We found 71174 price guide item(s) matching your search

James Abbot McNeill Whistler (1834 - 1903), Free Trade Wharf, etching, circa 1877, Kennedy 163 v, final state, butterfly mark within the plate, image 10cm x 18.5cmThe collection of Joan Elizabeth Mary Streeter. Purchased Elizabeth Harvey - Lee, May 2002. The London Original Print Fair.No obvious faults.

James Abbot McNeill Whistler (1834 - 1903), La Marchande de Moutarde, etching, signed within the plate, circa 1858, Kennedy 22v, plate 15.5cm x 8.5cmThe collection of Joan Elizabeth Mary Streeter. Purchased Craddock & Barnard, January 1978.A small tear to bottom right corner, image intact. Framed & glazed.

James Abbot McNeill Whistler (1834 - 1903), The Pool, etching & drypoint, signed & dated within the plate 1859, from the Thames set, Kennedy 43, plate 13.5cm x 21.5cmThe collection of Joan Elizabeth Mary Streeter. Purchased Craddock & Barnard, July 1984.No obvious faults. Framed & glazed, ready to hang.

Samuel Palmer (1805 - 1881), The Willow, probationary plate under election to the Etching Club 1850, initialed in pencil within the margins by Frank Short, Seymour Haden & FL Griggs, Alexander 1 iii, image 8.7cm x 6.5cmThe collection of Joan Elizabeth Mary Streeter. Purchased Craddock & Barnard, June 1985. The receipt with additional handwritten pencil inscription re the image and history.Some discolouration to the top and right edges. No further obvious faults. Framed & glazed, ready to hang.

James Abbot McNeill Whistler (1834 - 1903), Long Shoremen, etching, signed & dated within the plate 1859, Connoly 45, from the Thames set, plate 15.3cm x 22.5cmThe collection of Joan Elizabeth Mary Streeter. Purchased Elizabeth Harvey - Lee, February 1997.No obvious faults.

Adolphe Appian (1818 – 1898) Bords du Ruisscau a Rossillon, 1867, etching, masked proof, signed and dated in the plate 1867, image 12cm x 22cm and Max Liebermann (1847 – 1935) In the Pasture - Auf der Weide (Bei Delden, Holland), soft ground drypoint etching, circa 1881, image 19cm x 23.5cm,Qty: 2The collection of Joan Elizabeth Mary Streeter. Liebermann purchased Elizabeth Harvey - Lee, October 1998.A light fold through the centre of the Adolph Appian, otherwise no further obvious faults.

Francis Seymour Haden (1818 - 1910), Little Calais Pier (Port du Calais), first state etching, with pencil inscription in the margin to ‘Monsieur Felix Buhot from his friend Frederick Kappel’, signed & dated within the plate 1865, plate 8cm x 15.7cm, together with Winchelsea Canal, Schneiderman 150, etching & mezzotint, circa 1877 and later, penultimate state, cancelled in the first strike, on wove paper, image 15.5cm x 24cm and Twickenham Church, etching, signed & dated within the plate 1865, H107, plate 14cm x 21.5cmQty: 3The collection of Joan Elizabeth Mary Streeter. Little Calais Pier purchased Elizabeth Harvey - Lee, The London Original Print Fair.Twickenham Church purchased Craddock & Barnard, February 1986.No obvious faults.

James Abbot McNeill Whistler (1834 - 1903), Early Morning Battersea, etching, signed and dated within the plate 1861, one of the Thames set, Kennedy 75, image 11cm x 14.5cmThe collection of Joan Elizabeth Mary Streeter. Purchased Elizabeth Harvey - Lee, October 1994.Paper discoloured, otherwise no other faults visible. Framed & glazed, ready to hang.

Works by Camille Pissarro (1830 – 1903), Le Champ de Choux, circa 1880, soft ground etching, initialed in the margins C P, lower vignettes beneath inscribed in pencil, Delteil 29, image 24.5cm x 16.5The collection of Joan Elizabeth Mary Streeter. Purchased Craddock & Barnard, May 1983.No obvious faults. Framed & glazed, ready to hang.

