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Anders Zorn (1860-1920)BalanceEtching, 1919, together with two others, Berserk (Bärsärk), 1914, the final, fourth state, 25 x 17.8cm, Alder, 1917, the final, third state, 17.3 x 11.9cm, each signed in pencil, all on laid paper (2 unframed) (3)16.5 x 11.6cm (6 1/2 x 4 9/16in).Ref. A287, A261, A277Footnotes:Provenance:Beijers Stockholm, Beijers Grafik och Bokauktion, 14-15 December 1990, lot 742A and 725Sotheby's New York, 19th and 20th Century and Contemporary prints, 21 February 1991, lot 399This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Anders Zorn (1860-1920)ElinEtching, 1914, the third state of five, together with two others, Shallow (Grunt), 1913, the final, fourth state, 29.8 x 19.8cm, Cercles d'eau II, 1907, a later impression, 19.7 x 11.9cm, each signed in pencil, all on laid paper (unframed) (3)19.6 x 29.7cm (7 11/16 x 11 11/16in).Ref. A260, A259, A213Footnotes:Provenance: Sotheby's New York, 19th and 20th Century Contemporary Prints, 21 February 1991, lot 401Norden Stockholm, Skandinavisk Konst samt Antikviteter Nr. 16, 6-7 December 1994, lot 212 and 206This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Anders Zorn (1860-1920)SappoEtching, 1917, the final, third state, together with two others, Old Soldier, 1911, the second state of three, 13.9 x 11cm, Cercles d'eau II, 1907, the final, second state, 19.7 x 11.9cm, each signed in pencil, all on laid paper (2 unframed) (3)20.6 x 18cm (8 1/8 x 7 1/16in).Ref. A278, A245, A213Footnotes:Provenance: Beijers Stockholm, Beijers Grafik och Bokauktion, 14-15 December 1990, lot 733Sotheby's, New York, 19th and 20th Century Contemporary Prints, 21 February 1991, lot 401 and 399This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

ETCHING OF THE TICKET DRAWN BY WILLIAM HOGARTH FOR OLD BOYS DAY 1727 THIS ETCHING IS PRESENTED BY OLD BLUNDELLIANS RESIDENT IN THE UNITED STATES OF AMERICA IN COMMEMORATION OF THE 300th ANNIVERSARY OF THE FOUNDATION OF THE SCHOOL 29th JUNE 1904  IN ACCEPTABLE CONDITION  App.size: 15.5cm x 23.5cm (total: 24cm x 31.5cm)

1924 MODERN MASTERS OF ETCHING JAMES McBEY IN ACCEPTABLE CONDITION

Michael Farrell (1940 - 2000) James Joyce's Tie, (1992) Etching, 66 x 35cm Edition 41/45 Signed and dated 1992 Provenance: With Taylor Galleries, label verso.

Jorge CASTILLO (1933)"Abstrakte Komposition" Grafik - Radierung, Maße: 59,5 cm x 30,5 cm, unten rechts handsigniert und datiert 1972,vom Käufer 2 % Folgerechtsabgabe / Bildkunst auf den Zuschlagspreis zusätzlich zu zahlenJorge CASTILLO (1933)"Abstract composition"graphic - etching, dimensions: 59.5 cm x 30.5 cm, hand signed and dated 1972 on the lower right,to be paid by the buyer 2% resale right / Bildkunst on the hammer price additionally

Leonor FINI (1907-1996)"Ohne Titel-erotische Szene"Grafik-Radierung, 25,5 cm x 16 cm,rechts unten handsigniert, links unten Nr. 32/100Leonor FINI (1907-1996)"Without title-erotic scene"graphic etching, 25.5 cm x 16 cm,handsigned on the lower right, number 32/100 on the lower left

Carl Josef BAUER (1897-1989)"Portait of a lady"Grafik-Farbradierung, 30 cm x 25 cm,unten signiert und bezeichnet, in der Platte monogrammiertCarl Josef BAUER (1897-1989)"Portrait of a lady"graphic color etching, 30 cm x 25 cm,signed and inscribed below, monogrammed on the plate

Käthe KOLLWITZ (1867-1945)"Begrüßung, aus Pan V"Grafik-Radierung, Papier 11,3 cm x 8,5 cmKäthe KOLLWITZ (1867-1945)"Greeting, from Pan V"graphic etching, paper 11.3 cm x 8.5 cm

