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Click here to subscribeSalvador Dali (1904-1989)Don Quichotte (Field p.237)Etching, 1975, signed and inscribed 'E.A.' in pencil, one of 40 artist's proofs aside from the unnumbered edition of 149, on wove paper, printed by Sorini, published by a German Print Club, with margins, plate 390 x 295mm (15 3/8 x 11 5/8in) (unframed)This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Salvador Dali (1904-1989)The Old Hippy (Field 69-13A; M&L 384a)Etching with drypoint and handcolouring, 1969-1970, signed and numbered from the edition of 145 in pencil, on Arches wove paper, as included in 'Hippies', printed by Robbe, published by P. Argillet, Paris, with the Dali blindstamp, with full margins, plate 400 x 320mm (15 3/4 x 12 1/2in) (unframed)This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Rembrandt van Rijn (1606-1669) The Descent from the Cross: Second PlateEtching and engraving, 1633, a good but later impression of New Hollstein's eighth state (of eight), dark and evenly printed with Lamoureux's address on thick laid paper, small margins, sheet 527 x 407 mm (20 3/4 x 16 in), faint central horizontal fold with light scraping to lower corners with some minor damage outside the image, (unframed)Literature:Hind 103; New Hollstein 119 viii/viii
Salvador Dali (1904-1989)Passiflore (Passion Flower) (Field 68-3H; M&L 235c)Etching with drypoint and pochoir in colours, 1968, signed and numbered from the edition of 175 in pencil, on japan nacré paper, as included in 'Floradali', printed by Ateliers Rigal and Ateliers d'Art I'Ibis, published by Werbungs- und Commerz Union Anstalt, Basel, with full margins, plate 585 x 385mm (23 x 15 1/8in) (unframed)Saleroom notice: the image shown in the online listing is the correct image for this lot.This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Antony Gormley (b.1950)Feeling MaterialEtching printed with tone, 2014, signed and numbered from the edition of 100 in pencil verso, on Somerset cotton rag paper, housed within the original black cloth portfolio, with full margins, sheet 310 x 274mm (12 1/2 x 10 7/8in) (unframed)This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
David Hockney (b.1937)The Buzzing of The Blue Guitar (M.C.A. Tokyo 185)Etching with aquatint printed in colours, 1976-77, signed and numbered from the edition of 200 in pencil, on wove paper, as included in the portfolio 'The Blue Guitar', published by Petersburg Press, London and New York, with full margins, sheet 525 x 456mm (20 5/8 x 18in) (unframed)This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Salvador Dali (1904-1989)Napoleon (Field 70-8; M&L 430b)Etching printed in sepia, 1970, signed and numbered in numerals from the edition of 125 in pencil, on Auvergne wove paper, printed by Ateliers Rigal, published by Werbungs- Und Commerz Union Anstalt, Basel, with full margins, sheet 395 x 295mm (15 1/2 x 11 5/8in) (unframed)This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Salvador Dali (1904-1989)Babaouo (Field 78-2; M&L 932d & 1543-1549d)The book, 1978, comprising one etching printed in colours and 7 woodcuts, numbered from the total edition of 395 on the justification, this example from the edition of 190 on Arches wove paper, with text, title and justification pages, the etching printed by Jean Capelle, Samois, the woodcuts printed by Guy Descuens, Mahan, bound as issued in the original embossed and gilded boards, together with the red slipcase, published by Le Centre Cultural de Paris, overall 395 x 295mm (15 1/2 x 11 5/8in) (vol)
Rembrandt van Rijn (1606-1669) The Death of the VirginEtching with drypoint, 1639, a very good but slightly later impression on thick buff laid paper without watermark, New Hollstein's fourth state (of five), before later reworking, platemark 410 x 312 mm (16 1/8 x 12 1/4 in), sheet 417 x 322 mm (16 3/8 x 12 3/4 in), trimmed just within the lower edge platemark, some minor spotting and light browning (unframed)Provenance:Anonymous and largely indistinct blue ink stamp of 'Seine Colportage' verso, probably 19th century, [Not in Lugt]Literature:Hind 161; New Hollstein 173 v/vi