Francis Seymour Haden (1818 - 1910), On the Test, soft etching, signed within the plate and also in pencil in the margins, plate 15cm x 22.5cM, together with Kensington Gardens II, etching, signed within the plate, circa 1860, plate 20cm x 12.5cm and The Towing Path, drypoint etching, Schneiderman 72, signed, dated & titled within the plate, circa 1864, signed in pencil in the margins, plate 14cm x 21.5cm Qty: 3The collection of Joan Elizabeth Mary Streeter.On the Test purchased Craddock & Barnard, August 1986.The Towing path purchased Elizabeth Harvey - Lee, November 2005.Kensington Gardens purchased Garton & Cooke, July 1985.A foxing spot on the top right on the Towing Path.Small tears to the top and bottom margins to OnThe Test.Kensington in good condition.

Charles Francois Daubigny (1817 – 1878) La Gardeuse des Chevres, Cliché- Verre, Garrec edition, Delteil 141, image 34cm x 27cm & Les Vaches au Marais, original etching, 4th final state, Delteil 83 iv/iv, image 13.5cm x 23cmQty: 2The collection of Joan Elizabeth Mary Streeter. Both purchased Elizabeth Harvey - Lee, November 1987 & July 2007

Charles Meryon (1821 – 1868), Le Ministere de la Marine, fine impression etching with large margin, bearing the Cadart & Luquet blindstamp, plate 16cm x 14.5cmThe collection of Joan Elizabeth Mary Streeter. Purchased Craddock & Barnard, July 1984.No obvious faults.

James Abbot McNeill Whistler (1834 - 1903), The Kitchen, etching, signed & titled within the plate, 1858, signed and inscribed within the plate, second state, plate 22.5cm x 15.5cmThe collection of Joan Elizabeth Mary Streeter. A bequest from Osbert Barnard of Craddock & Barnard, 1986No obvious faults. Framed & glazed, ready to hang.

James Abbot McNeill Whistler PRBA (American, 1834 - 1903), Billingsgate, etching, signed & dated 1859 within the plate, plate 15cm x 22.5cmThe collection of Joan Elizabeth Mary Streeter. Purchased DR to Craddock & Barnard, Museum Street, March 1972The etching with no obvious faults. Framed & glazed, ready to hang.

Jean Baptiste Camille Corot (1796 – 1875) Souvenir De Toscane, etching, circa 1865, for the Gazette des Beaux Arts, delteil 1, Melot C1 iv/v, image 12cm x 17.5cm, together with Eugene Bejot (1867 – 1931) Le Jardin des Tuileries, etching with aquatint, signed & dated 1906 within the plate, edition of 40, Laran 250 vi/vi, image 20.5cm x 31.5cm and Alfred Taiee (1820-) Demolitions a Paris, engraving, image 15cm x 33cm.Qty: 3The collectio0n of Joan Elizabeth Mary Streeter. Corot purchased Elizabeth Harvey - Lee, June 2002,

James Abbot McNeill Whistler (1834 - 1903), Le Forgeron (The Forge), drypoint etching, signed & dated 1866 within the plate, final state on Japan paper, image 19cm x 31cm The collection of Joan Elizabeth Mary Streeter. Purchased Elizabeth Harvey - Lee, April 2004. The London Original Print Fair.No obvious faults.

Camille Pissarro (1830 – 1903), Crepuscule (Avec Meules) original aquatint and etching, number 24 from a posthumous edition of 50 printed in 1920, plate 10.5cm x 18cm The collection of Joan Elizabeth Mary Streeter. Purchased June 1998No obvious faults. Unframed.

Camille Pissarro (1830 – 1903), Cours La Reine – ou Bords de la Seine,a Rouen, edition 6/18, etching, drypoint aquatint, 1884, posthumous edition, initialed CP in the margins, Delteil 49 iii, image 12cm x 13.5cmFrom the Joan Elizabeth mary Streeter collection. Purchased Elizabeth Harvey - Lee, May 1996.No obvious faults. Framed & glazed, ready to hang.

