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Lot 439
***Graham Clarke (born 1941) - Limited edition coloured etching - "Modus Cantiana - Herewith in 1990 - An Historical Aspect of the City of Canterbury", 16.75ins x 21.5ins, No. 73 of an edition of 300, signed, titled and numbered in pencil to lower margin, in modern gilt moulded frame and glazed
Lot 440
***Graham Clarke (born 1941) - Limited edition coloured etching - "Icon", 4.25ins x 3ins, No.142 of edition of 300, signed, titled and numbered in pencil to lower margin, in modern satinwood "triptych" frame designed and made by Desmond Ryan, 6.5ins x 10.75ins (open), with makers stamp to backboard
Lot 366
William Douglas MacLeod (1892-1963), etching, 'On the River Ranu, Dinan' and three other signed etchings, including Charles Meryon (French 1821-1868), etching with drypoint, 'Entrée du Couvent des Capucins Français à Athenes', second state, 1854, John Macdonald Aiken (1880-1961), a country church and 'Salamanca' by Walter M. Keesey, inscribed 'to Easton'
Lot 198
* ANDREW RESTALL (SCOTTISH b 1931), HEIROCLYPHIC TRACT artist's proof etching, signed and dated '09 9cm x 45cm Mounted, framed and under glass Note: Andrew Restall (b. 1931) is an Edinburgh based artist, who is known for his postage stamp designs and more recently mixed media landscapes. He was born in Oxfordshire in 1931, the son of a professional typographer. He graduated from Edinburgh College of Art in 1954, where he later established the new School of Visual Communications. In 1965 he was seconded to the Royal College of Art as Research Fellow in Stamp Design and alongside teaching, Restall worked from 1964 for the Post Office designing stamps and related philatelic material. He designed nine sets or part sets between 1964 and 1983. This took him into a different world, building on an existing interest in typography and printing processes. Two of his most notable contributions to stamp design were the Commonwealth Games issue of 1970 and the Sailing Stamps of 1975. In 1975 he became Head of Visual Communication at University of Brighton. Since retiring as Head of the School of Visual Communication at Edinburgh College of Art, he has concentrated on painting and printmaking techniques including collagraphy; observing the changing landscapes around him in the Scottish Borders where he lives.
Lot 108
Cameron Booth (1892-1980). Two prints depicting horses. The first, an etching titled "Polo I," depicts polo players. Print is signed and dated 1933 along the lower right, and is titled and numbered 10-50 along the lower left. The second print, a lithograph, depicts a horse grazing beside a shed, and is numbered 1/4 Second State, and initialed and dated 1964 along the lower left.Polo 1; height: 11 3/4 in x width: 2 3/4 in. Untitled (Horse and Shed); height: 13 in x width: 20 3/4 in.
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