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JOAN MIRÓ (1893-1983)UNTITLED1976, from Le Marteau san Maitre, etching with aquatint, 28 x 22.5cm++Some slight natural browning and the odd small spots of foxing but not faded and in very good condition, not examined out of the frame. Bought by the present vendor from Goldmark Gallery Rutland for apparently £750.
ANDREW F AFFLECK (FL.1904-1929), Amiens Cathedral, signed etching, 64cm x 41cm, another by the same hand, Chartres Cathedral Interior, signed 64cm x 43cm, another after J. Alphege Brewer, Aix La Chappelle, 55cm x 36cm, and three further etchings of Amiens, Chartres and the Altar Screen, Toledo (6)
THOMAS ROWLANDSON (1757 - 1827) - Rowlandson's Caricature Magazine, vol. 3, title page, hand col. etching, 40cm x 25cm pub. Thomas Tegg; The Genius of Caricature with his Friends..., hand col. etching 25cm x 40cm; Henry Heath (act. 1824-1840) Omnium-Gatherum Second Series no 1 & 3, col etchings, vignettes of caricatures 24cm x 30.5cm; Tregear (pub) Election Hints Plates 1 & 2, col etchings, vignettes of caricatures, 26cm x 34cm; John Betts (pub) The Juvenile Scrap Sheet no 2 & 5, each with six or more col vignettes of rural and urban life, 23cm x 38cm; Thos McLean (pub) Illustrations of Heraldry, picture sheets (4), each with six or more col. vignettes of caricatures, 26cm x 37cm
JOHN DOYLE (HB) (1797 - 1868) - War!!! Commencement of Hostilities - Combined Movement of the Allied Powers, pub. McLean col. lithograph, 28cm x 40cm; another W.A.R. A Masque, 26cm x 39cm; and A Rheumatic Joint in The Tail, hand col. satirical litho. 25cm x 35cm; Tregear (pub) Tories - Whigs, caricature, litho, 27cm x 38cm; S W Fores (pub) Needs Must When Well - Drives, hand col. satirical etching, 28cm x 39cm; another The New Protestant Sovereign Safety Coach..., 24cm x 37cm Fairburn (pub) Letting Go The Anchor... hand coloured satirical etching 24cm x 35cm; Fores (pub) A Pig in a Poke, col. satirical etching, 26cm x 34cm and several other examples
HARRY SMITH FAIRHURST. Street Scene, probably Manchester signed and dated 1921, pencil and grey wash, unframed, 9 1/2 x 16 in; an unframed etching by Ernest D. Adams depicting The Rylands Building, Manchester; and a collection of miscellaneous unframed prints, some of topographical interest (qty)
After Richard Westall by Dutterreau & Jose - Study of a young shepherd and sheep in a landscape and a companion work of a young gypsy, soft ground etching with aquatint, 25 cm x 19 cm, in rosewood frames with gilt slip, together with a 19th century sepia wash sketch of figures around a lake, 13 cm x 21.5 cm (3)
Enkhuizen, Netherlands (Die Stadt Enchuysen), Braun & Hogenberg, Civitates Orbis Terrarum, Florence, ca. 1581. 17 x 13.5”. (BW) A lovely bird`s eye plan of the city of Enkhuizen, Netherlands. Enkhuizen was at the peak of its power in the mid-17th century. It was one of the most important harbor cities in the Netherlands until it lost its position to Amsterdam, in part due to the silting up of the harbors. A mermaid holds up a numbered key at right, which lists numerous important buildings and locations on the map and features the coat of arms of the city. Two 15th century churches tower over the city: the Zuiderkerk or Sint-Pancraskerk (33), and the Westerkerk or Sint-Gommaruskerk (2). The map is adorned with numerous ships sailing the Ijsselmeer, cannons along the city`s fortifications, and windmills. This plan was based off an etching by Lucas Jansz Waghenaer, a cartographer from Enkhuizen. Latin text on verso. Ref: Fussel, p. 230-31. There are a few tiny abrasions along centerfold and some unobtrusive spots. There is light toning in blank margins and a short tear adjacent to centerfold in bottom blank margin. (+B)
