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λ JOHN DOYLE (BRITISH B. 1928) THE BURNING BUSH IN SPRING, ETON Watercolour and bodycolour, heightened with white Signed (lower right) 39 x 60cm (15¼ x 23½ in.)Painted in 1986. Together with etching by John Doyle, Eton from the Master's Boathouse, signed in pencil, Cottagers & The Happy Cottagers, prints after George Morland, two further prints of Eton College each signed in pencil, Various sizes (6)
ART/GLASGOW/THEOLOGY Pilkington, the Rev. M. A Dictionary of Painters From the Revival of the Art to the Present Period New Edition, London, diced calf binding Lalanne, Maxine A Treatise on Etching Translated from the French by S.R. Koehler Sampson, Low, Marston, Searle & Rivington, London, 1880 Gilchrist, Alfred I Belong to Glasgow Robert Gibson & Sons, Glasgow, signed with the author's compliments, Dec. 1941 Together with various volumes of Transactions of the Old Glasgow Club, leatherbound Victorian Bible, two leatherbound volumes of Good Words, a plastic chess set, dominoes etc. Condition Report:Available upon request
Splendid Neo-Expressionist style etching on paper entitled Once Upon a Midnight after Allan Edgar Poe's poem A Raven. It represents two female nudes wearing black gloves with a male nude standing next to a violon. The sensual figures are drawn in a gestural technique with black lines set on a background of brown washes that evolve into brick reds to end in a light blue-grey sky from where an Italian duomo emerges. Signature in pencil on lower right: Illegible. Title in lower center: Once upon a midnight. Number on lower left: A.P. 4/15. Housed in a marbleized gild frame with a white mat. Frame size: 31"L x 31"H x 1.25"W. Sight size: 20"L x 20"H. Issued: 2003Edition Number: Artist Proof 4 of 15 Condition: Age related wear.
William Daniell (British 1769-1837), Dowlutabad the ancient Deo Gurh, hand-coloured aquatint, circa 1826, from Scenery, Costumes, and Architecture, chiefly on the Western side of India, by Captain Robert Grindlay, after Richard Gilson Reeve (British, 1803 - 1889), mounted, glazed and framed, 22.9 cm. high x 27.9 cm. Grindlay (1786-1877) served in the Bombay Native Infantry from 1804-20, rising to Captain. Captain Robert Grindlay's "Scenery, Costumes and Architecture, chiefly on the Western Side of India", issued from 1826 to 1830 was a result of his interest in architecture especially the connection between Egyptian and Hindu architecture. A number of original sketches in the book are his own. He was given views of other subjects by Captain Charles Auber, Lieutenant-Colonel John Johnson and William Westall. Several sketches in the book were handed over to professional artists to be worked up into finished compositions: William Westall, William Daniell, David Roberts, Clarkson Stanfield, Copley Fielding and George Cruikshank. The plates were engraved and coloured with unusual care: with etching by one hand supplemented by engraving by another. Even the name of the colorist, J.B. Hogarth, is given. The colouring is elaborate with shadows heightened with varnish to deepen the contrasts.
To Be Sold With No ReserveA group of four framed etchings by Mortimer Menpes (1855-1938),Srinagar River; Tailor of Amristar ; Srinagar River Scene; Palace at Ajmer, etching in dry point, signed in pencil and inscribed "imp", framed and glazed,13 x 15cm.; 30 x 22.5cm. 14 x 16.5; 22.5 x 27cm (4)
JOHANNES KIP (1652/3-1722). “The Abbey in Cirencester, The Sent of Thomas Master Esq.” black & white etching, 37cm x 39cm (framed & glazed, 58cm x 59.5cm); another coloured etching “Knole The Seat of Tho. Chester Esq.”, 32cm x 43cm (mounted, unframed). & JOHN SELL COTMAN (1782-1842) “The West front of Castle Acre Priory, black & white etching, publ. 1813 with dedication lower margin, 30cm x 43cm, framed & glazed (47.5cm x 60cm overall).
