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Lot 1005

William Lionel Wyllie (1851-1931)-"Sunshine On The Solent", pencil signed dry point etching, bears old gallery label verso for James Connell & Sons Ltd of Old Bond Street, London, and St Vincent Street, Glasgow, 17 x 22cm (illustrated)

Lot 1177

Adolphe Valette (1876-1942)-Bulls in a field, a pencil signed dry point etching, 22 x 30cm. NB: As well as a highly regarded artist whose work is collected worldwide Valette was also noted as Art Master at the Manchester School of Art from 1906 to 1920, his most famous pupil being L S Lowry (illustrated)

Lot 251

AFTER REMBRANDT VAN RIJN, ADAM AND EVE, AN ETCHING, signed and dated 1638 in the margin, later impression, framed. Platemark 16.5cm by 11.5cm

Lot 253

MULINARI, ETCHING AFTER PARMIGIANINO, THE SACRED FAMILY; together with AFTER GIULIO ROMANO, CLASSICAL SCENE, both unframed. (2) 32cm by 24.5cm and 18cm by 33cm

Lot 254

AXEL HERMAN HAIG (SWEDISH, 1835-1921), "ON THE DYLE, MALINES", etching, signed and inscribed in pencil, dated 1913 in the plate with monogram, framed, paper label verso. 36cm by 54cm

Lot 236

H. Little, Signed Black and White Etching depicting river landscape; Guy Underwood, signed black and white etching depicting church interior and 3 other signed black and white etchings, all in black frames

Lot 237

Duncan McKellar, Signed Black and White Etching depicting river landscape with city in background, signed in pencil, in black frame, 11.5cm x 24cm

Lot 239

W. L. Wyllie, Signed Black and White Etching depicting various small sailing boat and tug boats coming into harbour, signed in pencil, in black frame, 13.5cm x 21cm

Lot 274

A Modern Oil on Board depicting river landscape with watermill and church in background, in gilt frame, 45cm x 62cm, also a black and white etching depicting arch bridge with town on hillside, unframed (2)

Lot 2175

An Etching, signed Seine Netting A Weir

Lot 141

Christopher Richard Wynne Nevinson (1889-1946) - Trial proof drypoint etching - Waterloo Bridge From A Savoy Window, signed in pencil, also stating to margin `Only Trial Proof`, 29.5cm x 36.5cm

Lot 212

After Rembrandt Harmensz van Rijn - Etching - Six`s Bridge, 10cm x 16.5cm

Lot 213

Attributed to George Dance (1741-1825) - Pencil sketch - Portrait of John Flaxman, inscribed in ink Flaxman, 18.5cm x 19cm. This is possibly a preliminary sketch for the etching by William Daniell

Lot 787

Rembrandt Harmensz. van Rijn (1606-1669) An old testament etching, Joseph telling his dreams (Bartsch 37) inscribed and dated 1656 15 x 20cm

Lot 788

Rembrandt Harmensz. van Rijn (1606-1669) An old testament etching, Joseph seated reading, inscribed below, oval and inscribed upper left, 20 x 18cm

Lot 832

A Smiths oak framed circular barometer, etching, stamp album, 1930s solitaire game etc.

Lot 1213

James Priddey etching, Old Town Hall, Handsworth, early 19th century pencil sketch James Watts House 1811 and fifteen assorted prints, engravings and watercolours

Lot 12

WILLIAM STRANG SALVATION ARMY etching, signed, 33cm x 47cm and another etching byu the same hand `The Judgement of Dungara`, 15cm x 17cm (2)

Lot 264

ANDERS ZORN AT PRAYER circa 1911-12, etching, signed in pencil 20cm x 15cm

Lot 2

ANDREW AFFLECK (b. 1874) Toledo Cathedral, etching, pencil signed in the margin, 24" x 16"; and two prints after Piranesi (re-prints), one item unframed (3).

Lot 4

JAMES GILLRAY `A French Gentleman of the court of Louis XVI, A French Gentleman of the court of Egalite, 1799`, etching, hand coloured, 10 1/4" x 14".

Lot 19

HENRY ROBERT ROBERTSON (1839-1921) `In the hayfield`, etching, 3 3/4" x 9 1/4"; another by the same hand, pencil signed in the margin; a monochrome print in the manner of James Hardy Junior; Horace Mann Livens, Man with cockatoo, etching, 8 1/4" x 7", unframed; a group of four hand coloured engravings - Views around London; and a lithograph of a semi clad female figure with script, indistinctly signed and dated 1926 (9).