Paris, France ([Notre Dame de Paris in Snow]), [1908]. 12.3 x 12”. (PC) Tavik Frantisek Simon (1877-1942) was a Czech painter, etcher, and woodcut artist. He traveled extensively, painting images of his travels, most notably of Prague, New York, and Paris. Simon`s style was strongly influenced by the French Impressionists and Japanese printmaking techniques. This colored etching depicts Notre Dame overlooking the Seine River in winter, with the city of Paris covered in a blanket of snow. Signed in pencil by the artist at lower right. His unique monogram (initials TFS in the form of a Japanese character) is both in the etching and in the margin at lower left. According to the Catalogue Raisonné of the Graphic Art - T.F. Simon compiled by Arthur Novak in 1937, Simon printed only 200 of these etchings Faint toning in blank margins. (A)
Various silver items, comprising pair of earrings set with paua shell, clip-on fittings, pair of elongated hoop earrings, bar & clip fittings, shield shaped brooch with etching of a flower to centre, various pendants & chains (5), necklet (1), bracelets (4), stamped, tested or h/m & a base metal, marcasite & pearl set pendant (gross 2.20oz) (13)
Alice Maher ARHA (b.1956) COMA BERENICES, 1999 etching and aquatint (no. 14 from an edition of 30) signed in the margin lower right, titled centre and numbered lower left 19 by 16.50in. (48.26 by 41.91cm) Provenance: Acquired directly from the artist by the present owner Sheet size: 29 by 25ins. Coma Berenices was the theme of the artist`s solo show entitled, `Knot: Alice Maher Draws from the Collection` at the Hugh Lane Municipal Gallery of Modern Art, Dublin, 21 April to 10 June 1999. The image was later illustrated on the cover of Paul Durcan’s celebrated work, Greetings to Our Friends from Brazil: One Hundred Poems, published the same year. (£320-£410 approx)
Alice Maher ARHA (b.1956) COMA BERENICES II, 1999 etching and aquatint (no. 13 from an edition of 30) signed in the margin lower right, titled centre and numbered lower left 19 by 16.50in. (48.26 by 41.91cm) Provenance: Acquired directly from the artist by the present owner Sheet size: 29 by 25ins. Coma Berenices was the theme of the artist`s solo show entitled, `Knot: Alice Maher Draws from the Collection` at the Hugh Lane Municipal Gallery of Modern Art, Dublin, 21 April to 10 June 1999. The image was later illustrated on the cover of Paul Durcan’s celebrated work, Greetings to Our Friends from Brazil: One Hundred Poems, published the same year. (£320-£410 approx)
JOAN MIRO BARCELONA SIGNED AQUATINT & ETCHINGJoan Miró (SPANISH, 1893-1983) original hand signed aquatint and carborundum etching Sala Gaspar Barcelona. Hand signed lower right. Measures 41" height x 26" width + 8 1/2" mat & frame (104cm x 66cm + 21.6cm). Reference: Etching Book 2. Mourlot number 600. Includes certificate of authenticity and appraisal.
PABLO PICASSO ETCHING TITLED "BLOCH #1489" 1968Pablo Picasso (SPANISH, 1881-1973) etching titled "Bloch #1489" and dated 26-3-68. Pencil signed lower right and numbered 35/50 lower left. Measures 24" height x 19" width + 8 1/2" mat & frame (60.9cm x 48.2cm + 21.6cm). Includes certificate of authenticity and appraisal documentation. Reference: Picasso Volume II Catalogue of the Printed Graphic Work 1966 - 1969 by Georges Bloch.
PABLO PICASSO ETCHING TITLED "BLOCH #1911" 1970Pablo Picasso (SPANISH, 1881-1973) etching titled "Bloch #1911" and dated 23-5-70. Pencil signed lower right and numbered 11/50 lower left. Measures 15" height x 18" width + 9 1/2" mat & frame (38.1cm x 45.7cm + 24.1cm). Includes Certificate of Authenticity and Appraisal documents. Reference: Volume IV Catalogue of the Printed Graphic Works 1970 - 1972 page 88.
GEORGES ROUAULT 3pc SUITE 2 ETCHINGS & ENGRAVINGGeorges Rouault (FRENCH, 1871-1958) 3 piece suite containing two etchings and an engraving. The engraving depicting the profile of a woman. One etching depicts a landscape scene with a mother and child traversing a road. The next etching depicts two women. Each etching is marker signed lower right. Each image measures approx. 11 3/4" height x 7 1/2" width + 5" mat & frame (29.8cm x 19cm + 12.7cm).
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71174 item(s)/page