE". Tinted lithogr. view by A. Schaepkens. 190 x 267 mm. -- And 27 o. views of towns in Limburg. (31).

NIEUWENKAMP, Wijnand Otto Jan (1874-1950). "Spelevaren, Benares". (1914-17). Tinted etching on Japanese paper. 100 x 150 mm. Signed by the artist, titled and annotated 'épreuve d'artiste' in pencil. (Margins a bit foxed). -- Added: Id. "Het vertrek". (1914). Etching on Dutch paper. 116 x 116 mm. Signed by the artist, titled and annotated 'épreuve d'artiste' in pencil. (Paper age-toned). NOTE:Braches & Heijbroek, Bouwstoffen W.O.J. Nieuwenkamp, E143 (2nd state) and E148 (first state, only 3 copies on Dutch paper).

GUSMAN, P. La villa impériale de Tibur (Villa Hadriana). Préf. de G. Boissier. Par., 1904. xii, 346 pp. W. 1 or. etching, 11 photo-engr. plates & num. text-ill. Fol. Cont. red h. mor. extra w. raised bands & or. gilt dec. wrps. bound up, top edge gilt.

HERKOMER, H. Etching and mezzotint engraving. Lectures delivered at Oxford. Lond., 1892. W. front. & 12 etched/mezzotint plates. 4°. Ocl. (Bind. soiled/foxed). -- J. LEISCHING. Schabkunst. Ihre Technik und Geschichte in ihren Hauptwerken vom XVII. b.z. XX. Jh. 1913. Prof. ill. 4°. Or. printed brds. (Spine slightly browned/dam.). Printed in 350 numb. copies. -- A. WHITMAN. Samuel Cousins. Lond., 1904. Prof. ill. 4°. Ocl. Printed in a limited edition of 600 copies. -- (3).

(BOS, E. & D. KRAAIJPOEL). Jan van der Kooi, schilder, tekenaar. (2002). 4°. Ocl. In or. slipcase. One of 225 numb. copies w. an or. drawing in black chalk on free endpaper. -- H. BUIJS. Nederlandse Realisten na 1950. (2001). Lge-4°. Ocl. w. dust-j. -- R.J. SWIERS. Theo Voorzaat, De Illusie/The Illusion. (2007). 4°. Ocl. w. dust-j. -- (P.W. EYSTEN & L. FÉLIX-FAURE). Rudolf de Bruyn Ouboter, prins der aquarellisten. (2005). 4°. Obrds. -- DOLF ZWERVER. (1994). Sm-4°. Owrps. In ocl. slipcase. One of 100 numb. copies, signed by the artist and w. or. etching, also signed. -- And 4 o. on Dutch realist painters. (9).

PIRANESI: 'VEDUTA DEL TEMPIO DELLA TOSSE....' , ETCHING

A Victorian Bowie knife by Manson, spearpoint DE blade 5", traces of floral etching and inscriptions, (possibly “sheath me with honour”), stamped “Manson Sheffield”, GS embossed hilt and crosspiece, (some splitting at seam). In its GS mounted leather covered sheath. (bottom chape missing) £40-50

After Tom Carr, February full dyke, signed, titled and numbered in pencil 51/75, coloured etching, plate 22cm x 33cm, framed 51cm x 75cm.

After Valerie Thornton, Peper Harow, signed, titled, dated '76, and numbered in pencil 32/70, aquatint etching, 40cm x 62cm.

Wallace Hester, Christ's Hospital, signed, monochrome etching 19x26cm; a print of Cambridge from Ely Road, 'Legal Advice' by R O Bright, etc.

John G Mathieson, Old Mill, Stirling, signed in pencil, mono etching, plate 15cm x 22.5cm.

Framed etching by Seymour Haden (1818-1910) dated 1877 51 cm x 44 cm (size including frame)

‡Anthony Gross CBE, RA (1905-1984) Goat Herds Signed and inscribed Trial goat Herds Final & 4th State anty gross (in pencil to margin) Etching 24 x 32.5cm Unframed

‡Anthony Gross CBE, RA (1905-1984) Girl's School Signed, inscribed and numbered 33/50 girl's school anty gross (in pencil to margin) Etching 16.5 x 24.4cm (plate) Unframed

‡Gerald Brockhurst RA (1890-1978) Study for a tempera painting (Wright 1) Signed and inscribed GL Brockhurst./Study for a tempera painting (first Etching) (in pencil to margin) Etching, 1914, one of five or six impressions 16.6 x 24cm (plate) Unframed

‡Alison Milner-Gulland (Contemporary) Broody Hen Signed and inscribed Broody Hen A/P A Milner-Gullard (in pencil to margin) Etching 20 x 26.5cm (plate) Provenance: 5D Gallery, Chepstow; The Collection of Sir Alan and Lady Cox

