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Harry Becker, British 1865-1928- Sheep Grazing; drypoint etching, signed in pencil, 5.5x19.7cm: Alfred Bentley RE, British 1879-1923- Figure by a river with bridge; drypoint etching, signed in pencil, 21.5x31cm: Richard Livesay, British c.1750-c.1823- The Ages of Man, after William Hogarth, publ March 1st 1782 by R Livesay at Mrs Hogarth`s Leicester Fields, London; etching, 27x36cm: , William Hooker, British 1779-1832- "Blue Banana Bird at Rio de Janeiro, on a Sprig of the Guava Tree", after Jam. Forbes; hand-coloured aquatint, 28.7x22.2cm: together with two others by and after the same hand: together with a further small quantity of 19th & 20th century, prints and reproductions, (a lot) (unframed)
After Marcantonio Raimondi, Italian c.1480-1527/1534- "Neptune Calming the Tempest which Aeoluis Raised aginst Aeneas` Fleet", after Raphael; engraving, 41x32.5cm: After Marcantonio Raimondi, Italian c.1480-1527/1534- Venus sitting on a bank extracting a thorn from her foot; engraving, 26x17cm: After Anea Vico, Italian 1523-1567- "The Entombment", after Raphael; engraving, 27.7x20cm: After Aegidius Sadeler 1570-1629- "Virgin and Child on a Grassy Bank", after Albrecht Durer; engraving, 32x24cm: After Heironymus Hopfer c.1500-1563- "Portrait of Charles V, Emperor"; etching and stipple engraving, 32.5x15.3cm: Follower of Martin Schongauer 1430-1491- The Adoration of the Magi; engraving, 26x19.5cm: Georg Pencz, German c.1500-1550- The money lender; engraving, 11.3x7.5cm: together with a further quantity of old master prints by and after different hands, (a lot) (7) (unframed)
After Pablo Picasso, Spanish 1881-1973- "Le Peintre et son Modèlel", 1930, lithograph on BFK Rives, bears signature in pencil, 32.5x50cm: After Henri de Toulouse-Lautrec, French 1864-1901- Studies of Yvette Guilbert; lithograph, signed with monogram within the plate, 30.5x23.5cm: After Auguste Rodin, French 1840-1917- Two nude figures; etching, signed within the plate, 15x9.7cm., (3) (unframed)
Georg Friedrich Schmidt, German 1712-1775- Self Portrait, after Rembrandt van Rijn; etching, signed inscribed and dated 1753 within the plate, 12.5x9.5cm: together with a quantity of etchings, prints and reproductions, many after Rembrandt van Rijn, by and after different hands, (a lot) (unframed)
Pierre-Yves Trémois, French b.1921 and Jean Rostand, French 1894-1977- "Les Limites de L`Humain", Publ. Monaco, Jaspard, Polus & Co. 1971; large folio, printed text, drypoint etching and aquatint, case printed and embossed in black, black hard publisher`s slipcase, numbered 22/180 in pencil, 49.5x32.5cm (may be subject to Droit de Suite)
Michael Fairclough, British, b.1940- "Hadrian`s Wall, Housesteads"; aquatint in colours, signed and inscribed AP 2/29, titled to verso, 20.8x26.7cm: together with seven other aquatints by the same artist: David Suff, British, b.1955- "Le Penseye"; hand coloured etching, signed, dated 1980 and inscribed AP in pencil, 15x10cm: together with two other hand coloured engravings by the same artist: together with four other late 20th century prints by various hands, (15) (unframed) (may be subject to Droit de Suite)
