Rabbinical Scholar is an original etching on beige paper by Realist artist Samuel George Cahan who represents an intimate view of a seated Rabbi engrossed in reading the Torah. Dedication in graphite on lower part of plate: Rabbinical Scholar presented to Robert Levy from Samuel Cahan. Housed in a wooded frame with green painted borders. Sight size: 9"L x 10"H. Frame size: 11"L x 12"H x 0.75"W. Artist: Samuel George Cahan (Russian-American 1886-1974)Issued: c. 1950Country of Origin: Russia-United StatesCondition: Age related wear.
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Original etching on paper by German-Israeli artist Hermann Struck who depicts a Jewish scholar engrossed in reading the Torah. This etching is based on Struck's 1900 drawing A Scholar in Vilna. Signature in graphite on lower left: Hermann Struck. Edition number on lower right: 114/125. Artist: Hermann Struck (German-Israeli 1876-1944)Issued: c. 1913Dimensions: 9.75"L x 12.75"HEdition Number: 114 of 125Country of Origin: Germany/IsraelCondition: Age related wear.
Antique original color etching on paper by French artist Germaine Tailleur entitled Square in Bruges, Belgium. She depicts the Medieval building and square with a soft glow in a partially sunny day. Label on verso with artist's name, technique, and title. Also states that the etching was imported from France and is a genuine artwork made completely by the artist's hand. Signature in graphite on lower right: G. Tailleur. Triangle trade stamp and edition on lower left: SZL, Epreuve de Presentation. Housed in a recessed wooden frame with an ecru mat. Sight dimensions: 12.50"L x 17"H. Frame size: 20.50"L x 26.75"H x 1.50"W. Artwork can be unframed and rolled for shipment. Artist: Melanie Germaine Tailleur (French 1881-1964)Issued: c. 1920Dimensions: See DescriptionEdition Number: Exhibition ProofCountry of Origin: FranceCondition: Age related wear.
Large original etching on paper featuring a group of men in business suits walking decisively on a nondescript plaza as sunrays strike extreme shadows. Signature and date in graphite on lower right: illegible 1976. Title on lower left: L' Oro ? Edition number on lower center: 8/50. Housed in a very heavy brushed steel frame with a white mat. Artwork dimensions: 17.75"L x 13"H. Frame size: 28.50"L x 23"H x 0.75"W. Issued: 1976Edition Number: 8 of 50Condition: Age related wear. Creasing on lower right of paper.
Antique original etching on paper of a side view of the Moorish palace Alhambra in Granada Spain with two female figures in a garden. Housed in a gold metallic frame with a beige mat. Sight size: 7"L x 5.50"H. Frame size: 12.75"L x 11"H x 1"W. Artwork can be unframed and rolled for shipment. Issued: c. 1910Dimensions: See DescriptionCondition: Age related wear.
Original color etching on paper entitled Going to the Fair that American artist Irving Amen made with expressive black lines and a range of yellow to represent a woman side saddled on a prancing horse. Signature in graphite on lower right: Amen. Edition number and title on lower left: 31/200 Going to the Fair. Artist: Irving Amen (American 1918-2011)Issued: c. 1970Dimensions: 12.75"L x 16"HEdition Number: 31 of 200Country of Origin: United StatesCondition: Age related wear.
Large original etching on laid paper that represents a Lioness that the artist engraved with outmost observational and realistic details. Signature in plate in ink on lower left: W. Thoman ? Edition number on lower right: 20/250. Issued: c. 1970Dimensions: 17"L x 19"HEdition Number: 20 of 250Condition: Age related wear. Browning of paper and white spots on upper right side.
