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Lot 1018

William Lionel Wyllie R.A., R.B.A., R.I., R.E., N.E.A.C. (1851-1931) "St Andrew's Harbour” Signed artist's proof, black and white drypoint etching, 16cm by 37.5cm (6 1/4in by 14 3/4in) (pl)

Lot 1020

William Lionel Wyllie R.A., R.B.A., R.I., R.E., N.E.A.C. (1851-1931) "The AmErichan Fleet at Anchor in the Firth of Forth, Queensferry” Signed artist's proof, black and white drypoint etching, 22cm by 37cm (8 3/4in by 14 1/2in) (pl)

Lot 1021

William Lionel Wyllie R.A., R.B.A., R.I., R.E., N.E.A.C. (1851-1931) "Oban Harbour” Signed artist's proof, also inscribed "No.LX", black and white drypoint etching, 16cm by 37.5cm (6 1/4in by 14 3/4in) (pl)

Lot 1022

William Lionel Wyllie R.A., R.B.A., R.I., R.E., N.E.A.C. (1851-1931) "Dunbarton Rock and Greenock” Signed artist's proof, also inscribed within the plate "London published by W R Howells 26th August 1913", black and white drypoint etching, 20cm by 49cm (8in by 19 1/4in) (pl)

Lot 1023

William Lionel Wyllie R.A., R.B.A., R.I., R.E., N.E.A.C. (1851-1931) "Battle of Trafalgar” Signed artist's proof, also inscribed "Issued August 1st 1905, by the Art Union of London 112, Strand copyright", black and white etching, 41cm by 76cm (16in by 30in) (pl)

Lot 1024

William Lionel Wyllie R.A., R.B.A., R.I., R.E., N.E.A.C. (1851-1931) First World War Warships and Other Shipping off a Coastline, possibly HMS Victory Signed artist's proof, also inscribed "Issued 1st September 1910, by the Art Union of London 112, Strand copyright", black and white etching, 41cm by 77cm (16in by 30 1/4in) (pl)

Lot 1025

William Lionel Wyllie R.A., R.B.A., R.I., R.E., N.E.A.C. (1851-1931) First World War Destroyers in an Open Sea Signed artist's proof, black and white drypoint etching, 17.5cm by 30.5cm (7in by 12in) (pl)

Lot 1026

William Lionel Wyllie R.A., R.B.A., R.I., R.E., N.E.A.C. (1851-1931) "London Bridge looking towards Southwark Cathedral c.1920” Signed artist's proof, also inscribed with the title and the artist's name and "John Wyllie 1988" verso, black and white drypoint etching, 30cm by 23cm (11 3/4in by 9in) (pl) Provenance: With the Wyllie Gallery, 12 Needham Road, London W11, and inscribed "Wyllie ref 650 1989” See illustration

Lot 1027

William Lionel Wyllie R.A., R.B.A., R.I., R.E., N.E.A.C. (1851-1931) "The Shot Tower and Waterloo Bridge” Signed artist's proof, also inscribed with the title and the artist's name on a gallery label verso, black and white drypoint etching, 8.5cm by 35cm (3 1/4in by 13 3/4in) (pl) Provenance: With Rex Poland, 25 South End, Croydon, Surrey

Lot 1028

William Lionel Wyllie R.A., R.B.A., R.I., R.E., N.E.A.C. (1851-1931) "Greenwich from the River” Signed artist's proof, also inscribed with the title and the artist's name on a gallery label verso, black and white drypoint etching, 8.5cm by 35cm (3 1/4in by 13 3/4in) (pl) Provenance: With Rex Poland, 25 South End, Croydon, Surrey

Lot 1029

William Lionel Wyllie R.A., R.B.A., R.I., R.E., N.E.A.C. (1851-1931) "The Pool-River Thames” Signed artist's proof, black and white drypoint etching, 18.5cm by 27.5cm (7 1/4in by 10 3/4in) (pl)

Lot 1031

Rowland Langmaid R.I., R.B.A., A.R.E., R.Cam.A. (1897-1956) "Holy Island, Arran” Signed artist's proof, inscribed with the title and the artist's name, with the blindstamp for the Academy of Art, black and white drypoint etching, 15.5cm by 31cm (6in by 12 1/4in) (pl)

Lot 1035

William Lee-Hankey R.W.S., R.I., R.O.I., R.E., N.S. (1869-1952) "The Blind Grandmother” Signed artist's proof, also bearing the artist's studio blindstamp, black and white drypoint etching, 23cm by 19cm (9in by 7 1/2in) (pl), unframed

Lot 38

Anthony John Moore (1852-1915), Sunderland Docks, etching, signed in pencil to the margin, framed.

