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Lot 1

JULIAN TREVELYAN (1910-1988) LES BAUX, 1975 Etching, Artist's Proof 35cm x 47cm (13.75in x 18.5in)

Lot 1

Two Lincolnshire maps and an etching of Uppingham by Wallace Hester.

Lot 1

A small watercolour of a sailing boat and a landscape etching (2).

Lot 1

After William Miller. Deyburgh Abbey, etching, signed in pencil, 8¼" x 14".

Lot 806

William Lionel Wyllie (1851-1931) etching The Royal Naval Hospital, Chatham signed in pencil 3.75 x 6in.

Lot 1

Signed etching of interior scene by M.C. Robinson, to/w pastel of boy, illustration, The Audubon Folio, and large print of Port of Dieppe (5)

Lot 1

Albany E. Horreston? 'John Knox's House', etching, fore-edge signed, 37 x 25 cm

Lot 1

Henry Wilkinson-'Two Retrievers', signed etching, 13/100, 23x34cm Lemaire Romney-'Marsh near Rye', pen and wash Print of St John's Close, D. Ancona, 'Yacht', Reg Grattan, 'South African Landscape', oil on canvas (5)

Lot 52

AFTER ROBERT W. MACBETH " A coastal scene with fisherman and fisherwoman sorting the catch", large black and white etching signed in pencil, published 1905 by W. R. Howell & Co. London, 34 x 53cm

Lot 56

AFTER CHARLES HERBERT CLARK " Sail and Steam", black and white etching signed in pencil to margin, 15.5 x 24cm

Lot 58

AFTER A SIMES "St Andrews from the Pier", a black and white etching signed and inscribed in pencil to the mount, 11 x 15cm

Lot 76

AFTER FRANK H. MASON "The river of toil", etching, signed and titled in pencil 28 x 46 cm

Lot 1

Frank Brangwyn Dutch Windmill with figures bowling pencil signed etching, 58cm x 49cm

Lot 3204

A BSA BREAKDOWN MODEL .177 AIR RIFLE, SERIAL NO 5827 circa 1935, good working order and condition overall, etching not visible to air chamber.

Lot 3206

A BSA BREAKDOWN MODEL .177 AIR RIFLE, SERIAL NO 3548 circa 1934, good working order, brown age patina overall, etching not visible to air chamber,

Lot 3208

A BSA STANDARD MODEL NO 2 .22 AIR RIFLE, SERIAL NO T2730, circa 1937, 3 hole trigger block, good working order, small crack to butt (2"), stock bolt cover missing, etching not visible to air chamber.

Lot 3209

A BSA STANDARD MODEL NO2 .22 AIR RIFLE, SERIAL NO T3773, circa 1937, 3 hole trigger block, good working order and condition, retaining much original finish, etching not visible to air chamber. (Replacement trigger guard)

Lot 3210

A BSA STANDARD MODEL NO 2 .22 AIR RIFLE, SERIAL NO S45458, circa 1929/30, 3 hole trigger block, very good working order and condition, etching visible to air chamber, retaining virtually all original finish.

Lot 3211

A BSA STANDARD MODEL NO2 .22 AIR RIFLE, SERIAL NO S21238, circa1924/25, 3 hole trigger block, very good working order and condition, etching clear to air chamber, retaining virtually all original finish.

Lot 3250

A PARKER PATENT .177 AIR PISTOL, SERIAL NO 17, circa 1921, etching visible to air chamber, crank handle missing.

Lot 1

After George Vernon-Stokes, Cocker Spaniels, Etching, signed Limited Edition 7/75, 27 x 31.5cm

Lot 230

William Lionel Wyllie (1851-1931), 'London Bridge', etching, signed in pencil, 30 cm x 22 cm

Lot 231

William Lionel Wyllie (1851-1931), 'Shipping on the Thames with St Paul's beyond', etching, signed in pencil, 30 cm x 22 cm

Lot 232

William Lionel Wyllie (1851-1931), 'A view of Scarborough harbour', etching, signed in pencil, 11 cm x 33 cm

Lot 234

Henry Wilkinson, 'The salmon pool', hand coloured etching, signed in the plate, signed in pencil and numbered 48/150, 25 cm x 34 cm, and the companion 'Landing a salmon' - a pair (2)

Lot 260D

Jackson Simpson, The Invercauld Brig-River Dee, Etching, 19.5cm x 18.8cm Note: From the estate of the late Fred Hill, fishing gillie in Auchterarder

Lot 262

D. Y. Cameron Man O War Etching, signed in pencil 32cm x 45.5cm

Lot 263

John R. Reid Harbour scene with fishermen and children Etching, signed by J. R. Reid and James Dobie 62cm x 42cm

Lot 278

Sir David Young Cameron (1865-1945) Beauvais, a street scene etching, signed in pencil 27cm x 22cm

Lot 403

Modern Masters of etching, James McBey 1924; a similar for G. L. Brockhurst 1928, Arthur Briscoe 1930, W. Russell Flint 1931 and Anders Zorn 1925, all single volumes

Lot 1

W EDWARD LAW, Westminster Abbey, An etching, 5 3/4 x 8 inches, A map of Cornwall and a fashion print (3)

Lot 1

19th CENTURY ENGLISH SCHOOL, A pencil sketch of Santagnello, 4 1/2 x 4 inches, together with an etching after Lejour and various watercolours and prints

Lot 1

AXEL HERMAN HAIG (1835-1921) An etching of the interior of Ulm Cathedral, signed on the margin, 23 1/2" x 16"

