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Click here to subscribeâ–² Prunella Clough (1919-1999) 'Tip Landscape', 1960signed 'Clough' l.r., gouache over etchingplate 8.5 x 12.5cmProvenance: The Estate of Christopher Bangs.Condition ReportFramed: 27 x 27.5cmTime staining. Acid discolouration to the margins caused by the mount. Not viewed out of glazed frame.
â–² André Lhote (French, 1885-1962) Reclining nude etching, signed in pen l.r., numbered '11/100'plate 15.5 x 18.5cmCondition ReportFramed: 41 x 41cmA small black speck to the right margin l.c., and a small dirty mark to the margin in the upper left corner. On close inspection there are some very faint scratches visible to the background of the etching which are from the printing plate rather than a later issue with condition. The print itself is crisp and sharp. Not viewed out of glazed frame.
â–² Henry Moore OM CH FBA (1898-1986) 'The Artist's Hand II', 1979etching, signed 'Moore' in pencil l.r., numbered 'IX/X', printed on Rives by James Collyer and John Crossley, London, with printers' blind stamp l.r.sheet 37 x 50cm, unframedProvenance: Gifted to the present owner by the Henry Moore Foundation.'The Artist's Hand II' is an etching from the portfolio 'The Artist's Hand' which consisted of two etchings and three lithographs created from drawings that Henry Moore made of his own hands. The portfolio was produced in three different editions and the work offered for sale is from an edition of 10 portfolios numbered I/X to X/X.Condition ReportPlate 25 x 18.5cmMount: 45 x 53cmThere is a border of light discolouration where the work has been framed with a mount. Extremely slight cockling. The work has been hinge mounted with two pieces of tape applied to the reverse of the top edge. Overall, presents well.
â–² Dame Paula Rego RA (Portuguese-British, 1935-2022) 'Secrets & Stories'etching and aquatint on Arches wove, 1989, signed 'Paula Rego' in pencil l.r., numbered '4/50', printed by Culford Press, and published by the artist and Marlborough Graphics, Londonplate 33 x 51.5cmCondition ReportFramed: 63 x 80cmAppears to be in good condition. Well presented and ready to hang. Not viewed out of glazed frame.
Italian Grand Tour. Giovanni Battista Piranesi (1720-1778) - Veduta della vasta Fontana di Trevi anticamente detta l'Acqua Vergine, later 20th c impression of the 1751 original, blind-stamped lower-right margin, etching, 41 x 55.5cm, Giovanni Battista Falda (1643-1678) - Fontana su la piazza della Madonna dei Monti, Roma: published by Giovanni Giacomo de' Rossi, n.d. [1665-1691], etching, 22 x 29cm, [&] [Mantua] Jean de Beaurain (1696-1771) - Plan de la ville de Mantoue [...], map, Paris: s.n., n.d. [c. 1735-40], copperplate engraving, 47 x 57.5cm, (3) Unexamined out of frames. Piranesi good, the other two mixed, but OK-good.
Pictures and Prints. Trevor Hodgkinson, late 20th c - "Cleopatra", signed, titled and numbered 20/40 in pencil by the artist, etching, 10.5 x 12cm, another print by the same hand, 20th/21st c School - "Beach hut gossip", indistinctly signed and titled in pencil by the artist, artist's proof, screen print, 24 x 26cm, a similar work by the same artist, further prints, mixed processes and various sizes, (14) Good condition. Unexamined out of frames.
Harry Becker (1865-1928) -Tying Sheaves of Corn, monogrammed and dated 95 within the plate, lithograph, 24 x 33cm, Attributed to Harry Becker - Farm Laboureres Scything, drypoint etching, 16 x 14cm, with The Wildlife Art Gallery's catalogue: Harry Becker 1865 - 1928: From the artist's studio (Loftus family collection), October 2010, original wrappers, 4to, (3) The lithograph with visible signs of conservation following former damage, with further marks in places as evidenced by images; additionally, the sheet might have been trimmed, for some further examples of this shame lithograph bear the artist's pencil signature in the lower-left margin. The etching good condition. Catalogue OK, signs of handling.