‡Joan Miró (Spanish 1893-1983) Sonatine II (Dupin 419) Signed and inscribed H.C. Miró. in pencil to margin Etching and aquatint, 1968, an hors commerce impression in addition to the edition of 3031 x 24.4cm (plate)

‡Michael Ayrton (1921-1975) Revealed Signed and inscribed Proof 2nd state michael ayrton (in pencil to margin) Etching, 1971, from the Minotaur suite 39.8 x 54.4 (plate) Unframed Literature: Arnold L. Haskell, Michael Ayrton: Graphics (Somerset, Bruton Gallery, 1977) (illustrated)

‡Michael Ayrton (1921-1975) Epode; Eclipse; Beast Fable I; Beast Fable II Four each with Ayrton estate stamp and numbered 67/75; 75/75; 68/75; and 74/75 respectively (in pencil to margin) Each etching, 1975, from the Archilochos suite Each 30 x 25.3cm (plate) Unframed Together with Michael Ayrton; Kore; with Ayrton estate stamp and numbered 6/75 (in pencil to margin); aquatint, 1975, originally conceived as part of the Archilochos series but subsequently excluded; 30 x 25.3cm; unframed (5) Literature: Arnold L. Haskell, Michael Ayrton: Graphics (Somerset, Bruton Gallery, 1977) (each illustrated)

‡Patrick Procktor RA (1936-2003) The Rime of the Ancient Mariner: Samuel Taylor Coleridge; The charmed water burnt alway A still and awful Red; Two of the Polar Spirit's fellow daemons; I pass, like night, from land to land Four, each signed and inscribed APII Patrick Procktor (in pencil to margin) Two etching and aquatint; two aquatint Three approx. 22.2 x 15cm; one 14.9 x 22.5cm (plate) Unframed (4)

‡David Hockney RA (b.1937)The Haunted Castle (S.A.C 92; M.C.A.T 89)Etching and aquatint, 1969, page 11 of 'Six Fairy Tales from the Brothers Grimm', Edition A no. 65/100 (according to label)34.9 x 21cm (plate)

‡David Hockney RA (b.1937)A Black Cat Leaping (S.A.C 94; M.C.A.T 91)Etching and aquatint, 1969, page 13 of 'Six Fairy Tales from the Brothers Grimm', Edition A no. 65/100 (according to label)23.3 x 26.9cm (plate)

‡Sir Eduardo Paolozzi CBE RA (Scottish 1924-2005) Study for Bruckner; On the Moon; Untitled Three, each signed, dated and inscribed A/P Eduardo Paolozzi 1984 (in pencil to margin) Each etching Largest 49.3 x 36.6cm; Smallest 23.6 x 28cm (plate) Unframed (3) Provenance: Given by the artist to the previous owner; And by descent

‡Penwith Society of Arts Penwith Print Room Portfolio: A Spring Collection 10 prints plus title comprising Helen Feiler (b.1952), Reflections, screenprint; Michael Foreman (b. 1938) , Cuckoo, etching; Rose Hilton (1931-2019), The Window, etching; Patrick Hughes (b. 1939), Rainbow's End, screenprint; Bryan Ingham (1936-1997), Spring Evening, etching; Sheila Oliner (1934-2020), Janet, etching and drypoint with hand colouring; Bryan Pearce (1929-2007), Parish Church & Harbour, etching; Lieke Ritman (b.1942), Jollytown Barn, screenprint; Alyson Stoneman (b.1948), Lamorna Spring, etching; Roy Walker (1936-2001), Storm Moon, etching Each signed and numbered 12/75, and variously inscribed and dated Each 52 x 38.5cm (sheet), unbound in a portfolio (10)

‡Charles Bartlett (1921-2014) Ships at Anchor; Evening Anchorage Two, the former signed, numbered and inscribed 42/60 "Ships at Anchor" Charles Bartlett (in pencil to margin), and with Gorner & Millard blindstamp; the latter signed and inscribed Artist's Proof Evening Anchorage Charles Bartlett (in pencil to margin) Both etching and aquatint 41.2 x 55.4cm; 40.2 x 45.2cm (plate) Unframed Together with Didier Moreau (French 20th Century); L'amour angélique; signed Didier Moreau (in pencil); lithograph; 47.6 x 64.7cm; unframed (3)

‡Julian Trevelyan RA (1910-1988) Self-Portrait Signed, numbered and inscribed 98/100 Self-Portrait Julian Trevelyan (in pencil to margin) Etching and aquatint, from the Florentine suite, 1965-6 47.7 x 35.1cm Unframed

‡Julian Williams (b.1953) Geese Signed and numbered 54/100 (in pencil to margin) Etching and aquatint 19.4 x 64.1cm (plate)

‡Rachael Kantaris (b.1967) Heartland Signed, numbered and inscribed 1/10 "Heartland" Rachael Kantaris (in pencil to margin) Etching 39.5 x 39.5cm (plate)