A collection of etchings, comprising - Joseph Pennell (1857 - 1926) St Pauls Pavement, etching, plate 21.5cm x 28cm; Donald Shaw Maclaughlan (1876 – 1938) Low tide – London River, etching, signed, titled and dated within the plate 1910, signed in pencil within the margins, 23.5cm x 31.5cm; David Lucas (1802 – 1881) The Young Waltonians after J S Constable, mezzotint, unsigned, 30cm x 42cm; Hester Frood (1882 - 1971) Gloucester Cloisters, drypoint etching, number 2 of 2, signed within the plate, signed & titled in the margins, 25.5cm x 18.5cm; and Sir Frank Short (1857 – 1945) The Street, Whistable, etching, signed in pencil in the margins, plate 24cm x 34cm and Sunrise over Whitby Scaur, aquatint, signed in pencil in the margins, 20.5cm x 31cmThe collection of Joan Elizabeth Mary Streeter. Pennell, Frood and McLaughlin purchased Craddock & Barnard, February, May & October 1971 .

Rembrandt Harmensz Van Rijn (1606 – 1669), Canal with a large boat and bridge, etching, image 8.5cm x 11cmThe collection of Joan Elizabeth Mary Streeter. Purchased Christies London 18th June 1992, lot 176,Original Christies purchase invoice attached to the back. Paper trimmed close to the plate mark. Pencil inscription in Dutch below the plate. Possible restoration down the centre of the image. Paper generally discoloured from age.

James Abbot McNeill Whistler (1834 - 1903), St James’s Street, London, drypoint etching, butterfly mark within the plate, plate 27.5cm x 15cmThe collection of Joan Elizabeth Mary Streeter. Purchased Elizabeth Harvey - Lee, 1989.Some small foxing spots, otherwise in good condition. Framed & glazed.

Charles Meryon (1821 – 1868), three engravings, 'La Rue des Toiles – Bourges', image 20.5cm x 11.5cm; 'Partie de la Cite de paris vers la fin du XVII siècle, sur Larive Gauche de la Seine', image 14cm x 29cm, and 'Rue Pirouette Aux Halles', etching with engraving, circa 1860, image 12.7cm x 10cmThe collection of Joan Elizabeth Mary Streeter. Rue des Toiles purchased Craddock & Barnard, March 1976. Rue Pirouette purchased Elizabeth Harvey - Lee, June 2003.Partie de la Cite de paris with stained and a tear to bottom left and right corners. Otherwise all with no obvious further faults. Bourges framed & glazed.

Mortimer Luddington Menpes (1855 – 1938) The Strand on the Green & Whistlers House at Cheyne Row, two original drypoint etchings, titled in pencil within the margins, each approx 23cm x 30cm; Kenneth Holmes (1902 - 1994) Richmond Bridge, drypoint etching, very fine, edition of 60, circa 1925-27, plate 24cm x 37.5cm; and Maxine Lalanne (1826 – 1886) Richmond, etching, signed & dated 1871 within the plate, Bourcard 57, plate 18.5cm x 27cmQty: 4The collection of Joan Elizabeth Mary Streeter. Lalanne purchased Craddock & Barnard, July 1971. Holmes purchased Craddock & Barnard, October 1979.

Julian Trevelyan (1910-1988), ‘Wings of a Dove’, etching and aquatint, studio stamped, numbered 20/25, 28 cm x 24 cms framed and glazed.

James Jacques Joseph Tissot (1836 – 1902), Le Hamac, etching, signed and dated 1880 on the plate, Beraldi 37, image 28cm x 18.5cmThe collection of Joan Elizabeth Mary Streeter. Purchased Craddock & Barnard, August 1973.No obvious faults. Framed & glazed, ready to hang.

