Willi Kissmer (1951 in Duisburg - 2018 ebda)Frau im Seidenkleid, Mezzotintoradierung, u.r. unl. bleistiftsign., Ex. 323/999, ca. 42,5x30,56cm, gerahmt (ca. 50x37,5cm) Woman in silk dressUnkown artist, Mezzotinto etching, signed in pencil bottom right, Ex. 323/999, ca. 42,5x30,56cm, framed (ca. 50x37,5cm)
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Die Kunst der GraphikSammelmappe der Edition Volker Huber/Offenbach am Main, mit 6 von 7 Graphiken: Esteban Fekete, "La Poule", Farbholzschnitt, Ernst Fuchs, "Flora Okuli", Aquatintaradierung, Rudolf Hausner, "Adams Lebensbaum", Farb-Serigraphie, Horst Janssen, "Selbstporträt", Kaltnadelradierung, Karl Rössing, "Toskanische Landschaft", Farb-Linolschnitt u. Paul Wunderlich, "Kleiner Steindruck", Farblithographie, alle Graphiken von 1975 u. Ex 8417/10000 sowie handsign., Blattgröße ca. 41,5x30cm, min. Gebrauchsspuren Die Kunst der Graphikfolio edition Volker Huber/Offenbach am Main, containind 6 of 7 prints: Esteban Fekete, "La Poule", woodcut in colours, Ernst Fuchs, "Flora Okuli", aquatinta, Rudolf Hausner, "Adams Lebensbaum", colour-serigraph, Horst Janssen, "Selbstporträt", drypoint etching, Karl Rössing, "Toskanische Landschaft", colour linolcut a. Paul Wunderlich, "Kleiner Steindruck", colour-lithograph, each 1975 a. Ex 8417/10000, each signed, sheet ca. 41,5x30cm, min. signs of age
Salvador Dali (1904 in Figueres - 1989 ebenda)3 Radierungen aus der Serie "Cantique des Cantiques - Das Hohelied Salomons""Pferd mit Reiterin", "Schafherde" und "Kehr zurück, Sulamit", Kaltnadelradierung mit Pochoir u. Goldhöhung, u.r. bleistiftsign. "Dali", Ex. 236/250, je ca. 41,5x25,5cm, gerahmt (ca. 61x46cm), letzteres part. fleckigSalvador Dali (1904, Figueres - 1989 ibid)horse and rider, from the series "Cantique des Cantiques", drypoint etching with pochoir and heightened in gold, signed in pencil "Dali"bottom right, Ex. 236/250, approx. 41.5x25.5cm, framed (approx. 61x46cm)
KLINGER, MAX (1857-1920), "Die Toteninsel" nach Arnold Böcklin, Aquatintaradierung/Papier, in der Platte u.li bezeichnet 'Arnold Böcklin pinx' und u.re. 'Max Klinger sculp.', in der Platte Fußtitel und Verlagsangabe: Fritz Gurlitt in Berlin, HxB: Platte ca. 60,5x77,5 cm, Blatt ca. 68x89 cm, Außenmaße Rahmen ca. 84x106 cm. Gewellt, gebräunt, fleckig. Mit verglastem Jugendstilrahmen (beschädigt und restaurierungsbedürftig). LITERATUR: WVZ Singer, Nr. 327 IX. | KLINGER, MAX (1857-1920), "Die Toteninsel" after Arnold Böcklin, aquatint etching / paper, inscribed 'Arnold Böcklin pinx' on the plate below and below right. 'Max Klinger sculp.', In the plate footer title and publisher's information: Fritz Gurlitt in Berlin, HxW: plate approx. 60.5x77.5 cm, sheet approx. 68x89 cm, external dimensions frame approx. 84x106 cm. Wavy, browned, stained. With glazed Art Nouveau frame (damaged and in need of restoration).