Henry IV of France (1553-1610), an album of approx. 60 Old Master and other prints, 17th c and later, including two copies of Pierre-Etienne Moitte (1722-1780) after Nicolas Bernard Lépicié (1735-1784), Henri IV, the portrait in two states, one unlettered and presumably proof, etching and engraving, 26.5 x 18.5cm and 26.5 x 19cm, Pierre Duflos (1742-1816) after Jacques Louis Touzé (1747-1807), Henri IV, Roi de France et de Navare; Tiré du Ceremonial de l'Ordre du St. Esprit, s.l., s.n., n.d. [1780], copperplate engraving, contemporaneous watercolour and gouache hand-colouring, picked-out in gilt, 28 x 20.5cm, other portraits and profiles of the monarch, some medallic, three or four with images of other contemporary Bourbons, mixed medium and sizes, all mounted on wove paper leaves, 20th c limp calf wrapper, worn and stained, uncut edges, folio (34 x 25cm) The prints are in mixed condition, but generally good. The album binding worn.
Pictures and Prints. Arthur Willmore (1814-1888) after J. M. W. Turner RA (1775-1851) - Ancient Rome, n.d. [19th c], steel engraving, 22 x 27cm, another steel engraving after Turner, Dido Building, Carthage, 21 x 27cm, Henry Wilkinson (1921 - 2011) - Spaniels, signed within the plate, further signed and numbered 116/150 by the artist in pencil, etching, with colouring, 27 x 32cm, Orientalist School, 19th c - Desert Scene, watercolour, 21 x 21cm, Bowen's map of Lincolnshire, hand-coloured engraving, Hogarth-type frame, a Rowlandson restrike, two 18th c road maps, Victorian steel engravings, etc., mixed media and processes, various sizes and frames Both Turner steel engravings with foxed spots, more pronounced on the Roman scene. The Orientalist watercolour sketch with some stains.
Jenny Sanders, late 20th c - The Tower, St. Mary's Nottingham, signed, titled and numbered 1/50 in pencil by the artist, etching, with some colouring, 30 x 23.5cm, a further five prints by the same hand, including scenes of Venice and Cambridge, mixed sizes, (6) Good condition. Unexamined out of frames.
Adolphe Forestier (French, 1801-1885). Queen Victoria, bust-length portrait, etching with drypoint on vellum, engraved by Armand Mathey, signed by both the artist and the engraver at lower margins, 55 x 39cm, London: Henry Graves, 1897, framed & glazed A similar example can be found in the Royal Collection Trust [RCIN 630215]
Three frames of prints to include: Sallie Taylor (local, Cheltenham artist) 'North Sea', artist's proof print with another etching of a corn field below, frame size: 84 x 72 cm; with another print titled 'Burgh Staith' artist's proof and one other framed set of three prints probably by the same artist (3)
A group of fifteen prints and maps including local interest: After William Russell Flint (British, 1880-1969) - 'The Lisping Goddess', collotype reproduction from edition of 350 copies, printed 1968, 20 x 14 cm; After J.M.W. Turner (British, 1775-1851) - 'Folkestone from the Sea', London collotype edition (PP20/500), 68 x 48 cm, frame dimensions:76 x 96 cm; Vic Jellings - two prints of Wotton-under-Edge - 'The Rope Walk' print, signed and titled below; 'Church from Potters Pond' limited edition etching, signed and numbered 4/12 below; B. Downes - 'Christmas Eve, St. Mary's - Wotton', limited edition print signed and numbered 44/150 below; Two reproduction printed maps after John Cary (1754-1835) of Gloucestershire and Worcestershire; Edwin Penny (British, 1930-2016) - signed print published by Venture Prints, 1976, blindstamped below; framed print of an ink portrait study after Leonard da Vinci (1452-1519), marked 'ER VII' in print lower right; Set of three reproduction prints of engravings of Devon locations including Exeter, Dawlish and Torquay; together with six reproduction prints of coloured engravings of Gibraltar, frames in pairs, all framed and glazed (15)
