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Lot 140
A Northern European rapier smallsword, 18th century, with a triangular 60.5cm long blade with remains of etching, a double shell guard with pierced floral scrolls, D-shaped knuckle bow, pierced and chiselled ball pommel, wire-bound grip, in a brown leather scabbard with white metal locket engraved with foliate panels, overall length 78cm(at fault, lower portion of blade missing, guard detached and pommel loose)PLEASE NOTE ALL BLADED ITEMS ARE SUBJECT TO OVER 18 CHECKS ON COLLECTION OR DELIVERY. If you require delivery, please contact us for details of an appropriate courier.
Lot 435
James Gillray (British, 1756-1815)The Pigs Possessed:–or–the Broad Bottom'd Litter Running Headlong into Ye Sea of Perdition (BM 10719) Etching with hand-colouring, 1807, on wove, published by H. Humphrey, London, with trimmed margins, 419 x 317mm (16 1/2 x 12 1/2in)(SH)For further information on this lot please visit Bonhams.com
Lot 76
A memorial etching of 'Old Scarlett',18th century, a memorial etching of Robert Scarlett, Sexton of Peterborough Cathedral, who passed away on 2 July 1594 at the age of 98, inscribed:'You see old Scarlets picture stand on hie,But at your feete there doth his body lye,His gravestone doth his age and death time show,His office by these tokens you may know,Second to none for strength and sturdye limm,A scarebabe mighty voice with visage grim,He had interd two Queens within this place,And this towns householders in his lifes space,Twice over, but at length his own turn came,What he for others for him the same,Was done. No doubt his soule doth live for aye,In heaven tho here his body clad in clay.',35 x 30cmIt is widely believed that Robert Scarlett served as the inspiration for the gravedigger scene in Shakespeare's 'Hamlet'. This is further supported by the epitaph on the etching being attributed to John Fletcher who was a known associate of William Shakespeare.Condition ReportWith some staining and fading to the sheet.
Lot 316
W Westley Manning, Sorrento, aquatint, signed in the margin, 31x41cm; and another by the same hand, Truro, mounted, unframed; together with soft ground etching, of Norwich Thorpe after J S Cotman.Qty: 3Condition report:There is some foxing and yellowing to paper to the top edge and sky areas, they are a little grubby in places. not tears to the paper. Please see the added photos online.
![Six Antiquarian topographical prints, including an etching of Stuttgart, and an etching of Festung [Hohensalzburg], Salzburg](https://cdn.globalauctionplatform.com/1b525177-45cd-4139-9c79-af9400f68899/5cc3e38a-ea63-4561-9fef-af9700a39e8d/468x382.jpg)
Lot 176
Four prints and a watercolour to include: Attributed to John Shirley Fox (1860-1939) - sailboats on the water, signed 'J.S. Fox' lower right, with artist attribution in pen verso sleeve, 24 x 37 cm, gilt mounted; Reginald Smallridge - 'Whitby' etching in colours, signed in pencil and blindstamped below, labelled verso, 29.5 x 21 cm; Theophile Narcisse Chauvel (1831-1909/10) after Benjamin Williams Leader - 'Stratford Lock', etching, label inscribed 'Arthur Tooth Published 1 Sept. 1888', 33 x 48 cm; and two engravings: William Strickland - 'Boat used on the Grand Trunk, and Birmingham Canals', 23 x 41 cm; Nicolas de Launay after Sigmund Freudeberg - 'La Complaisance Maternelle', 26 x 36 cm, all framed and glazed (5)
Lot 184
Sixteen framed works: Three large etchings in colours published by Arthur Tooth & Sons: After Benjamin Williams Leader - 'In a Welsh Valley', 'Conway Bay' and; Auguste II Boulard (1852-1927) 'Where the Brook and River meet' all approx. 45 x 69 cm each; Peter Partington (b.1941) - 'Riverside Days', limited edition etching in colours, signed, titled and numbered 89/150 in pencil below, 10 x 14 cm; and A quantity of decoratively framed prints of figurative sketches, botanical studies and two prints of watercolour landscapes, all mounted, framed and glazed (16)