Käthe KOLLWITZ (1867-1945)"Losbruch"Grafik - Radierung auf Papier, Platte 50,5 cm x 58 cm, Blatt 59 cm x 75 cm,rechts unten Stempelsignatur, gedruckt bei Felsing, sehr früher Druck mit feinem Grat,insgesamt etwas bügig und einige Randläsuren ausserhalb der Darstellung, links unten WVZ Nr. KlippsteinKäthe KOLLWITZ (1867-1945)"Breakaway"graphic - etching on paper, plate 50.5 cm x 58 cm, sheet 59 cm x 75 cm,stamp signature on the lower right, printed by Felsing, very early print with fine burr,altogether somewhat irony and a few marginal blemishes outside the illustration, on the left bottom catalogue of works number Klippstein

Max KLINGER (1857-1920)"Mondnacht"Grafik- Aquatintaradierung auf Bütten, Platte 36,29 x 26,1 cm, Blatt 60,5 cm x 45 cm,an den Rändern kleine LäsurenMax KLINGER (1857-1920)"Moon night"graphic - aquatint etching on laid paper, plate 36.29 x 26.1 cm, sheet 60.5 cm x 45 cm,small blemishes on the edges

Ludwig VON HOFMANN (1861-1945)"Zur Quelle" (um 1920)Grafik- Radierung auf Bütten, Platte 25 cm x 20 cm, Blatt 41 cm x 29 cm,rechts unten handsigniert, im Passepartout montiertLudwig VON HOFMANN (1861-1945)"To the source" (around 1920)graphic - etching on laid paper, plate 25 cm x 20 cm, sheet 41 cm x 29 cm,handsigned on the lower right, mounted in passe-partout

MARWAN (1934-2016)"Liegendes Mädchen"Grafik- Radierung auf Bütten, Platte 20 cm x 30 cm, Blatt 36 cm x 44 cm,rechts unten handsigniert und datiert 81, links unten Nr. 9/20MARWAN (1934-2016)"Lying girl"graphic - etching on laid paper, plate 20 cm x 30 cm, sheet 36 cm x 44 cm,handsigned and dated 81 on the lower right, number 9/20 on the lower left

Herta GÜNTHER (1934-2018)"Revue"Grafik-Farbradierung, 26 cm x 23,5 cm,rechts unten handsigniert und datiert 1981,vom Käufer zusätzlich 2 % Bildkunst / Folgerechtsabgabe auf den Zuschlag zu zahlen.Herta GÜNTHER (1934-2018)"Revue"graphic color etching, 26 cm x 23.5 cm,handsigned and dated 1981 on the lower right,to be paid by the buyer 2% resale right / Bildkunst on the hammer price additionally

Arno MOHR (1910-2001)"Brecht am Scharmützelsee"Grafik-Radierung, 9,5 cm x 13,5 cm,rechts unten handsigniert und datiert 1960Arno MOHR (1910-2001)"Brecht am Scharmützelsee"graphic etching, 9.5 cm x 13.5 cm,handsigned and dated 1960 on the lower right

Armin MÜNCH (1930-2013)"Hockender Akt"Grafik - Radierung auf Bütten, Platte 20 cm x 15 cm, Blatt 38 cm x 24,5 cm,rechts unten handsigniertArmin MÜNCH (1930-2013)"Crouching act"graphic - etching on laid paper, plate 20 cm x 15 cm, sheet 38 cm x 24.5 cm,handsigned on the lower right

Harald METZKES (1929)"Interieur mit Violine"Grafik - Radierung auf Bütten, Platte 24,5 cm x 32 cm, Blatt 37 cm x 47 cm,rechts unten handsigniert und datiert 75, links unten Nr. 7/15, verso Reste alter MontierungHarald METZKES (1929)"Interior with violin"graphic - etching on laid paper, plate 24.5 cm x 32 cm, sheet 37 cm x 47 cm,handsigned and dated 75 on the lower right, lower left number 7/15, on the backside remains of old mount