Sir David Muirhead Bone (1876 – 1953), Piccadilly Circus 1916, signed in pencil in the margins, plate 29.5cm x 37.5cm and Arundel, original drypoint etching, laid down on paper, indistinctly signed in the margins, image 11.5cm x 16cmThe collection of Joan Elizabeth Mary Streeter.Arundel - some creases, small tears and foxing.

Sir Anthony van Dyck (1599 - 1641) portrait of Pieter Brueghel the younger, original etching, circa 1628/32, fifth state, plate 24cm x 15.5cm and a portrait of Ioannes Van Milder, original etching, overall 24.5cm x 17cm and Arthur William Heintzelman (1890 – 1965) Pensee de Beethoven, circa 1929, etching, signed proof, edition of 75, image 25cm x 20cmQty: 3The collection of Joan Elizabeth Mary Streeter. Pieter Breughel and Beethoven purchased from Craddock & Barnard, April 1970 & September 1985 respectively.Van Milder - some water damage and repairs. Breughel with some discoloration to the paper and a small tear to the top left corner.

James Abbot McNeill Whistler (1834 - 1903), Millbank, Kennedy 71, original etching, circa 1861, on De Erven laid paper, plate 10cm x 12.5cm and Savoy Pigeons, Way 118, Levy 164, lithograph, circa 1896, butterfly mark, published by The Studio, with blind stamp, the page 28cm x 20.3cmThe collection of Joan Elizabeth Mary Streeter. Both purchased Elizabeth Harvey - Lee, January 2001 & April 2000 (The London Original Print Fair) respectively.No obvious faults.

Samuel Palmer (1805 - 1881), The Rising Moon, etching, circa 1857, initialled SP in the lower left corner of the plate, lettered Samuel Palmer and numbered 10 within the margins, plate 14.5cm x 22cm From the collection of Joan Elizabeth Mary Streeter.Outer margins slightly discoloured otherwise no obvious faults.

James Jacques Joseph Tissot (1836 – 1902), Mavourneen (known as Portrait of Kathleen Newton), original drypoint etching, monogrammed and dated within the plate 1877, early proof with artist stamp, plate 37.5cm x 20cm The collection of Joan Elizabeth Mary Streeter. Purchased Craddock & Barnard, June 1974.Paper discoloured, otherwise no further obvious faults visible.

James Jacques Joseph Tissot (1836 – 1902), Le Croquet, etching, signed and dated within the plate 1878, Beraldi 29, plate 30.5cm x 18cmThe collection of Joan Elizabeth Mary Streeter. Purchased Craddock & Barnard, March 1973.The etching with no obvious faults. Framed & glazed, ready to hang.

James Jacques Joseph Tissot (1836 – 1902), Soiree D’ete, etching, signed and dated within the plate 1881, Beraldi 47, image 22.5cm x 39.5cmThe collection of Joan Elizabeth Mary Streeter. Purchased Craddock & Barnard, March 1974.No obvious faults. Framed & glazed, ready to hang.

James Abbot McNeill Whistler (1834 - 1903), Billingsgate, etching, signed & dated 1859 within the plate, Kennedy 47 viii, plate 15cm x 22.5cmThe collection of Joan Elizabeth Mary Streeter. Purchased P & D Colnaghi & Co Ltd, June 1975Two obvious repaired tears.

Felix Buhot (French, 1847 – 1898), La Place Pigalle en 1878, etching & aquatint, Bourcard 129, image 26.5cm x 34.5cmThe collection of Joan Elizabeth Mary Streeter. Purchased Craddock & Barnard, November 1984The etching with no obvious faults. Framed & glazed, ready to hang.

James Abbot McNeill Whistler (1834 - 1903), The Little Pool, etching, Kennedy 74v, plate 10cm x 12.5cmThe collection of Joan Elizabeth Mary Streeter. Purchased Craddock & Barnard, July 1972. The receipt with handwritten pencil inscription describing the figures within the images....No obvious faults. Framed & glazed, ready to hang.

