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Lot 231

John Rankin Barclay, (British 1884-1962), naval vessel passing under the Forth Railway Bridge, etching, original drypoint prepared for Messrs John Cottom Ltd Edinburgh for private circulation, 29/50, ebonised glazed frame, (internal 19cm x 30cm)

Lot 658

Framed signed 1933 etching of Pond - Cambridge Heath Road by Nathaniel (Naphtali) Kornbluth (1914-97) - frame 31.5cm x 34.5cm

Lot 661

Framed signed etching of The Maplin Light by Frank Henry Mason (1875–1965) ~ frame 52cm x 62cm

Lot 662

Framed signed etching of figures on a coast with approaching storm by Alfred Bentley (1879-1923) ~ frame 50cm x 70cm

Lot 665

Mounted signed artists proof V etching of pig / man in chair by Chris Salmon (b.1960) - 38cm x 29.5cm

Lot 756

1969 etching of Eve signed by Catherine Grubb #7/25 - clip frame 48cm x 45.5cm

Lot 333

Frank Adcroft etching of boat building 1939. 27 cm 22 cm.

Lot 1488

After Edwin Law, 'Louvain' 'Town Hall', a pair of signed etchings, a further etching of a cathedral, prints, etc.

Lot 256

A Collection of microscope slides of microphotographs by W.O.G (William Overend Geller) comprising of 'Dreadnought', 'Hon. Mrs Norton', 'Smugglers Watching', 'The Corsair's Tale', Little Fruitere' (x5) Footnote: Geller, William Overend, b1804 – d 1881, was a 19th century painter and engraver who was active in London. He was an accomplished master of mixed-method engraving which included various printing techniques such as mezzotinting, aquatinting, engraving and etching. Another interest of his was the newly emerging technology of photography, he was reported as doing good work for both Amadio and Samuel Highly, he built his own camera for producing microphotographs, He exhibited at the British Institution from 1834 to 1846 See the link below for our previous sale of Geller Slides: https://www.flintsauctions.com/auction/lot/lot-357---a-set-of-microscope-photographs-by-geller/?lot=3135&so=4&st=geller&sto=0&au=&ef=&et=&ic=False&sd=1&pp=50&pn=1&g=-1

Lot 431

Silver plated cut glass claret jug, the hinged domed cover with pine cone finial, over mask spout and foliate scroll handle, the spreading cut glass body with alternate diagonal bands of hobnail cutting and vine etching, the base star-cut, 27cm high

Lot 475

1796 pattern Infantry Officer's sword, 80.5cm fullered blade with traces of etching, regulation copper hilt with folding side guard, 'D' shaped knuckle bow, urn-shaped pommel, ribbed wooden grip with some gilding in places, lacking scabbard

Lot 543

Francisco De Goya (Spanish, 1746-1828) - Etching, aquatint and drypoint - Ni asi la distingue, plate 7 from Los Caprichos, 6th ed. circa 1890, 19.5cm x 14.8cm (plate size), framed and glazed, Goldmark Gallery label verso

Lot 548

Sir David Muirhead Bone (Scottish, 1876-1953) - Etching - Rothesay Pier No.2, signed in pencil lower right, 5cm x 20cm (plate), framed & glazed

Lot 106

Photographic Society of India. The Journal..., volumes 8-10 & 12, Calcutta, 1895-97 & 1899, each volume with twelve issues and containing photo-etched, photogravure and collotype plates from photographs, occasional spotting, one plate leaf detached and slightly frayed at fore-margin, first volume original cloth titles in gilt and black, remaining volumes half-roan over cloth, all somewhat worn and soiled, 4toQTY: (4)NOTE:Volume 10 shows a photo-etching of an X-Ray of the hand of the Earl of Elgin wearing two rings (March 1897, opposite page 254). This is an early example of X-Ray photography and is credited to Survey of India Offices. Sold as a periodical not subject to return.