Lot 1

Frederick Landseer Griggs (1876-1938), The Maypole Inn, signed with initials and dated 1929 in the plate, Ref: CD 42 iii/v proof before the edition of 53 in this state, mounted, etching on laid, 16 x 24cm. Provenance: William Weston Gallery Ltd (label verso)

Lot 1

Alphonse Legros (1837-1911), Old man walking along a path, signed in the plate, etching, 14 x 26.5cm

Lot 1

Bartolomeo Pinelli, Nine Roman festive scenes, etching, each approximately 32 x 42cm (plate)

Lot 1

Thomas Stothard RA, Triumph of the Duke of Wellington, published 1820, circular etching, 51cm diameter; together with Five curved engravings of battle scenes (incomplete?), printed by McQueen and Co, all on six loose sheets (7)

Lot 1

Graham Sutherland, O.M., 1903-1980, Pecken Wood, etching, signed in pencil lower right 13.5 x 19cm (plate)

Lot 1

Paul Drury (1903-1987), Ruins of St David's, etching, signed with initials in the plate and dated 1937, signed in pencil below 'Paul Drury '37. fec & imp' 18 x 22cm, unframed

Lot 1

Theodore Roussel (1847-1926), Children by railings etching, signed below in pencil 9.5 x 12cm;, woman in a doorway etching, signed on a tab below, trimmed, light foxing 11 x 7cm (image), both unframed (2)

Lot 1

William Douglas Macleod (20th century), Desert scene with camels and figures, a city beyond dated in the plate 1928, signed in ink below and numbered XXXII A 20 x 33.5cm;, Oxen hauling in a boat etching, signed below 16 x 35cm;, together with 5 etchings by William Montgomerie including a distant view of Venice (7)

Lot 1

Norman Wilkinson (1878-1971), The Intake River Spey etching, signed below in pencil 15 x 22.5cm;, together with two other angling scenes by the artist largest 22.5 x 30cm (unframed) (3)

Lot 1

Robert Sargent Austin (1895-1973), The Park Bridge etching inscribed below in pencil and dated 1926, good margins 12.5 x 11cm, mounted (unframed), Provenance: William Weston Gallery Ltd, label verso

Lot 1

Anthony Gross (1905-1984), Armourers Shop etching, signed and titled below and numbered 50/50, 19.5 x 28.5cm, mounted but unframed

Lot 1

Felicien Rops (1833-1898), Rimes de Joie etching signed below in red pencil 14 x 9cm, unframed (horizontal crease marks)

Lot 1

Pissarro, Camille (1830 - 1903), French - Signed etching 'March‚ aux fleurs de la Madeleine a Paris', margin with pencil signature and embossed blind stamp, 29cm x 19.5cm

Lot 1

Aldin, Cecil (1870 - 1935) - Signed artist's proof coloured etching 'Old English Inns' - The George Inn, Dorchester, Oxon. Fine Art Trade Guild blind stamp, 33cm x 39cm

Lot 1

After William Lionel Wyllie (1851-1931) - sail boats and tugs in an estuary, signed and inscribed on plate, etching, 6" x 12"

Lot 1

Henry George Walker - "Bayards Cove Dartmouth", signed, coloured etching, 7" x 11.25"

Lot 1

20th century School - "Cello and Bass", indistinctly signed, limited edition 3/20, etching, 5.5" x 7.75"

Lot 1

After E.W.Sharland (exh. 1911-1925) - "The Tour de la Grosse Horlogue, Rouen", signed and inscribed, coloured etching, 19" x 12"

Lot 1

After John Raphael Smith (1852-1912) - 'Albina', black and white mezzotint, 21.7" x 15.75"; also three others, after Thomas Burke (1749-1815) - 'Melancholy', coloured stipple engraving, 23" x 15.75" approx, after Pietro Bettellini - 'Sibilla Persica', engraving, 18.5" x 14", and another - 'The Towers of Charterhouse Godalming', etching, initialled D Y G, 5.25" x 3.5" (4)

Lot 1

20th century French School - 'L'Eulourdie' and 'a La Queue!!', indistinctly signed, coloured etching, pair, both 6.5" x 17.5" (2)

Lot 1

After Rowland Langmaid (1897-1956) - 'Tower Bridge', signature and blind stamp, label verso, etching, 7" x 12"

Lot 1

NORMAN WILKINSON (CBE, PKI, RSMA, HRWS) (1878-1971) “THE EVENING RISE", two fishermen in a rowing boat on Ullswater. Etching signed in pencil to lower right hand margin. Titled verso on a Fine Art Society label and dated 1928. 23.6cm x 30.9cm. Framed under glass.

Lot 1

Wilkinson Sword (65729) Single Edged Blade with Etching 32.25" (82 cms) Long. Polished Steel Hilt Marked EV111R (Half Basket) Wire Bound Fish-Skin covered Grip. Leather Scabbard. Slight Rust Damage to Blade s9

Lot 1

German Weyersaberg & Co Solingen Cavalry Charger (Reg 60) Sword Single Edged Blade-Double Near Point-Etching on Blade Steel Plated Hilt Wire Bound Fish-Skin covered Grip. (Rust Damage) Steel Painted Scabbard-Some Rust Damage s15

Lot 1

Sword with 3 Edged Blade with Etching 32" (81 cms) Long Plain Iron Hilt. Turks Head Finials. Metal Bound Leather Grip s 27

Lot 1

Peter Carreras, Kit-O-Cat, colour lino etching, signed, initialled and dated 2/25 in pencil, 31 cm x 25 cm.

Lot 1

William Strang, Old House, Pirou, etching 1906, signed in pencil, 23 x 31 cm.

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