Jozef Israels (1824 – 1911) The Old Couple, etching, circa 1870, Hubert VIII, Zilcken 7, plate 10cm x 15cm; Child in the Cradle, etching, initialed within the plate, circa 1875, Hubert XXII, Zilcken 17, plate 10cm x 15cm & Enfants sur la Plage, etching, published in the Gazette des Beaux Arts, 1879, Hubert 5, Zilcken, image 15cm x 23cmQty: 3The collection of Joan Elizabeth Mary Streeter. All purchased Elizabeth Harvey - Lee, November 1999 & June 2006All unframed, but each mounted in a card folio, attached by hinged mounting tape. Each with Elizabeth Harvey-Lee stock number in pencil.The Old Couple, printed on Arches paper, with original invoice from Elizabeth Harvey-Lee dated 2006Child in the cradle, printed on thicker discoloured paper, on the same original invoice as the above item.Enfants Sur La Plage, printed on paper with an unidentified watermark, one mount hinge broken, with original invoice from Elizabeth Harvey-Lee dated 1999.

James Abbot McNeill Whistler (1834 - 1903), Becquet (The Fiddler), Kennedy 52, original drypoint etching, circa 1860, on fine Japan paper, plate 25.5cm x 19cmThe collection of Joan Elizabeth Mary Streeter. Purchased Elizabeth Harvey - Lee.No obvious faults.

Wenceslas Hollar (1606 – 1677) Genoa & St Juliano D’Arba & Genoa, 2 x drypoint etching, circa 1665 & 1666, Pennington 1098ii and 1097ii respectively, respectively, image 6cm x 10cmQty: 2The collection of Joan Elizabeth Mary Streeter. Purchased Elizabeth Harvey - Lee, February 2002.Tookes named erased on both. Both appear to be in good condition, with no obvious faults. Unframed.

Charles Meryon (1821 – 1868), La Tour de L’Horloge, original etching, final state, edition of 15, plate 26.5cm x 18.5cmThe collection of Joan Elizabeth Mary Streeter. Purchased Elizabeth Harvey - Lee, April 2007.No obvious faults.

Winifred Austin (1876 – 1964) 'Fox', etching, titled in pencil, plate 16cm x 23.5cm & 'The Doormouse', original etching, 1908, signed in pencil in the margin, edition of 50, plate 10cm x 6cm; and Jo Hallam (20th century) Cranes, artist’s proof etching, signed, dated 97 & titled in pencil in the margins, plate 26.5cm x 18.8cmQty: 3The collection of Joan Elizabeth Mary Streeter. Doormouse purchased Elizabeth Harvey - Lee, June 1998.

James Abbot McNeill Whistler (1834 - 1903), Black Lion Wharf, etching, signed & dated within the plate 1859, from the Thames set, plate 15cm x 22.5cmThe collection of Joan Elizabeth Mary Streeter. Purchased Elizabeth Harvey - Lee, The London Original Print Fair, March 2003.No obvious faults.

James Abbot McNeill Whistler (1834 - 1903), Chelsea Bridge & Church, Kennedy 95, original drypoint etching, circa 1871, possibly 4th state, on De Erven laid paper, image 10cm x 17cmThe collection of Joan Elizabeth Mary Streeter. Purchased Elizabeth Harvey - Lee, April 2008.No obvious faults.

Julian Trevelyan (1910-1988), ‘Cretan Witches Fighting’, etching and aquatint, signed and dated 1964, numbered 27/30, 35 cm x 48 cm framed and glazed.

James Abbot McNeill Whistler (1834 - 1903), Fumette Sitting, drypoint etching, circa 1859, Kennedy 13 iv, one of the twelve Nocture etchings, plate 16cm x 10.5cmThe collection of Joan Elizabeth Mary Streeter. Purchased Craddock & Barnard, May 1985.No obvious faults. Framed & glazed, ready to hang.

Norman Wilkinson (1878-1971), 'Single Handed', signed in pencil, title label on the reverse, drypoint etching, framed and glazed, 23 x 30 cmLabel on the reverse from the Robert Dunthorpe & Son, Ltd, The Rembrandt Gallery, Vigo Street, London Overall appears to be in good condition. Possibly some very small foxing in the water (see image) and even discolouring of the paper with age. Not inspected out of the frame.

