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Lot 48

Rabbinical Scholar is an original etching on beige paper by Realist artist Samuel George Cahan who represents an intimate view of a seated Rabbi engrossed in reading the Torah. Dedication in graphite on lower part of plate: Rabbinical Scholar presented to Robert Levy from Samuel Cahan. Housed in a wooded frame with green painted borders. Sight size: 9"L x 10"H. Frame size: 11"L x 12"H x 0.75"W. Artist: Samuel George Cahan (Russian-American 1886-1974)Issued: c. 1950Country of Origin: Russia-United StatesCondition: Age related wear.

Lot 182

Original etching on paper by German-Israeli artist Hermann Struck who depicts a Jewish scholar engrossed in reading the Torah. This etching is based on Struck's 1900 drawing A Scholar in Vilna. Signature in graphite on lower left: Hermann Struck. Edition number on lower right: 114/125. Artist: Hermann Struck (German-Israeli 1876-1944)Issued: c. 1913Dimensions: 9.75"L x 12.75"HEdition Number: 114 of 125Country of Origin: Germany/IsraelCondition: Age related wear.

Lot 178

Antique original color etching on paper by French artist Germaine Tailleur entitled Square in Bruges, Belgium. She depicts the Medieval building and square with a soft glow in a partially sunny day. Label on verso with artist's name, technique, and title. Also states that the etching was imported from France and is a genuine artwork made completely by the artist's hand. Signature in graphite on lower right: G. Tailleur. Triangle trade stamp and edition on lower left: SZL, Epreuve de Presentation. Housed in a recessed wooden frame with an ecru mat. Sight dimensions: 12.50"L x 17"H. Frame size: 20.50"L x 26.75"H x 1.50"W. Artwork can be unframed and rolled for shipment. Artist: Melanie Germaine Tailleur (French 1881-1964)Issued: c. 1920Dimensions: See DescriptionEdition Number: Exhibition ProofCountry of Origin: FranceCondition: Age related wear.

Lot 50

Large original etching on paper featuring a group of men in business suits walking decisively on a nondescript plaza as sunrays strike extreme shadows. Signature and date in graphite on lower right: illegible 1976. Title on lower left: L' Oro ? Edition number on lower center: 8/50. Housed in a very heavy brushed steel frame with a white mat. Artwork dimensions: 17.75"L x 13"H. Frame size: 28.50"L x 23"H x 0.75"W. Issued: 1976Edition Number: 8 of 50Condition: Age related wear. Creasing on lower right of paper.

Lot 179

Antique original etching on paper of a side view of the Moorish palace Alhambra in Granada Spain with two female figures in a garden. Housed in a gold metallic frame with a beige mat. Sight size: 7"L x 5.50"H. Frame size: 12.75"L x 11"H x 1"W. Artwork can be unframed and rolled for shipment. Issued: c. 1910Dimensions: See DescriptionCondition: Age related wear.

Lot 51

Original color etching on paper entitled Going to the Fair that American artist Irving Amen made with expressive black lines and a range of yellow to represent a woman side saddled on a prancing horse. Signature in graphite on lower right: Amen. Edition number and title on lower left: 31/200 Going to the Fair. Artist: Irving Amen (American 1918-2011)Issued: c. 1970Dimensions: 12.75"L x 16"HEdition Number: 31 of 200Country of Origin: United StatesCondition: Age related wear.

Lot 53

Large original etching on laid paper that represents a Lioness that the artist engraved with outmost observational and realistic details. Signature in plate in ink on lower left: W. Thoman ? Edition number on lower right: 20/250. Issued: c. 1970Dimensions: 17"L x 19"HEdition Number: 20 of 250Condition: Age related wear. Browning of paper and white spots on upper right side.

Lot 430

Pictures to include Auguste Jean Vyboud (1872-1944) - signed drypoint etching of a nude, 12cm x 24cm mounted in glazed gilt frame; a framed Crystoleum , and a selection of woodcuts and signed prints (10), a Deighan signed artist proof print of studies of various boxers, a print of a US Army recruitment poster and othersLocation: GIf there is no condition report shown, please request

Lot 281

Etching by Leonard Squirrel and another by Stanley Anderson

Lot 205

MIXED GROUP OF COLLECTABLES & EPHEMERA including original etching by Ronald Ossory Dunlop, 'The Shepherd', signed and titled in pencil, 21 x 18cms (unframed), album of cigarette cards, Cricketers 1938 (incomplete), various WWII publications and other itemsProvenance: private collection Conwy

Lot 120

HERBERT DICKSEE (English 1862 - 1942) etching - 'A West Highlander', initialled and dated 1930, published by Frost and Reed, 24 x 31cmsProvenance: private collection DenbighshireComments: framed and glazed

Lot 60

Devonshire: The Beauties of Sidmouth Displayed, printed for J Wallis at the Marine Library, 1810. J Nixon etching of View of the Beach and Peak Hill of Sidmouth mounted at the front.

