We found 71174 price guide item(s) matching your search
There are 71174 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
71174 item(s)/page
Lot 342
George V Period British Royal Artillery 1821 Pattern Officers Sword, regulation pattern example housed in its original field service leather scabbard. Some plating lifting to the guard. Original grip with wire binding. Single edged blade with much of the original etching remaining. Marked “MADE IN ENGLAND” to spine. Blade 88 ½ cms, overall 107 cms.
Lot 350
A collection of pictures including Debby Mason, Lobster, etching, signed bottom right, numbered 14/250, mounted and framed, measurements 14 x 17 cm, sticker for Cattewater Press verso. Robert May, Last Light, watercolour, signed bottom right dated '94, measurements 27 x 36 cm, frame 43 x 53 cm R.J. Pring, Harbour Scene, signed and dated '95 bottom left, watercolour, mounted and framed, measurements 30 x 25 cm (i), framed 45.5 x 39.5 cm R.J. Pring, Fishing Boats, signed and dated '95 bottom right, watercolour, mounted and framed, measurement 23 x 33 cm, frame 28 x 37.5 cm Ray Evans, Boats and Pink Sky at Hastings, watercolour, mounted and framed, 28 x 31 cm(i), frame 50 x 53 cm
Lot 765
AFTER STANLEY CHARLES ROWLES "Tower Bridge", etching, signed in pencil, image size approx 20.5 cm x 30 cm, together with AFTER HENRY G WALKER "Fisherman and Catch on Quayside", three coloured etchings, signed in pencil, image sizes each approx 20 cm x 24.5 cm and AFTER WILLLIAM MONK (1813-1937) "Rialto Bridge, Venice", coloured etching, signed in pencil, image size approx 27 cm x 37 cm, AFTER KATHLEEN CADDOCK "The Grand Canal, Venice", coloured etching, image size approx 20 cm x 15 cm and SIROL "Venetian Canal Scene", watercolour, signed, image size approx 31.5 cm x 23 cm
Lot 1399
After Queen Victoria, 'Islay and Eos', an etching of Queen Victoria's cairn terrier Islay, and Prince Albert's greyhound Eos, 6th state, initialled, dated, and titled beneath in the print 'V.K. From Nature, Sept. 19, 1840', further annotated in pencil l.h. lower margin '6th state, by the Queen', 9.5cm x 14cm within mounts, framed and glazed.
Lot 539
Edward King, two etchings, London views, together with two other London etchings by Henry Lambert and S.G. Rowles, largest 34 x 47cmCONDITION: Pair of coloured etchings in poor condition with discoloured ground paper and dirt and fox marking, but colours remain strong, Lambert etching in good clean condition, Rowles etching with damp staining.
Lot 2237
Pablo Picasso, (Spanish, 1881-1973), "Jeune Sculpteur Grec avec sa Sculpture: un Homme et un Ephebe (from Vollard Suite)," 1933, printed in 1939, etching on Montval paper with Picasso watermark, pencil signed lower right, from edition of 260, printed by Lacouriere, Paris, published by Vollard, Paris, plate: 10.5"h x 7.5"w, sheet: 17.75"h x 13.25"w
Lot 2238
Pablo Picasso, (Spanish, 1881-1973), "Sculpture d'un Jeune Homme a la Coupe (from Vollard Suite)," 1933, printed in 1939, etching on Montval paper with Vollard watermark, pencil signed lower right, from edition of 260, printed by Lacouriere, Paris, published by Vollard, Paris, plate: 14.25"h x 11.5"w, sheet (unframed): 17.75"h x 13.25"w
Lot 2239
Pablo Picasso, (Spanish, 1881-1973), "Minotaure Mourant (from Vollard Suite)," 1933, printed in 1939, etching on Montval paper with Vollard watermark, pencil signed lower right, from edition of 260, printed by Lacouriere, Paris, published by Vollard, Paris, plate: 7.5"h x 10.5"w, sheet: 13.25"h x 17.75"w
Lot 107
One (1) etching after Rembrandt, two (2) etchings after Goya, 3 items total. 1st item: After Rembrandt Van Rijn (Dutch, 1608-1669) etching on laid paper titled "Beggars Receiving Alms at the Door of a House". Signed and dated "Rembrandt. f. 1648" lower right. Float mounted and housed under glass in a gilt wood frame with an off white linen and giltwood liner. Sheet - 6 3/4" H x 5 1/4" W. Sight - 7 5/8" H x 6" W. Framed - 16 1/8" H x 14 1/8" W. 2nd and 3rd items: Two (2) After Francisco Goya (Spain, 1746-1828), etchings with burnished aquatint on laid paper including plate #21 titled "Cual La Descanonan!" (How They Pluck Her Feathers!) and plate #67 titled "Aguarda Que Te Unten" (Wait Till You've Been Anointed)" from the Los Caprichos series, tenth edition, published by Tomas Harris, printed in the Calcografia for the Real Academia, Madrid. Both titled lower center under image, both numbered top right above image. Both with "Jose Guarro" and Goya wearing a cap watermarks. Both with Abelardo Linares, S.A. Antiguedades, Madrid, Spain paperwork. Both double matted and housed under glass in near identical gilt silver wood frames. Plates approximately 8 5/7" H x 5 7/8" W. Sight - 9 1/4" H x 6 3/4" W. Frames range in size from 16" H x 13" W to 16 3/4" H x 13 5/8" W. Circa 1918-1928. Provenance: Private Southern Collection. CONDITION: Overall good condition. 1st item: Foxing spots, toning/acid burn to sheet and liner. Trimmed to plate lines. 2nd and 3rd items: Plate #21 with toning, few minute foxing spots. Plate #67 with two visible foxing spots, largest 1/4". Not examined outside of frames.