Lot 48
Vincent Haddelsey (1929/34-2010) - Ten limited edition prints including eight artist's proof lithographs: 'Crooked Soley Christmas 1977'; untitled, 10/25; two prints titled 'To Philip and Ethna, a Happy Christmas'; Three titled 'To Cal with My Love', 6/35 and 3/20; and one numbered 116/230 (not artist's proof); together with one etching 'Silver Band' 04/50, all framed and glazed, largest: 20 x 29 cm (10)
Lot 469
HERBERT THOMAS DICKSEE (1862-1942) 'Who Goes There?', an artist proof etching printed upon vellum, depicting a Scottish Terrier wearing a collar, signed in pencil bottom left published by Frost and Reed 1916, mounted, framed and glazed, approximate plate size 42cm x 40cm, together with a border collie print on paper by the same hand, approximate size including margins 22cm x 14cm, Condition Report: the proof print would benefit from being remounted as it is not flat in the mount, both frames marked
Lot 534
A SMALL COLLECTION OF PICTURES AND PRINTS, comprising an unsigned and unframed oil on canvas depicting a Bedouin riding a camel, approximate size 175cm x 75cm, a coastal landscape signed W.T. Stirman, a pastel sketch of a nude female figure study, indistinctly signed and dated 196?, a still life watercolour depicting fruit in a bowl and a potted plant, initialled and dated AB 91, an unsigned etching depicting fish and lily pads, a signed limited edition print by Malcolm Root depicting a 1930's bus in a village, a photographic print depicting a landscape and a vintage Francis Saint Marc print
Lot 208
After Wassily Kandinsky (Russian, 1866–1944) "Radierung fur den Kreis der Freunde des Bauhauses" - 1932 Lithograph on wove paper after the original etching of the same title made in 1932 (Engraving for the circle of the friends of the Bauhaus). Monogrammed and dated in plate. Bears on the back the stamp "after an artwok by Kandinsky" and the signature "Wina Kandinsky".Image Size: 16 x 19 in. Sheet Size: 26 x 33 in. Unframed.
Lot 353
Norman Hirst (1862-1956) after the Frank Dicksee PRA (1853-1928) painting of My Fair Lady - Mezzotint etching, signed in pencil by both artists, published by Thomas Agnew and Sons, London 1904 - Image 29cm x 45cm, plate 33.5cm x 51cm - Printsellers Association blindstamp lower left, mounted and framedJohn Robert Dicksee (1817-1905) - My Lady's Page - original signed artist proof etching published by WR Howell & Co, London 1903 - Mezzotint - 30cm x 44.5cm - printer: F. Goulding, London - after his own painting exhibited at the Royal Academy 1873, number 532 - mounted and framedJohn Robert Dicksee (1817-1905) Kent Village Street Scene (Chidingstone) - original etching, signed artist's proof, published by WR Howell & Co, London 1900 - plate 42cm x 35.5cm - Printer: F Goulding, London - mounted and framed
Lot 71
Pugilista Interest -19th century engravings and prints: Herbert Thomas 'Can I Trouble you for your Autograph? approx 12 x 18 cms; JCS Knight 'Look ere-If you tread on my foot again, I-I'l punch your head! approx 8 x 11 cms framed; pencil sketch of James J. Braddock 'The Cinderella Man' Heavyweight Champion of the World 1935 approx 19 x 24 cms framed; coloured etching depicting boxers Randall and Belasco 'considered the finest display of Science and bodily activity witnessed for many years' approx 37.5 x 31 cms; a coloured print after an engraving by J. Grozer featuring Daniel Mendoza & Richard Humphreys a public contest 1790, approx 37.5 x 30 cms framed and glazed. A Vanity Fair print 'Hard Hitter' after Spy approx 24 x 37 cms framed and glazed; print after J. Mason featuring Young Reed 'Now Hit me Sir' (easier said than done) approx 20 x 14 cms.
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