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Lot 204

Phil Greenwood (b. 1943), Sky Anvil, etching and aquatint, signed by the artist 60x71cm

Lot 327

Herbert Dicksee (1862 - 1942) "Ready" etching, HD 1928, 54cm x 33cm

Lot 444

Slightly curved single fuller blade, nickel plated and etched on right side “PRESENTED/TO SERGT. CHARLES/T. CAHILL/5TH SECTION/INFANTRY” in a panel on a gold background surrounded by military motifs and at top, the other side etched “ANCIENT/AND HONORABLE/ARTILLERY/CO.” with scrolls, military motifs and marked at top “E.O./BERTEL/BOSTON/MASS.” Nickel-plated guard with relief cast Acanthus leaves on each branch and relief sun bursts and stars on both sides of guard with Bakelite grip; pommel with relief wreaths. Nickel plated scabbard large relief eagle between ring mounts and relief engraved drag. Excellent condition, blade with a few light marks from scabbard and some light rust specks, gold wash on etching partially worn off, hilt shows light oxidation and grip has tuned brown. Scabbard with scattered rust spots and missing much of the nickel plating. Blade Length-31-3/4"; Overall Length-37";

Lot 634

Manufactured by Colt to celebrate 100 years of service. Manufactured in 2011, standard features include 5" barrel, blued finish, semi automatic, fixed sights, gold medallion grips, chambered for the .45 ACP cartridge, this special edition features engraved etching on left side of slide with gold inlay pony 1911 - 2011. Gold Colt on left rear, right side of slide has gold pony at rear, gold banner reads 100 Years of the Model 1911. Has all early features including checkered short wide spur hammer, slide lock and safety, long smooth trigger, U-notch rear sight, flat main spring housing with lanyard loop. Gun remains in new unfired condition with the special high polish Colt blue finish. Comes in the original box, with all paperwork, one extra magazine, also comes with a glass front red velvet line display case. Serial Number-19110591; Manufacturer-Colt; Model-1911; Caliber-.45 A.C.P.; Barrel Length-5"; FFL Status-Modern;

Lot 903

The capstan is small on a pommel that is surmounted with a heavy teardrop that bears nice molding. The raised edges are prevalent throughout the stately hilt. Stirrup knuckle bow has two half-moon buildups at its origin and a heavy line, which blends with the backstrap, and is carried into the slotted counter guard. The slots are bridged by circles of heavy silver and marked on the upper portion of the guard “I B” in Roman, capitals surmounted by crown in a conforming punch and on the underside of the knuckle bow is a different hallmark, “I B” in a rectangular punch separated with a crown bearing more lobes above. The grips are completely covered with four strands of chevron-shaped twisted wire in between each flat band. There is a red felt buffer between the hilt and the blade. The straight tapered spadroon blade has a broad center fuller and a smaller rudimentary fuller. The etching on the blade is vine work with a crude patriotic eagle and stars around the head and a stand of arms on both sides. Hilt: 5-1/4”. Total: 32”. Copy of "American Silver-Hilted Revolutionary and Early Federal Swords by Daniel Hartzler", featuring this sword will be included. Sword is featured on page 437, figure 392. Excellent condition; blade retains about 40% blue finish with traces of guilt, especially near top, some scattered dark areas in unblued portion. Hilt and grip are excellent, knuckle bow with a few light marks and slight bend near pommel intersection. Blade Length-29"; Overall Length-35";

Lot 1156

Features round high polish factory blue barrel with no provision for sights, blued J.P. Sauer action, French satin nickel hand engraved trigger guard and floorplate with etching of a wolf and engraver's initials, typical Weatherby stock with diamond skip checkering, contrasting forend and grip cap with solid white diamond, and solid red rubber pad. The floorplate and triggerguard were engraved by Belgian master engraver Paul Dubois. The stock is inletted with exotic three different wood panel on right side and all three sides of the forearm. Rifle sports a Weatherby Imperial 6x62 scope with engraved rings. Notwithstanding some minor storage wear on scope, rifle is in near new condition inside and out. Serial Number-S4855; Manufacturer-Weatherby; Model-MKV Varmintmaster; Caliber-.224 Magnum; Barrel Length-24"; FFL Status-Modern;