Konvolut Grafik DDR"5 Blatt verschiedene Künstler und Techniken"dabei:1.) A.Eckert, Dorfkirche in Mecklenburg, Lithografie 40 cm x 55 cm, handsigniert und datiert 19762.) A. Groschop, ohne Titel, Holzschnitt 41 cm x 32 cm, rechts unten handsigniert3.) H.Leo, ohne Titel, Farblithografie, 39,5 cm x 54 cm, handsigniert und datiert 934.) Edmund Bechta, für junge Welt, Lithografie 49 cm x 38 cm, handsigniert und datiert 725.) Heinrich Tessmer, Stadtbummel, Radierung, Blatt 37,5 cm x 50 cm, handsigniert und datiert 71A group of graphic GDR"5 sheets of different artists and techniques"included:1.) A. Eckert, village church in Mecklenburg, lithography 40 cm x 55 cm, signed and dated in 19762.) A. Groschop, untitled, woodcut 41 cm x 32 cm, handsigned on the lower right3.) H.Leo, untitled, color lithography, 39.5 cm x 54 cm, handsigned and dated 934.) Edmund Bechta, for young world, lithography 49 cm x 38 cm, handsigned and dated 725.) Heinrich Tessmer, city stroll, etching, sheet 37.5 cm x 50 cm, handsigned and dated 71

Manfred BUTZMANN (1942)"Zeughaus"Grafik - Aquatintaradierung auf Bütten, Platte 20 cm x 24,8 cm, Blatt 23,8 cm x 31,3 cm,links unten bezeichnet, rechts unten handsigniert und datiert 1982Manfred BUTZMANN (1942)"Zeughaus"graphics - aquatint etching on laid paper, plate 20 cm x 24.8 cm, sheet 23.8 cm x 31.3 cm,inscribed on the lower left, signed on the lower right and dated 1982

Manfred BUTZMANN (1942)"Ruine des Neuen Museum"Grafik - Aquatintaradierung auf Bütten, Platte 20,6 cm x 22,7 cm, Blatt 26,8 cm x 30,3 cm,links unten bezeichnet, rechts unten handsigniert und datiert 1984Manfred BUTZMANN (1942)"Ruine des Neuen Museum"graphic aquatint etching on laid paper, plate 20.6 cm x 22.7 cm, sheet 26.8 cm x 30.3 cm,inscribed on the lower left, handsigned and dated 1984 on the lower right

Manfred BUTZMANN (1942)"Museumsinsel"Grafik - Aquatintaradierung auf Bütten, Platte 19,2 cm x 24,2 cm, Blatt 30,7 cm x 35,9 cm,links unten bezeichnet, rechts unten handsigniert und datiert 1986Manfred BUTZMANN (1942)"Museumsinsel"graphic - aquatint etching on laid paper, plate 19.2 cm x 24.2 cm, sheet 30.7 cm x 35.9 cm,inscribed on the lower left, handsigned and dated on the lower right 1986

PAINTING AND PRINTS. 12 framed pictures, one an original by 'F Kruger', another a print of a work by Matisse. Also a portfolio of work by Auguste Borget, an etching signed 'Sweet'.

After John Brunsden, DERBYSHIRE MILL Limited edition etching with aquatint, 47 x 61cm, signed, titled and numbered 29/125 in pencil within the margin, together with a limited-edition print by Debby Mason, COELACANTH, 25 x42cm, signed, titled and numbered 6/50 in pencil within the margin (2).

Etching - trees at night, indistinctly signed and dated 2016, A/P, image 41 x 49cm, framed

Joseph Pennell etching, St Paul's, unframed together with set of four early 19th century etchings by R J Mills, two further etchings

William Walcott (1874-1943) etching - Venice, 13 x 19cm, framed

Adriaen van Ostade - late 19th C. Etching 'The Woman Spinning'

Felix Buhot (1847-1898) - The Cab Stand 19th C. etching

Allan Dorian Clark (b.1947) pen and ink drawing on buff paper - a country house, an oil on paper of a Mediterranean view and a signed etching, each in glazed frame

Various prints and engravings to include "La Fontaine des Chaffeurs", "The Justice of Frederick", an etching after Preston Cribb and others (1 box)

A quantity of prints and pictures to include Edward J Cherry etching 'Tower Bridge', abstract modern pictures, After Basil Ede print 'Waxwing Cedar etc (1 box) 

George Edward Horton (1859 - 1950) : Finsbury Park, drypoint etching, signed in pencil, with full margins, platemark 15 cm x 11 cm, framed.

