We found 71174 price guide item(s) matching your search
There are 71174 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
71174 item(s)/page
Lot 2036
A pair of oils on miniature, signed Simms, indistinctly, depicting timber framed thatched cottages, gilt frames, three signed limited edition prints, by KW Burton, depicting Queens College, Cambridge, Kings Parade, Cambridge and Bridge of Sighs, Cambridge together with a 19th Century etching depicting stone, all mounted and framed (6)
Lot 11
δ Stanley William Hayter (1901-1988)Sorcier (Black & Moorehead 209)Engraving, drypoint, soft-ground etching and scorper printed in black, 1953, signed, dated and numbered from the edition of 5, an artist's proof aside from the edition of 50, on Lauriat paper, with full margins, sheet 720 x 570mm (25 1/8 x 22 3/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 37
NO RESERVE δ Salvador Dali (1904-1989)The Sick Stag (from La Fontaine's Bestiary Dalinized) (Field 74-1-F; M&L 659)Etching with pochoir in colours, 1974, signed and numbered from the edition of 120 in pencil in roman numerals, on Richard de Bas paper, printed by Ateliers Rigal, published by Mouret, Paris, with full margins, sheet 785 x 590mm (31 x 23 1/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 40
δ Salvador Dali (1904-1989)Freud with a Snail Head (Field 74-8G; M&L 672d)Etching with extensive handcolouring, 1974, signed, inscribed 'F' and numbered in Roman numerals for the edition of 35 in pencil, on Japan nacré paper, with the Dali blindstamp, printed by Ateliers Rigal, published by Trans World Art, with their inkstamp and the copyright stamp of the artists verso, sheet 652 x 500mm (25 5/8 x 19 3/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 42
δ Salvador Dali (1904-1989)Portrait of La Fontaine (from La Fontaine's Bestiary Dalinized) (Field 74-1-A; M&L 653)Etching with drypoint, 1974, signed and numbered from the edition of 120 in pencil in roman numerals, on Richard de Bas paper, printed by Ateliers Rigal, published by Mouret, Paris, with full margins, sheet 785 x 590mm (31 x 23 1/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 81
δ Hans Bellmer (1902-1975)A plate, from Alain Jouffroy, Les Anagrammes du Corps Etching, 1973, signed and numbered from the edition of 100 in pencil, on Arches paper, published by Editions George Visat, Paris, sheet 500 x 374mm (19 5/8 x 14 3/4in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 762
After Anthony E Howard black & white etching 'Richmond Yorkshire 1922' signed in pencil on mount 25 x 35 cm framed & glazed & After Kenneth Steel black & white etching 'Elvet Bridge Durham' signed in pencil on mount 20 x 22 cm framed & glazed & Pair of mahogany rectangular toilet mirrors 60cm w X 2
Lot 504
‡RICHARD BAWDEN RWS NEAC RE (b.1936)'Dead Oaks'etching in colours,signed, inscribed in pencil as title, and numbered 2/75 in lower marginPl. 19 x 15 1/4 inThe artist was the son of Edward Bawden. He initially studied at Chelsea and St. Martin's School of Art. Later he became a student at the Royal College of Art. His versatile output has also included murals, mosaics, stained glass windows and posters, most notably for the London Underground. His work is in a number of public collections including the Victoria and Albert Museum, The Tate Gallery and London Transport. David Buckman noted that 'Bawden's work combined excellent draughtmanship, a true sense of colour and an eye for the unusual'.