Henry Moore (1898-1986)Reclining Figure; Two Reclining Figures; Reclining Figure 5 (Cramer 423, 466, 476)Etching and aquatint, and two etchings, 1976-1978, each a proof aside from the editions of 100, and one the only proof (of two) on Richard de Bas paper, each with full margins, the sheets various sizes (3) (unframed)Saleroom notice: Cramer 476 is a proof aside from the edition.This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Marc Chagall (1887-1985)Le Pierrot (Cramer 34)Etching, 1968, signed and numbered from the edition of 50 in pencil, on Japon nacre paper, with full margins, sheet 758 x 550mm (29 7/8 x 21 5/8in) (unframed)This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Jim Dine (b. 1935)Watercolour Marks (Kerns 163)Etching hand-coloured extensively in watercolour, 1973, signed, dated and numbered from the edition of 55 in pencil, on American Etching paper, printed by Alan Uglow and Winston Roeth, published by Petersburg Press, New York, the full sheet, 1105 x 840mm (40 x 33in) (unframed)
Joan Miro (1893-1983) (after)Le Moulin à Café (Maeght 1701)Etching with aquatint printed in colours, 1954, signed, dated and numbered from the edition of 300 in pencil, on BFK Rives wove paper, published by Maeght Editeur, Paris, with full margins, plate 492 x 565mm (19 3/8 x 22in) (unframed)This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Rembrandt van Rijn (1606-1669) The Beheading of John the BaptistEtching and drypoint, 1640, a good albeit lightly printed impression of New Hollstein's first state (of three), before reworking by another hand, on laid paper with a foolscap watermark with seven pointed collar, trimmed to or on the platemark, sheet 127 x 103 mm (5 x 4 in), minor cockling to sheet, some spotting and minor surface dirt, small repaired nick to upper left edge, (unframed)Literature:Hind 171; New Hollstein 183 i/iii
Pablo Picasso (1881-1973)Groupe de Trois Femmes Deux Femmes regardant un modele nu (Bloch 57; Baer 102 Vl)Etching with drypoint, 1922-23, signed and numbered from the edition of 100 in pencil, on cream laid paper, published by M. Guiot, Paris, with full margins, sheet 178 x 130mm (10 7/8 x 5 1/8in) (unframed)This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Salvador Dali (1904-1989)Off to Battle (Field 80-1L)Etching with aquatint printed in colours, 1980, signed, inscribed 'G' and numbered from the edition of 125 in pencil, on Arches wove paper, as included in 'Historia de Don Quichotte de la Mancha', published by Levine and Levine, New York for DALART, with the DALART NV blindstamp, with full margins, plate 400 x 445mm (15 3/4 x 17 1/2in) (unframed)This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Rembrandt van Rijn (1606-1669) Samuel Manasseh Ben IsraelEtching, 1636, a good but slightly later impression of New Hollstein's third state (of five), before further reworking, on cream laid paper with watermark initials 'DM', platemark 149 x 103 mm (5 7/8 x 4 in), sheet 164 x 115 mm (6 1/2 x 4 1/2 in), some spotting and minor surface dirt, (unframed)Literature:Hind 146; New Hollstein 156 ii/iii
Rembrandt van Rijn (1606-1669) Joseph and Potiphar's WifeEtching and engraving, 1634, but a slightly later impression on laid paper without watermark, New Hollstein's third state (of four), before later reworking, platemark 91 x 114 mm (3 5/8 x 4 1/2 in), sheet 107 x 128 mm (4 1/4 x 5 in) (unframed)Provenance:Anonymous and largely indistinct blue ink stamp verso, probably 19th century, [Not in Lugt]Literature:Hind 118; New Hollstein 128 iii/iv