A Tom Gentleman monochrome etching, Rocher St. Michel, unframed

A framed and glazed etching, Julie Warren, signed by the artist. 46x58cm

TREVOR PUE (20TH CENTURY), "MARINE FORMS I", COLOURED ETCHING AND AQUATINT, SIGNED, NUMBERED 34/150 AND INSCRIBED WITH TITLE IN PENCIL TO LOWER MARGIN 35 X 18CM, TOGETHER WITH A FURTHER LIMITED EDITION PRINT BY W B HANSEN (2)

WILLIAM LIONEL WYLLIE (1851-1931) 'WINDY DAY, COWES WEEK', racing yachts in full sail, signed in pencil to lower margin, mounted, framed and glazed, approximate size 17cm x 39cm, together with assorted prints including Bubbles by John MillaisCondition Report   This is dry point etching from the original plate, it is not a lithographed print, frame damaged. We estimate it will come up around 12 midday

Edward Pococke watercolour of "Tombland Alley Norwich" and Henry Nihham etching of Norwich

J. Alphonse Brewer, coloured etching, Harbour scene, 27 x 40cm and an unsigned oil sketch of a house under moonlight, 20 x 30cm

William Lionel Wyllie, etching, 'Stiff Breeze', signed in pencil, 33 x 44cm

CONTEMPORARY SCHOOL,ABSTRACTetching, signed indistinctly in the plate and dated 23-11-6424.5cm x 30cmMounted, framed and under glass

* HENRY JACKSON SIMPSON (SCOTTISH 1893 - 1963),THE CROFTetching, signed in pencil15cm x 20cmMounted, framed and under glass

WILLIAM STRANG RA RP RE (SCOTTISH 1859 - 1921),ST MARTIN'S BRIDGE, TOLEDOetching, signed in pencil25cm x 29cmMounted, framed and under glass

* A FRASER,WINDOWetching, signed, numbered 1/10 and dated '79 in pencil; inscribed with artist's name and address verso45cm x 37cmMounted, framed and under glass

WILLIAM STRANG RA RP RE (SCOTTISH 1859 - 1921), DOORWAY, SANTA CRUZ, TOLEDOetching, signed in pencil, further signed with initials and dated 1913 in the plate30cm x 17cmMounted, framed and under glass

JAMES HAMILTON MACKENZIE (SCOTTISH 1875 - 1926),CHURCH OF OUR LADY, BRUGESetching, signed in pencil24.5cm x 18.5cmMounted, framed and under glass

* FRANCIS DODD (BRITISH 1874 - 1949), VILLAGE SCENEetching, signed in pencil, further signed and dated 1915 in the plate20cm x 30cmMounted, framed and under glass

Beautiful etching/drypoint of Billingsgate by James Abbott McNeill Whistler. Etching is signed and dated "Whistler 1859" in the plate lower right. Appears to be the final state. With original margins. Published on Japan paper. Overall size: 15 1/2 x 18 in. Sight size: 6 x 9 in. Born in Lowell, Massachusetts, James Whistler became one of the most influential late 19th-century American painters and etchers, although he lived primarily in England. He worked in a wide variety of styles that included Impressionism, Symbolism, and Art Nouveau. He was especially influential in the Tonalist movement and was a catalyst for those who wanted to break away from prescribed academic methods, credited with being the first American modernist to influence European art. Please note that all sales are final and no refunds will be given under any circumstances. Sarasota Estate Auction provides condition reports as a courtesy to our clients and assumes no liability for any error or omission. Any condition statement is given as a courtesy to a client and is only an opinion and should not be treated as a statement of fact. Descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, matter. The bidder assumes responsibility for ensuring that the condition of the item(s) meets with their satisfaction prior to bidding. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Online images can sometimes be poor quality due to the uploading process, original high-resolution images can be requested via email at sarasotaestateauction@gmail.com.