Lot 233

AFTER JAMES ABBOTT MCNEIL WHISTLER A late 19th century scene of Old Fulham Toll Bridge as seen from the Chelsea embankment, an Etching, 13cm x 20cm plate mark, signed with butterfly device within the plate, plain mounted in slender black frame

Lot 139

WILLIAM LIONEL WYLLIE: published 1903, a print of an etching of an industrial harbour scene, pencil signed, 23 x 43cm

Lot 101

A signed Percy Robertson etching and a coloured engraving of Lichfield Cathedral after Mackenzie

Lot 1798

Henry Rushbury, 'Stirling Castle' signed, etching, pl.20 x 30cm; together with another pencil signed etching; an old map of Sussex; and another.

Lot 331

A good antique 19th century etching titled 'HMS Victory At Rest, Portsmouth Harbour.' By CE Holloway. Framed and glazed, 68cm x 78cm 

Lot 245

Hedley Fitton (1859-1929), etching of Rialto Bridge Venice, signed in pencil in the margin, approx 33 x 37 cms

Lot 250

Miscellaneous Pictures and Prints, including etching of 'The Chapel' at Haddon Hall, 'Sophie' by Owen Smith, 'Boats at Low Tide' J S Coleman, two black and white etchings of Ancient Cities, 'Autumn' B. Judge, two watercolours by Hindes dated 1981 and two original watercolours of Anenome's amongst others, all framed and glazed.

Lot 204

ANDERS ZORN (1860-1920) Julli II Etching, signed in pencil and framed, 19cm x 15cm and another etching of a gentleman by Zorn, unframed 16cm x 12cm (2)

Lot 219

EILEEN ALICE SOPER (1905-1990) Patience Signed in pencil, etching, 12cm x 10cm CONDITION REPORT: Paper slightly yellow. Blind stamp to mount. Frame scuffed, Etching good condition.

Lot 285

MEYER EBERHARDT (1895-1977) Little Kittens Colour etching, signed in pencil, 26cm x 36cm CONDITION REPORT: Glass damaged

Lot 284

MEYER EBERHARDT (1895-1977) Mother and Kitten Colour etching, signed in pencil, 23cm x 20cm

Lot 281

WINIFRED AUSTIN BudgerigarsAquatint etching, signed in pencil, 20cm x 27cm CONDITION REPORT: Frame is quite tatty. Some foxing to edge of picture. Slip is damp. Mould growing beneath glass. 'Lice' beneath glass.

Lot 593

SIR FRANK BRANGWYN (1867 - 1956); a signed black and white etching, "Making Sailors: Duff", from the 1917 series "The Great War: Britain's Efforts and Ideals", signed in pencil to lower right, 49 x 38cm, framed and glazed. (D) CONDITION REPORT: Some foxing to bottom of print, especially around the signature - top right hand corner slight ripple to paper.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

Lot 689

CLAUDE HARRISON (1922-2009) ARCA, RP; oil on canvas portrait of Lily Shawcross, scratched signature to lower left, inscribed to the verso, 44.5 x 34cm, framed also a watercolour by H. Lawes "The Minor's Bridge", stream scene with mountainous landscape, 24.5 x 37cm, a decorative floral oil, a signed print by K. Melling, and an etching, framed and glazed (5). (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

Lot 370

Paul Cézanne (French, 1839-1906), etching, Guillaumin au Pendu, 1873, 158 x 119 mm.

Lot 319

William Lionel Wyllie (English, 1851-1931) "Aberdeen", Etching depicting steamboats in a harbour, signed lower left in pencil to the margin, W.R. Howell & Co., London Gallery label verso, gilt framed and glazed, 16cm x 37cm

Lot 322

Frank Harding (British, 1935-1990) "Cleopatra's Needle", drypoint Etching, depicting various boats and figures on the Thames before Cleopatra's Needle, annotated and signed to the margin in pencil, black framed and glazed, 25cm x 29.5cm

Lot 328

Douglas Ion Smart (British, 1879-1970) "Berwick" and "Woolwich", a pair of monochrome Etchings, signed within the margins, together with Frank Henry Mason (British, 1876-1965), "HMS Ganges II, Harwich", monochrome Etching annotated and signed in the margin in pencil, 11cm x 24cm (3)

