We found 78388 price guide item(s) matching your search
There are 78388 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
78388 item(s)/page
WILLIAM LIONEL WYLLIE (1851-1631); a watercolour entitled 'Yachts Racing on Gravesend Reach with the Great Eastern Beyond', signed, inscribed on Richard Martin Gallery label verso, 18.5 x 33cm, framed and glazed, also a black and white etching after Wyllie; 'On Summer Seas', being an invitation from Robert Dunthorne to a private view of watercolours by Wyllie at the Rembrandt Head, 5 Vigo Street, London on the 11th June 1887, 8 x 10cm, framed and glazed and QUARM, ROGER AND WYLLIE, JOHN; 'W.L. Wyllie, Marine Artist 1851-1931' (3). CONDITION REPORT Slight discolouration to upper section of watercolour commensurate with age, overall nicely presented.
Blade: Forged stainless steel, hand-polished. Each side a blood-groove. Traditional acid etching on both sides, ornaments and Swiss cross, solid brass guard, consisting of top nut, grip back, ring and guard, manually engraved polished, with Swiss cross, nickel plated finish, strong and solid ABS handle with sharkskin imitation surface, 3 double-twisted brass wires in golden color wrapped around the handle grooves, handmade scabbard made of a steel tube, manually polished, fitted with carrying ring made of stainless steel, interior with 2 slats for protection of the blade, knot in red and white ribbon with gold wire tassel. Blade size 79 cm. Germany workshop, Carl Eickhorn marked with mark 1921-1933. I-II
Meguerditch Kassapian (1963 ) Armenian. "Christmas", A Depiction of the Nativity, Etching, Signed and Dated '92 in Pencil, 6" x 4". Exhibited: British International Miniature Print Exhibition, Bankside Gallery, January 1995, together with eight other Engravings by various other artists, Nine (9).
PONT SANT MICHEL, PARIS Signed l.r.: 1922 Frank L Emanuel oil on panel 24.5 x 34.5cm Emanuel was born and lived in London where studied at the Slade under Alphonse Legros before further studies at the Academie Julian, Paris. From the late 1880s he began to show at the Royal Academy and Paris Salon, also exhibiting at the New English Art Club and elsewhere. He travelled widely in Europe, Africa and Ceylon. He became chief examiner for the Royal Drawing Society and published a number of books on etching and general art criticism. He is represented in the collection of the Tate Gallery, London.
A Dutch Diplomat's Sword, the 76.5cm triangular section fullered steel blade bearing traces of etched decoration, the brass hilt with shell guard cast with the coat of arms of the Kingdom of the Netherlands, with foliate cast knuckle bow and baluster pommel, with mother of pearl grip scales, lacks scabbard; an 18th Century Infantry Officer's Sword, with 77.5cm single edge fullered steel blade, the gilt brass stirrup hilt with shell cast boat shape guard, bud quillons and copper wire bound grip with fluted ovoid pommel, lacks scabbard; a 1786 Pattern Infantry Officer's Dress Sword, the 81.5cm single edge fullered steel blade with traces of bluing, engraved and gilt with the Royal coat of arms, crowned GR cypher, martial trophies and Warranted, the back edge signed in gilt Woolley & Deakin, the gilt brass stirrup hilt with double shell guard cast and chased with foliage, with foliate sheathed quillon, silver wire bound grip and foliate sheathed urn finial, with a brass mounted leather scabbard, lacks suspension ring (3)1 - Etching of the blade is very faint. The mother of pearl grip scales are chipped and cracked. 2 - Black patching to blade with nicks to edge and damage to the tip. Minor wear to the gilding. 3 - Pitting to the blade, with tiny nicks to edge. Hilt with wear to the gilding, a break to the top of the knuckle bow and a small break in the silver wire binding. The leather scabbard has a crease to one side half way down. There is no evidence that it has had a suspension ring.
Prints - Mathew Dubourg (1786-1838), by, a set of three, Hunting A Zebra, Hunting A Panther and Kamtschaktka Bear Hunting, Published by Edward Orme, London 1813, hand-coloured aquatints, 23cm x 32.5cm, another similar, Shooting Anecdote, India 2, hand-coloured aquatint, 23cm x 32.5cm, all four from Orme's Oriental Field Sports, 1813, (4); [William Henry Pyne] (1769 - 1843), [Brick Maker] (untitled, trimmed?), [Fishermen], No. 4, [Butcher], No. 58 and [Female Shrimper], No. 59, Published by William Miller, London, January 1805, for The Costume of Great Britain, 25cm x 36cm, (4); English School (late 19th century), George Cruickshank, Published by H.A. Rogers, Manchester Square, [London] 1882, etching, 22cm x 14cm; P. Devel, by, La Maison de Ville d'Amsterdam par Derriere, 18th century architectural elevation, engraving, 15.5cm x 21.5cm; Royal Opera House, Convent Garden, programme, Aida by Verdi, Friday, July 17th 1914, Evening Performance, four-page enclosing a calendar for the operatic season, printed with advertisements; 19th century and later etchings, some signed in pencil by the artist; others, etchings, engravings, etc (folio)
Dennis Flanders - two limited edition prints of New College, 11 5/8" x 17 2/8", glazed frames, A P Thomson - European Gate, etching, signed, 9 1/2" x 5 3/8", glazed frame and a signed etching, bridge over the Thames in a London city view, signed indistinctly in pencil to lower margin, 11" x 14 5/8", glazed frame (4)
δ Edward Burra 1905-1976Drag QueenEtching, 1972, signed and numbered from the edition of 75 in pencil, on T.H. Saunders wove paper, the full sheet, 300 x 250mm (11 3/4 x 9 7/8in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
A box containing an interesting album of engraved plates and historical letters, black and white engravings, Thomas Bewick interest volume, together with note pad, an etching of Durham, one volume The Renegade Fable with Moral etc CONDITION REPORT: The additional images show the engravings within this lot, as well as the contents of the photograph album.
A 19th century engraving, probably after George Morland, showing a stable interior scene in black and gilt glass mount and Hogarth type frame, 65 x 80 cm approx overall size, together with a coloured print of the Madonna and Child, a coloured etching by E Sharland of a town scene, a similar etching by A Dupont of a Venetian scene, a coloured engraving of Lord Byron, etc, various sizes, all framed
Ken Robinson (20th century New Zealand school), 'Restaurant du Palais', lithograph, signed titled and dated 56 in pencil, 49 x 34cm, together with an etching of figures by the same hand, monogrammed and dated '64 in pencil, 49 x 25cm, and a lithograph, 'Figure', signed, titled and dated 1962 in pencil, 57 x 28cm (3)
A quantity of early prints to inc four portrait engravings of royal figures after works by Cornelius Johnson, Antonis Mor etc, the largest impressions approx. 35 x 25 cm; 'His Majesty James the First, King of England, and his Royal Progeny, Together with the Family of the King of Bohemia' mezzotint & etching, circa 1800, 30 x 39 cm; Two coloured engravings depicting views of 18th century London, 28 x 40 cm etc
Artist: Michael Mazur (American, 1935-2009)Title: "Memory and Distance"Dimensions: Sheet 31 1/2 x 46 3/4 in; Frame 39 1/2 x 55 in.Date: 199Medium: Etching, Woodcut, Monotype on PaperEdition: 13/50Signature: Signed along lower right, titled lower center, editioned lower left.Provenance: Property from a Distinguished Corporate CollectionNotice to bidders: Condition reports and additional photographs are available by request at info@revereauctions.com. The absence of a condition report does not imply that the lot is in perfect condition.

-
78388 item(s)/page