Camille Pissarro (1830 – 1903), Vachere au bord de l’eau, original etching, published in the Gazette de Beaux Arts 1904, image 19cm x 13cmThe collection of Joan Elizabeth Mary Streeter.No obvious faults. Framed & glazed, ready to hang.

James Abbot McNeill Whistler (1834 - 1903), The Lime Burner, etching & drypoint, signed twice within the plate & dated 1859, exhibited RA 1860, Kennedy 46i, image 25cm x 17.5cmThe collection of Joan Elizabeth Joan Streeter. Purchased Craddock & Barnard, December 1983Gradual brown discolouring to the image and mount with age. No obvious faults. Framed & glazed, ready to hang. (Not inspected out of the frame)

Rembrandt Harmensz Van Rijn (1606 – 1669), Landscape with a cow drinking, etching & drypoint, circa 1650, some staining around the edges and adhesive marks, 10.5cm x 13cm £600The collection of Joan Elizabeth Mary Streeter.Some staining around the edges, discolouration and adhesive marks, otherwise in good order. Framed & glazed, ready to hang.

James Abbot McNeill Whistler (1834 - 1903), The Little Putney No1, etching, circa 1879, 2nd state, butterfly signature within the plate, Kennedy 179 ii, image 13.5cm x 20.5cmThe collection of Joan Elizabeth Mary Streeter. Purchased Elizabeth Harvey - Lee, November 1996.No obvious faults, although the receipt mentions 'printing faulty'.

James Abbot McNeill Whistler (1834 - 1903), Old Hungerford Bridge, etching, one of 16 from the Thames set, signed within the plate, Kennedy 76 ii/iii, plate 13.5cm x 21cmThe collection of Joan Elizabeth Mary Streeter. Purchased Craddock & Barnard, July 1977. The receipt with handwritten pencil inscription describing the plate.No obvious faults. Framed & glazed, ready to hang.

Sir Henry Rushbury St Pauls from Cannon Street, 1942, etching, signed in pencil in the margins and signed and dated 1942 within the plate, plate 25cm x 37cm and William Westley Manning (1868 – 1954) The Road to the Marsh – Hythe, engraving, signed in pencil in the margins, initialled within the plate, plate 25cm x 30cmQty: 2The collection of Joan Elizabeth Mary Streeter. Both etchings purchased from Craddock & Barnard, August 1971 & October 1983No obvious faults. Both framed and glazed, ready to hang.

James Abbot McNeill Whistler (1834 - 1903), Eagle Wharf, etching, signed & dated within the plate 1859, plate 14cm x 21The collection of Joan Elizabeth Mary Streeter.Image darkened through light exposure, otherwise no further obvious faults.

James Abbot McNeill Whistler (1834 - 1903), Old Westminster Bridge with Houses of Parliament, etching, signed & dated within the plate 1859, image 7.5cm x 20.5cmThe collection of Joan Elizabeth Mary Streeter.Some light foxing spots, otherwise in good condition.

Sachsen - Pallasch für Offiziere der Garde-Reiter Klinge mit vergoldeten Zierätzungen, Landeswappen und Chiffre auf teils gebläutem Grund, auf dem Rücken "Aug Polich, Hoflieferant Leipzig". Feuervergoldetes Bügelgefäß mit zwei Nebenspangen, Fingerschlaufe und aufgelegtem Landeswappen, Löwenkopfkappe, schwarzer Fischhautgriff mit Drahtwicklung. Vernickelte Scheide. Gesamtlänge 100 cm, Klingenlänge 82 cm.USA-Los – weitere Infos hier Saxon Guard Reiter Officer sword Maker Aug Polich. Hoflieferant Leipzig, nickel-plated blade, gilt & blued etching with Royal Crown and motto of Saxony, gilt hilt, crossguard and lions head pommel, textured grip with gilt wire wrap. Nickel silver scabbard. Overall length ca. 100 cm, blade 82 cm.USA-Los – weitere Infos hier