Lot 501
‡SIR FRANK BRANGWYN RA RWS RBA (1867-1956)Breaking up the 'Hannibal'original etching, pencil signedPl. 19 1/2 x 24 1/2 in From the only edition of 70 signed proofsLiterature: Gaunt 36This is one of Brangwyn's earliest large scale etchings. Etched on zinc after a preparatory sketch. HMS Hannibal a wooden screw-ship of the line was built in 1854, powered by 450 horse-power engines. The scene shows the massive hulk of the old wooden Hannibal lying in Castle's breaking-yard at Charlton, Woolwich The artist and writer Walter Shaw Sparrow wrote in 1919 of Brangwyn's depiction of 'Hannibal' comparing it to Turner's Fighting Temeraire, noting however that the 'Hannibal was brought too close to my eyes, occupying so much of a large plate that I cannot see her poetry because I see much of her bulk'. By contrast the Temeraire was 'surrounded by a great seascape and visiting sunset'...As a big study full of apt concentration, Brangwyn's 'Hannibal' is very good; but yet...it seems to me that he ought to have achieved more because his emotion was all of a piece with Turner's'
Lot 502
‡GERALD LESLIE BROCKHURST RE (1890-1978) L'Eventail (The Fan) 1921etching on laid papersigned in pencil, from an edition of 76, with full margins, Pl. 6 1/4 x 4 1/2 in; sold with a further etching by the artist titled 'Seule, 1923' (reference William Dolan Fletcher no. 36); two (2)Provenance: J. R. Bettinson, Esq; thence by descent L'Eventail is based on the 1916 painting of the same title. The model depicted is Anais Brockhurst. Dressed in an elaborated patterned gown and holding a fan she stands in a sumptuous interior setting, accented by the mirrors's ornate frame.Gerard Leslie Brockhurst spent his early painting career in Ireland. He didn't begin etching in earnest until after the finish of the First World War, eventually achieving success as a print maker and society portraitist. In 1921 he was one of the founder members of The Society of Graphic Art.
Lot 506
‡ROWLAND LANGMAID RSMA (1897-1956)St. Ives Harbour, Cornwall; Newlyn Harbour looking towards St. Michael's Mountdrypoint etchings, pencil signedPl. 6 1/2 x 11 3/4 in, two; together with a further signed etching by the artist titled 'An Old Two Decker', three (3) Langmaid studied under William Lionel Wyllie. Later as a young seaman serving on HMS Agamemnon he made official sketches of the landings at Dardanelles. After WWI he studied at the Royal Academy Schools and the Royal College of Art. As well as an artist he was a highly accomplished engraver, collaborating with Wyllie on the series 'Seafights of the Great War 1914-1918'. In WWII he worked as a war artist in Alexandria.
Lot 65
BERGEHM (XVII). Dutch school, mountainous track with dog, sheep, donkeys and drover, unsigned, etching on paper, framed and glazed, 28 x 37 cm, together with R.H. CAWTHORNE. 'The Cross Chester', signed in pencil lower right, etching on paper, framed and glazed, 19 x 22 cm, SIR ERNEST GEORGE (1838-1922). 'Bruges', signed with initials in lower plate, lower right, etching on paper, framed and glazed, 15 x 21 cm and COLIN LOCKYEAR. Wooded river landscape, signed in pencil lower right, limited edition etching and aquatint on paper, no. 37, framed and glazed, 12 x 18 cm (4)
Lot 361
J LEWIS SAINT artist's proof coloured lithographs, a pair, titled 'Claverley near Bridgnorth', 38 x 27cms and 'Chaddesley Corbett, Worcestershire', 27.5 x 36.5cms, both signed in pencil with proof stamps and HENRY G WALKER, signed coloured etching titled 'Shelley's Cottage, Lynmouth', 27 x 22cms
Lot 405
A LATE19TH OR EARLY 20TH CENTURY RHINOCEROS HORN HILTED MOROCCAN JAMBIYA, 23cm sharply curved double edged blade etched with oak leaves, to one side and marked AGADI (Agadir), characteristic white metal mounted hilt embossed with scrolling foliage, contained in its white metal mounted scabbard decorated to match, the etching to the blade is of typical Imperial German style, together with two further Moroccan Jambiya. From an established West Country Collection. (3)
Loading...-
71174 item(s)/page