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Lot 76

A Victorian Rifle Brigade officers' sword, 1845 pattern blade 32", by J B Johnstone & Co, Sackville St, London & Dawson St Dublin, etched with scrolls, bugle horns and "RIFLE BRIGADE", the 1827 pattern steel hilt having wire bound fishskin grips. GC (the blade etching faint) £120-150

Lot 566

MALCOLM OSBORNE Etching of rural view with barn and church tower, presented by Osborne, 1911, with an etching by Leslie M Ward, Near Campden, Gloucestershire, 1911 and another of church

Lot 567

HAROLD RIGBY, ST KATHERINE'S WHARF Etching published by the Art Journal, with two other maritime etchings, Leslie Ward, A Sloop on the Humber and H P Evans, East coast fishing boats

Lot 568

CORFE CASTLE etching dated 1922, with two other West Country etchings, Ballast Quay, Hamworthy and St Michael's Mount, Penzance

Lot 569

CLARE LEIGHTON, APPLE BUTTER wood engraving, 1930s, with etching of hedge laying, similar date

Lot 570

ERIC JAMES MELLON etching, AP, Sarah Wearing a 1920s Dressing Gown, with two other etchings and woodcut possibly by Gwen Raverat

Lot 283

A Framed Etching by F Slocombe Published 1891, A Hunting Morn, 37x60cm

Lot 287

An antiquarian black and white etching of John Rose Esquire of Holme, in mount

Lot 507

An Edward Cherry etching in frame together with two further Rackham prints

Lot 128

John George Matheison (act. 1918-1940) signed etching - Loch Ard, 9cm x 24cm, in glazed frame

Lot 166

Penny Berry Paterson (1941-2021) colour etching, Red Lion Prospect, signed, inscribed and numbered 8/10, image 26 x 35cm, together with another four further prints by the same hand

Lot 167

Penny Berry Paterson (1941-2021) colour etching, Souvenir de Paris, signed, inscribed and numbered 8/50, image 22 x 33cm, together with another three further prints by the same hand

Lot 338

Quantity of pictures and prints, including an Ernest St. George etching, map of Essex, etc

Lot 340

B Woodcock, wood engraving, The barn at Stratford St Mary, signed, inscribed and dated '86, numbered 9/30, 12 x 10cm, together with four various pictures including two etchings of a shop front, a Venetian paper cut, etching of York Cathedral by G. C. A. Barker, all framed

Lot 435

Pair of 19th century-style composite classical panels, Boris O'Klein signed humorous dog etching and other prints

Lot 577

Penny Berry Paterson (1941-2021) colour etching, Paris Melange, signed, inscribed and numbered 1/50. image 21 x 33cm, together with another three prints by the same hand (4)

Lot 66

After Thomas Rowlandson RURAL SPORTS OR A CRICKET MATCH EXTRAORDINARY hand coloured etching published by Thomas Tegg circa 1811, mounted, framed & glazed, the image 23 by 34cm. The sub-title reads: "On Wednesday 3rd October 1811 a Singular Cricket Match took place at Balls Pond, Newington. The Players on both sides were 22 Women, 11 Hampshire against 11 Surrey. The Match was made between two Amateur Noblemen of the respective Counties for 500 guineas each." The first county match was held in 1811 between Surrey and Hampshire at Ball's Pond in Middlesex. Two noblemen underwrote the match with 1,000 guineas and its participants ranged in age from 14 to 60.  Please be aware all glass will be removed from framed and glazed items prior to posting and may result in delays to shipping your items. (This service is included in the cost of postage and packing). We can also totally remove all framing and mounts upon request to reduce shipping costs. Alternatively lots can be collected in person by prior appointment from NN8 1RT.    

Lot 319A

Three artworks by Helen Wakefield, (British, 21st Century School), comprising: a monoprint and gold leaf, titled The Red Dwarf, an etching/aquatint titled To Find Fish and an etching titled Growth, all signed and framed, inscribed verso, 23.5 cm x 54 cm max. inc. frame

Lot 768

P & P Gally, Printer and Publisher, early 19th c - Taking Refreshment, etching in contemporary colour, 16 x 22cm, rosewood frame The print browned with marginal loss clear of image, frame slightly scratched

Lot 827

Christopher Orr OBE, RA (1943-) - Sympathy, etching and stencil in colour, signed by the artist in pencil, dated 1998, inscribed with the title and numbered 1/15, 57 x 76cm and F Donald Blake - Untitled (white chairs), signed, mixed media, 45.5 x 69cm (2) Exhibited: (Orr) Royal Academy,  Summer Exhibition 1998 Both in good condition

Lot 196

A Chinese white glazed bowl, mid-Ming dynasty, 15th/16th century,underglaze blue seal mark to base,14.5cm diameterTypical minor glaze imperfections and a small over glazed firing fault on the interior of the bowl, some abrasion around the foot consistent with manufacture otherwise in good condition. some minor etching to the glaze which may indicate this bowl has come from a ship wreck hoard.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 14.5cm diameter