Titled "The Seaweed Harvest" 1936. Etching, pencil signed. Edmund Blampied was one of the more eminent artists to come from the Channel Islands, yet he received no formal training in art until he was 16 years old. He was noted mostly for his etchings and drypoints published at the height of the print boom in the 1920s, but was also a lithographer, caricaturist, cartoonist, book illustrator and artist in oils, watercolours, silhouettes and bronze. O: 23 3/4 x 26 3/4 in. S: 12 x 14 in. Please note that all sales are final and no refunds will be given under any circumstances. Sarasota Estate Auction provides condition reports as a courtesy to our clients and assumes no liability for any error or omission. Any condition statement is given as a courtesy to a client and is only an opinion and should not be treated as a statement of fact. Descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, matter. The bidder assumes responsibility for ensuring that the condition of the item(s) meets with their satisfaction prior to bidding. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Online images can sometimes be poor quality due to the uploading process, original high-resolution images can be requested via email at sarasotaestateauction@gmail.com.

Etching / aquatint signed in pencil - "Going Home" Overall size: 13 x 16 1/2 in. Sight size: 8 1/4 x 10 in. Please note that all sales are final and no refunds will be given under any circumstances. Sarasota Estate Auction provides condition reports as a courtesy to our clients and assumes no liability for any error or omission. Any condition statement is given as a courtesy to a client and is only an opinion and should not be treated as a statement of fact. Descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, matter. The bidder assumes responsibility for ensuring that the condition of the item(s) meets with their satisfaction prior to bidding. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Online images can sometimes be poor quality due to the uploading process, original high-resolution images can be requested via email at sarasotaestateauction@gmail.com.

"Fake Thieband" Color etching signed and numbered in the lower left. A similar work is in the collection of the Fine Arts Museum, San Francisco. California artist Jeanne Gantz was esteemed for her skill in complex and delicate 'a la poupee' color printmaking. Overall size: 12 x 11 in. Sight size: 11 1/4 x 10 1/4 in. Please note that all sales are final and no refunds will be given under any circumstances. Sarasota Estate Auction provides condition reports as a courtesy to our clients and assumes no liability for any error or omission. Any condition statement is given as a courtesy to a client and is only an opinion and should not be treated as a statement of fact. Descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, matter. The bidder assumes responsibility for ensuring that the condition of the item(s) meets with their satisfaction prior to bidding. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Online images can sometimes be poor quality due to the uploading process, original high-resolution images can be requested via email at sarasotaestateauction@gmail.com.

"Japanese Tea Garden" Golden Gate Park San Francisco, signed by the artist. Harriet Gene Roudebush was known during the 1930s and 1940s for her etchings of the San Francisco Bay Area, which were sold in tourist shops and art galleries at Fishermen's Wharf. She and her husband moved to Pacific Grove (a well-known California artists' colony) in 1972. She discontinued printmaking and etching, and instead became a watercolorist, painting watercolors of the Monterey, Carmel, and Pacific Grove areas, until her death Overall size: 15 x 11 3/4 in. Sight size: 9 x 5 1/2 in. Please note that all sales are final and no refunds will be given under any circumstances. Sarasota Estate Auction provides condition reports as a courtesy to our clients and assumes no liability for any error or omission. Any condition statement is given as a courtesy to a client and is only an opinion and should not be treated as a statement of fact. Descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, matter. The bidder assumes responsibility for ensuring that the condition of the item(s) meets with their satisfaction prior to bidding. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Online images can sometimes be poor quality due to the uploading process, original high-resolution images can be requested via email at sarasotaestateauction@gmail.com.

Etching depicting a country road, pencil-signed and numbered 6/50. Frederick M. Polley was an Indiana painter, printmaker, illustrator, writer and teacher. He studied at Indiana University, Corcoran Art School, Washington, DC. Teachers included James R. Hopkins and William Forsyth. His work is contained in the collections of the National Museum, Washington, DC, Herron Art Institute, Iowa State University, University of Pittsburgh. Overall size: 15 3/4 x 19 3/4 in. Sight size: 8 1/2 x 10 1/2 in. Please note that all sales are final and no refunds will be given under any circumstances. Sarasota Estate Auction provides condition reports as a courtesy to our clients and assumes no liability for any error or omission. Any condition statement is given as a courtesy to a client and is only an opinion and should not be treated as a statement of fact. Descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, matter. The bidder assumes responsibility for ensuring that the condition of the item(s) meets with their satisfaction prior to bidding. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Online images can sometimes be poor quality due to the uploading process, original high-resolution images can be requested via email at sarasotaestateauction@gmail.com.