Lot 182

* George IV. The Marriage Ceremony of their Royal Highnesses the Prince & Princess of Wales [and] the Grand Procession from the Drawing Room to the Chapel Royal St James's, London: Haines & Son, 1 May 1795, a pair of hand-coloured mezzotints with etching, printed letterpress at foot of each, some old browning and damp staining visible in the letterpress area of each, 24.5 x 34 cm, framed and glazedQTY: (2)

Lot 642

R*Wilson after Eugene Boudin (20th/21st century) - Beach scene with figures and children beside a bathing tent, signed, also bearing a certificate of authenticity, verso oil on board, 4.5" x 6.75" together with picture depicting Lansdown Place West, Bath after Adrian Whittlesea, dated 74 (1974) also numbered 45/50 coloured limited edition print, three upright watercolours of venetian scenes, further watercolour depicting continental river scene with figures beside weir, a watermill and other buildings nearby, an oval portrait of a lady, (painted over a photograph) further oval miniature portrait of a lady contained within a velvet frame, and finally black and white etching of a seated lady after Marcus Stone, various sizes (a collection)

Lot 669

Edward Louis Lawrenson (1860-1940) - lake scene with mountains and chalets on the foreshore, signed artist's proof also numbered 5, coloured etching, 12.25" x 16"; together with a further black and white etching and aquatinted print of trees beside lake and mountains in the distance, indistinctly signed on the margin possibly P S Walker also inscribed with the name within the plate Laskell, 7" x 9.75" and a small folio various unframed pictures, including a female nude study signed R Pooley, two felt tip pen studies of the town of Swanage, Dorset, two circus scenes in the style of Edward Ardizzone and a watercolour depicting an Italian or French hillside village (faded), various sizes (a collection)

Lot 726

E.Chambré Hardman (20th/21st century) - street scene in the north of England with two figures walking on a pavement beside a lamp post, black and white photograph together with a signed etching depicting cottages in a village, signed below the mount and dated 1995, 6.5" x 8.5" and 10.25" x 12" respectively (2)

Lot 752

Six Tall Glass Champagne Flutes, with floral etching to top and star cut glass bowl, raised on a tall stem, measure 10" tall. Very pretty glasses.

Lot 100

A Walking Cane with Polished Horn Bent Handle, large silver ferrule with etching 98cm long and a stag handled walking stick, white metal ferrule, brass/steel tip, 90cm long. (2)

Lot 529

EARLY 20th CENTURY ENGLISH SCHOOL CHARLTON BUOYS, THAMES, PENCIL SIGNED ETCHING, SIGNED INDISTINCTLY. 17 x 21cms TOGETHER WITH THREE OTHER GRAPHIC WORKS BY DIFFERENT HANDS (4)

Lot 569

WILLIAM WALCOT (20th CENTURY ENGLISH SCHOOL) THE CIRCUS, PENCIL SIGNED ETCHING. 14 x 21cms TOGETHER WITH VARIOUS OTHER PICTURES INCLUDING FRAMED CIGARETTE CARDS, A VINTAGE PHOTOGRAPH AND PENCIL SIGNED COLOUR ETCHINGS OF CONTINENTAL SCENES

Lot 593

A GROUP OF COLOUR PRINTS AFTER L .S. LOWRY, HELEN BRADLEY, A CONTEMPORARY COLOUR ETCHING OF AN ITALIAN CITY SCAPE. SIZES VARY

Lot 597

TWO CARVED ANTIQUE PANELS TOGETHER WITH AN ETCHING OF A RECLINING NUDE SIGNED INDISTINCTLY (3)

Lot 118

Francis Seymour Haden (1818 - 1910), 'Early Morning Richmond Park', drypoint etching, inscribed within the plate ' The lark at Heavens Gate', initialed and indistinctly dated within the plate, plate 11cm x 27cm and 'Fulham', inscribed within the plate, plate 11.5cm x 28cm,Qty: (2)The collection of Joan Elizabeth Mary Streeter. Fulham purchased from Michael Parkin Gallery.Fulham paper discoloured. Otherwise both in good condition with no obvious faults. Both framed & glazed.

Lot 152

A collection of etchings and engravings comprising - Anthony Raine – Barker (1880 - 1963) The Barrel Organ, original drypoint, artists proof, signed in pencil in the margins, 13.2cm x19cm; Robert Bartlett (20th century) Wind, wood engraving, 1930, signed & titled in pencil in the margins, image 13cm x 15.5cm; E Law (20th century) Dungeness, soft round etching, numbered 11/20, signed & titled in pencil in the margins, image 12cm x 12cm; David Young Cameron (1865 – 1945) Ailsa Craig from Arran (South), signed and titled within the plate, 1888, signed in pencil in the margins, plate 15cm x 24cm: An untitled etching of Atlas with a globe of flowers, indistinctly signed in pencil and numbered 97/100, plate 24.5cm x 20.5cm and Pierre Bonnard (1867 – 1947) Cat (Bouvier III), etching and illustration to La Vie de Sainte Monique, c1930, initialed within the plate, a later impression from the cancelled plate, 18cm x 12cmQty: (6)The collection of Joan Elizabeth Mary Streeter.Ailsa Craig - extensively creased, torn & damaged.

