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Click here to subscribeMuriel Spark,The Portobello Road and other stories, Aurographica, signed and dated 10.2.90,Not to disturb, Observer Books 1971, with etching by Michael Ayton, signed by the author and illustrator, number 35,The French window and the small table, Colophon Press 1993, bound in full Indian goatskin, signed but not lettered, in slip case.Qty: 3
Thomas Rowlandson (1756-1827)'Exhibition 'Stare' Case, Somerset House'hand-coloured etching sheet 50 x 32cmProvenance: With Richard Green and Frank T Sabin;Mr Evan & Mrs Patricia Steadman - Mr Steadman was the former organiser of The Grosvenor House Antiques Fair.Condition ReportFramed: 71.5 x 50cmSheet:50 x 32.5cmRippling and light creasing. Small tears to the top and bottom of the sheet. There is a 3cm repaired tear to the top margin which slightly overlaps the printed area. Time staining and discolouration to the paper with small brown spots and speckles, please see images. A couple of spots of foxing in the top right corner. There is a plate mark to the right edge of the sheet but not the other edges which suggests the sheet has been cut down. The work has been attached to the board behind with small pieces of tape which are affixed to the reverse.
James Gillray (1756-1815), after Captain John Morse'Morning Promenade upon the Cliff, Brighton' hand-coloured etching, published by H Humphrey, St James's Street, 180636 x 55cm,together with a caricature by William Heath (1794-1830), after James Gillray 'The Grand-Signor Retiring' hand-coloured etching, signed with initials in the plate l.r. image 22 x 32cm (2)Condition ReportFramed: 55 x 74cm and 29 x 39cm'Morning Promenade', sheet: 37 x 57cm. Plate: 36 x 55.5. Time staining with light cockling. The margins are discoloured and dirty. The is a 3cm repaired tear to the top right edge which goes into the printed area. The print is on a medium weight wove paper.'The Grand-Signor Retiring', plate: 25 x 35cm. Light time staining with some small spots and speckles to the margins. Some faint brown staining abobe the Signor's head and to the bottom left corner, please see images. Not viewed out of galzed frame.
ANDRÉ ELLIS. 'Tiddly Tom Tope'. Coloured etching. Signed, titled & No. 95/100. Image size 40cm, diameter. Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect. WE CANNOT SHIP THIS LOT or other large, glazed or fragile pictures. Our recommended carrier is MBE Plymouth on +44 (0) 1752 257224 or info@mbeplymouth.co.uk.
[L'EVEQUE, Henry].- Campaigns of the British Army in Portugal, under the command of General The Marquis of Wellington, K. B. Commander in Chief, &c &c. Dedicated by permission to His Lordship.- London: printed by R. Juigné, and published (for the proprietor) by Messrs. Colnaghi and Co., 1813.- [6], 18, [2, 1] p.: 1 retrato, 18, 1 gravuras; 57 cm.- E, Henry L'Évêque (1769-1832), born in Geneva, a painter, miniaturist, watercolourist and above all an engraver, was part of a group of artists who, following the French Revolution, wandered around Europe accompanying armies in campaign, recording for the posterity the most famous battles of the Napoleonic wars. Complete copy of the second edition, of the variant with the word “Marquis” on the title page (instead of “Earl”), consisting of a title page, a dedication and a list of subscribers; 18 pages follow. with the introduction and descriptions of 17 prints, plus a sheet (2 p.) with the description of the first print (embarkation of the royal family to Brazil). The following are the illustrations: engraving and etching portrait of Wellington, standing, dated 1815 and 18 engravings, in accordance with the descriptions, starting with the embarkation mentioned above. At the end, a double engraving (Plan of the battle of Albuera) and a description of the latter engraving, with the title “Reference” and a large allegorical vignette. These two smaller double sheets are not described in the bibliographies and catalogues consulted. Copy slightly dusty and with slight browning; the engravings retain good margins. Symbolic ex-libris of Abel d'Andrade. Simple contemporary half-binding(?), with leather spine and corners, slightly worn. Duarte de Sousa, 139.
