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Edward Julius Detmold (1883 - 1957) three pencil sketches. The first with palm trees and thickets, the second with rhino type beasts etching and an animal climbing a tree, the third an elderly man sitting holding a skull in an observatory, 48cm x 33cm, unsigned. Each with a label on the back from Oliver O'Donnell Frick the Artist agent stating each are by Edward Detmold (3)
French School, late 19th/early 20th centuryBreton harbour scene,indistinctly signed lower right, numbered '32' lower left, Published Edite par Georges Petit, 8 Rue de Leger, Paris - Aout 1900, with Cercle de la Librairie blindstamp,soft ground etching,46 x 60cm (PL)together with a soft ground etching, depicting a lady with a baby in an interior, by a different hand (2)
A.Lewis (British school, early 20th century)Moonlit landscape,signed and dated '05 lower right,oil on panel,24 x 33cmtogether with a view of a village, oil on board, by Doris Thompson, an oil on canvas of a rural river landscape by C.E.Ball and an etching titled 'Dovecote at Twilight' signed in pencil by Michael Oelman. (4)
Willem Hermanus Coetzer (South African 1900-1983) OX WAGON etching with watercolour, signed in pencil in the margin; signed, dated 1937, and inscribed 'REWORKED 1972 W.H.C.' in the plate; signed and inscribed 'n Blik na Blydroominzicht naby Olivier's Hoek Pass grens O.V.S. en Natal' on the back of the frame sheet size: 38 by 43cm
Heading: Author: Gillam, William Charles FrederickTitle: Chartres Cathedral, FrancePlace Published: Publisher:Date Published: 1928Description: Original etching. Image size 41.5x32 cm (16¼x12½"), plus margins. Matted and framed, overall 70x60 cm (27½x23½"). Signed and titled in pencil in the lower margin. William Charles Frederick Gillam (1867-1964) was born in Brighton, England. He worked in England and Vancouver, British Columbia before arriving in northern California in 1921. He was active in the San Francisco Bay area until the early 1940s. Gillam died in Sonoma County, California on February 10, 1962. He was a member of the California Society of Etchers; Palo Alto Art Club; Berkeley League of Fine Arts, etc. A copy of this etching is in the collection of the DeYoung Museum, San Francisco. Not examined out of frame, appears fine or nearly so. Not archivally framed.
Heading: Author: Beckmann, MaxTitle: Der Abend [Selbstbildnis mit den Battenbergs] (Evening [Self-portrait with the Battenbergs])Place Published: Publisher:Date Published: 1919Description: Drypoint etching. Impression size 23.9x17.8 cm (9½x7") on a larger sheet, approximately 30x24.5 cm (11¾x9¾"). Tipped to matting. One of 60 on laid paper. Signed at the lower right, publisher's embossed stamp below. Plate 10 from Beckmann's 1919 portfolio ?Gesichter (Faces). Glaser 84; Gallwitz 67; Hofmaier 90 II B b. Provenance: The estate of Aaron Sopher, Baltimore artist and associate of Max Beckmann and George Grosz.Complete description available. Please contact pba@pbagalleries.com for more information. A bit browned on rear, faint matte-burn, mounting tape at corners on rear; very good.
Heading: Author: Beckmann, MaxTitle: Prosit Neujahr 1917 (Happy New Year 1917)Place Published: Publisher:Date Published: 1919Description: Drypoint etching. 23.7x29.7 cm (9½x11¾") on larger sheet, approximately 30x37 cm (11¾x14½"), tipped to matting. One of 60 on laid paper. Signed at lower right, publisher's embossed stamp below. Plate 17 from Beckmann's 1919 portfolio Gesichter (Faces). Glaser 98; Gallwitz 86; Hofmaier 108. Provenance: The estate of Aaron Sopher, Baltimore artist and associate of Max Beckmann and George Grosz.Complete description available. Please contact pba@pbagalleries.com for more information. Browned on rear, tape residue to edges on reverse, matte-burn line on front; very good.