The Hospital Room was Choked With Flowers, Everybody Likes Flowers, Surplus Flowers, the Room was Filling up with Flowers from The Way We Live Now accompanied by a certificate signed by the artist and Susan Sontag; numbered 155/200 lift-ground etching 28 x 62.5cmFootnote: Published in 1990, the present lots are two of several lift-ground etchings created by Hodgkin to accompany Susan Sontag’s short story The Way We Live Now. Originally serialised in the New Yorker in 1986, The Way We Live Now, titled after Antony Trollope’s 1875 satirical novel of the same name, chronicles the lives of a group of New Yorkers during the beginning of the AIDS crisis and is narrated through a series of fragments and whispered conversations. Other titles created by Hodgkin as accompaniment to the novel include Fear Gives Everything Its Hue, its High, But He Did Stop Smoking, He Didn’t Miss Cigarettes at All, and As You’d Been Wont-Wantonly, Wantonly, Eros Past.
Composition, 1970 signed in pencil 'Sonia Delaunay' (lower right); numbered 54/75 (lower left) aquatint and etching 53.5 x 44cmFootnote: Provenance: With The Redfern Gallery, London Collection of Alan Reynolds (1926-2014) The present lot will be sold for the benefit of Kettle's Yard, University of Cambridge
Landscape Sketchings signed and dated 'Music 68' (lower right); numbered 6/150 lithograph printed in colours 52 x 65cm, unframed; Paysage Siennois signed in pencil 'Music' (lower right); numbered 64/100 etching printed in colours, 1953 50 x 66cm, unframed (2)Condition report: 6/150 good condition, possibly slightest of discolouration Other one a little bit of discolouration, thumb print to right hand side, crayon mark to left hand side plate margin
Untitled etching signed 'Fiorini' (lower right); numbered 22/55 55 x 38cm, unframed; Lourdes Castro (Portuguese 1930-) female figure lithograph 20.5 x 15cm, unframed; Lucio Del Pezzo (Italian 1933-) untitled lithograph signed and dated 'Del Pezzo 60' (lower right); numbered 4/300 23.5 x 25.5cm, unframed; Carl Laszlo (Hungarian 1923-2013) lithograph from La Lune en Rodage, Volume 2, 1965 signed 'Carl Laszlo' (centre right) 32.5 x 31cm, unframed together with two other unframed lithographs from the series (6)
Antony Gormley R.A. (British, born 1950)Another Place, 2013 Etching, on BFK Rives, signed and numbered '21/100' in pencil verso, published on the occasion of the 2013 Liverpool Biennial as part of the 'Archive Editions' series, with full margins, unframed179 x 249mm (7 x 9 3/4in)(PL)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
David Hockney R.A. (British, born 1937)Vertical Dogs, 1995 (MCA Tokyo 345) Etching and aquatint printed in colours, on Arches, signed, dated and numbered 'AP. IX/XV' in pencil, an artist's proof aside from the numbered edition of 80, printed by Maurice Payne, Los Angeles, co-published by Lococo Mulder Inc., St. Louis and the artist, with his blindstamp, with full margins385 x 465mm (15 1/8 x 18 1/4in)(PL)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Damien Hirst (British, born 1965)One plate, from 'Butterfly Etchings', 2009 Etching and aquatint printed in colours, on wove, signed and inscribed 'PP 1/2' in pencil, one of two printer's proofs aside from the numbered edition of 45, published by Other Criteria, London, with full margins, unframed298 x 248mm (11 3/4 x 9 3/4in)(I)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
§ Bob Dylan (American, b. 1941) - 'Endless Highway', limited edition 2016 giclée print on Hahnemuhle 350gsm Museum Etching paper, signed by Dylan in bottom right corner in pencil, numbered 149/295, published by Washington Green Fine Art and printed by GTZ Fine Art Editions New York, publishing label and Certificate of Authenticity to verso, in mount and framed, the print 45 1/2 x 29 inches, 56 x 42 inches in frame.Please note Artist's Resale Right may be additionally payable on this lot on top of the hammer price up to a maximum of 4%, where above threshold, for more information please visit www.dacs.org.ukProvenance: from a private collector.

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78388 item(s)/page