Lot 373

Giovanni Benedetto Castiglione (1609-1664) The Nativity with God the Father and Angels, c.1647etchingBartsch 7 only state20 x 38cm. unframedGood strong impression on laid paper with fleur de lys in a shield watermark. Cropped with small nicks in the margins at the lower left corner and approx. 2 cm missing on the right. A little discoloured/dirty at the margins with old tab marks verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 20 x 38cm. unframedCastiglione (1609-1664), Giovanni Benedetto

Lot 483

Oscar Rabin (Russian, 1928-2018) Study for Tense Momentpencil and Conte crayonsigned, 22.5 x 15.5cm. and an etching with aquatint of a fallen boxer 'Finish', signed in pencil, 14 x 19cm.Provenance; Dulwich Picture Gallery Exhibition Nov-Feb 1986; 'Introducing Sam Rabin', no.63 & 64Pastel possibly with some light discolouration of the ground paper. Otherwise good condition. Plain card mount and wood frame, typed title label verso.The print with discolouration to the margins including some foxing, otherwise good, under glass but lacking a frame.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. Rabin (Russian, 1928-2018), Oscar

Lot 147

A George V silver cigarette case with seaweed etching by Henry Matthews, Birmingham, 1924, 9 x 9.5 cm; a Victorian silver crown, 1890; a Birmingham silver thimble, 1962 and a heart-shape locket and chain, all hallmarked, 132g (4)

Lot 166

Graham Clarke (British, b.1941), DANDELION PALACE and MARIGOLD HALL, two coloured etching, both from editions of 400, each 10 x 12 cm, framed, mounted and signed in pencil (2)

Lot 168

Graham Clarke (British, b.1941), THE VARMINTRY, artist's proof, DANCING IN TIME, 15/300 and YOUNG OSKINS, 241/400, three coloured etching, 34 x 44 cm, 25 x 26 cm, 23 x 27 cm, framed, mounted and signed in pencil, one with dedication (3)

Lot 199

Graham Clarke (British, b.1941), SHOTTERY TROTH PLIGHTING, coloured etching, artist's proof, framed and mounted, 36 x 27 cm, from a folio of eight based on the Life and Times of William Shakespeare, signed in pencil bottom right with dedication

Lot 200

Graham Clarke (British, b.1941), CATALYST and YEAR OF THE DOG, two coloured etching, 381/400 and 307/350, 13 x 17 cm, 20 x 16 cm, both in burr elm frames, mounted and signed in pencil (2)

Lot 199

BERNARD LEACH ''LANSCAPE WITH RUIN'' 4 X 5 SOFT GROUND ETCHING 3/25

Lot 165

BRUCE ONOBRAKPEYA (B. 1932), DEEP ETCHING, 15/40, PENCIL SIGNED. 67 x 49cms.

Lot 322

SMALL BLACK AND WHITE ETCHING, FIGURE IN A BOAT BESIDE A LIGHTHOUSE, UNSIGNED, PLUS A FURTHER SMALL ETCHING, INDISTINCTLY SIGNED, BOTH F/G, LARGEST 27CM HIGH (2)

Lot 345

20TH CENTURY SCHOOL, 'MONT VENTOUX FROM BRANTES', BLACK AND WHITE ETCHING, INDISTINCTLY SIGNED, POSSIBLY NEWSON WATSON, DATED 1991

Lot 354

CONTINENTAL SCHOOL, FIGURES IN A MEDIEVAL COURTYARD WITH HORSES, ETCHING, F/G, 36CM HIGH

Lot 671

PAINTINGS AND PRINTS ETC, to include a still life flower study 'Chrysanthemums' by Pearl Rose, oil on board, approximate size 34cm x 24cm, watercolour flower study signed T. Hollins, Ivan M Garden Scottish drypoint etching ' Loch Lubnaig', signed Geoffrey Cowton limited edition print 'Wentbridge House Hotel', Redoute Rose print etc

Lot 684

William Lionel Wyllie (1851-1931), etching, View along The Thames, signed in pencil, 11 x 33cm

Lot 700

William Lionel Wyllie (1851-1931), etching, 'Yachts racing off Southsea', signed in pencil, 12 x 37cm

Lot 3039

Mary George (20th Century); colour etching, Tranquil Meadow, limited number 19/150, signed and inscribed in pencil, 15 x 13 cm. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133

