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Lot 196
δ Eduardo Paolozzi (1924-2005)UntitledUnique photo-etching, 1970, signed and dated in pencil, inscribed Artist's Proof, on wove paper, with margins, plate 255 x 360mm (10 x 14in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 2
Rembrandt van Rijn (1606-1669)The Raising of Lazarus: the Small PlateEtching with touches of drypoint, 1642, a good impression of New Hollstein's second state (of two) on laid paper without watermark, thread margins, indistinct collector's note verso, small loss to corner in upper right margin with fine tear, other old small repaired nicks, small loose paper tipped at centre on support, sheet 154 x 116 mm (6 x 4 1/2 in) (unframed)Literature:Hind 198; Hind New Hollstein 206 ii/ii
Lot 202
Claire Falkenstein (1909-1997)Struttura Grafica, Three PlatesThree engravings, with relief, etching and aquatint printed in colours, 1963, each signed in pencil, numbered from the edition of XXX, on C.M.Fabriano wove paper, with full margins, each sheet 694 x 496mm (27 ¼ x 19 ½ in) (3) (unframed)Claire Falkenstein was an American sculptor, painter, printmaker and jewellery designer. She taught for a time at the California School of Fine Arts alongside Clyfford Still and Richard Diebenkorn, and 1950 she moved to Paris where she studied engraving under Stanley William Hayter at Atleier 17 after it had re-located to Paris post war. Whilst at Atelier 17 she worked alongside Jean Arp, Alberto Giacometti Sam Francis and Paul Jenkins, and it was there that she became most associated with Art Informel. One of her most recognisable works are the New Gates of Paradise which were commissioned by her friend Peggy Guggenheim for the entrance to her Palazzo on the Grand Canal, now known as the Guggenheim Venice.
Lot 281
δ David Hockney (b.1935)A Wooded Landscape (Tokyo 72)Etching, 1969, from the unsigned edition of 400, proofed by Maurice Payne, printed by Piet Clement, published by Petersburg Press and Kasmin Gallery, London, on W.S. Hodgkinson wove paper, with full margins, sheet 455 x 310mm., (17 7/8 x 12 ¼ in.)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 282
δ David Hockney (b.1935)Home (Tokyo 84)Etching, 1969, signed in pencil on a separate justification sheet, from the unsigned edition of 400, proofed by Maurice Payne, printed by Piet Clement, published by Petersburg Press and Kasmin Gallery, London, on W.S. Hodgkinson wove paper, the full sheet printed to the edges, sheet 455 x 310mm., (17 7/8 x 12 ¼ in.)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 283
δ David Hockney (b.1937)An Erotic Etching (Scottish Arts Council 172)Etching, 1975 signed in pencil, numbered from the edition of 100; and Allen Jones, Navajo Jacket (Lloyd 68) screenprint in colours, signed dated and numbered from the edition of 100 in pencil, both included within the book Peter Webb. The Erotic Arts, with title-page, text and justification, within the original green morocco gilt boards, overall size δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 292
δ Damien Hirst (b.1965)The Wonder of You, Your SmellEtching printed in colours, 2015, signed in pencil, numbered from the edition of 55 in pencil verso, on wove paper, printed and published by Charles Booth-Clibborn under his imprint The Paragon Press, the full sheet, 920 x 670mm (36 1/4 x 26 3/8in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 293
δ Damien Hirst (b.1965)The Wonder of You, Your TasteEtching printed in colours, 2015, signed in pencil, numbered from the edition of 55 in pencil verso, on wove paper, printed and published by Charles Booth-Clibborn under his imprint The Paragon Press, the full sheet, 920 x 670mm (36 1/4 x 26 3/8in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 313
δ Chris Ofili (b.1968)UntitledEtching with aquatint printed in orange, 2000, signed and numbered from the edition of 100 in pencil, on Hahnemühle wove paper, as included in the Cubitt Portfolio, with full margins, sheet 260 x 210mm (10 1/4 x 8 1/4in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 335
