We found 78411 price guide item(s) matching your search

Refine your search

Year

Filter by Price Range
  • List
  • Grid
  • 78411 item(s)
    /page

Lot 6578

Frederick George Austin (British 1902-1990): Figures Dining, drypoint etching signed and dated 1926 in pencil 18cm x 17cm (unframed)Provenance: direct from the granddaughter of the artist

Lot 6579

Frederick George Austin (British 1902-1990): 'Haystacks - Roman Campagna', drypoint etching signed titled dated 1927 and numbered 5/50 in pencil 11cm x 14cm (unframed)Provenance: direct from the granddaughter of the artist

Lot 6580

Frederick George Austin (British 1902-1990): Nuns and Gentlemen in Prayer at Doorway, drypoint etching signed and dated '29 in the plate, inscribed '2nd state' in pencil 16cm x 12cm (unframed)Provenance: direct from the granddaughter of the artist

Lot 6581

Frederick George Austin (British 1902-1990): Fishing from the Bridge, drypoint etching signed dated 1926 and inscribed '2nd state' in pencil 16cm x 15cm (unframed)Provenance: direct from the granddaughter of the artist

Lot 6582

Frederick George Austin (British 1902-1990): Figures and Donkeys in a Continental Town, drypoint etching signed dated 1928 and inscribed '1st state' in pencil 16cm x 12cm (unframed)Provenance: direct from the granddaughter of the artist

Lot 6583

Frederick George Austin (British 1902-1990): The Stone Bridge, drypoint etching inscribed 'int. trial state' in pencil 13cm x 10cm (unframed)Provenance: direct from the granddaughter of the artist

Lot 6666

Jenny Devereux (British 1945-): 'Peony', hand-coloured etching on Japanese paper signed titled and numbered 95/250 in pencil 38cm x 26cm

Lot 875

John Brunsdon (1933-2014), 'Virginianum', etching, 'signed titled and numbered 19/100, the plate 30x22cm

Lot 1040

Edward Twohig (b.1969), dry point etching, man beside pond. Signed in pencil. 22x16cm.

Lot 1043

20th century coloured etching, 'Wicklow Evening Light', signed and numbered 15/25, signed V M Hannan(?), 14x20cm

Lot 1074

Stoimen Stoilov, 'Cosmogony', triptych etching, signed and titled, overall 34x52cm (frame af)

Lot 876

John Brunsdon (1933-2014), etching on paper, 'Rose', 'signed titled and numbered 42/75, the plate 30x22cm

Lot 873

Lucy Dawson (1870-1954), drypoint etching of terriers, 18x23cm; together with a further engraving of a wire haired terrier, 24.5x20cm

Lot 182

A cast metal winged 'Morgan' sign. Width 72cm together with two enamel car badges, a Morgan Aeromax 76/100 brochure, a Morgan Hubolt Watch Brochure and a limited edition 44/75 Man and Morgan coloured etching by Richard Wade. (6)

Lot 236

A Malachite small rectangular trinket box. Width 6.1cm, together with other items, including a turquoise glass small double inkwell, a small etching, a quartz sample, etc (box).

Lot 125

A black and white etching of shipping on the Thames, signed in pencil W. L. Wyllie No. 28/150, framed and glazed

Lot 175

A coloured limited-edition etching of Whitstable Harbour, signed in pencil D. Bunt, framed and glazed

Lot 180

A black and white etching depicting British warships, motor-boat and an airship, signed in pencil W. L. Wyllie No. 8/150, framed and glazed

Lot 51

A coloured limited edition etching "Bon Chance - The Shores of Albion Recede", signed in pencil Graham Clarke, No. 146/400

Lot 4116

Bele Bachem (1916 Düsseldorf - 1996 Feldafing)Drei GrazienRadierung/Papier. Sign. u. nummeriert 28/60. Darstellung 29 cm x 19,5 cm. Rahmen.Etching on paper. Signed and numbered 28/60.

Lot 4118

Ernst Fuchs (1930 Wien - 2015 ebenda)Venus und AdlerRadierung mit Handkolorierung/Papier. Sign. u. nummeriert 27/30. Plattenmaß 19 cm x 16,7 cm. Rahmen. Hand-coloured etching on paper, 1977. Hand-signed and numbered.