Lot 360

Andrea Mantegna (Italy, 1431-1506) "Head and Shoulders of an Unidentified Man" in profile to right, a shadow on the right; after Mantegna 1735, Etching printed in brown ink, AP Monogram dated 1735 lower right and annotated "E Musaeo Dni. Roberti Dingey", then the owner of the original drawing now in the British Museum, gilt framed and glazed, 21.5cm x 16.5cm

Lot 398

Early 19th Century English School hand coloured Etching "The Chateau Du Chillon", Miles Wynne Cato Gallery label verso, ornate gilt framed and glazed, 25cm x 35.5cm

Lot 472

Architectural Water Colours & Etchings of W. Walcot , (H C Dickins, London and New York 1919) brown cloth cover with gilt, limited edition number 222 of 250 with an original etching signed in pencil by the artist together with its 1991 bill of sale for £275 from Henry Sotheran Ltd.

Lot 139

William Lionel Wyllie (1851-1931). Battleships at sea, artist signed etching, 13cm x 24cm Provenance: Butterfields, Thoresby Park, Nottinghamshire Removed from Thoresby Hall in 1988, but not sold by Sothebys 29th May/1st June 1989

Lot 181

Stuart Asher (20thC). Abstract, artist signed etching, 32cm x 26cm, and four other works by the same artist.

Lot 69

John Sell Cotman (1782-1842). A Study, etching, 16cm x 21cm. Label verso - William Weston Gallery, London

Lot 15

Henry Rushbury (1889-1968) Paris, etching, signed in pencil below, 23 x 32cm (image; slightly foxed); Peter Foster, 'Abandoned Project for the Bird-Keeper's House in St James's Park', watercolour design with vignette to lower right of mount, 'exhibited R.A. 1955', 27 x 39cm;and one other watercolour design for a primary school by Foster, exhibited R.A. 1963 (3)

Lot 17

James Gillray A Welch Tandem Etching with hand colouring, originally published 1807, by H Humphrey, pl. no. 501 to upper right corner 26 x 36cm (10 x 14in)

Lot 3

A mixed collection of loose and mounted prints, to include three small animal subject wood engravings by Joan Hassall, signed in pencil and titled; another on india paper by Clare Leighton 'Sunflowers' signed and numbered XIV/XXX, (11 x 6cm); E. J. Story 'Low Tide Polperro', etching, 25 x 20cm; and others including earlier etchings by different hands; also a late 19th century sketch book for 'Thomas Seccombe', and a roll of signed posters by Birtley Aris (quantity)

Lot 31

"Plan of an Estate belonging to the Master and Fellows of Caius College Cambridge, situate in the Parishes of South Runcton and Holme", 1820, pen and ink plan on linen with little outline colour, by Charles Barcham, Lynn, 33 x 44cm, (rather creased, 2 soil marks to lower margin); and an early etching 'Ground Plat of Kings Lyn', after I. Bell, (fold creases), 33 x 42cm (2)

Lot 4

After James Gillray (1757-1815) Dido in Despair, 19th century hand coloured etching [originally published 1801 by H. Humphrey in a larger size], 18 x 25cm (7 x 10in)

Lot 6

Andrew Ingamells (contemporary), Magdalene College, Cambridge, etching, signed limited edition no. 42 of 175, 71 x 65cm (28 x 25in) few surface creases, and small stain to side of upper left margin

Lot 123

Michael Rothenstein, R.A. (British, 1908-1993): 'Two Black Forms', 1953, colour etching and aquatint, hand signed & numbered 2/35, H 30 x W 43 cm

Lot 157

Ephraim Moses Lilien (1874-1925):A scholar reading in an interior, etching, signed within plate, hand signed to margin, H 31 x W 33 cm. Provenance: Label verso for 'Exhibition of Works of Jewish Interest', Ango-Israeli Club, London, January 1950.