Etching of Johann Strauss Wolfhaus by Berta Bindtner, Austrian artist from Vienna. Titled in the margin lower left and signed in the margin lower right Overall size: 16 1/2 x 20 1/2 in. Sight size: 10 1/2 x 13 in. Please note that all sales are final and no refunds will be given under any circumstances. Sarasota Estate Auction provides condition reports as a courtesy to our clients and assumes no liability for any error or omission. Any condition statement is given as a courtesy to a client and is only an opinion and should not be treated as a statement of fact. Descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, matter. The bidder assumes responsibility for ensuring that the condition of the item(s) meets with their satisfaction prior to bidding. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Online images can sometimes be poor quality due to the uploading process, original high-resolution images can be requested via email at sarasotaestateauction@gmail.com.

This etching of Enkoping Harbor in Sweden is signed and numbered. Overall size: 20 3/4 x 24 1/2 in. Sight size: 13 1/2 x 17 in. Please note that all sales are final and no refunds will be given under any circumstances. Sarasota Estate Auction provides condition reports as a courtesy to our clients and assumes no liability for any error or omission. Any condition statement is given as a courtesy to a client and is only an opinion and should not be treated as a statement of fact. Descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, matter. The bidder assumes responsibility for ensuring that the condition of the item(s) meets with their satisfaction prior to bidding. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Online images can sometimes be poor quality due to the uploading process, original high-resolution images can be requested via email at sarasotaestateauction@gmail.com.

Etching by Arthur Briscoe entitled "Bending the Foresail". No other British etcher has celebrated the world of the sailing ship with more understanding than Arthur Briscoe. Briscoe portrayed not just sailing vessels and the sea itself but, in particular, he delighted in portraying seafaring men whilst at work. Briscoe's original prints are now generally acknowledged as the finest marine etchings of the 20th century, for Arthur Briscoe’s bold etched works display both the artist’s intimate knowledge of the sea and his innate mastery of the etching needle. In particular, Briscoe had the ability to convey the motion of the sea itself and the varied effects of light and shade with extraordinary economy of line - a feat which has been the ultimate goal of the etching purist since the time of Whistler and the beginning of the British Etching Revival. Signed in the plate and in the margin, dated 1928, 49/75. Overall size: 14 3/4 x 18 3/4 in. Sight size: 7 x 11 1/4 in. Please note that all sales are final and no refunds will be given under any circumstances. Sarasota Estate Auction provides condition reports as a courtesy to our clients and assumes no liability for any error or omission. Any condition statement is given as a courtesy to a client and is only an opinion and should not be treated as a statement of fact. Descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, mater. The bidder assumes responsibility for ensuring that the condition of the item(s) meets with their satisfaction prior to bidding. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Online images can sometimes be poor quality due to the uploading process, original high-resolution images can be requested via email at sarasotaestateauction@gmail.com.

OLEG TSELKOV (RUSSIAN B. 1934)Demonstration, 1976 etching 30 x 21 cm (11 3/4 x 8 1/4 in.)[plate] signed, dated and inscribed with edition 90/100 CONDITIONObserved in frame, the work appears in overall excellent original condition. Minor waviness apparent to the sheet. Very light scattered foxing overall. Otherwise, no significant issues or signs of restoration apparent to the naked eye. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

SALVADOR DALI (SPANISH 1904-1989)Jeremiah, from Our Historical Heritage, 1975 etching on Arches paper plate mark: 56.5 x 40 cm (22 1/4 x 15 3/4 in.) signed lower right, inscribed with edition number 302/400 lower left LITERATUREMichler & Lopsinger 7521; Field 75-4-K CONDITIONObserved in frame, crisp impression. Even and light overall toning. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

CHRISTIAN GOTTLOB HAMMER (GERMAN 1779-1864)View of St. Isaac's Bridge, the Admiralty and the Winter Palace, St. Petersburg hand colored etching 36 x 54 cm (14 1/8 x 21 1/4 in. )CONDITIONObserved in frame, the work is in overall good age-appropriate condition. Areas of foxing and discoloration are visible throughout. Minor tear in lower right corner.N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

Robert Cecil Robertson (1890 - 1942) "Auld Reekie" etching, circa 1922, in glazed and silver giltwood frame, 30 x 20cm