Lot 18

Dia Azzawi (Iraq, born 1939)We Are Not Seen, But, Corpses (The Massacre of Sabra and Shatila) etching and lithograph on paper in nine partseach work is signed, dated '1983', titled and numbered, number 10 from an edition of 60, executed in 1983100 x 70 cm eachFootnotes:A rare full set of Dia Azzawi's 'We Are not Seen, But Corpses' in its original presentation caseExhibited:National Council for Art and Culture, Kuwait, 1983Galerie des Arts, Tunis, 1990The British Museum, London, 1991The University of Nevada, USA, 1991Galerie Claude Lemand, Paris, 1995Bibliotheque Nationale, Paris, 1995Qatar Museum Authority, Doha, 2016Institut Du Monde Arabe, 2018 'After the Palestinian fighters left Lebanon, the Phalangists had their opportunity to take revenge on old people, women and children. I have a lot of Palestinian friends, some artists and writers, and I knew those camps. Within two days, up to 3,500 people were killed. So, this work had a moral side: to defend unarmed people with no voice.'- Dia AzzawiDia Al-Azzawi was deeply moved in September 1982 by the massacre of civilian Palestinians in the camps of Sabra and Shatila. The Iraqi artist had first started drawing in his studio in London the polyptych entitled The Sabra and Shatila Massacres, mixed media on paper laid down on canvas, 300 x 750 cm, in the collections of the London Tate Modern since 2012. As often was the case, he took his inspiration from photographs of the massacre published by the media and international newspapers.A few months later, in January 1983, he was inspired by Four hours in Chatila, a report that was written on the spot by the French writer Jean Genet, who has just reached Beirut with Leïla Shahid and who had visited the Palestinian camps the day after the massacres and it would be the source of inspiration for the images of nine original prints (eight etchings and one lithograph, 100 x 75 cm.) that he would publish in a portfolio with a title page and a page taken from Jean Genet's text, in a trilingual edition: We are not seen but Corpses. The Sabra and Shatila Massacres - Lâ nara illa juthathan - Nous ne voyons que des cadavres, London, 1983.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 1059

John Piper (1903-1992). Autumn 1981, artist signed limited edition etching, 23/100, portrait watermark, John Piper label and handwritten title verso, 41cm x 31cm.

Lot 1151

After Turner and Radcliffe. Louth, coloured etching book plate, 16cm x 23cm, various other prints, pictures, book plates, frames, Boston Church, another, Peter Brook (20thC), Hannah Hauxwell, Last Winter, artist signed print, etc. (a quantity).

Lot 1411

The Wenceslaus Hollar (17thC). Lincolnshire Cathedral, etching and three others similar. (4)

Lot 178

Eugeen VAN MIEGHEM (1875-1930) 'Trois épieurs' an etching, 1922. Signed in the plate. (W: 9,8 x H: 7,1 cm)

Lot 516

Laura FordTree Form FigureA limited edition etching, No. 1/50Signed and dated 2007 Unframed17.5 x 28.5cm (Image size) ***Artists Resale Rights may apply to this lot***

Lot 204

Pictures and prints - 19th century engravings - Franz Edmund Weirotter, by and after, etching, 14cm x 10cm; Octave de Rochebrune, French landscape and architectural studies, c.1890; qty, 1 box.

Lot 252

Pictures and prints - Portraiture - 19th century French, and continental engravings / etchings, after Charles Joshua Chaplin, by Pannemaker, 'Woman with a Dove', etching, 36cm x 27.5cm; another, similar; etc, qty.

Lot 50

Antiquarian map - Madagascar - Guillaume Sanson, after, by Pierre Mariette, 'Isle D'Auphine, Madagascar et St. Laurens', 1667, etching, 57cm x 42cm.

Lot 57

T Smith, A Prospect of Matlock Bath & Co from From Lovers Walk, Vivaris Sculp, etching No4, published Aug 25th 1743, 40cm x 61cm, ebonised frame

Lot 69

J. Gould and H. C. Richter, by and after, Ornithological studies, European Roller, Blyth’s Shrike, Magpie, off-set lithographs; 19th century etching, ‘Le Cadran’, (4).

Lot 746

John Sell Cotman (British,1782-1842), "Valle Crucis Abbey, North Wales", etching, dated 1811, 8x5ins., approx.