δ Dieter Roth (1930-1998)Kuchen (Cake) (Dobke 148)The rare etching, 1970, signed, dated and numbered from the edition of 30, one of only 15 impressions printed in black ink, there were a further 15 impressions printed in relief in white on black paper, printed by H. Badetzko, Düsseldorf, published by Gallery Wilbrand, Cologne, on wove paper, with full margins, sheet 530 x 775mm (20 7/8 x 30 ½ in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 371
δ Harland Miller (b.1964)Five Ring Circus-It's All Fun and Games Till Someone Loses an EyeGiclée print in colors, 2012, signed, dated and numbered from the edition of 50 in pencil, on German etching paper, published by Ingleby Gallery, Edinburgh, the full sheet, 990 x 660mm (37 7/8 x 26in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 4
Rembrandt van Rijn (1606-1669)A Blind Hurdy-Gurdy Player and Family Receiving Alms Etching and drypoint, 1648, but a later very well inked and bold impression, New Hollstein's third state (of five) on laid paper without watermark, platemark 165 x 130 mm (6 1/2 x 5 1/8 in), sheet 180 x 143 mm (7 x 5 5/8 in), marginal loss to upper corners restored, expert restoration to areas of surface abrasion and fine perforations to the sheet (unframed)Literature:Bartsch 176; New Hollstein 243 iii/v
Lot 40
δ Salvador Dali (1904-1989)The Cycles of Life. Reflections (Field 79-C)Etching with lithograph printed in colours, 1979, signed in pencil, numbered from the German edition of 125, published by Graphos Verlag, Germany, on BFK Rives paper, with full margins, sheet 615 x 440mm (14 ¾ x 21 7/8 in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 44
δ Salvador Dali (1904-1989)Venus (Field 74-17-A; M&L 677e)Etching, 1971, signed, inscribed 'H.C' and numbered in roman numerals in pencil from the edition of 25, on Richard de Bas paper, printed by Ateliers Rigal, published by Mouret, Paris, with full margins, sheet 790 x 575mm (31 x 22 5/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 47
δ Salvador Dali (1904-1989)Ananas (Field 67-11)Photolithograph with etching, 1967, signed in pencil, numbered from the edition of 175, published by Les bibliophiles de l'Union Française, Paris, on Japon nacré paper, with full margins, 590 x 388mm (23 ¼ x 15 ¾ in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 49
δ Salvador Dali (1904-1989)Don Quichotte and Sancho Panza (Field 68-1)Etching with aquatint printed in colours, 1968-80, the second state with the aquatint, signed in pencil, numbered from the edition of 200, on Auvergne wove paper, with full margins, 495 x 390mm (19 ½ x 15 3/8 in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 5
Rembrandt van Rijn (1606-1669)Lieven Willemsz van Coppenol, Writing Master: The Larger PlateEtching, engraving and drypoint, circa 1658, but a later impression of New Hollstein's eighth state (of nine), on thick fibrous laid paper without watermark, sheet 141 x 131 mm (5 1/2 x 5 1/4 in), trimmed just within the plate (unframed)Together with:'The Pancake Woman', etching, 1635, but a later impression of New Hollstein's final state (of seven), on thin laid paper without watermark [AND] 'The Tribute Money', etching, circa 1634, but a later impression of New Hollstein's third state (of three), on thin laid paper without watermark (unframed) (3) Literature:New Hollstein 306 viii/ix; 144 vii/vii; 138 iii/iii
Lot 67
δ Pablo Picasso (1881-1973)Negre (Bloch 633, Baer 841)Etching, 1949, signed in pencil, one of 16 proofs with the corrected title-page for the book Corps Perdu as cited by Baer in volume V of her catalogue, as included on a folded sheet of Montval wove paper, with full margins, 390 x 570mm., (15 3/8 x 22 ½ in.) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 7
Rembrandt van Rijn (1606-1669)A Beggar Woman Leaning on a StickEtching, 1646, but a later slightly faint and delicate impression of New Hollstein's fourth state (of five) on ivory laid paper, platemark 82 x 66 mm (3 1/4 x 2 1/2 in), sheet 86 x 70 mm (3 1/2 x 2 3/4 in), thinning to platemark indentation at lower left corner, expertly repaired (unframed)Literature:Hind 219; New Hollstein 229 iv/v