Lot 160

λ&nbspJOHN DOYLE (BRITISH B. 1928) THE BURNING BUSH IN SPRING, ETON Watercolour and bodycolour, heightened with white Signed (lower right) 39 x 60cm (15¼ x 23½ in.)Painted in 1986. Together with etching by John Doyle, Eton from the Master's Boathouse, signed in pencil, Cottagers & The Happy Cottagers, prints after George Morland, two further prints of Eton College each signed in pencil, Various sizes (6)

Lot 877

JAMES MACINTYRE Entrance to Queens Dock, Glasgow, signed, etching, 22 x 31cm and three other etchings (4) Condition Report:Available upon request

Lot 913

ERNEST BURNET HOOD (SCOTTISH 1932-1988)  BOWLING HARBOUR  Etching, signed lower right, numbered 2/12, 12.5 x 17.5cm  Title inscribed to label verso  Together with 2 etchings by John Fullwood and another by K. Belmens (4) Condition Report:Available upon request

Lot 858

SIR DAVID YOUNG CAMERON Castle Urquhart, signed, etching, 24 x 43cm Condition Report:Available upon request

Lot 957

A VARIOUS LOT  Comprising Oils by Anne Mendelow and McInness, an ink by Cherubini, a watercolour, and etching by Reith and a mixed media by June McArthur (6) Condition Report:Available upon request

Lot 951

FIONA WATSON (CANADIAN b.1952) ANGEL Etching, signed lower right, AP inscribed lower left, 16 x 21cmCondition Report:Available upon request

Lot 500

ART/GLASGOW/THEOLOGY Pilkington, the Rev. M. A Dictionary of Painters From the Revival of the Art to the Present Period New Edition, London, diced calf binding Lalanne, Maxine A Treatise on Etching Translated from the French by S.R. Koehler Sampson, Low, Marston, Searle & Rivington, London, 1880 Gilchrist, Alfred I Belong to Glasgow Robert Gibson & Sons, Glasgow, signed with the author's compliments, Dec. 1941 Together with various volumes of Transactions of the Old Glasgow Club, leatherbound Victorian Bible, two leatherbound volumes of Good Words, a plastic chess set, dominoes etc. Condition Report:Available upon request

Lot 564

Hermann Bauch (1929 - 2006) Framed pencil signed limited edition 21/99 etching. Discolouration appears to be on back of the glass, not on the paper.

Lot 300

AN ORIGINAL ETCHING OF THE ENTRANCE GATEWAY TO DUNSTER CASTLE, BY C. DICKENS, SIGNED

Lot 91

Etching titled Sulphur Breasted Toucan. Signed bottom right numbered 54/200. Sight size 23" x 31"

Lot 90

Etching titled Vanity. Signed bottom right numbered 198/300. Sight size 13" x 10"

Lot 98

Splendid Neo-Expressionist style etching on paper entitled Once Upon a Midnight after Allan Edgar Poe's poem A Raven. It represents two female nudes wearing black gloves with a male nude standing next to a violon. The sensual figures are drawn in a gestural technique with black lines set on a background of brown washes that evolve into brick reds to end in a light blue-grey sky from where an Italian duomo emerges. Signature in pencil on lower right: Illegible. Title in lower center: Once upon a midnight. Number on lower left: A.P. 4/15. Housed in a marbleized gild frame with a white mat. Frame size: 31"L x 31"H x 1.25"W. Sight size: 20"L x 20"H. Issued: 2003Edition Number: Artist Proof 4 of 15 Condition: Age related wear.

Lot 455

Alfred KLINKAN (1950-1994) 'Untitled' an etching. 1/15. 1984. Dimensions: (W:15 x H:9,9 cm)

Lot 457

Fred BERVOETS (1942) 'Green Snakes' an etching, Epreuve D'Artiste.Dimensions: (W:17,2 x H:25 cm)

Lot 458

Fred BERVOETS (1942) 'Self Portrait' an etching. Probably signed 'Zelfportret' on the lower left, and signed Bervoets on the lower right. Dimensions: (W:32,3 x H:14,6 cm)