Lot 747

John Sell Cotman (British,1782-1842) "Duncomb Park, Yorkshire", etching, dated 1811, 8.5x5.5ins

Lot 765

Henry James Starling RA (British,1905-1996), "Thurne Mill Norfolk", etching, limited edition (65/76), signed in pencil, 7.5x9ins.

Lot 766

Henry James Starling RA (British,1905-1996), "Horstead Mill-Norfolk", etching, limited edition, numbered (62/75), signed in pencil, 8x10ins

Lot 767

Henry James Starling (British, 1905-1996) "Marlingford Mill-Norfolk", etching, limited edition, numbered (36/75), signed in pencil, 8.5x10.5ins

Lot 769

Henry James Starling RA (British,1905-1996), "Marlingford Mill, Norfolk", etching, limited edition, numbered (51/75) and signed in pencil, 8.5x10.5ins

Lot 770

Henry James Starling RA (British,1905-1996), "Shotesham Mill-Norfolk", etching, limited edition, numbered (8/75), signed in pencil, framed and glazed.

Lot 776

Valerie Thornton (British 1931-1991), Norwich Cathedral, limited edition etching, numbered 38/75, signed and inscribed in pencil by the artist in the margin.9x14insQty: 1

Lot 797

Henry James Starling RA (British,1905-1996), 'Abbey Reach, Norfolk', etching, numbered (22/100) and signed in pencil, 8.5x6.5ins, mounted, framed and glazed.

Lot 242

A quantity of pictures to include a Brian Roxby R0I, oil painting on board "Willow Shade", signed, 28cm x 36cm, framed, various signed prints, an etching of a dog, a signed pastel portrait of a young women and othersLocation:

Lot 793

Samuel John Milton Brown (British, 1873-1965), watercolour, maritime scene with boats, 20cm x 30cm, unframed, together with a signed Percy Lancaster etching, boats, plate mark 24cm x 16cm, unframed.

Lot 1160

Robin Tanner (British 1904-1988)Full Moon, etching 33cm x 26cm

Lot 1165

Robin Tanner (1904-1988). A black & white etching of flowers in a jug titled: “February", 26cm x 16cm wide

Lot 1025

Fores's series etching 'Gone Away' after F Cecil Boult 

Lot 33

Graham Clarke, British (B.1941-) artist, author and humourist is one of Britain's most popular and best selling printmakers, Framed Etching with aquatint, printed in colour, titled "The Quay" numbered 24/300 of Wells next to Sea, Norfolk signed in pencil lower right margin, 47cm x 43cm in good condition.  

Lot 40

Reginald H. Smallridge (b 1903) 'Mars Hill, Lynmouth' colour etching 16x10.5" pencil signed to margin

Lot 66

With an 80cm pointed three sided blade with decorative foliate etching, with shell guard, and polished steel handle with foliate cut details, in a leather and steel scabbard with twin suspension rings. 100cm overall. *CR: Good condition, light marking to steel surfaces. *BP 22.5% (18.75% plus VAT) plus a lot fee of £8 inc. VAT on each lot.

Lot 1384

Full title: Asger Jorn (1914-1973): Composition, etching, dated (19)66Description:Work: ca. 30 x 23,7 cm Paper: ca. 39,2 x 29 cm Frame: 61,6 x 51,7 cm The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com

Lot 1386

Full title: Asger Jorn (1914-1973): 'Stranger in the village', etching, ed. 39/50, [1953]Description:Work: ca. 20,3 x 14,8 cm Paper: 24,6 x 18 cm Frame: 42 x 32 cm The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com

Lot 1395

Full title: Roger Raveel (1921-2013): 'Tegenover het vlak', etching, ed. H.C. 3/10, [2007]Description:Work: ca. 24 x 17,5 cm Paper: 65 x 51 cm Frame: 87,5 x 68 cm The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com

Lot 1405

Full title: Roger Raveel (1921-2013): 'Een drang naar volmaaktheid', etching, ed. 22/40, [2002]Description:Work: ca. 29,8 x 23,8 cm Paper: 65,5 x 50,5 cm Frame: 87 x 68,5 cm The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com

Lot 1407

Full title: Roger Raveel (1921-2013): 'Het etsatelier', heightened etching, ed. 50/50, [1973]Description:Work: ca. 34,5 x 26,7 cm Frame: 87 x 68,5 cm The etching 'met de hand bijgewerkt' (touched up by hand) by the artist himself. The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com

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