Lot 106

* DAVID HOCKNEY OM CH RA (BRITISH b. 1937),PICTURE OF A STILL LIFE THAT HAS AN ELABORATE SILVER FRAME lithograph on paper, numbered artist's proofimage size 77cm x 57cm, overall size 92cm x 72cmMounted, framed and under glass.Note: from A Hollywood Collection, 1962.Note 2: An accomplished painter, printmaker, photographer, and stage designer, David Hockney began showcasing his talent as a draftsman while studying at his hometown's Bradford School of Art as a teenager. At London's Royal College of Art in the early 1960s, he worked in a style that combined figuration, abstraction, and text, which identified him with the British Pop art movement. His work, however, defies categorization. It consists of still lifes and portraits rendered with delicacy and frankness and, after moving to Los Angeles, has included bold, colourful images of California's sun-drenched settings. Rooted in his personal relationships, his homosexuality, and his literary interests and travels, Hockney's art is, above all, deeply autobiographical. Printmaking has played a central role in Hockney's practice, and many of his most significant early works take the form of narrative print series. The linearity of etching matches his natural inclination for drawing, and lithography allows him to explore dazzling colour. He has also made editions with paper pulp and inventive prints using a photocopy machine. In all Hockney has created more than five hundred prints, collaborating with celebrated printers and workshops in Europe and America and also experimenting on his own. A copy of the print is in the Museum of Modern Art.Condition report: Condition is good overall, with no visible signs of restoration, damage, or known issues. Additional images have been uploaded to our website. Picture comes from a Private Scottish Collection. 

Lot 227

* PETER HOWSON OBE (SCOTTISH b. 1958),MANOR HOUSElimited edition etching on paper, signed, titled, dated '98 and numbered artist's proof image size 30cm x 25cm, sheet size 46cm x 39cm, overall size 68cm x 62cm Mounted, framed and under glass.

Lot 116

A GROUP OF FIVE 19TH CENTURY AND LATER PRINTS To include fashion plates; an etching of Honey Lane, Hertford by HB Andrews; a view of Istanbul etc Village street measures 20cm x 12cm; with frame 44cm x 31cm Condition: Minor signs of wear commensurate with age and use

Lot 166

D.Y. Cameron, for the Art Union of Scotland 1895, Holyrood, inscribed Holyrood in 1745, etching (34cm x 48cm)

Lot 181

After Reynolds, Caroline, Duchess of Marlborough, etching, inscribed printed for Rob. Sayer, plate no.106 bottom right (35cm x 24cm)

Lot 198

Laing, Oxenfoord Castle, etching, signed and dated 1946 bottom right (31cm x 25cm)

Lot 216

John Kay (1746-1826), Cock Fighting Match between the Counties of Lanark and Haddington, etching, 1785, paper label verso (15cm x 13cm) and after Durer, Three Figures, two 18thc French animal prints and a woodblock print, Figures near a City (5)

Lot 243

Assorted glassware including five wine glasses (19cm), with clear to burnt orange with floral etching, three other wine glasses, two scent bottles and vase (a lot)

Lot 85

Framed and mounted etching of a Countryside shooting scene signed Leonard Reynolds

Lot 459

After Rembrandt, etching with text in pencil, beggars receiving alms from elderly gentleman

Lot 480

Ivy Langton (1904-1988) Etching, a signed limited edition ' The Street Market ' no. 13 of 18

Lot 331

A E Wade - New Alresford Hants, drypoint etching, pencil signed to margin, 20 x 28 cm

Lot 357

J Alphonse-Brewer - The North transept Rheims Cathedral, pencil signed etching, 60 x 35 cm

Lot 1328

A collection of pictures and prints, to include: a pencil and gouache Mediterranean scene by William Collingwood-Smith, 21.5 x 33cm; a signed print by Sir William Russell Flint; an etching after Edward Burne-Jones; still lifes by Norman A Jones etc. (10)

Lot 2192

Ferrari - Glacier Imaging limited edition etching for Michael Schumacher 2001 Formula One World Champion, no 40 of 399, boxed. 17 x 9 x 11 cm.

Lot 763

Francis Dodd RA, RWS (1874-1949), drypoint etching, study of an elderly lady at rest in a folding chair, signed lower right, 25x20cm

Lot 816

A mixed box of pictures of prints to include local interest, 19th century engravings, a floral study of Chamellia, a number of prints of churches and cathedrals, to include a drypoint etching after Robson etc

Lot 819

John Fullwood FSA, 'Mount Valerian on the Seine', drypoint etching, 15x22cm, together with one other of Carnglaze Street, St Ives, signed Parsons, 33x19cm

Lot 846

20th century etching of a seated elderly lady, signed indistinctly, number 28/50, signed Nicolson, 25x19.5cm

Lot 855

19th century etching, 'Mealtime', lady feeding ducks, initialled RM, dated 1877, 13.5x21cm

Lot 858

David Risk Kennard, 'Garsington Manor, 1990', pen and colour wash, 26x33cm, together with another by Kennard of Garsington Manor, drypoint etching, number 8/150, 23x28.5cm

Lot 712

Sandor Bortnyik (Hungarian, 1893-1976), three monochrome woodblock prints and a smaller etching, all signed l.r., largest 19 by 14cm, framed (4). Note: Artist Resale Rights apply

Lot 714

Bela Uitz (Hungarian, 1887-1972), Nude Bathers, signed and No.916 l.r., monochrome etching, 22 by 35cm, framed. Note: Artist Resale Rights apply

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