* An Album containing a mixed collection of mostly French 19th century drawings, watercolours and prints to include- Louis Huard 1813-1874- Thirty nine sketches depicting societal, pastimes, hunting and battle scenes; pencil, pen and ink wash, initialled and 2 signed: Auguste Ernest Sembach b.1854- "Shoreham" a pair; watercolour, signed and inscribed, ea. 25x16.7cm: Felix Augustin Milius 1843-1894- A day out by the seaside, After Ernest Ange Duez; etching, 15.1x25cm: Felix Buhot 1847-1898- "L`Embarcadere", Publ Vve A Cadart, Edit Imp 56 B`ard Hausmann Paris; etching, 19.1x17.2cm (trimmed): G Montbard, 19th century- "L`Orage", Publ Vve A Cadart, Edit Imp 56 B`ard Hausmann Paris; etching, 18.1x27.4cm: Maxime Lalanne 1827-1886- "Les Roches Noires Pres Trouvilee (Maree Basse), Publ Vve A Cadart, Edit Imp 56 B`ard Haussmann Paris; etching, 18x31.7cm: J Boutry, 19th century- "Le Temple de Venus a Rome", Publ Vve A Cadart, Edit Imp 56 B`ard Haussmann Paris; etching, 15.7x23.8cm: Marcelin de Groseilliez 1837-1880- "Avelghem Pres de Courtray", Publ A Cadart Edit Imp Rue N`ve des Mathurins 58 Paris; etching, 11.5x16cm: Auguste Ballin 1842-1885- "Vue de Gravesend Sur La Tamise", Publ A Cadart Edit Imp Rue N`ve des Mathurins 58 Paris; etching, 15x31.1cm: Auguste Ballin 1842-1885- "Windsor Castle", Publ Vve A Cadart, Edit Imp 56 B`ard Haussmann Paris; etching, 14.9x31.4cm: Auguste Ballin 1842-1885- "Greenwich", Publ A Cadart Edit Imp Rue N`ve des Mathurins 58 Paris; etching, 15x31.3cm: Filippo Palizzi 1818-1899- "L`Abreuvoir", Publ Vve A Cadart, Edit Imp 56 B`ard Haussmann Paris; etching, 19.4x27.6cm: Charles Joseph Beauverie 1839-1924- "Auvers"; etching, 15.7x23.8cm: E Martin-Chablis, 19th century- "La Neige", Publ Vve A Cadart, Edit Imp 56 B`ard Haussmann Paris; etching, 18x24.8cm: Henri Alexandre Saffrey, 19th century- "La Seine a Croissy", Publ Imp Vve A Cadart, Paris; etching, 16.2x23.5cm: Johan-Barthold Jongkind 1819-1891- "Canal de Hollande Pres de Rotterdam (Hiver), Publ Vve A Cadart, Edit Imp 56 B`ard Haussmann Paris; etching, 15.8x24cm: French Impressionist School, 19th century- Bare knuckle wrestling; etching, 26.4x20.4cm: Eugene Gaujean 1850-1900- Woman bathing with onlooker, after Jean Jacques Henner; etching, 27.5x19.2cm: Charles Albert Waltner 1846-1925- "Rembrandt"; etching, 20x16cm: French School, 19th century- Woman with dog by the sea; etching, 23.2x14cm: Adolphe Lalauze 1838-1905/6- "La Courante", after Pieter Codde, publ A Salmon; etching, 16x22.3cm: French School, 19th century- Figures resting by a lake in a mountainous landscape; lithograph, 12x16.4cm: French School, 19th century- Pier in a river landscape; etching, 10.2x15.2cm: Auguste Ballin 1842-1885- Grand Canal Venice; etching, 15x31.5cm; all items in album are laid, some on shared sheets, double sided, various sizes, (album)
EILEEN SOPER (1905-1990) THREE WEES Etching, 1921, signed in pencil 12.2 x 9.7cm. ++ Very slight light staining * The following 28 lots are all by Eileen Soper, an artist of prodigious ability who showed the first of her 250 etchings at the Royal Academy at the age of just 15. Eileen learnt etching from her father, George Soper, and, with her sister Eva, developed a naturalist sanctuary at their home, "The Wildings", in Hertfordshire. She was the illustrator for 35 Enid Blyton books and had a gift for capturing the playful mischief of children in her work. Soper also painted the only known portrait of Eric Liddell, the Scottish athlete whose story was the inspiration for the 1981 film, Chariots of Fire. All these etchings and drawings were found in her home when she died. They were bequeathed to The Artists` General Benevolent Institution and sold by Chris Beetles to raise funds for the charity. These lots were purchased by the current owner from Chris Beetles`s exhibition of both Sopers` works in 1995.

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78391 item(s)/page