Lot 19

William Daniell (British 1769-1837), Dowlutabad the ancient Deo Gurh, hand-coloured aquatint, circa 1826, from Scenery, Costumes, and Architecture, chiefly on the Western side of India, by Captain Robert Grindlay, after Richard Gilson Reeve (British, 1803 - 1889), mounted, glazed and framed, 22.9 cm. high x 27.9 cm. Grindlay (1786-1877) served in the Bombay Native Infantry from 1804-20, rising to Captain. Captain Robert Grindlay's "Scenery, Costumes and Architecture, chiefly on the Western Side of India", issued from 1826 to 1830 was a result of his interest in architecture especially the connection between Egyptian and Hindu architecture. A number of original sketches in the book are his own. He was given views of other subjects by Captain Charles Auber, Lieutenant-Colonel John Johnson and William Westall. Several sketches in the book were handed over to professional artists to be worked up into finished compositions: William Westall, William Daniell, David Roberts, Clarkson Stanfield, Copley Fielding and George Cruikshank. The plates were engraved and coloured with unusual care: with etching by one hand supplemented by engraving by another. Even the name of the colorist, J.B. Hogarth, is given. The colouring is elaborate with shadows heightened with varnish to deepen the contrasts.

Lot 102

To Be Sold With No ReserveA group of four framed etchings by Mortimer Menpes (1855-1938),Srinagar River; Tailor of Amristar ; Srinagar River Scene; Palace at Ajmer, etching in dry point, signed in pencil and inscribed "imp", framed and glazed,13 x 15cm.; 30 x 22.5cm. 14 x 16.5; 22.5 x 27cm (4)

Lot 184

JOHANNES KIP (1652/3-1722). “The Abbey in Cirencester, The Sent of Thomas Master Esq.” black & white etching, 37cm x 39cm (framed & glazed, 58cm x 59.5cm); another coloured etching “Knole The Seat of Tho. Chester Esq.”, 32cm x 43cm (mounted, unframed). & JOHN SELL COTMAN (1782-1842) “The West front of Castle Acre Priory, black & white etching, publ. 1813 with dedication lower margin, 30cm x 43cm, framed & glazed (47.5cm x 60cm overall).

Lot 112

After ELIZABETH FRINK (1930-1993) “The Miller’s Tale I”, an etching from the Canterbury Tales series, 1972, unsigned, 50cm x 34cm (image), 65.5cm x 46cm (sheet), unframed.

Lot 105

PAUL CÉZANNE (1839-1906) Téte du jeune fille (head of a young girl), etching, 1873, signed & dated within the plate, 12cm x 9.5cm, the sheet watermarked “France” (sheet 32cm x 25cm), framed & glazed (36cm x 30cm overall) Provenance: Folio Fine Art Ltd, London.

Lot 106

JEAN FRANCOIS MILLET (1814-1875) La Fileuse Auvergnate (The Auvergne spinner), etching, signed in the plate, 20cm x 13cm (image), framed & glazed (32cm x 25.7cm overall) Provenance: Ernest, Brown, & Phillips, The Leicester Galleries, London.

Lot 107

EDOUARD MANET (1832-1883) Charles Baudelaire in profile wearing a hat, etching, signed with monogram, inscribed & dated 1862 within the plate, 11cm x 9cm (image), framed & glazed (33.2cm x 26.8cm overall) Provenance: Folio Fine Art Ltd, London.

Lot 769

Small Limited Edition black and white etching, no. 33 of 50, ' Guardian Angel ', signed Martin Ridgwell, together with three larger framed still life prints of flowers

Lot 966

Henry Wilkinson, signed Limited Edition etching, study of a gun dog, together with two etchings of harbour scenes, signed Henry Walker and another print of a dog

Lot 885

Ann Hillman watercolour, study of a barn owl perched on a gate, 25 x 24cm, framed, together with a Malcolm Osborne signed etching street scene

Lot 846

Extensive collection of photographs including local interest and portraiture in four antique albums (3 leather with clasps) together with a vintage scrap book containing etching pictures

Lot 752

Seven 19th-20th century paintings and prints, to include: Peter Coate - Farm buildings near Wellow, watercolour on paper, signed below, 24 x 33 cm; Alfred-Louis Brunet-Debaines - Etching of Trafalgar Square, signed in print and pencil below, 17 x 25.5 cm; Lithographic print of view of Stroud, inscribed and dated 'Stroud, Gloucestershire, 1848' to margin; Denis Warren - 'Oria' (Lake Lugano), signed with title inscribed to margin; together with Village scene with iron pump, watercolour signed indistinctly and dated 1941 verso; together with two Victorian portrait photographs with gilt slips, all framed and glazed (7)