Lot 353

Derek Wilkinson, Shadowed Seat, signed, dated, titled and ltd ed numbered 6/45, etching and aquatint, 24x20.5cm.

Lot 368

Victor Rolyat, Scottish lakescape, signed, oil on canvas, 19.5x39.5cm; and after Henry G Walker, Flamborough Head, coloured etching, signed.Qty: 2

Lot 255

Joseph Henry Kirsop (1886 - 1981) : Sandhill, Newcastle-upon-Tyne, drypoint etching, signed in pencil, with margins, 29 cm x 39 cm, framed.

Lot 612

After Ebenezer Wake Cook (1843-1926), Figures walking across a field, drypoint etching, signed in pencil by the engraver, with artist's proof stamp, 48cm by 33cm.

Lot 71

SOPER, GEORGE (1870-1942) British, Potato Pickers, etching. 16.5 cm x 28 cm.

Lot 69

SOPER, GEORGE (1870-1942) British, Outside the Barn, etching dated 1912. 15 cm x 20 cm.

Lot 50

HAYWARD-HARRIS, MARTIN (born 1959) British (AR), Sable, a signed limited edition etching, numbered 45/200, signed. 14 cm x 27 cm.

Lot 92

WOODCOCK, MARTIN (1935-2019) British (AR), The Cherry Tree Brood, a signed limited edition etching, numbered 20/75, signed. 18.5 cm x 17 cm.

Lot 66

SOPER, GEORGE (1870-1942) British, Devon Farm, etching. 15 cm x 27 cm.

Lot 74

SOPER, GEORGE (1870-1942) British, The Harvest, etching. 17 cm x 23 cm.

Lot 68

SOPER, GEORGE (1870-1942) British, Old Linhays Dunsford, Devon, etching, dated 1919. 16 cm x 21 cm.

Lot 70

SOPER, GEORGE (1870-1942) British, Pit Props for the Trenches, etching. 12.5 cm x 20 cm.

Lot 64

SOPER, GEORGE (1870-1942) British, Coal Wharf, Topsham, Devon, etching, 1919. 14 cm x 26 cm.

Lot 73

SOPER, GEORGE (1870-1942) British, Returning Home Through the Gate, drypoint etching, 1921. 21 x 31 cm.

Lot 91

WOODCOCK, MARTIN (1935-2019) British (AR), Blue Tit, a signed limited edition etching, numbered 3/15, signed. 9 cm x 8 cm.

Lot 771

Herbert Dicksee (1862-1942), etching, 'His Royal Highness', 28 x 19cm. Condition - good

Lot 593

A PORTFOLIO OF DRAWINGS AND ETCHINGS, to include nude figure study drawings by Warwick Lendon (1883-1971) dating from 1940's-1950s, portrait sketches and landscape etchings by the same hand, a Garrick Palmer (1933-2023) woodblock print 'Farm Machines', Lilian Hocknel etching 'Lorna and Basil', Albert Besnard etching dated for August 1885 depicting a mother and child, a Douglas Ettridge watercolour of Kingston upon Thames bridge dated June (19)56 (bottom third cut and taped back together) a small number of work by unknown artists and Lendon's record of sales book

Lot 465

A QUANTITY OF ASSORTED FRAMED PRINTS, to include photographic prints of birds, a Stuart Lafford etching of a Teal Duck, a painting on fabric depicting two Flamingos signed A Schrub, Cash's woven pictures, two needlework pictures etc

Lot 209

Francis Louis Mora (1874- 1940)"The Dietician"Original etching. Pencil signed and titled in lower margin.Provenance: From the estate of the artist.Image Size: 3.75 x 3 in.Sheet Size: 10 x 7.75 in.Unframed.

Lot 208

Francis Louis Mora (1874-1940)"Newsboy"Original etching. Pencil signed and titled in lower margin.Provenance: From the estate of the artist.Image Size: 7 x 5 in.Sheet Size: 10.5 x 7 in.UnFramed.

Lot 54

ROBERT MACDONALD (b1935), 'Dragon Harvest, 1981, etching, signed and numbered 1/25, 42cm x 50cm, framed.