Salvador Dali (1904-1989)The Spinning Man (Field 80-1D)Etching with aquatint printed in colours, 1980, signed, inscribed 'G' and numbered from the edition of 125 in pencil, on Arches wove paper, as included in 'Historia de Don Quichotte de la Mancha', published by Levine and Levine, New York for DALART, with the DALART NV blindstamp, with full margins, plate 400 x 445mm (15 3/4 x 17 1/2in) (unframed)This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Rembrandt van Rijn (1606-1669) The Flight into Egypt: Crossing a BrookEtching, engraving and drypoint, 1654, a good impression printing with burr in the lower left corner, on laid paper without watermark, New Hollstein's only state, before the scratch on the Virgin's lap, platemark 95 x 145 mm (3 x 2 1/2 in), sheet 102 x 151 mm (4 x 6 in), one small carefully repaired tear in the left hand quadrant, minor spotting and handling creases, (unframed)Literature:Hind 276; New Hollstein 277
Salvador Dali (1904-1989)Sous le Pin Parasol (Field 70-10I; M&L 414a)Etching printed in colours, 1970, signed and numbered in numerals from the edition of 85 in pencil, on japan paper, as included in 'Tristan et Iseult', printed by Ateliers Rigal, published by Pamela Verlag, with full margins, plate 400 x 265mm (15 3/4 x 10 3/8in) (unframed)This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Rembrandt van Rijn (1606-1669) Peasant in a High Cap, Standing Leaning on a StickEtching, 1639, a very good but slightly later impression of New Hollstein's second state (of two), evenly printed with the two dots in the upper right corner on laid paper without watermark, platemark 82 x 45 mm (3 1/4 x 1 3/4 in), sheet 92 x 54 mm (3 5/8 x 2 1/8 in) (unframed)Literature:Hind 164; New Hollstein 178 ii/ii
After E P Kinsella (early 20th century British) - Two humorous coloured cricketing prints - The Hope of his Side and Out First Ball, 34 x 21cm, together with Michael Blacker black and white etching of a man and a child beside a caravan, signed, two 19th century botanical engravings, etc, various sizes, all framed
Carolyn Sergeant, nee Cann (1937-2018) - Study of a rose branch with rose hips, watercolour, signed Cann and dated 65, 21 x 16cm, together with further pictures including an abstract oil on paper, study of a stretching figures in the manner of Keith Vaughan, inscribed KV, dated 64, 20 x 13cm approx, a black and white artists proof etching of a still life with fruit bowl by Gillian Waite, a lithograph after Andre Masson - Artemis and Zeus, etc
France Hilon (20th century) - A moonlit landscape with horses, coloured etching, signed, edition number 1/15, 41 x 50cm visible sheet size, together with Meyrick (20th century) - Greek landscape with ewer, coloured lithograph, signed, edition number 2/50, 48 x 60cm approx sheet size, also together with after William Blake (18th century) - The Progress of Poesy, coloured print, 41 x 31cm, all framed
PIERRE-FRANCOIS (FRENCH 1723-1797) AFTER REMBRANDT VAN RIJN Agony in the Garden, 1663, published in Recueil circa 1810 etching full sheet measuring 11.8 x 9.2 cm (4 5/8 x 3 5/8in), plate mark 11.3 x 8.4 cm (4 1/2 x 3 1/4in) signed and dated lower right This lot is being sold without reserve.
A PAINTING BY ALEXANDER ZAKHAROV (RUSSIAN B. 1960), SOLD TOGETHER WITH AN ETCHING comprising:a) Dream of Catching the Big Fish, 1999, acrylic on board, 151.5 x 105 cm (59 5/8 x 41 3/8 in.), monogrammed and dated lower rightb) Flight, 1999, plate mark 29.7 x 50 cm (11 3/4 x 19 3/4 in.), signed, dated, titled, and inscribed with edition along lower edge, monogrammed and dated in platePROVENANCEMimi Ferzt Gallery, New York (label on verso)
Sword: An 1827 Pattern Volunteers Rifles Sword. Blade 35". Ricasso marked 'J & B Johnstone, Sackville Street. London & Dublin'. Clean blade with Rifle Volunteers etching. Wirebound fishskin grip. Steel guard with VR Cypher & strung bugle. In its steel scabbard. The whole in good condition for its age. A 'sleeper'.
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