Raoul DUFY (1877 - 1953). Schlafendes Mädchen mit Schmetterlingen am Strand.24 cm x 33 cm im Ausschnitt. Druck. Radierung / Lithographie. Rechts unten im Stein signiert. Versand kann organisiert werden.Raoul DUFY (1877 - 1953). Sleeping girl with butterflies on the beach. Print. Etching / lithograph. Signed lower right in the stone. Shipping can be organised.
TWO BOXES OF METALWARE, BOOKS AND SUNDRIES, to include a cast 'The Queen' set of balance scales with brass pan and weights, a French Pe Ge coffee grinder, a circular silverplate serving tray, a 1932 second volume of Modern Masters of Etching by James McNeil Whistler, Caxton volume I and II of The Family Physician, etc. (s.d) (2 boxes)
After Rembrandt van Rijn (Dutch, 1606-1669) The Card Player, later state from the plate created 1641 Purchased via Park West Galleries From accompanying documentation: 'B. Holl. 136; H. 190; BB 41-M; Etching on Ingres d'Arches off-white laid paper (watermark) with wide margins. From the Millennium Edition limited to 2500 examples. Plate Size: 3.5 x 3.25 in. Overall Framed Size: 22 x 22 x 1.5 in. Framed behind glass.
P.M. Caffyn (20th Century), a watercolour, A house and its courtyard, signed and dated 1990 to the lower left, framed, mounted, and under glass, 17cm x 24cm, & 33cm x 39cm overall, together with two other pictures, a monochrome etching of Arncliffe Bridge, after M. Duke Miller (20th Century), and a print of a watercolour depicting the same Yorkshire village
Walter Lishman (1900-1986), a monochrome etching, 'Durham Cathedral fr. Court Lane', signed to the lower right in pencil, framed, mounted, and under glass, 19cm x 28cm, & 33cm x 43cm overall, together with two other etchings of Durham, by the same artist, comprising 'Durham Castle & Cathedral fr. Framwellgate' and 'The Nave, Durham (Cathedral)'
Ca. 200-300 AD.Crafted from silver, this pendant exhibits a circular and flat form, distinguished by a serrated edge and a suspension loop positioned on the upper side. At the center of the pendant, a raised cell is discernible, possibly intended to accommodate an inset or precious gemstone. The focal point of this pendant is the delicate etching of a six-pointed star, expertly rendered within a circular border. Size: L:31mm / W:24mm ; 4.36g Provenance: Private London collection; formerly acquired in the US in the 1990s.
Rembrandt Harmenszoon van Rijn (1606-1669) was a Dutch painter and etcher, widely regarded as one of the greatest artists in European art history. He is known for his mastery of light and shadow, his ability to capture human emotions, and his profound understanding of human character. Here are some key points about Rembrandt:1. Early Life and Training: Rembrandt was born on July 15, 1606, in Leiden, Netherlands. He showed early talent in art and began his formal training at the University of Leiden before becoming an apprentice to a local painter. Later, he studied in Amsterdam under the renowned history painter Pieter Lastman.2. Painting Style and Technique: Rembrandt's painting style is characterized by his innovative use of light and shadow, known as chiaroscuro, which added depth and drama to his compositions. He employed a loose brushwork technique, often leaving visible brushstrokes that added texture and vitality to his works.3. Portraits and Self-Portraits: Rembrandt was renowned for his portraits, which captured the essence and individuality of his subjects. He had a remarkable ability to convey human emotion and psychology through his portraits, revealing the inner thoughts and feelings of his sitters. He also painted numerous self-portraits throughout his career, providing insight into his own self-reflection and artistic development.4. Biblical and Historical Scenes: In addition to portraits, Rembrandt also painted biblical and historical subjects. His religious paintings, such as "The Night Watch" and "The Return of the Prodigal Son," are characterized by their narrative power, emotional depth, and the way they explore the human condition.5. Etchings and Printmaking: Rembrandt was a skilled etcher and produced a large body of etchings during his career. His etchings, characterized by their intricate detail and expressive qualities, are highly regarded and considered among the greatest achievements in printmaking.6. Personal Life and Legacy: Rembrandt experienced both success and financial difficulties during his lifetime. He had numerous pupils and admirers, but his extravagant lifestyle and collecting habits led to financial strain. After his death, his works fell out of favor for some time but were rediscovered and celebrated in the 19th century. Today, Rembrandt's art is cherished for its technical brilliance, emotional resonance, and profound insights into the human condition.Rembrandt's ability to capture the essence of his subjects, his innovative use of light and shadow, and his mastery of various artistic techniques continue to inspire and influence artists to this day. His legacy as a master of painting and etching remains unparalleled, solidifying his place as one of the most important figures in the history of art.Measures 24 x 36 (image), 28 x 40 (framed).Sold "after"/in the style of Rembrandt.