Lot 159

After Pierre-Auguste Renoir (French, 1841-1919):'Le chapeau épinglé', etching, signed within plate, H 11 x W 8 cm; together with Paul Aizpiri (French, 1919-2016): 'Tete de femme', colour lithograph, H 37 x W 28 cm (2)

Lot 133

After Pierre Auguste Renoir 'La Famille' Colour etching - blind stamp for A. Vollard, 25cm x 19cm, frame 68cm x 63cm

Lot 167

After Joseph Farquharson 'Salmon Fishing on the Dec' Colour etching published by Frost & Reed 1903, 65cm x 89cm

Lot 313

A box of items to include a vintage 'Eversure' petrol can and an etching tool.

Lot 344

A collection of 5 framed & glazed pictures to include watercolour by G.M Hossbach & etching of Bishop Bonner's Cottage, Dereham.

Lot 360

A gilt framed Russian etching signed & dated 1921.

Lot 499

JOSEPH GRAY (1890-1962), Farewell to the fleet, etching, signed lower left, approximately 21cm x 30.5cm

Lot 702

Early 20th Century British School - beach scene with figures and fishing boats, watercolour, 10.5 x 15cms; 4 1/4 x 5 3/4in; a rocky beach scene with children, signed with symbol of a boat, grisaille wash, 20 x 30cms; 8 x 11 3/4in. (a pair); and Raeburn Dobson - "Threading The Needle", signed in the plate, signed and inscribed in pencil, limited etching 4/50, 20 x 16.5cms; 8 x 6 1/2in; (all unframed). (4)

Lot 703

Terence Millington - still-life of fruit and ceramics, signed, numbered 424/175, limited edition colour etching, 37.5 x 35.5cms; 14 3/4 x 14in.

Lot 732

Frank Brangwyn - "A Venetian Procession" (Gaunt 246), signed in pencil, etching and drypoint, published 1919, 18 x 25.5cms; 7 x 10in.

Lot 733

Stanley R*** - "In the Old Kent Road", signed and inscribed "Artist's Proof" and title; embossed monogram in the margin, etching, 25 x 34.5cms; 9 3/4 x 13 1/2in.

Lot 342

Anne MacRae MacLeod (b.1955) 'And the way it was, Unique' Drypoint etching, coloured, framed

Lot 476

CHARLES J WATSON: 'St Eustache, Paris', etching, signed and dated 1913 and a collection of pictures and prints

Lot 36

SALVADOR DALI (1904-1989) Spanish, Tristan and Iseult, limited Ramos Anstalt Edition, Oeuvres Graphiques ContemporainesIncluding twenty coloured dry point etchings, signed in pencil to margin, edition number 22, housed in a boxed folio. The etching plates 26.5 x 40 cm. CONDITION REPORTS: Generally in good condition, expected wear, some minor foxing to some pages, plates good, frontis piece possibly lacking.

Lot 551

Folio of engravings & etchings after 'Frank Willis' and an etching after 'Albert Durer' & other black & white prints PLEASE always check condition before bidding or email condition report request.

Lot 268

Neville Adams, Rooftops, monochrome etching, 15cm x 20cm, pencil signed, '50; and another industrial scene, plus one other. (3).

Lot 273

Rowland Langmaid, "Shipping off the Coast", etching, signed in pencil, 16cm x 31cm.

Lot 1237

FENCING. original etching by Ed. Lankere? 1883 showing George Chapman, London Fencing Club 1883 mounted on board.

Lot 360

Frank Greenwood, etching; etching of Eglise Sacrecoeur, Montmarte; sampler; and P.J. Atkins, watercolour (4)

Lot 519A

Edward GoreyTHEATRE BOX WITH SPECTATORSSigned and numbered in pencil, etching, framed and glazed

Lot 430

A pair of Robson etching of London, Bow Church and Westminster Tower

Lot 554

Jacob Hendrik Pierneef (South African 1886-1957) EX LIBRIS J. H. PIERNEEF (NILANT 154); AB-DINEE and DORINGBOOM, three two linocuts and an etching; the etching inscribed 'Proef. 2.' in pencil in the margin Nilant, F. E. G., Pierneef Linosneë, A. A. Balkema, Cape Town, 1974, illustrated on p 190 cat. no. 154 sheet size: 11 by 8,5cm; 25,5 by 17,5cm and 10 by 12cm respectively (3)

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