Folio Society. The Wind in the Willows, by Kenneth Grahame, Illustrated by Charles van Sandwyk, centenary edition, 2008, original mounted copper etching, signed and numbered in pencil by the artist, 16 tipped-in colour plates, numerous black & white illustrations and decorations, top edge gilt, original vellum-backed pictorial boards gilt, corners with vellum tips, original cloth drop-back box, folio Limited edition 153/1030 total copies. (1)
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Folio Society. Travels into Several Remote Nations of the World, in Four Parts..., by Lemuel Gulliver, [by Jonathan Swift], Newly Illustrated by Peter Suart, 2011, original mounted etching, signed and numbered in pencil by the artist, 17 tipped-in colour illustrations, top edge gilt, original vellum-backed boards, vellum-tipped corners, front cover with illustration in colour and gilt, gilt-lettered spine, contained in original publisher's drop-back box, folio Limited edition, 332/1030 total copies. (1)
Folio Society. Just So Stories for Little Children, by Rudyard Kipling, Introduced by Michael Morpurgo, Illustrated by Niroot Puttapipat, 2012, original tipped-in etching, signed and numbered in pencil by the artist, 14 tipped-in colour plates, black & white illustrations, top edge gilt, original vellum-backed pictorial boards gilt, corners with vellum tips, original cloth drop-back box, folio, (limited edition 427/1030 total copies), together with Buffon (Comte de, Georges-Louis LeClerc), All the World's Birds, Buffon's Illustrated Natural History General and Particular of Birds, 1st U.S. edition, New York: Rizzoli, 2008, facsimile colour plates, original cloth, dust jacket, spine with some pale discolouration, matching slipcase, folio, plus Raemaekers (Louis), The Great War: A Neutral's Indictment, One Hundred Cartoons by Louis Raemaekers, with an Appreciation by H. Perry Robinson and Descriptive Notes by E. Garnett, 1916, signed by the artist in pencil beneath a photographic plate of himself, colour and black & white mounted plates, text leaf to plate I with some insect damage to lower margin, top edge gilt, original half cloth gilt, contained in original drop-back box, worn with some loss, large folio, (limited edition one of 1050 total copies, of which 1000 were for sale), and 28 others similar, including: The Holy Land, and Egypt and Numbia, from Drawings Made on the Spot by David Roberts R.A., 3 volumes, New York: Rizzoli, 2000; The Country Scene, in Poems by John Masefield, and Pictures by Edward Seago, 1937; Peter and Wendy, by J.M. Barrie, Illustrated by Debra McFarlane, Folio Society, 2007; The New Temple Shakespeare, with Engravings by Eric Gill, 19 volumes only (of 40), mixed editions, dust jackets, 1934-1957 (31)
Miles (Henry Downes). Pugilistica. The History of British Boxing, 3 volumes, published John Grant, Edinburgh, 1906, additional half title, numerous uncoloured plates and illustrations, later ownership stamp to front endpaper, some old adhesion scarring to front pastedowns, slight spotting to front and rear of each volume, top edge gilt, fore-edge uncut, publisher's decorative brown gilt cloth, very slight wear to extremities, 8vo, together with Henning (Fred), Fights for the Championship. The men and their times, 2 volumes, published Licensed Victuallers Gazette, circa 1900, additional half title, volume one lacking front endpaper, numerous illustrations throughout, hinges cracked, contemporary red cloth, spines faded, worn at extremities, 8vo, with other volumes similar relating to boxing and prize fighting, plus an aquatint portrait by W. M. Fellows of Thomas Cribb and an etching of two prize fighters (Gregson & Gully), both framed and glazed, with other reproduction prints of juvenile boxing, plus a set of Jane Austin novels published by the 'Folio society' (1 carton)