Two folios of etchings and watercolours with and pencil drawing of Edward VI, to include: After Rembrandt Van Rijn (Dutch, 1606-1669) - 'The Omval', c.19th century drypoint etching on laid paper, 18 x 22.5 cm; two prints of an engraved naval battle scene; G.L. Stampa's 'Ideas of Comfort' for Comfort Soap, four prints; J. Chapman - Two hand-coloured engravings of camels, published 1799 and 1807, 19 x 24 cm each; 'Old Fountain in Convent St. Jean de Luz' (1902) watercolour on paper, titled, dated and initialled 'WSL' lower right; with a second folio of oil, watercolour and pastel studies, mostly of landscapes, including works by Robert A. Fraser, Ronald Kelly, Chas Fage, and others unsigned; together with Michael Macleod (20th/21st century) - 'Edward Vi at the age of six' after Hans Holbein's portrait at the New York Metropolitan Museum of Art, pencil on Indian paper, 24 x 30.5 cm
Six framed drawings, paintings and prints by different artists, to include: Anna Longridge - 'Chinese Palace' in the snow, watercolour, indistinctly signed Anna Longridge and inscribed verso; Two pastel portraits of dogs by the same artist, both signed indistinctly in pencil below, largest frame: 49 x 62 cm, framed as a pair; C. Dalio - 'Canale dei Miracoli', signed and dated '/10' below, with W.H. Patterson gallery label and 20th Annual Venice in Peril Exhibition invitation attached verso; Paris street scene with Hôtel des Invalides in the distance, oil on paper, initialled and dated 'S.M. 2000' below; together with a reproduction print of a drypoint etching titled 'Merry Cocker Spaniel' initialled 'GVS' in print, all framed (6)
Thomas Rowlandson (British, 1756-1827) - 'Sutton' an aquatint etching from the eight part series 'An Excursion to Brighthelmstone', drawn and etched by Rowlandson, tinted by Samuel Alken (British, 1756–1815), published June 1790 by G. G. J. & J. Robinson (London), 30 x 22.7 cm, glazed in Hogarth frame
David Dodsworth (British b. 1952) - Sonnara II -a carborundum etching with metal foil on embossed on handmade paper. A/P, titled and signed in pencil on margins. Framed. Measures approx. 106 x 60cm (41.5" x 24"). David Dodsworth (British, b 1962) is a contemporary artist working in a graphic medium of his own invention. After earning a Bachelor of Fine Arts degree, he set up a studio to experiment with printmaking methods and materials as well as paper-making. He works with thick paints, gold leaf, and other metals that he cuts with a jigsaw. He then casts his exotic papers and carborundum aquatint to develop original intaglio prints in a silicon carbide mixture built onto the surface of copper plates. His unique mixture he presses against the plate to obtain highly textured relief works of art. His imagery is basically abstract. Dodsworth has received a number of prizes – some in Japan and Germany. He was accepted into the Royal Society of Painter Etchers in England. Many large corporations throughout the world own his work-- especially in the U.S., Canada and Europe. Dodsworth is represented by the Park West Gallery, Southfield, Michigan. This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
David Dodsworth (British, b. 1952) - Sonnara I - A carborundum etching with metal foil on embossed on handmade paper. A/P, titled and signed in pencil on margins. Framed. Measures approx. 106 x 60cm (41.5" x 24"). David Dodsworth (British, b 1962) is a contemporary artist working in a graphic medium of his own invention. After earning a Bachelor of Fine Arts degree, he set up a studio to experiment with printmaking methods and materials as well as paper-making. He works with thick paints, gold leaf, and other metals that he cuts with a jigsaw. He then casts his exotic papers and carborundum aquatint to develop original intaglio prints in a silicon carbide mixture built onto the surface of copper plates. His unique mixture he presses against the plate to obtain highly textured relief works of art. His imagery is basically abstract. Dodsworth has received a number of prizes – some in Japan and Germany. He was accepted into the Royal Society of Painter Etchers in England. Many large corporations throughout the world own his work-- especially in the U.S., Canada and Europe. Dodsworth is represented by the Park West Gallery, Southfield, Michigan. This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