Lot 26

GIOVANNI BATTISTA PIRANESI `Veduta Dell `Arco di Costantino`, etching, numbered 777 in top right corner, 18" x 27 1/2" (see illustration).

Lot 31

ROWLAND HILDER (1905-1993) `Little Bewl Bridge Farm`, etching, pencil signed in the margin and numbered 46/175, 15 1/2" x 23 1/2" (see illustration). Prov. Duncan Campbell Fine Arts.

Lot 34

CHRISTOPHER PENNY (b.1947) `Chartwell`, artist`s proof etching in colours, pencil signed in the margin and titled, 10 1/4" x 14 1/4"; Phil Greenwood `Lake Walk`, artist`s proof, etching, pencil signed in the margin, 6" x 9 3/4" and Michael Chaplin `Taynton from the meadow`, etching, pencil signed and numbered 41/100, 7 1/2" x 19 1/2" (3).

Lot 40

GEORGE MAILE AFTER T HARPER `The Miniature`, stipple engraving, 10" x 8"; and M Oliver Ray `Kings College Chapel, Cambridge`, etching, pencil signed and titled in the margin, 14 1/4" x 9 3/4" (2).

Lot 43

QUEEN VICTORIA (1819-1901) A Medieval jousting session, etching, inscribed in the plate `V R Sept. 1 1840, after Albert. W. C`, etching, 5" x 6 1/4"; and three further related items, including a letter dated 1946 from A H Scott Elliott, Assistant to the Librarian Windsor Castle confirming the etching is by Queen Victoria, all unframed (4).

Lot 45

ARNOLD VAN WESTERHOUT AFTER ANNIBALE CARACCI Jesus and the woman from Samaria at the well, etching on water marked and laid paper, 19" x 15 1/2"; and one further old master engraving depicting a Calvary skirmish, 8 1/4" x 13", both unframed (2).

Lot 54

HUBERT VON HERKOMER AFTER FREDERICK WALKER `Phillip in Church`, etching, proof before publication, published by the Fine Art Society 1885, 20" x 15 1/2" (see illustration) Provenance: The Maas Gallery, London

Lot 55

JOHN D. MILLER AFTER SIR FRANK DICKSEE `Silvia`, mezzotint, signed by artist and engraver, published by Arthur Tooth & Sons, c. 1891, 16" x 11 3/4"; Alphonse Legros (1837-1911) - `L`incendie`, etching 9 1/4" x 10 3/4" and a print after Kathe Kollwitz of a family group (3)

Lot 57

CONRAD HOPE LOMAX (b.1885) River landscape with willow tree, etching, pencil signed in the margin and numbered 3/50, 10 1/4" x 15 1/2"; Krostewiz after Corot, a Continental lake scene with shepherd, etching, pub. c.1901, 16" x 20"; a river landscape, watercolour, signed A Hoyland; and L*L* Langley - `The Poet`, signed with initials, oils on canvas, 17" x 14 1/2" (4).

Lot 150

SIR DAVID MUIRHEAD BONE (1876-1953) `Falkland Palace, Fife` (study for the etching), signed and titled, pen and sepia washes, 4" x 6 3/4" (see illustration) Provenance: P&D Colnaghi & Co Ltd

Lot 230

20TH CENTURY SCHOOL `L`Hibou est Le Verite`, indistinctly signed (?) Louge and dated 1961, oils on paper, 12" x 9", Ex. The Shuman Gallery, New York and nine various pictures to include a reverse glass painting, an etching - `Fly`, indistinctly signed, three Berliner Ensemble posters etc (10).

Lot 256

19TH CENTURY GERMAN SCHOOL A view around Bergstrasse, oils on panel, 7" x 9 1/4"; and an etching of Bruges (2).

Lot 1042

Bernard Leach (1897-1979) `Moonlit Landscape` or `Landscape with Large Tree` a soft ground etching signed BL and dated 1918 in the print, number 4/25 in pencil image 19.5 x 15cm.

Lot 1043

Bernard Leach (1897-1979) `Little Stack` a limited edition etching, unframed titled in the print, facsimile signature, numbered in pencil 7/25 image 13 x 10cm. Literature Simon Olding The Etchings of Bernard Leach Crafts Study Centre page 43 plate 16 for an example of this print originally produced 1908-1909.

Lot 1044

Bernard Leach (1897-1979) `The White Mustang` a soft ground etching, signed Bernard Leach dated 1918 in the print, numbered 12/25 in pencil image 23.5 x 16.5cm. Literature Simon Olding The Etchings of Bernard Leach Crafts Study Centre page 89 plate 62 for a comparable example

Lot 1250

A Frank Brangwyn etching of a rural pathway monogrammed in the print and signed in pencil image 38 x 21cm.