Pictures to include Auguste Jean Vyboud (1872-1944) - signed drypoint etching of a nude, 12cm x 24cm mounted in glazed gilt frame; a framed Crystoleum , and a selection of woodcuts and signed prints (10), a Deighan signed artist proof print of studies of various boxers, a print of a US Army recruitment poster and othersLocation: GIf there is no condition report shown, please request
MIXED GROUP OF COLLECTABLES & EPHEMERA including original etching by Ronald Ossory Dunlop, 'The Shepherd', signed and titled in pencil, 21 x 18cms (unframed), album of cigarette cards, Cricketers 1938 (incomplete), various WWII publications and other itemsProvenance: private collection Conwy
A PORTFOLIO OF DRAWINGS AND ETCHINGS, to include nude figure study drawings by Warwick Lendon (1883-1971) dating from 1940's-1950s, portrait sketches and landscape etchings by the same hand, a Garrick Palmer (1933-2023) woodblock print 'Farm Machines', Lilian Hocknel etching 'Lorna and Basil', Albert Besnard etching dated for August 1885 depicting a mother and child, a Douglas Ettridge watercolour of Kingston upon Thames bridge dated June (19)56 (bottom third cut and taped back together) a small number of work by unknown artists and Lendon's record of sales book
A group of antique and vintage prints and pictures - including two hunting prints (one unframed, the other lacks glass); a signed oil on board coastal landscape by C. Wilson-Harper, 12 x 16in, unframed; a pair of reproduction Cries of London prints, early 20th century; 'The Letter', an etching by Tony Robert-Fleury; and an etching of a gentleman reading, signed with initials and dated (18)76 to plate. (7)
A group of assorted pictures and prints, to include an oil still life by Charvet, signed with initials and dated 1976; a Chinese textile; a modern etching 'Unless you knew you wouldn't know, a rook is different from a crow'; A reproduction print of Indian horsemen, an oil of horse and cart; a 19th century carved oak panel; an oil of a figure on a riverbank; an oil coastal scene by H A Russell ; a print of a cat; an oval oil panel of a harvesting representation of Britannia and various loose watercolours drawings and prints. (qty)
BLADE RUNNER (1982) - Douglas Trumbull Collection: Model Miniature Pyramid Brass Etching Sheets with Photos - Model miniature pyramid brass etching sheets with photos from Ridley Scott's Blade Runner. Model miniatures were created to depict the futuristic cityscape of 2019 Los Angeles, including the outerwall of the Tyrell Corporation pyramid. This lot comes from the collection of special photographic effects artist Douglas Trumbull. This lot consists of one brass sheet with panels that creates the appearance of windows, shafts, and support beams for the elevators; one Blade Runner booklet by Scott Bukatman; a 122-page Blade Runner 2 script dated 1996; three color photographs; one black-and-white photo with a photo negative; six strips of photo negatives; hand-written inscriptions to Douglas Trumbull ; and one paper folder hand-marked "Blade Runner 2." This lot exhibits creasing, fold lines, and discoloration. Dimensions: (largest) 17.25" x 4" x 2.5" (44 cm x 10.25 cm x 6.5 cm)Visual effects pioneer Douglas Trumbull was born in Los Angeles in 1942. After abandoning architecture for technical drawing and cartooning, his talent for photorealism soon earned him work at Graphic Films, an esteemed Hollywood studio for which he designed groundbreaking cosmic effects for the 1964 New York World's Fair. After seeing Trumbull's work, director Stanley Kubrick hired him to create animations and VFX shots - including the iconic Star Gate sequence - for what would become his seminal masterpiece 2001: A Space Odyssey. From that film's success, Trumbull became one of the industry's most trusted photographic effects experts, designing and producing legendary screen moments in such sci-fi landmarks as Close Encounters of the Third Kind, Star Trek: The Motion Picture, and Blade Runner, all three of which earned him Academy Award® nominations. In addition to directing the cult classics Silent Running and Brainstorm, Trumbull later received a Scientific and Engineering Award for his high-speed photography process Showscan in 1993, one of two specialty awards given to him by the Academy of Motion Picture Arts and Sciences before his death in 2022. 60 years since he first made his mark on global cinema, Propstore today celebrates Douglas Trumbull by presenting a selection of rare memorabilia from his personal collection to the public.Estimate: $1,000 - 2,000Bidding for this lot will end on Saturday, August 17th. The auction will begin at 9:30AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, August 15th, Friday, August 16th or Sunday, August 18th.
SIR DAVID YOUNG CAMERON ARSA RSW RA RSA (SCOTTISH 1865 - 1945), THE ROYAL SCOTTISH ACADEMY, EDINBURGH etching on paper, signed, titled label versomounted, framed and under glassimage size 18cm x 36cm, overall size 44cm x 59cm Label verso: T. & R. Annan & Sons, GlasgowNote 1: Issued with the Special Edition of The Royal Scottish Academy, Edited by Frank RinderNote 2: David Young Cameron (1865–1945) was one of Scotland’s most prolific and influential artists. He was born in Glasgow, the son of a minister, and in the early 1880s he went to study at Glasgow School of Art. By 1885 he had gained a place at Edinburgh School of Art, where he was encouraged to take up etching because of the strength of his pen drawings. Although he also made many paintings, drawings and watercolors, it was as a printmaker that he initially received the most recognition. Cameron had a rare ability to capturehis subjects with remarkably few lines. During his career he produced over five hundred etching plates, with subjects ranging from atmospheric interiors to dramatic landscapes, as well as detailed studies of buildings and figures.
* JAMES MCBEY (SCOTTISH 1883 - 1959), MACDUFF limited edition etching on paper, signed and numbered VIIImounted, framed and under glassimage size 30cm x 20cm, overall size 56cm x 46cm Note: Self-taught as an artist, McBey was born in Newburgh near Aberdeen. He worked as a bank clerk from the age of fifteen, learning about art from books. After reading about etching, he became interested in printmaking, producing his first prints using a domestic mangle and building his own printing press. An admirer of Rembrandt’s prints, McBey launched his artistic career in 1910 by travelling to Holland. He returned to live in London before working in Egypt as an Official War Artist in 1917. McBey reached the peak of his popularity as an etcher in the 1920s, but when the print market collapsed due to the Depression he mainly produced portraits on commission. McBey didn’t associate himself with artistic movements, but saw himself as a traditional, skilled craftsman.

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