Lot 381

Fred Farrell, The Meuse at Giete, etching, signed in pencil, framed

Lot 251

Henry Wilkinson. A pair of Flatcoated Retrievers, coloured etching, signed in pencil and numbered 110/150, 11 x 14in (28 x 35.5cm).

Lot 1

Armand Coussens (1881-1935) Boys with Donkey and Cart etching 19cm x 25.5cm

Lot 1

Marion Harvey (1886-1971) Aberdeen Terrier etching 22.5cm x 16.5cm

Lot 1

Frank Henry Mason (1876-1965) The Giant Hull of No. 534 at Clydebank Launched 26th September 1934 etching, signed 26.5cm x 48cm Note-No. 534 was the original name given to The Queen Mary

Lot 1

Nicholas Ward Manor Farm, Banningham etching and aquatint, 8/60, signed anad dated 89 in pencil 7cm x 21.5cm and two Baxter prints after Joseph Mansell, Constantinople and Montpelier Terrace, Brighton, both 7.5cm x 24.5cm

Lot 1

Henry Willard Partridge shooting limited edition coloured etching 140/200, 20cm x 24.5cm

Lot 6060

A BRITISH PATTERN 1845 INFANTRY OFFICER'S SWORD BY WILKINSON, LONDON, with 31 3/4in. etched fullered single-edged spear-point blade (etching worn), forte signed 'WILKINSON / PALL MALL / LONDON', brass gothic hilt with folding-flap, wire-bound shagreen-covered grip, in steel scabbard.

Lot 7113

A BSA STANDARD MODEL .22 AIR RIFLE serial No S54588, circa 1934/35, etching visible to air chamber, stock stamped with C.H. WESTON, BRIGHTON, very good condition.

Lot 77

William Lionel Wyllie (1851-1931) Fishing Fleet In A Swell Etching Signed in pencil lower left and NoLXXVII 19cm x 27cm

Lot 86

William Lionel Wyllie (1851-1931) Shipping And Barges In An Estuary Etching Signed in pencil lower left and N9LXXVII lower right 10.5cm x 33cm; Harold Wyllie (1880-1975) Sailing Ships And Fishing Boat Off A Harbour Etching Signed in pencil lower left and N2XCVIII 15.5cm x 30cm (2)

Lot 1

Winifred Marie Louise Austen (British 1876-1964) Widgeon Alighting, signed lower right, Winifred Austen, etching, 24 x 30cm. Provenance:Private collection, Dorset

Lot 1

Attributed to Norman Alfred Williams Lindsay (Australian 1879-1969) Torment etching 14 x 17cm. Provenance:Christies, London, 4 April 1990 Private collection, UK, An unrecorded proof with remarque, possibly unique

Lot 1

Pierre-Auguste Renoir (French 1841-1919) Baigneuse Debout a Mi-Jambes, 1910 etching, 20 x 26cm. Literature: Loys Delteil, No.23, Stella, No.23

Lot 1

Pierre-Auguste Renoir (French 1841-1919) Femme Nu Couche Tournee a Droite, No.2, circa 1895, probably from the edition of 1923, etching, 21 x 16cm. Literature: Loys Delteil, No.14, Stella, No.14

Lot 1

Pierre-Auguste Renoir (French 1841-1919) Le Chapeau Epingle, No.8, 1894, second state of two, probably from the edition of 1921, etching, 21 x 15cm. Literature: Deltiel, No.8, Stella, No.8

Lot 1

James Abbott McNeill Whistler PRBA, (American 1834-1903) The Punt, 1862, original etching, 12 x 17cm. Literature: Kennedy, 85, IV/IV, published 1862, Whistler is classed with Rembrandt and Goya as one of the greatest masters of etching