Seven 19th-20th century paintings and prints, to include: Peter Coate - Farm buildings near Wellow, watercolour on paper, signed below, 24 x 33 cm; Alfred-Louis Brunet-Debaines - Etching of Trafalgar Square, signed in print and pencil below, 17 x 25.5 cm; Lithographic print of view of Stroud, inscribed and dated 'Stroud, Gloucestershire, 1848' to margin; Denis Warren - 'Oria' (Lake Lugano), signed with title inscribed to margin; together with Village scene with iron pump, watercolour signed indistinctly and dated 1941 verso; together with two Victorian portrait photographs with gilt slips, all framed and glazed (7)
Six framed paintings and prints to include: two watercolours by F. Wirgman - 'The Old Mill Lemington Spa' (1933) and Warwickshire' (1947), both signed and dated, both framed, each frame approx. 43 x 53 cm; Watercolour study of Dartmoor, initialled and dated 1907; J.C. Stadler after A. Pugin - Chapel of Christ College, aquatint in colours; Tom Waghorn - 'Boston Stump' signed etching; together with a print titled 'Sunset on the Maas' to margin, all framed (6)
Five framed drawings, etchings and prints, to include: Ian Cruikshank - pencil study of figures on a walk, signed; 'The Ring' drypoint etching titled and indistinctly signed 'Leonard...' below; Jane Lampard - 'Winter Morning, Goldwick Farm', signed print; Japanese illustration of a procession over a bridge, pen on paper, inscribed above; together with one other reproduction print of an etching, largest frame: 33 x 35 cm (5)
Four framed artworks by different artists to include: Marie Lawrencin - Girl with ukulele, coloured etching, signed; A.H. Randell - Two figures frolicking, pen on paper, signed below; L. Haase - girl in jester outfit, watercolour, signed and dated '1933' below; together with an ink on silk painting of a French huntsman with horn and hound, unsigned, largest frame: 36 x 50 cm (4)
Eighteen 19th-20th century framed prints and paintings to include: Elizabeth Barnes - limited edition etching of a branch of flowers, 3/96; After G. Darmour - 'Punch, or the London Charivari' hand coloured; After Snaffles - 'The Finest View in Europe; Four fantasy themed gouache paintings of nature and mermaids, and others, largest frame: approx. 32 x 38 cm (18)
To include a follower of George Baxter, a portrait of a beauty, watercolour on paper, 13cm x 8cm; in the manner of George Cruickshank, 'Dutch Courage', pencil on paper, 20cm x 32cm; after J M W Turner RA, engraved by W Say 'Marine Dabblers', etching on paper, 22cm x 30.5cm; early 19th century English School, sleeping lady, watercolour on paper, 25cm x 23cm; 18th-century British school, 'The Horse and Carriage', pencil on paper, initialled lower right 'G.E.C.', 17cm x 25.5cmQty: 5Light toning and foxing to the paper throughout. Some dents, nicks and scratches out of the frames. The after Turner is unframed.
To include 'Whatever Flames Upon the Night' (inspired by the W B Yates poem 'The Tower'), etching, numbered, titled and signed below the plate mark '5-50 Whatever Flames Upon the night, Fanchon Fröhlich', 44cm x 28cm and 'Ambiguity Hubris D'artiste', etching, titled and signed below the plate mark 'Ambiguity Hubris D'artiste, Fanchon Fröhlich', 22cm x 16cm.Qty: 2'Whatever Flames Upon the Night' with some surface dirt, dirt below the mount and light mount burn.'Ambiguity Hubris D'artiste' with mount burn and slight warping.
'Misty Arundel', screen print on paper, signed, dated and numbered to the mount 'Derek Jones 1985' with artists label to the back. 30cm x 20cm.'Ninewar', etching, signed, titled and dated 'D Jones '81' outside of the plate mark. 10cm x 8cm.'Winter Trees', lithograph, signed outside of the plate mark 'D Jones'. 30cm x 19cm.'Tiger', coloured lithograph on paper, signed within the print 'David Kosta'. 54cm x 79cm. In generally good condition. Some fading to the David Kosta. Some surface dirt.
The lot comprising of etchings of various country houses: Shipton Court; Burford Priory; Chastleton; Broughton Castle; and Minster Lovell Priory. Together with two small hand-coloured etchings of children at play; a watercolour of fishermen by a mill; a hand-coloured etching of Mahon Harbour; and a hand-coloured engraved map of Menorca.In various conditions. The frame of Shipton Court is cracked.

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