Lot 139
Childe (Frederick) Hassam (American, 1859-1935) etching titled "Old Lace," depicting a bridge with town in the background and rowboats, foreground. Artist's monogram signature in pencil, lower right margin, with "imp" and pencil inscription lower left, "Selected for FJ Dearden by CH 1921". Also signed with monogram and dated "1915" in the plate lower right. Printed on white wove paper taken from a section of the Old Testament visible to one margin. Etching hinge mounted on cardstock, reverse of cardstock with pencil inscription reading "#1 Dearden 1153-A 4503 #1". Housed in a gilt wood frame with placard to lower margin with artist's name and title. Image - 6 3/4" H x 6 3/4" W. Sight - 7 1/8" H x 7" W. Framed - 20 1/2" H x 15 5/8" W. Early 20th century. Provenance: The estate of Joan Dearden, Johnson City, Tennessee. CONDITION: Overall toning to image, some waviness noted to paper.
Lot 140
Childe (Frederick) Hassam (American, 1859-1935) etching titled "Portsmouth Church," with view of a church on a hill surrounded by other town buildings and a body of water in the foreground. Artist's monogram signature in pencil, lower right margin, with "imp" and pencil inscription lower left, "Selected for FJ Dearden by CH 1921". Also signed with monogram and dated "1921" in the plate lower left. Printed on white wove paper taken from a section of the Old Testament visible to one margin. Etching hinge mounted on cardstock, reverse of cardstock with pencil inscription reading "#2 Dearden 1153-A 4503 #2". Housed in a gilt wood frame with placard to lower margin with artist's name and title. Image - 8 3/8" H x 5 7/8" W. Sight - 8 3/4" H x 6 1/4" W. Framed - 20 1/2" H x 15 5/8" W. First quarter 20th century. Provenance: The estate of Joan Dearden, Johnson City, Tennessee. CONDITION: Overall light toning to image, minor waviness noted to paper. Minor scattered abrasions to the frame.
Lot 516
Two (2) Louis Icart (French, 1888-1950) signed etchings: Symphony in Blue and Miroir de Venise. 1st item: "Symphony in Blue," 1936, etching and aquatint with handcoloring, pencil signed 'Louis Icart'' lower right, artist's blindstamp lower left and publication line upper left. Sight - 23 1/4" H x 19 1/2" W. Framed - 30" H x 26" W. Ref. Holland, Catania & Isen, 461. 2nd item: "Miroir de Venise," 1937, etching and aquatint with hand coloring, pencil signed "Louis Icart" lower right, artist's blindstamp lower left and publication line upper left. Sight: 23" H x 19" W. Framed - 30" H x 26" W. Provenance: the estate of Victor T. Patterson, Franklin, TN. Note: born in Georgia and educated at the Parsons School of Design, Victor Patterson served as a cultural representative to Russia with Dwight D. Eisenhower's "People to People" program (prior to its privatization) before moving to the Nashville, Tennessee area to pursue a career in interior design. He was associated with Bradford's for many years before starting his own business. He decorated the Tennessee Governor's Mansion and the home of several country music stars in the 1970s, and filled his home on Franklin's historic Fourth Avenue with art and antiques from his frequent travels. CONDITION: Not examined out of frames. Both appear to be in very good condition with minor toning. Some grime to mats and tape residue to glass. Frames in very good condition.
Lot 545
1st & 2nd items: Two (2) Henry (Harry) Ziegler (New York, 1889-1968) etchings, both portraits of the American artist Joseph Pennell, one with a pencil inscription reading top margin "Presented to F. J. Dearden from Henry Zigler and lower margin "A very interesting portrait of a very interesting - but maddening person. Joseph Pennell" and pencil signed by the artist. The other with a pencil inscription reading, "F J Dearden, imp._ from _ Henry Ziegler". 1st etching housed in a gilt wood frame with linen mat. 2nd etching housed in a simple wood frame. Image - 6 7/8" H x 5" W. Sight - 7 3/4" H x 5 3/4" W and 9 1/4" H x 7 1/4" W. 3rd item: Ink and watercolor titled "White Man Wins" depicting a circle of Native American males and cowboys playing cards. Signed and dated 1930 lower margin together with the inscription "To my friend F. J. Dearden. Kind regards, from the artist, 1931". Housed in a gilt and painted wood frame. Sight - 11 1/8" H x 14 1/4" W. Framed - 17 1/4" H x 20 1/2" W. All with a letter from the artist to F.J. Dearden regarding the drawing in this lot. Artist's Biography: Henry (Harry) Ziegler studied art with W.R. Leigh and Joseph Pennell. He is known for his western subject illustrations and paintings, and was the illustrator of Cowboy Stuff, an edition of 50 etchings. (Source: Askart). Provenance: The estate of Joan Dearden, Johnson City, Tennessee. CONDITION: 1st item: overall good condition. Light toning to paper. 2nd item: Toning to paper, abrasions to the frame. 3rd item: Some light toning to paper. Scattered abrasions to the frame.
Loading...-
71174 item(s)/page