Lot 1

James Abbott McNeill Whistler PRBA, (American 1834-1903) Sketching, original etching, 12 x 17cm. Literature: Kennedy, 86, No.1, IV/IV, published 1862

Lot 1

Stanley William Hayter, (British 1901-1988) Le Couple, 1952, signed lower right, S W Hayter 52, titled and numbered and dated in pencil, and on Japon paper, original engraving and soft ground etching with scorper work, signed proof aside from the normal edition, printed in black, pinkish orange, lime green, and bistre on smooth Japon paper, 46 x 31cm. Literature: Black and Moorhead, No.206

Lot 1

David Hockney (British b.1937) Two boys in a Bed, aged 23 and 24, signed lower right, David Hockney 66 and numbered 1/75, etching, 38 x 25cm. Provenance:Private collection, Cambridgeshire

Lot 246

William Lionel Wyllie RA (1851-1931), Glasgow , etching, signed in pencil, 22cm x 37.5cm

Lot 247

William Lionel Wyllie RA (1851-1931), HMS Victory , etching, signed in pencil, bears The Graves Gallery, Birmingham label on reverse, 27cm x 19.5cm

Lot 248

William Lionel Wyllie RA (1851-1931), Newcastle upon Tyne , etching, signed in pencil, 22cm x 37cm

Lot 250

Robert Henry Smith (ex. 1906-1909), The British Fleet in action , etching, signed in pencil, 21cm x 27cm

Lot 256

Herbert Dicksee (1862-1942), The timber wagon , etching, signed in pencil, signed with initials and dated 1911 in the plate, published by Frost and Reed Ltd, Bristol 1911, 40cm x 67cm

Lot 217

A RARE ETCHED PARTISAN OF THE GUARD OF THE ELECTOR FRIEDRICH AUGUST I OF SAXONY, 'THE STRONG', CIRCA 1694-97 with central blade of flattened-diamond section, broad base formed of a pair of flat notched flukes, etched at the base with a pattern of scrolling foliage on each side and surmounted on the respective faces with the crowned electoral arms and the initials CFA for Friedrich August Churfürst, moulded collar, faceted socket and a pair of long straps, on a wooden haft painted with an inventory number 61.2cm; 24 1/8in head PROVENANCE The Saxon Electoral Armoury, Dresden Friedrich August I ruled as Elector of Saxony (1694-1733) and twice as King August II of Poland (1697-1704 and 1709-1733). Similar partisans are preserved in the Wartburg (inv.no. 461) and the Wallace Collection (inv. Nos. A1002 & A1003). Another partisan from this group with the same notable style of etching is preserved in the Museum für Deutsche Geschichte, Berlin. See H. Müller and H. Kölling1981, p.311 no. 395.

Lot 295

AN ETCHED GERMAN COMB-MORION, NUREMBERG, CIRCA 1580 formed in one piece with a hemispherical crown rising to a high roped medial comb, and an integral brim turned down at each side, rising to an obtuse point at the front and rear (the front one slightly bruised), decorated around its edge with a file-roped inward turn, the front struck with the quality-control mark of the city of Nuremberg (the rear and sides each pierced with later wiring-holes), the base of the crown encircled by twelve round-headed lining-rivets with rosette-washers of iron (one washer missing), finely etched on each side of the crown with a circular cartouche enclosing, on the right, a representation of the Sacrifice of Isaac, and on the left, a mounted huntsman carrying a spear, in each case overlaying a pattern of alternating vertical bands respectively comprised of arabesque interlace and scrolling foliage inhabited by birds of prey, the latter design repeated on the comb and the brim and involving in the case of the former, oval cartouches enclosing, on the right, a soldier holding a banner, and on the left, a drummer, each in contemporary dress, the etching executed throughout on a blackened and stippled ground (light wear and patination overall) 29.1cm; 11 1/2in high The decoration of the helmet anticipates that found on a distinctive group of Nuremburg morions of the early 17th century formerly preserved in the armoury of the Dukes of Saxe-Coburg in the Wartburg, Thuringia. The scrolling foliage and birds are similar in execution to those found on a series of morions of about 1570 made for the Schurff family, hereditary huntsmen of the Tyrol, examples of which are to be found in the Royal Armouries Museum, Leeds, and the Musée de l'Armée, Paris. See J-P. Reverseau 1982, p. 50, fig. 2. A morion of similar form decorated with arabesque interlace is preserved in the Historisches Museum, Dresden (Schöbel 1976, fig. 40)

Lot 1

Etching of a cathedral, signed indistinctly in pencil

Lot 1

Flemish school early 19thC etching, figures by a canal in Winter time, signed

Lot 1

Kurt Meyer-Eberhardt, etching, 'A study of three Terriers', inscribed in pencil

Lot 87

George Fothergill-"The L & S Factor", foxhounds, black and white etching, signed and inscribed, one of fifty proofs.