Lot 1098

Leonard Russell Squirrell (1893-1979) - Framlingham College, etching, signed and numbered 40/100 in pencil to the margin, 19.5 x 31cm

Lot 1014

After Figura - In Holland, colour etching, 33x36cm

Lot 1063

Assorted pictures and prints to include botanical engraving, circa 1800 sepia watercolour, landscape etching, etc (6)

Lot 96

Nine pictures including: After J ALEXANDER, The Tweed at Kelso, etching, signed in pencil,  19cm x 26cm, and other local and Scottish subjects; and ,D.Y CAMERON etching of a Norman village (9)

Lot 116

Five prints, including Red Grouse after THORBURN, and Oakwood Tower, after D Y CAMERON,  Etching; also a book on the art of D Y Cameron (6)

Lot 132

A folio of screen prints and other works by REGINALD JAMES LLOYD, British (1926-2020), including several limited edition coloured screeprints, circa 1970; an etching of a girls head,, circa 1970 and various other works by Lloyd (a lot)

Lot 133

A selection of engravings, etching and unframed prints, including a book illustration by BRIAN WATERS, Mallard,  inscribed verso and dated 1991, and other similar works (a lot)

Lot 256

Brenda Hartill (British, b.1943) 'Theo's Shed' colour etching, signed, inscribed, dated 1989 and numbered 23/100 to lower margin 18¼ x 23¾in (46.3 x 60.3cm), gilt framed

Lot 270

Robin Tanner (British, 1904-1988) ‘Elegy to the British Elm II’ etching, signed to lower margin 29.5 x 24cm, wooden frame (55 x 44.5cm)

Lot 244

Robin Tanner (British, 1904-1988) 'Flowers of May' etching, signed in pencil to lower margin 11½ x 7 7/8in (29.2 x 20cm), gilt frame (54 x 43.8cm)

Lot 205

A group of antique and vintage prints and pictures - including two hunting prints (one unframed, the other lacks glass); a signed oil on board coastal landscape by C. Wilson-Harper, 12 x 16in, unframed; a pair of reproduction Cries of London prints, early 20th century; 'The Letter', an etching by Tony Robert-Fleury; and an etching of a gentleman reading, signed with initials and dated (18)76 to plate. (7)

Lot 2060

A quantity of prints to include: St John's Market Liverpool, Liverpool cathedral, Boats at low tide Dee estuary by John R Ockenden, etching of New Brighton, etc.

Lot 2128

A framed and mounted coloured Etching "Trawlers at Brixham" signed lower right Grant Edwards.

Lot 2098

A quantity of Prints to include; 'Sweethearts' Pears style print, one of Rosa Mundie, Newport High School by Alan Beathe, a Richard Akerman garden scene, Helen Allingham 'Cutting Cabbages', an Etching of Tintern Abbey and a Susan Obrant print of a lady.

Lot 2088

A number of framed pictures to include: an Audubon print of an Eagle, a Cocker Spaniel print, a Mixed Media painting of Daffodils and an Etching of High Street, Edinburgh.

Lot 2139

Three framed Prints to include; 'Landing Sheep, Oystermouth Bay South Wales' by E. Duncan, a copy of an Etching by Rembrandt depicting three gabled cottages beside a road and a Basil Ede print of a Nuthatch in a tree.

Lot 541

A group of assorted pictures and prints, to include an oil still life by Charvet, signed with initials and dated 1976; a Chinese textile; a modern etching 'Unless you knew you wouldn't know, a rook is different from a crow'; A reproduction print of Indian horsemen, an oil of horse and cart; a 19th century carved oak panel; an oil of a figure on a riverbank; an oil coastal scene by H A Russell ; a print of a cat; an oval oil panel of a harvesting representation of Britannia and various loose watercolours drawings and prints. (qty)

Lot 1047

Charles Arthur Fries (1854-1940)American port view with docked steam tugboatsSigned 'C.A.Fries', pencil on paper, 22cm by 29cm; together with a crayon & watercolour landscape, indistinctly signed, an etching of Whitby and three other 20th century prints (6)