Lot 753

Six framed paintings and prints to include: two watercolours by F. Wirgman - 'The Old Mill Lemington Spa' (1933) and Warwickshire' (1947), both signed and dated, both framed, each frame approx. 43 x 53 cm; Watercolour study of Dartmoor, initialled and dated 1907; J.C. Stadler after A. Pugin - Chapel of Christ College, aquatint in colours; Tom Waghorn - 'Boston Stump' signed etching; together with a print titled 'Sunset on the Maas' to margin, all framed (6)

Lot 751

Five framed drawings, etchings and prints, to include: Ian Cruikshank - pencil study of figures on a walk, signed; 'The Ring' drypoint etching titled and indistinctly signed 'Leonard...' below; Jane Lampard - 'Winter Morning, Goldwick Farm', signed print; Japanese illustration of a procession over a bridge, pen on paper, inscribed above; together with one other reproduction print of an etching, largest frame: 33 x 35 cm (5)

Lot 793A

Four framed artworks by different artists to include: Marie Lawrencin - Girl with ukulele, coloured etching, signed; A.H. Randell - Two figures frolicking, pen on paper, signed below; L. Haase - girl in jester outfit, watercolour, signed and dated '1933' below; together with an ink on silk painting of a French huntsman with horn and hound, unsigned, largest frame: 36 x 50 cm (4)

Lot 792

Eighteen 19th-20th century framed prints and paintings to include: Elizabeth Barnes - limited edition etching of a branch of flowers, 3/96; After G. Darmour - 'Punch, or the London Charivari' hand coloured; After Snaffles - 'The Finest View in Europe; Four fantasy themed gouache paintings of nature and mermaids, and others, largest frame: approx. 32 x 38 cm (18)

Lot 251

Abstract etching. Titled 'Green Road'. Marked 'artists proof'. Indistinctly signed. The print is slipping from the fame. H.81 W.61cm.

Lot 79

William Lionel Wyllie (British. 1851-1931). H.M.S Victory firing a salute. Drypoint etching. Hand signed in pencil. Framed and glazed. H.53 W.45cm.

Lot 19

Aligi Sassu (Italian. 1912–2000). Hand coloured etching. Numbered edition of 120 copies. Signed in pencil. Framed and glazed. H.76 W.96cm.

Lot 929

River scene, etching by Matthew Adam, framed and glazed

Lot 218

To include a follower of George Baxter, a portrait of a beauty, watercolour on paper, 13cm x 8cm; in the manner of George Cruickshank, 'Dutch Courage', pencil on paper, 20cm x 32cm; after J M W Turner RA, engraved by W Say 'Marine Dabblers', etching on paper, 22cm x 30.5cm; early 19th century English School, sleeping lady, watercolour on paper, 25cm x 23cm; 18th-century British school, 'The Horse and Carriage', pencil on paper, initialled lower right 'G.E.C.', 17cm x 25.5cmQty: 5Light toning and foxing to the paper throughout. Some dents, nicks and scratches out of the frames. The after Turner is unframed.

Lot 187

To include 'Whatever Flames Upon the Night' (inspired by the W B Yates poem 'The Tower'), etching, numbered, titled and signed below the plate mark '5-50 Whatever Flames Upon the night, Fanchon Fröhlich', 44cm x 28cm and 'Ambiguity Hubris D'artiste', etching, titled and signed below the plate mark 'Ambiguity Hubris D'artiste, Fanchon Fröhlich', 22cm x 16cm.Qty: 2'Whatever Flames Upon the Night' with some surface dirt, dirt below the mount and light mount burn.'Ambiguity Hubris D'artiste' with mount burn and slight warping.

Lot 201

'Misty Arundel', screen print on paper, signed, dated and numbered to the mount 'Derek Jones 1985' with artists label to the back. 30cm x 20cm.'Ninewar', etching, signed, titled and dated 'D Jones '81' outside of the plate mark. 10cm x 8cm.'Winter Trees', lithograph, signed outside of the plate mark 'D Jones'. 30cm x 19cm.'Tiger', coloured lithograph on paper, signed within the print 'David Kosta'. 54cm x 79cm. In generally good condition. Some fading to the David Kosta. Some surface dirt.

Lot 360

The lot comprising of etchings of various country houses: Shipton Court; Burford Priory; Chastleton; Broughton Castle; and Minster Lovell Priory. Together with two small hand-coloured etchings of children at play; a watercolour of fishermen by a mill; a hand-coloured etching of Mahon Harbour; and a hand-coloured engraved map of Menorca.In various conditions. The frame of Shipton Court is cracked.

Loading...Loading...
  • 78411 item(s)
    /page

Recently Viewed Lots