Salvador DALI (1904-1989). "The Golden Fleece." Color etching from 1974. Signed "Dali" in pencil at the bottom right. Numbered 287/300. Dimensions 65 x 50 cm. This artwork is listed in the catalogue raisonne "The Official Catalog of the Graphic Works of Salvador Dali" on page 91, under number 14-16-A. - Weight: 4.60 kg - Shipping available - Region: Esapgne - Period: XXeme - Sizes: H 520 MM L 390 MM - At first glance: good condition - Author / artist: Salvador DALI - Object type: gravure
Jules DE BRUYCKER (1870-1945), etching L'Echauguette de Quai St-Pierre Gand, signed.Added: Albert Baertsoen etching signed and numbered 60/100Jules DE BRUYCKER (1870-1945), ets L'Echauguette de Quai St-Pierre Gand, getekendToegevoegd: ets Albert Baertsoen getekend en genummerd 60/10033.5 x 24 cm en 38.5 x 37.5 cm Provenance: private collection Alfred Vander Stegen, Belgian liberal, mayor of Ghent (1921-1946) and Philippe Vander Stegen (descendant)Provenance: privé collectie Alfred Vander Stegen, Belgisch liberaal, burgemeester Gent (1921-1946) en Philippe Vander Stegen (nazaat)
Lot of etchings Jules DE BRUYCKER (1870-1945), etching Ruelle, signed and Albert BAERTSOEN (1866-1922), Row of houses, signed and added chalk drawing 2 horsemen on horseback, signedLot etsen Jules DE BRUYCKER (1870-1945), ets Ruelle, getekend en Albert BAERTSOEN(1866-1922), Huizenrij, getekend en toegevoegd krijttekening 2 ruiters te paard, getekend39 x 27.5, 34 x 14, 37.5 x 36 cm
Jules DE BRUYCKER (1870-1945), etching Houses on the waterfront Ghent, signedadded drawing François PYCKE (1890-1960), signed and dated 1911Jules DE BRUYCKER (1870-1945), ets Huizen aan de waterkant Gent, getekendtoegevoegd tekening François PYCKE (1890-1960), getekend en gedateerd 191134.5 x 25 & 24 x 16 cm
Collection of etchings Jos Verdegem, De Cooman & Jacob Smits, etching 24/25 1st state, Baigneuses, signed and dated 1939, Etching 22/26, signed and dated, Etching, signedLot etsen Jos Verdegem, De Cooman & Jacob Smits, Ets 24/25 1e staat, Baigneuses, getekend en gedateerd 1939, ets 22/26, getekend en gedateerd, ets, getekend26 x 14, 22.5 x 32 & 21 x 26 cm
Clifford Montague (fl.1885-93), Stormy seascape with sailing vessels in a heavy swell, watercolour, bears a signature 'C. Montague', 23cm x 50cm, framed, together with Edgar James Maybery, (British, 1887-1964), 'Peter Pan, Kensington Gardens, London', etching, signed and titled by artist in pencil to lower margin, image size 33cm x 20cm, framed (2)
Willi Kissmer (German, 1951-2018), Rückenakt, colour etching, artist's proof, signed in the margin and inscribed in pencil, image size 34cm x 20cm, overmounted and framed. Provenance: Parkview Fine Paintings, Clifton, Bristol; sold together with sales invoice dated 01.02.97, two Willi Kissmer / Parkview Fine Paintings exhibition brochures, 1997 and 1999, and four postcards of the artist's work (a lot)
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