Lot 76
δ Pablo Picasso (1881-1973) after.BethsabéEtching with aquatint printed in colours, circa 1960, signed in pencil, the edition was 300, printed by Atelier Crommelynck, with their blindstamp, on BFK Rives paper, with full margins, sheet 455 x 560mm, (17 3/4 x 22in)(unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 77
δ Pablo Picasso (1881-1973)Balzac (Bloch 713)Etching, 1952-61, with the stamped signature, numbered from the edition of 50, published by Galerie Louise Leiris, Paris, on laid paper, with full margins, sheet 356 x 530mm., (14 x 20 7/8 in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 78
δ Pablo Picasso (1881-1973)Homme Assis Près d'une Femme Allongée (Bloch 1456)Etching, 1967, with the stamped signature, numbered from the edition of 50, published by Galerie Louise Leiris, Paris, on wove paper, with full margins, sheet 446 x 559mm., (17 ½ x 22in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 94
δ Marcel Duchamp (1887-1968) and Jacques Villon (1875-1963)La Mariée (The Bride) (Ginestet et Pouillon E672)Etching with aquatint printed in colours, 1934, signed by both Duchamp and Villon, also titled in English by Duchamp, numbered from the edition of 200, published by Galerie Bernheim-Jeune, Paris, on wove paper, with full margins, sheet 711 x 533mm (28 x 21in) Jacques Villon (Gaston Duchamp) was the elder brother of Marcel Duchamp and a master printmaker, at the behest of Gelerie Bernheim-Jeune he produced and number of aquatints reproducing important works of the day by artists including his brother Marcel Duchamp, Henri Matisse, Amedeo Modigliani, Pablo Picasso, and others. In the most past these incredible aquatints were produced with the artist who had originally conceived the work and often works were signed by both aritsts.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
![Cecil Aldin [1870-1935]-Terrier in a chair,:-etching, signed and numbered 72/100 in pencilimage size 25 x 19cm.](https://cdn.globalauctionplatform.com/b62c9512-977a-47ad-a541-abde0119dcc2/4c9062a4-682f-42c3-8c59-abfa0101d0a6/468x382.jpg)
Lot 1674
James Gillray (British 1756-1815) - Sans Culottes - Feeding Europe with the Bread of Liberty, monochrome caricature etching published by H Humphrey 1793, 31 x 36.5 approx visible sheet size together with Britannia Between Scylla & Charybdis, published by H Humphrey 1793, 31 x 37cm approx visible sheet size, both framed (2)
Lot 1675
James Gillray (British 1756-1815) - Sin, Death and the Devil, Vide Milton, monochrome caricature etching published by H Humphrey 1792, 32.5 x 41cm approx visible sheet size, together with the Pacific Entrance of Earl Wolf into Black Haven, published by H Humphrey 1792, 38 x 53.5cm approx visible sheet size, both framed (2)
Lot 1677
James Gillray (British 1756-1815) - A True British Tar, monochrome caricature etching, published by H Humphrey 1795, 32 x 22cm approx visible sheet size, together with Improvements in Weights and Measures, monochrome caricature etching, published H Humphrey 1798, 36.5 x 26.5cm approx visible sheet size, both framed (2)
Lot 1678
James Gillray (British 1756-1815) - After Charles Loraine Smith (British, active 1762 - 1803) - French Volunteers Marching to the Conquest of Great Britain, coloured etching, published October 25th 1803 by H Humphrey, with incorporated initials C L S, 21 x 61.5cm approx visible sheet size, framed
Lot 172
DESCRIPTION: Giovanni Batista Piranesi (Italy, 1720-1778). Etching on laid paper. Veduta del Castello dell'Acqua Paola sul Monte Aureo." With center fold crease. In archival frame. MEASUREMENTS: Plate 15-2/3" high x 24-1/2" high; paper 19-3/4" high x 38-1/3" wide; overall with frame 24" high x 62" wide. CONDITION: Even overall toning as expected with age. IMPORTANT: Before bidding, please read the terms and conditions. When you registered for the auction you agreed to these terms and will be required to comply with them.
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78391 item(s)/page