Lot 31

AFTER HEYWOOD HARDY, ENGRAVED BY A GRAVIER, AND SIGNED BY THE LATTER TO THE MARGIN, BLACK AND WHITE ETCHING DATED 1885, The Loose Horseshoe, 16” x 23”; and a further similar ENGRAVING, Published 1885 “Stand and Deliver”, 13” x 19” (2)

Lot 50

WALTER DENDY SADLER, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING (also signed by the engraver) DATED 1895, Published 1895, The Lawyers Office, 13” x 18”

Lot 51

WALTER DENDY SADLER, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Published 1889, Gentleman in Morning Suit with Cat in attendance by a cottage door, 10” x 6”

Lot 52

WALTER DENDY SADLER, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Published in 1913, Huntsman and Cottage Interior, 11” x 8”

Lot 53

WALTER DENDY SADLER, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Published in 1889, The After Dinner Conversation, 11” x 16”

Lot 60

AFTER REMBRANDT, BLACK AND WHITE ETCHING, Portrait of a Lady seated, 6” x 4 ½”; and AFTER C SCHUT, PAIR OF ANTIQUE BLACK AND WHITE ENGRAVINGS, Madonna and Child, 3” x 2 ½” (3)

Lot 180

M GUPTE, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Inscribed “Toilet” (two wading birds), 5” x 8”

Lot 207

HERBERT DICKSEE, INITIALLED TO THE IMAGE, COLOURED ETCHING, Published 1899, “Anxious Hearts”, 26” x 19”

Lot 208

HEDLEY FITTON, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “Amborise”, 16” x 9”

Lot 209

ALFRED HARTLEY, SIGNED IN PENCIL TO MARGIN, SEPIA ETCHING, A lakeside promenade, 12” x 15”

Lot 224

MORTIMER MENPES RI RBA RE, SIGNED TO IMAGE, BLACK AND WHITE ETCHING, DATED 1884, Portrait of an Old Lady with Cloth Headress; and 19TH CENTURY BLACK AND WHITE ETCHING, A Brigand, 10” x 7” and 8” x 5” (2). 225. JOHN CYRIL HARRISON, SIGNED IN PENCIL TO MARGIN, A FOLDER OF LIMITED EDITION COLOURED PRINTS, (FOR THE NORFOLK NATURALISTS TRUST), Published 1981, “Brent Goose”, “Shoveler”, “Shelduck”, “Pintail”, 10” x 6” (4)

Lot 226

AFTER W JOY, BLACK AND WHITE LITHOGRAPH, “The Killarney Steamer”, 8” x 12” (A/F); and JOHN SELL COTMAN, BLACK AND WHITE ETCHING, St Benet’s Abbey, 9” x 14” (A/F) (2)

Lot 227

INDISTINCTLY SIGNED TO MARGIN, COLOURED ETCHING, “Indian Sarode”, 11” x 9”

Lot 266

AFTER J M W TURNER, ENGRAVED BY FRANK SHORT, SEPIA ETCHING, (SIGNED IN PENCIL TO MARGIN BY FRANK SHORT), ‘Sheep washing, Windsor’, 7” x 10”

Lot 271

THOMAS DANIEL, BLACK AND WHITE ETCHING, “Norwich Castle”, 13” x 19”; AFTER DAVID HODGSON, ENGRAVED BY D GAUCI, BLACK AND WHITE LITHOGRAPH, “Norwich Cathedral”; and AFTER H NINHAM, ENGRAVED BY L HAGHE, BLACK AND WHITE LITHOGRAPH, “Norwich Cathedral”, 10” x 7” (3)

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