Lot 376

Local Interest, etching, The Kings Messenger, Portsmouth Road, 16 x 20cm.

Lot 377

Ponte Vecchio, Florence, coloured etching, limited edition print, indistinctly signed in pencil, 34 x 49cm.

Lot 7

Tully Crook "Beyond the Plantation" limited edition etching with advance graphics blind stamp (139 of 200)

Lot 3

WINIFRID AUSTEN, R.I., R.E. (1876-1964) `Over the Tops` original drypoint etching artist`s proof pencil signed in lower margin 8 1/4 x 9 1/2in (20.9 x 24.2cm)

Lot 5

HERBERT DICKSEE, R.A., R.E. (1862-1942) The Closed Door etching, signed with initials in plate, copyright by Frost & Reed, 1920, in the United States of America Pl. 14 x 22in (35.6 x 55.8cm)

Lot 6

@ HERBERT THOMAS DICKSEE, R.A., R.E. (1862-1942) A King Charles Spaniel etching, signed with initials in plate pencil signed, `Herbert Dicksee` in lower margin Pl. 9 1/2 x 8in (24.2 x 20.4cm)

Lot 19

William Lionel Wyllie (1851-1931): `Tantallon Castle and the Bass Rock`, etching signed in pencil 23cm x 51cm

Lot 20

William Lionel Wyllie (1851-1931): Fishing Boats in the Firth of Forth, etching signed in pencil 23cm x 51cm

Lot 21

James McBey (1883-1959): `Palos - Departure of Columbus August 1492`, etching signed in ink and numbered LXXIX, titled verso on original Print Society label 28cm x 47cm

Lot 508

David Waterson A winter street view in Brechin, dry point etching, signed LL in pencil 7½ by 10½ in.; together with a print of the castle and town of Brechin and an engraving by H Fenn of a Mediterranian scene and a racing print

Lot 513

P Furneaux Shetland Fisherman Etching, 1/10, signed and dated in pencil 1976, 23.5 x 18.5cm

Lot 517

Ian Fleming Let the Waters Bring Forth Etching, signed and dated 1977, 15 x 21cm

Lot 588

After Albrecht Durer Inquisition Scene Etching, remounted on backing paper, cut at border, 39 x 28cm

Lot 13

WILLIAM LIONEL WYLLIE. Signed in pencil, etching on paper, sailing vessels offshore. 5.3/4" x 13.3/4"

Lot 45

GEORGE PERCIVAL GASKELL. Signed in pencil, aquatint and etching on paper, stormy mountainous river landscape with cabin and goats. 12.3/4" x 19"

Lot 100

WILLIAM LIONEL WYLLIE. Signed in pencil dry point etching on paper, mountainous valley scene with shepherd and sheep, cottage beyond. 9.3/4" x 13.3/4"

Lot 120

OLIVE BRANSON. Signed in pencil, unframed etching on paper, study of a young girl writing a letter. 10.1/4" x 7.1/4"

Lot 300

WILLIAM LIONEL WYLLIE. Signed in pencil etching on paper, a busy Thames Shipping scene. 5.3/4" x 13.3/4"

Lot 10

DDS. Dame Elizabeth Blackadder RA (b.1931) Fred, from Cats portfolio, etching with aquatint printed in colours, 2003, signed in pencil, numbered 58/80, published by Glasgow Print Studio, Glasgow, with their blindstamp, on wove paper, with full margins, 300 x 355mm (113/4 x 14in)

Lot 11

DDS. Dame Elizabeth Blackadder RA (b.1931) Kikko on a Rug, from Cats portfolio, etching and aquatint printed in colours, 2003, signed in pencil, numbered 58/80, published by Glasgow Print Studio, Glasgow, with their blindstamp, on wove paper, with full margins, 300 x 355mm (113/4 x 14in)

Lot 12

DDS. Dame Elizabeth Blackadder RA (b.1931) Amelia Sleeping, from Cats portfolio, etching aquatint printed in colours, 2003, signed in pencil, numbered 58/80, published by Glasgow Print Studio, Glasgow, with their blindstamp, on wove paper, with full margins, 300 x 355mm (113/4 x 14in)

Lot 21

John Buckland Wright (1897-1954) Two Girls (B.W.M.99) etching, 1954, titled and dated in pencil, numbered 23/30, with the estate stamp verso, on wove paper, with full margins, 188 x 252mm (71/3 x 10in)

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