Heading: Author: Beckmann, MaxTitle: Gesellschaft (Society)Place Published: Publisher:Date Published: 1915Description: Original drypoint etching. Impression size 26x32 cm (10¼x12½") on a larger sheet, approximately 36.5x51 cm (14¾x20"). Tipped to card backing. Signed in pencil at the lower right. A depiction of a party at the home of the Battenberg family. This state, the first, without "1 Zustand" at lower left, and without the fish on the plate in the foreground. Gallwitz 63. Hofmaier, 86 I. Provenance: The estate of Aaron Sopher, Baltimore artist and associate of Max Beckmann and George Grosz.Complete description available. Please contact pba@pbagalleries.com for more information. Edges lightly worn, mounting tape at top edge on rear; a bit toned overall, light matte-burn; very good.
Heading: Author: Beckmann, MaxTitle: Gesellschaft (Society)Place Published: Publisher:Date Published: 1915Description: Original drypoint etching. Impression size 26x32 cm (10¼x12½") on a larger sheet, approximately 31.5x44.5 cm (12½x17½"). Tipped to card backing. Signed in pencil at the lower right. A depiction of a party at the home of the Battenberg family. This state, the third of three, with a fish on the plate in the foreground. Gallwitz 63B. Hofmaier, 86 III b. Provenance: The estate of Aaron Sopher, Baltimore artist and associate of Max Beckmann and George Grosz.Complete description available. Please contact pba@pbagalleries.com for more information. Light matte burn; near fine.
Heading: Author: Beckmann, MaxTitle: Der Zeichner in Gessellschaft (The Draftsman in Society)Place Published: Publisher:Date Published: 1922Description: Drypoint etching. Impression size 32.6x23.6 cm (12¾x9½") on large sheet, approximately 50x35 cm (19½x13¾"). Tipped to matting. From an edition of 100. Signed at lower right. Glaser 204; Gallwitz 200; Hofmaier 230 III B e. Provenance: The estate of Aaron Sopher, Baltimore artist and associate of Max Beckmann and George Grosz.Complete description available. Please contact pba@pbagalleries.com for more information. A bit toned; one small repair on reverse; very good.
Heading: Author: Signac, PaulTitle: Le Pont des Arts avec RemorqueursPlace Published: Publisher:Date Published: 1927Description: Etching and aquatint on Japan paper. Image size 19x12.5 cm (7½x5") on a larger sheet, approximately 22.5x28 cm. One of an edition of 200 copies. Paul Signac (French, 1863-1935). Signed in the plate at lower left. Kornfield 24. Tipped to mount; fine.
Heading: (Evergood, Phillip)Author: Lippard, Lucy R.Title: The Graphic Work of Philip EvergoodPlace Published: New YorkPublisher:Crown PublishersDate Published: [1966]Description: 159, [1] pp. Foreword by Abram Lerner and "Proem: An Opinion" by James A. Michener. Illustrated with black and white plates and text illustrations. (4to) maroon cloth, gilt spine, slipcase. No. 103 of 150 limited copies. First Edition. With signed original etching, "Girl with Sunflowers" laid in. Lots sold without reserve are sold “As Is” and are not returnable under any circumstances. The minimum shipping and handling per invoice is $20 for shipments to the US and $30 for shipments outside the US, please consider this when determining your bid amount. Sunning and wear to slipcase, paper torn away along one edge of slipcase, light wear to cloth; near fine volume in very good slipcase.
Heading: Author: Strang, WilliamTitle: Spanish EtchingsPlace Published: GlasgowPublisher:James Maclehose and SonsDate Published: 1913Description: Seven etchings, various sizes, tipped to card with foldover matting. Images average approximately 10x16", mounts measure 55.5x40.5 cm (22x16") loose in half cloth and board portfolio, as issued. Etched label on front. From an edition of 100 copies, this copy designated in type as a "Presentation Copy." Each etching signed by Strang in pencil. William Strang RA (1859-1921) was a Scottish painter and engraver. He studied under Alphonse Legros at the Slade School and was one of the original members of the Royal Society of Painter-Etchers. Portfolio with some wear; etchings fine.
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71174 item(s)/page