We found 71174 price guide item(s) matching your search
There are 71174 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
71174 item(s)/page
Lot 179
SIR FRANK BRANGWYN (BRITISH 1867-1956), 'THE APSE OF ST. WALBURGH, FURNES' uncoloured etching, signed in pencil by the artist and with Fine Art Society Ltd label verso dated 1926. The plate 37.5 x 43cm. CONDITION REPORT: No obvious damage or losses. Recent mount but appearing original frame, backboard and label.
Lot 484
Lord Nelson. 'Plan of the Platform and Disposition of the Bannerolls, Trophies, etc. around the Coffin at the Funeral of the Much Lamented Lord Nelson, under the Dome at St Paul's Cathedral, on the 9th of January 1806', hand coloured etching with aquatint with key under, published Jan 13th 1806, 43 cm x 26 cm, together with two other engravings relating to Nelson of similar date, all unframed (3)
Lot 528
Rembrandt Harmenszoon van Rijn (1606-1669). Rabbi Samuel Manasseh ben Israel portrait (Bartsch 269). Etching on laid paper, with narrow margins. Signed and dated 1636 in the print. Impression with the accidental marks that appear in this state at the bottom of the plate. The sheet approx. 11,1 cm X 14,3 cm.
Lot 151
An early 19th century officer’s sword of The 52nd (Oxfordshire Light Infantry) Regiment, curved flat blade 31½”, etched in plain panels on one side with crowned Royal Arms, supporters and motto, and on the other side with crown, strung bugle, “LII” and wreath (etching faint), gilt stirrup hilt with ornamental langets bearing strung bugle, crossguard, facetted knucklebow, flattened lion’s head pommel into backstrap facetted at the lower end, wirebound fishskin grip, in its steel flattened diamond section scabbard (minor dents) with 2 rings on crosslet mounts. Good Condition, the hilt retaining approximately 50% original gilt. Plate 43
Lot 140
A 1796 pattern heavy cavalry officer’s undress sword with special pattern hilt, broad straight shallow fullered blade 35”, with hatchet point, marked J.J. Runkel, Sohlingen on backstrap, and etched on both sides with crowned GR cypher and trophies of instruments and weapons, steel semi basket ladder pattern guard, heavy facetted pommel and backstrap, 2” deep shaped wirebound fishskin grip, in its steel scabbard (3 dents) with 2 rings. Good Condition, with a little gilt to etching. Plate 42 £400-600
Lot 166
An early 17th century gorget, probably German, shield shaped with roped edges and similar borders decorated with staggered rows of domed brass rivets, the neck with single row of larger rivets, etched overall with heraldic shield surmounted by a crest in the form of a barred helmet, and with two storks for supporters, the whole surrounded by scrolled foliage on a beaded background. Good Condition (the etching slightly worn commensurate with age). Plate 47
Lot 117
Karen Gregory (20th century): 'The Miners' Strike '84', etching, hand signed, titled & numbered 1/3 in pencil, H 23 x W 19.5 cm; together with Gustavo Monroy (Mexican, born 1959): Untitled etching, hand signed in pencil & dated '92, H 11.5 x W 17 cm. Provenance: The collection of Ellie Sice, formerly the manager of 'Safe Studios' artists workshop, part of the Whitechapel gallery, from 2003-2011. During this period she met many known & up and coming artists who presented her with their works as tokens of appreciation
Lot 10
1835 Etching of Field Marshall Sir John Fox Burgoyne, Military Engineer Field Marshal Sir John Fox Burgoyne, 1st Baronet GCB (24 July 1782 – 7 October 1871) was a British Army officer. After taking part in the Siege of Malta during the French Revolutionary Wars, he saw action under Sir John Moore and then under the Duke of Wellington in numerous battles of the Peninsular War. He served under Sir Edward Pakenham as chief engineer during the War of 1812. He went on to act as official advisor to Lord Raglan during the Crimean War. His son, Hugh Burgoyne, born in Dublin was a Victoria Cross recipient. 14 x 11in. (35.56 x 27.94cm) P
Lot 443
JAMES GILLRAY (1756 - 1815) Framed, hand coloured etching on paper, 'The Loss of the Faro Bank', published by H. Humphries, New Bond Street, Feb. 2nd, 1797, together with after JAMES GILLRAY (1756 - 1815) Framed, hand coloured etching on paper, 'Pacific Overtures', published by John Miller, Bridge Street and W. Blackwood, Edinburgh, 26.5cm x 36.6cm and 32cm x 40cm, (2).
Lot 505
K. P. JOHNSON. Framed, signed, oil on canvas, 'Ellerbeck', together with a framed, indistinctly signed, oil on canvas, showing Highland cattle, a framed, indistinctly signed, oil on canvas, showing ducks in flight over lake at dusk and JAMES PRIDDEY R.B.S.A., F.R.S.A. (1916 - 1980) Framed, signed and titled 'King Edwards School, Fiveways, Birmingham' in pencil, etching on paper, (4).
Lot 83
A quantity of etchings and prints showing political caricatures to include, JOHN KEYSE SHERWIN, after WILLIAM HOGARTH , 'The Politician', 1775, THOMAS ROWLANDSON, 'Recovery of a dormant title, or A breeches maker become a lord', and 'Connoisseurs', After JAMES GILLRAY 'Making Decent,- ie- Broad-bottomites getting into the Grand Costume', hand coloured etching, WILLIAM HEATH, 'Lork what a long tail our cat has got', and two Cruikshank prints, (7).
Loading...-
71174 item(s)/page