SCHULZE, Hans(1904 Dittersbach - 1982 Leipzig) "Janus"Radierung. Bleistiftsignatur. [19]66. Exemplar: 184/200. Platte: 48 x 38 cm. Gerahmt & hinter Glas : 69,5 x 55 cm. Deutscher Maler, Grafiker, Kunstpädagoge und Hochschullehrer. SCHULZE, Hans(1904 Dittersbach - 1982 Leipzig) "Janus"Etching. Pencil signature. [19]66. copy: 184/200. Plate: 48 x 38 cm. Framed & behind glass : 69.5 x 55 cm. German painter, graphic artist, art educator and university teacher. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

SCHMIDT-BONN, Henriette(1873 Bonn - 1946 Willingshausen) Dörfliche WinterlandschaftRadierung in Graublau. Bleistiftsignatur. Platte: 15 x 20 cm. Gerahmt & hinter Glas : 29 x 35,5 cm. Blatt stärker stockfleckig. Deutsche Malerin und Grafikerin. SCHMIDT-BONN, Henriette(1873 Bonn - 1946 Willingshausen) Village Winter LandscapeEtching in gray-blue. Pencil signature. Plate: 15 x 20 cm. Framed & behind glass : 29 x 35.5 cm. Sheet more foxed. German painter and graphic artist. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

HABL, Willi(1888 Egeln - 1964 Hamburg) Weiblicher AktRadierung. Bleistiftsignatur. Im Druck datiert: [19]23. Platte: 224 x 19,5 cm, Blatt: 46 x 34 cm. Etwas griffspurig, Randbereich gebräunt, verso Klebespuren. Deutscher Maler und Grafiker. HABL, Willi(1888 Egeln - 1964 Hamburg) Female NudeEtching. Pencil signature. Dated in print: [19]23. Plate: 224 x 19.5 cm, sheet: 46 x 34 cm. Somewhat grip-marked, marginal area browned, traces of glue on verso. German painter and graphic artist. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

WASKE, Felix(*1942 Wien) "Cancama"Radierung auf Bütten. Bleistiftsignatur. 19[76]. Exemplar: 1/40. Platte: 35 x 27,7 cm, Blatt: 56 x 46 cm. Gerahmt & hinter Glas : 70,5 x 58,5 cm. Zeitgenössischer österreichischer Maler und Fotograf. WASKE, Felix(*1942 Vienna) "Cancama"Etching on laid paper. Pencil signature. 19[76]. Copy: 1/40. Plate: 35 x 27.7 cm, sheet: 56 x 46 cm. Framed & behind glass : 70.5 x 58.5 cm. Contemporary Austrian painter and photographer. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

PROUZA, Jaroslav(1955 - 2004) Ansicht der Karlsbrücke in PragOriginal-Radierung. Bleistiftsignatur. Exemplar: 22/80. Platte: 32 x 37 cm. Gerahmt & hinter Glas : 48 x 54 cm. Blatt gebräunt. Tschechischer Maler und Grafiker. PROUZA, Jaroslav(1955 - 2004) View of the Charles Bridge in PragueOriginal etching. Pencil signature. Copy: 22/80. Plate: 32 x 37 cm. Framed & behind glass : 48 x 54 cm. Sheet browned. Czech painter and graphic artist. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

VENNEKAMP, Johannes(*1935 Istanbul) "David + Goliath"Farbradierung auf Bütten. Bleistiftsignatur. [19]75. Exemplar: 36/200. Platte: 31,7 x 24 cm, Blatt: 57 x 44,5 cm. Deutscher, Maler, Grafiker, Illustrator und Bildhauer. VENNEKAMP, Johannes(*1935 Istanbul) "David + Goliath"Color etching on laid paper. Pencil signature. [19]75. copy: 36/200. Plate: 31.7 x 24 cm, sheet: 57 x 44.5 cm. German, painter, graphic artist, illustrator and sculptor. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.