WILLIAM HENRY MARGETSON (1861-1940) TWO FRAMED COLOUR PRINTS IN GILT FRAMES, comprising 'The Sea Hath It's Pearls', and 'Flowers Of The Field', approximate diameter including frames 65cm, together with a Fred Stocombe etching 'The Rookery' signed and dated 1885 in the plate, approximate size 67cm x 43cm, Condition Report: the Margetson prints and frames are in good condition, the etching staining and discolouration to the paper (3)
A QUANTITY OF METAL WARES AND SUNDRY ITEMS ETC, to include brass kettles, candlesticks and vases, copper storage jars, wooden chip carved photo frames, distressed work box, Kodak and Voigtlander folding cameras, Chad Valley Bagatelle board, a Susan Paterson signed limited edition etching 'Sunlit Stream', fabric Asian style dolls, small quantity of vintage table linen etc
A QUANTITY OF FRAMED AND UNFRAMED PRINTS ETC, to include a late Victorian etching by Mark Fisher depicting a farmhand and companion with cows, Peter Bates boxed miniature cameos, Enid Elliot Linder silhouettes, framed miniature reproduction prints, unframed landscape prints, prints of model historic sailing ships, prints of 'Famous Indian Chiefs' by James L. Vlasty, prints on images on wooden blocks, assorted other prints etc (three boxes and loose)
A SMALL SELECTION OF PAINTINGS AND PRINTS, to include an oil on canvas after John Emms depicting a Pointer in a barn, approximate size 65cm x 27cm, Percy Robertson etching 'Piccadilly Circus', signed to lower margin, approximate size 19cm x 26cm including visible margins, an indistinctly signed watercolour depicting Valley Farm, Lamarsh in Suffolk, two signed Glyn Marsh prints of flowers etc
Henry Wilkinson (1921 - 2011), a springer, etching, signed in pencil lower right, numbered 155/200 lower left, 32 x 25cm, Pollyanna Pickering, study of dogs, colour print, 42 x 59.5cm, Nigel Hemming, study of dogs, colour print, 45 x 35.5cm, English School, study of two dogs, pastel, initialled lower right PSB, 29.5 x 37.5cm, English School, study of a dog and a cat, pastel, initialled lower right PSB, 41.5 x 31cm, all framed and glazed
A rare set of Napoleonic uncut playing cards, hand coloured etching, mounted, glazed and framed, published by Jeu des Drapeaux (Paris), circa 1816, each card 101 by 65mm - these famous playing cards were issued when Emperor Napoleon I returned to France after his brief exile on Elba. The deck commemorates his greatest battles, and the cards illustrate his troops and those of his enemies. Hearts depict the French, spades show English, Scottish and Irish troops. The Germans are diamonds and the Russian soldiers are clubs. The court cards have queens as female figures on the flags, the kings show Generals and their aids and the jacks portray single solders from their respective countries. The aces depict soldiers with cannon(s). The title card (missing from this print) has the names of all the great victories from Ulm to Moscow on the pillar.
Edgar Rowley Smart (1887-1934)"Somme"Signed and inscribed to plate, signed in pencil, etching, 24cm by 29.5cm; together with a further two etchings by the same hand, one depicting a horse crossing a bridge and the other a village scene, and a further two etchings by different hands to include a potrait of a gentleman in a cap and "Tom Wise's Shed" (5)
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![Pictures and Prints. Arthur Willmore (1814-1888) after J. M. W. Turner RA (1775-1851) - Ancient Rome, n.d. [19th c]](https://cdn.globalauctionplatform.com/f182e744-1453-4144-92fc-b14101065843/b36ddc52-3f1c-4612-a4b7-b141011946e0/468x382.jpg)