Mattingley (John R.). When Men Were Animals and Animals Were Men, a study of the graphic work of David Itchkawich, The Angelica Press, New York, 1976, limited edition 66/520, signed to the limitation page, monochrome etching tipped into frontispiece, signed by the artist and limited 66/100, monochrome illustrations, original faux red quarter morocco in slipcase, 4to, together with Carroll (Lewis), The Hunting of The Snark, An Agony in Eight Fits, 1876, 9 monochrome illustrations by Henry Holiday, some light spotting, original illustrated brown cloth, rear boards, marked with red ink, minor loss to head and foot of spine, 8vo, and Murakami (Haruki), Norwegian Wood, 2 volumes, Harvill Press, 2000, signed to the limitation card, original wrappers in stainless steel box, 8vo, plus other early 20th century and modern private press, illustrated and juvenile, poetry and fiction, including Damon Runyon, Eric Ambler, Roger Hargreaves, many original cloth, some in dust jackets, some paperbacks, G/VG, 8vo/4to (3 shelves + a carton)
Dugdale (William). The Antiquities of Warwickshire Illustrated.., 2 volumes, facsimile edition, Manchester, 1973, publisher's uniform original gilt decorated brown leatherette, folio, together with Bone (James), Edinburgh Revisited, 1911, monochrome etching frontispiece, plus 75 illustrations by Hanslip Fletcher, minor toning, original gilt decorated black cloth, boards and spine lightly rubbed, 4to, and Shore (W. Teignmouth), Kent, 1st edition, 1907, 73 colour illustrations, period inscription to front endpaper, some minor toning, original illustrated green cloth, spine lightly rubbed to head and foot, 4to, plus other early 20th century and modern UK topography reference, including publications by A. & C. Black, Oxford, Victorian History of the Counties of England, some leather bindings, mostly original cloth, G/VG, 8vo/folio (6 shelves)
*Barry (Claude Francis, 1883-1970). City of Carcassone-Evening Light, 1935, aquatint with etching, signed and dated lower right, plate size 44 x 50.5cm (17.25 x 20ins), framed and glazed, together with a mixed collection of engravings including Stanley Angus, Wast Water, drypoint, plus Corfe Castle, portrait on an elderly man etc (7)
*[Dodgson, Charles Lutwidge, 'Lewis Carroll']. A medley of Alice in Wonderland and Through the Looking Glass characters after John Tenniel, by Ellen Whitehead, [1886], circular etching, showing a collection of named characters, including Alice, the White Rabbit, the Cheshire Cat, the Mad Hatter, the Lobster, Tweedledum and Tweedledee, etc., toned and a few fox spots, diameter 21cm (8.25ins), mounted, framed and glazed A rare piece of Carrolliana; we know of only one other copy sold at auction (2017: Thomas Schuster Collection). The etching was used to advertise an operetta by Henry Savile Clarke, with music by Walter Slaughter, entitled 'Alice in Wonderland: A Musical Dream Play', which was performed at the Prince of Wales's Theatre in 1886: 'Shortly before the production of the play, a Miss Whitehead had drawn a very clever medley-picture, in which nearly all Tenniel's wonderful creations - the Dormouse, the White Knight, the Mad Hatter, &c. - appeared. This design was most useful as a "poster" to advertise the play.' The production was both a critical and financial success, and went on to tour the provinces. (Stuart Dodgson Collingwood, The Life and Letters of Lewis Carroll, T. Fisher Unwin, [1898], p.254) (1)
A Cutler, a pair of oils depicting old gentlemen with musical instruments, each signed and dated 1922 lower left, oil on canvas, 46 x 20cm, together with an etching of pointers on the hill signed Binks, a landscape oil, a mezzotint of a young lady and two further prints, all by different hands.
M. Shields : Sea Song, lithograph in colours, numbered 5/30, signed in pencil, 32 cm x 44 cm, together with a multiple of the same print and numbered 10/30, two signed screenprints by Marie Wright, two signed screenprints by Mark Wilson, two signed etchings by Paul Rogers, an indistinctly signed etching and aquatint titled "The Pianomovers thank The Angel", a signed lithograph by Alan Stones and an unsigned screenprint by Shirley Neil, all parts unframed. (11)
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71174 item(s)/page