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After Thomas Rowlandson RURAL SPORTS OR A CRICKET MATCH EXTRAORDINARY hand coloured etching published by Thomas Tegg circa 1811, mounted, framed & glazed, the image 23 by 34cm. The sub-title reads: "On Wednesday 3rd October 1811 a Singular Cricket Match took place at Balls Pond, Newington. The Players on both sides were 22 Women, 11 Hampshire against 11 Surrey. The Match was made between two Amateur Noblemen of the respective Counties for 500 guineas each." The first county match was held in 1811 between Surrey and Hampshire at Ball's Pond in Middlesex. Two noblemen underwrote the match with 1,000 guineas and its participants ranged in age from 14 to 60. Please be aware all glass will be removed from framed and glazed items prior to posting and may result in delays to shipping your items. (This service is included in the cost of postage and packing). We can also totally remove all framing and mounts upon request to reduce shipping costs. Alternatively lots can be collected in person by prior appointment from NN8 1RT.
Christopher Orr OBE, RA (1943-) - Sympathy, etching and stencil in colour, signed by the artist in pencil, dated 1998, inscribed with the title and numbered 1/15, 57 x 76cm and F Donald Blake - Untitled (white chairs), signed, mixed media, 45.5 x 69cm (2) Exhibited: (Orr) Royal Academy, Summer Exhibition 1998 Both in good condition
A Chinese white glazed bowl, mid-Ming dynasty, 15th/16th century,underglaze blue seal mark to base,14.5cm diameterTypical minor glaze imperfections and a small over glazed firing fault on the interior of the bowl, some abrasion around the foot consistent with manufacture otherwise in good condition. some minor etching to the glaze which may indicate this bowl has come from a ship wreck hoard.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 14.5cm diameter
Giovanni Benedetto Castiglione (1609-1664) The Nativity with God the Father and Angels, c.1647etchingBartsch 7 only state20 x 38cm. unframedGood strong impression on laid paper with fleur de lys in a shield watermark. Cropped with small nicks in the margins at the lower left corner and approx. 2 cm missing on the right. A little discoloured/dirty at the margins with old tab marks verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 20 x 38cm. unframedCastiglione (1609-1664), Giovanni Benedetto
Oscar Rabin (Russian, 1928-2018) Study for Tense Momentpencil and Conte crayonsigned, 22.5 x 15.5cm. and an etching with aquatint of a fallen boxer 'Finish', signed in pencil, 14 x 19cm.Provenance; Dulwich Picture Gallery Exhibition Nov-Feb 1986; 'Introducing Sam Rabin', no.63 & 64Pastel possibly with some light discolouration of the ground paper. Otherwise good condition. Plain card mount and wood frame, typed title label verso.The print with discolouration to the margins including some foxing, otherwise good, under glass but lacking a frame.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. Rabin (Russian, 1928-2018), Oscar
PAINTINGS AND PRINTS ETC, to include a still life flower study 'Chrysanthemums' by Pearl Rose, oil on board, approximate size 34cm x 24cm, watercolour flower study signed T. Hollins, Ivan M Garden Scottish drypoint etching ' Loch Lubnaig', signed Geoffrey Cowton limited edition print 'Wentbridge House Hotel', Redoute Rose print etc
* DAVID HOCKNEY OM CH RA (BRITISH b. 1937),PICTURE OF A STILL LIFE THAT HAS AN ELABORATE SILVER FRAME lithograph on paper, numbered artist's proofimage size 77cm x 57cm, overall size 92cm x 72cmMounted, framed and under glass.Note: from A Hollywood Collection, 1962.Note 2: An accomplished painter, printmaker, photographer, and stage designer, David Hockney began showcasing his talent as a draftsman while studying at his hometown's Bradford School of Art as a teenager. At London's Royal College of Art in the early 1960s, he worked in a style that combined figuration, abstraction, and text, which identified him with the British Pop art movement. His work, however, defies categorization. It consists of still lifes and portraits rendered with delicacy and frankness and, after moving to Los Angeles, has included bold, colourful images of California's sun-drenched settings. Rooted in his personal relationships, his homosexuality, and his literary interests and travels, Hockney's art is, above all, deeply autobiographical. Printmaking has played a central role in Hockney's practice, and many of his most significant early works take the form of narrative print series. The linearity of etching matches his natural inclination for drawing, and lithography allows him to explore dazzling colour. He has also made editions with paper pulp and inventive prints using a photocopy machine. In all Hockney has created more than five hundred prints, collaborating with celebrated printers and workshops in Europe and America and also experimenting on his own. A copy of the print is in the Museum of Modern Art.Condition report: Condition is good overall, with no visible signs of restoration, damage, or known issues. Additional images have been uploaded to our website. Picture comes from a Private Scottish Collection.
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71174 item(s)/page