Lot 1353

BLADE RUNNER (1982) - Douglas Trumbull Collection: Model Miniature Pyramid Brass Etching Sheets with Photos - Model miniature pyramid brass etching sheets with photos from Ridley Scott's Blade Runner. Model miniatures were created to depict the futuristic cityscape of 2019 Los Angeles, including the outerwall of the Tyrell Corporation pyramid. This lot comes from the collection of special photographic effects artist Douglas Trumbull. This lot consists of one brass sheet with panels that creates the appearance of windows, shafts, and support beams for the elevators; one Blade Runner booklet by Scott Bukatman; a 122-page Blade Runner 2 script dated 1996; three color photographs; one black-and-white photo with a photo negative; six strips of photo negatives; hand-written inscriptions to Douglas Trumbull ; and one paper folder hand-marked "Blade Runner 2." This lot exhibits creasing, fold lines, and discoloration. Dimensions: (largest) 17.25" x 4" x 2.5" (44 cm x 10.25 cm x 6.5 cm)Visual effects pioneer Douglas Trumbull was born in Los Angeles in 1942. After abandoning architecture for technical drawing and cartooning, his talent for photorealism soon earned him work at Graphic Films, an esteemed Hollywood studio for which he designed groundbreaking cosmic effects for the 1964 New York World's Fair. After seeing Trumbull's work, director Stanley Kubrick hired him to create animations and VFX shots - including the iconic Star Gate sequence - for what would become his seminal masterpiece 2001: A Space Odyssey. From that film's success, Trumbull became one of the industry's most trusted photographic effects experts, designing and producing legendary screen moments in such sci-fi landmarks as Close Encounters of the Third Kind, Star Trek: The Motion Picture, and Blade Runner, all three of which earned him Academy Award® nominations. In addition to directing the cult classics Silent Running and Brainstorm, Trumbull later received a Scientific and Engineering Award for his high-speed photography process Showscan in 1993, one of two specialty awards given to him by the Academy of Motion Picture Arts and Sciences before his death in 2022. 60 years since he first made his mark on global cinema, Propstore today celebrates Douglas Trumbull by presenting a selection of rare memorabilia from his personal collection to the public.Estimate: $1,000 - 2,000Bidding for this lot will end on Saturday, August 17th. The auction will begin at 9:30AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, August 15th, Friday, August 16th or Sunday, August 18th.

Lot 310

An etching by F.W. Barnes; a pen and ink cartoon by Peter Tarrant; a pair of coloured engravings and a small frame.

Lot 309

JEAN RIGAL. FRENCH 1926-1997. Botanical studies. A pair. Signed and inscribed in pencil. Coloured etching 14" x 9".

Lot 484

William Lionel Wyllie RA RWS (1851-1931) - Signed etching - 'The Point Portsmouth', 13cm x 35cm, gilt framed under glass

Lot 357

Mary Norman, Black and white etching, monks in a line, 20ins x 21ins

Lot 3071

Salvador Dali print along with a 19th Century Maori etching, gilt wall mirror with oval early 20th Century gilt padded frame.

Lot 8

Two silver-plated tureens, a pair of 1920s/30s silhouettes, early 20th century postcards and a candle snuffer with an etching of Stratford.

Lot 797

SIR DAVID YOUNG CAMERON ARSA RSW RA RSA (SCOTTISH 1865 - 1945), THE ROYAL SCOTTISH ACADEMY, EDINBURGH etching on paper, signed, titled label versomounted, framed and under glassimage size 18cm x 36cm, overall size 44cm x 59cm Label verso: T. & R. Annan & Sons, GlasgowNote 1: Issued with the Special Edition of The Royal Scottish Academy, Edited by Frank RinderNote 2: David Young Cameron (1865–1945) was one of Scotland’s most prolific and influential artists. He was born in Glasgow, the son of a minister, and in the early 1880s he went to study at Glasgow School of Art. By 1885 he had gained a place at Edinburgh School of Art, where he was encouraged to take up etching because of the strength of his pen drawings. Although he also made many paintings, drawings and watercolors, it was as a printmaker that he initially received the most recognition. Cameron had a rare ability to capturehis subjects with remarkably few lines. During his career he produced over five hundred etching plates, with subjects ranging from atmospheric interiors to dramatic landscapes, as well as detailed studies of buildings and figures.

Lot 798

* JAMES MCBEY (SCOTTISH 1883 - 1959), MACDUFF limited edition etching on paper, signed and numbered VIIImounted, framed and under glassimage size 30cm x 20cm, overall size 56cm x 46cm Note: Self-taught as an artist, McBey was born in Newburgh near Aberdeen. He worked as a bank clerk from the age of fifteen, learning about art from books. After reading about etching, he became interested in printmaking, producing his first prints using a domestic mangle and building his own printing press. An admirer of Rembrandt’s prints, McBey launched his artistic career in 1910 by travelling to Holland. He returned to live in London before working in Egypt as an Official War Artist in 1917. McBey reached the peak of his popularity as an etcher in the 1920s, but when the print market collapsed due to the Depression he mainly produced portraits on commission. McBey didn’t associate himself with artistic movements, but saw himself as a traditional, skilled craftsman.

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