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Lot 311
A quantity of pictures to include a watercolour of a country house and garden, an etching of two men fishing signed 'W H U Wick', watercolour on board, two Lionel Edwards prints of the Household Brigade Drag hounds, Hawthorn Hill, and Cub Hunting in the Woodlands with a study of a fox, with a print titled 'Song of the surf' by Ed Mandon (5)
Lot 168
PLAVINSKY, DMITRY (1937-2012) Bosphorus Tortoise , signed, numbered "8/40" and dated 1969. Etching on paper, 68.5 by 92 cm. Print No. 8 from the edition of 40. Provenance: Collection of Alexander Glezer, a renowned collector, writer and publisher. Private collection, UK. Authenticity of the work has been confirmed by Maria Plavinskaya, the artist's widow.
Lot 188
F.W. RICHARDSON; oil on canvas, depicting a body of water with figures and boat, signed and dated 1907 lower right, 30 x 61cm. unattributed; oil on canvas, dwelling within a countryside setting, indistinctly signed lower right, 40 x 50cm, framed and glazed. Unattributed; oil on canvas, mill scene, indistinctly signed lower right, 51 x 41cm and two other unsigned works and an etching, framed and glazed (6).
Lot 6
Herbert Dicksee Etching Pencil Signed To The Margins. Lady In Garden With Dog. Published by Frost and Reed, London. Dated 1921 - Label to Verso. Artists Signed Proof Impression upon Japanese's Vellum ' An Original Etching ' 8 Guinea's. Edition Strightly Limited. Framed and Glazed. Size 28 x 21 Inches.
Lot 814
*AR GEORGE VERNON-STOKES (1873-1954) British A Wet Retrieve Limited edition coloured etching Signed within the plate, in pencil to margin and numbered 14/75, old label to verso for Gladwell & Co Ltd 29 x 24.5 cm, framed and glazed CONDITION REPORTS: Generally in good condition, expected wear.
Lot 821
HERBERT THOMAS DICKSEE (1862-1942) British Where's Master Etching Signed with initials and dated 1910 within the plate, Print Sellers Association blind stamp to margin, published by Frost & Reed Limited 1911 57.5 x 40 cm, framed and glazed CONDITION REPORTS: Generally in good condition, expected wear, some staining, glass cracked.
Lot 303
*David Oxtoby (b.1938)'ROGER WHO?'Coloured etching, signed and inscribed with title, also signed by Roger Daltrey and numbered 43/50;and two others:'BOSS MAN'Signed, inscribed with title and dated 75, numbered 43/100;'JIMI HENDRIX'Signed, inscribed with title and dated 74, numbered 43/50sheet size 57 x 39cm (3)*Artist's Resale Right may apply to this lot.
Lot 336
*Käthe Kollwitz (German, 1867-1945)LOSBRUCH (OUTBREAK) (Klipstein 66; Knesebeck 70 XIIIa)Drypoint etching, signed and dated 1902 in the plate l.r., printed by O. Felsing, Berlin51 x 57cmThis is the fifth plate - and earliest plate to be finished - from Kollwitz's series 'Bauernkrieg' (The Peasants' Revolt), a cycle based on the Peasants' Revolt of 1522-5, which occurred in Germany during the Protestant Reformation. With the inclusion of 'Black Anna', the incendiary figure with upraised arms, this is the only plate from the series to represent an identifiable historical character or event. Kollwitz identified the woman as 'Black Anna' in a letter to Arthur Bonus. She derived the figure itself from an illustration by Arthur Boyd Houghton published in 'The Graphic' of 8 April 1871 (reproduced Paul Hogarth, 'Arthur Boyd Houghton', London 1981, p.115). The Verbindung für historische Kunst (Society for Historical Art) commissioned the series, then published and distributed the seven
Lot 34
Brangwyn, Frank (ills.) "Belgium", text by Hugh Stokes, ills. London 1916, Keegan, Paul, Trench, Trubner & Co, black and white illustrations and plates, woodcut headers, blue card boards, blind stamped with a rampant lion, pastedown on cloth backstrip Ingpen, Roger "The Glory of Belgium", illustrations in colour by W R Bruckman, Hodder & Stoughton n.d., colour plates tipped in, tissue guards, some foxing, orange cloth with gilt titles, the Graphic Arts series etching Pennell, Joseph "Etchers and Etchings...", New York Etching Club, T Fisher Unwin Limited 1920, numerous plates, brown cloth with gilt titles Menpes, Mortimer "Whistler as I Knew Him", Adam & Charles Black 1904, frontis etching with tissue guard, numerous plates with tissue guards, full cream cloth, gilt titles and two other volumes (6)
Lot 112
WILLIAM WALCOT (SCOTTISH-RUSSIAN 1874 - 1943), LOWER BROADWAY, BAPTISTRY FLORENCE, FORTY SECOND STREET NEW YORK and THE ABBEY (4) each etching, each signed in pencil 17cm x 12cm, 15cm x 12.5cm, 14cm x 19cm and 11cm x 14cm Each mounted, framed and under glass Each label verso: W. B. Simpson, Glasgow, Taylor & Brown, Glasgow, W. B. Simpson, Glasgow, and W. B. Simpson, Glasgow
Lot 119
WILLIAM WALCOT (SCOTTISH-RUSSIAN 1874 - 1943), GUIDECCA NO 2 and THAMES FROM WATERLOO (2) each etching, each signed in pencil 13cm x 20cm and 11cm x 18cm Each mounted, framed and under glass Each label verso: W. B. Simpson, Glasgow Note: A limited edition copy of 'Architectural Water Colours & Etchings of W. Walcot' by Michael C. Salaman (1919), numbered 32 of 250, accompanies this lot.
Lot 90
WILLIAM WALCOT (SCOTTISH-RUSSIAN 1874 - 1943), WATERLOO BRIDGE LONDON, ST. MARY-LE-STRAND, TRAFALGAR SQUARE and PICCADILLY NIGHT (4) each etching, each signed in pencil 11cm x 16cm, 15cm x 19cm, 10cm x 18.5cm and 13cm x 20cm Each mounted, framed and under glass Label verso: W. B. Simpson, Glasgow, George Davidson Ltd., Glasgow, and W. B. Simpson, Glasgow, and W. B. Simpson, Glasgow, respectively
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71174 item(s)/page