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Lot 144
Sir Howard Hodgkin CH CBE,British 1932-2017,Green Room, 1986;lift-ground etching and aquatint from two copper plates printed in green and red, with hand colouring in veronese green and green egg tempera on BFK Rives wove paper (240 gsm),signed with initials, dated and numbered 44/100 in pencil,printed and hand coloured by Jack Shirreff at the 107 Workshop, Wiltshire,published by Bernard Jacobson Ltd, London,sheet: 50.5 x 61 cm,(framed)(ARR)Provenance: Saatchi & Saatchi London
Lot 370
Bob Dylan,American b. 1941-Train Tracks (red), 2012;giclée print in colours on 350gsm Hahnemühle Museum Etching wove,signed and numbered 275/295 in pencil,printed by GTZ Fine Art Editions, New York,published by Washington Green Fine Art in association with Black Buffalo Artworks,sheet 83.4 x 61 cm,(framed)Note: together with COA issued by Washington Green Fine Art.
Lot 97
Henry Moore OM CH FBA,British 1898-1986,Jaguar, 1981; etching and aquatint on Arches paper,signed in the plate,signed and numbered 'PL.VIII' and ‘23/65' in pencil, printed by James Collyer and John Crossley,published by Raymond Spencer Company for The Henry Moore Foundation, Much Hadham,image: 21.1 × 27.6 cm,(framed)(ARR)Note: part of 'Animals in the Zoo', 1981-2, pub. 1983, an album of fifteen etchings, of various sizes, on Arches paper.
![John Piper CH,British 1903-1992,Sunflowers [Levinson 420], 1989;etching with aquatint in colours on wove,signed and numbered](https://cdn.globalauctionplatform.com/6973d09e-d498-40da-8f2a-b00b009e6c9c/dd594265-1820-486f-b8a9-b00b00c81b04/468x382.jpg)
![Stanley William Hayter CBE,British 1901-1988,Sea Serpent [Black & Moorhead 386], 1976;engraving, etching and soft-ground etch](https://cdn.globalauctionplatform.com/6973d09e-d498-40da-8f2a-b00b009e6c9c/4989c9b6-ed71-4796-b931-b00b00ca43f3/468x382.jpg)
Lot 94
Henry Moore OM CH FBA,British 1898-1986, Head of a Girl I, 1979; etching with drypoint on Rives paper, signed and numbered 31/50 in pencil, printed at Lacourière et Frelaut, Paris,published by Raymond Spencer for the Henry Moore Foundation, plate: 15.9 × 22.5 cm, (framed)(ARR)Provenance: with a Sims Reed Gallery label to the reverse.
Lot 146
Elizabeth Adela STANHOPE-FORBES (1859-1912) Self Portrait Etching, monogrammed within the plate, plate size 10.5 x 7cm. To the reverse, a Newlyn Orion Gallery's Ltd. receipt dated 1st July 1981 for the Forbes exhibition, in which this etching was exhibited, stating that it came from the artist's studio collection.This has not been examined out of the glazed frame but it appears to be in excellent condition
Lot 41
Sandra BLOW (1925-2006) Revolve, 2003 Etching with aquatint in colours on paperSigned, titled and dated '03Numbered 15/75Plate size 55 x 55cmPaper size 77 x 73cmSee the condition report images. This beautifully presented work is in very good condition. There are some very faint spots and the paper is not perfectly flat
Lot 210
Terry FROST (1915-2003) It is True (Es Verdad), 1989 (Kemp 100) Etching with aquatintSignedPP from an edition of 75Image size 56.5 x 38.5cmFrom the Lorca Suite, Kemp 100, this is the actual print used to illustrate the Kemp Catalogue RaisonneThis work is in excellent condition and is well presented
Lot 175
† LEONARD TSUGUHARU FOUJITA (1886-1968); limited edition etching and aquatint on paper, ' Jeune Garçon', published circa 1929, signed in pencil lower right and numbered 93/100 lower left, 34 x 25.5cm, framed and glazed.Condition Report: Some fading and water marks to the mount. There is a white ' mark above the head'
Lot 48
BEN NICHOLSON (BRITISH 1894-1982) AQUILEIA, FROM ARCHITECTURAL SUITEsigned and dated Ben Nicholson/1966 lower right; numbered VIII lower left coloured etching 32.2 x 27.7cm; 12 3/4 x 10 3/4in (plate) 39.5 x 33cm; 15 1/2 x 13in (sheet)58 x 50.5cm; 22 3/4 x 18 3/4in (framed)Property of a European CollectorProvenance:Galleria La Bussola, TurinARR may applyARR may apply
Lot 6
HENDRIK GOLTZIUS (DUTCH 1558-1617) HERCULES VICTOR (FARNESE HERCULES)copper engraving on laid paper 42 x 30cm; 16 1/2 X 12 1/2in63.5 x 49.5cm; 25 x 19.5in (framed)Property of a European CollectorEngraving, a good though somewhat later impression, with a proprietary watermark dated 1747 and collector signatures on the reverse, with margins, creasing and small defects. The great marble of Hercules which inspired the present etching by Goltzius was carved by Glykon for the massive Baths of Caracalla in Rome in the 3rd century AD based on the now lost Greek original from the fourth century BC by Lyssipos. Glykon's copy was recovered from the site of the Baths together with a quantity of other Roman remains during excavations ordered by Pope Paul III in the mid-16th century. Moved to the Pope's family home, the majestic Palazzo Farnese, it was there, in 1590-91, that Goltzius, then at the height of his fame, captured Hercules' imposing form. The sketches in both red and black and white chalk of the sculpture are in the collection of the Teylers Museum, Haarlem, including a frontal view of Glykon's carving. Goltzius's subsequent engraving of Hercules seen from behind into which he has added two inquisitive Dutch onlookers is one of his most striking images, and remains enduringly popular.
Lot 734
Gooden (Stephen). An Iconography of the Engravings of Stephen Gooden, with preface and introduction by Campbell Dodgson, 1st edition, London: Elkin Mathews, 1944, original signed etched frontispiece by Gooden, numerous monochrome illustrations, top edge gilt, original vellum backed blue cloth boards gilt, with glassine dustwrapper, publisher's slipcase (some light marks and discolouration), 4to, limited edition 115/160, specially bound, with original etching, from a total edition of 500 copies, together with Moore (George). The Brook Kerith, A Syrian Story with twelve engravings by Stephen Gooden, 1st edition, London: William Heinemann Ltd., 1929, 12 engraved plates, untrimmed, original full vellum, spine lettered in gilt, some natural tonal variation to covers, 8vo, limited edition 302/375, signed by the author and artistQTY: (2)
Lot 177
* Niekerk (Sarah van, 1934-2018). Wick Court, Arlingham, Gloucestershire, 1990, wood engraving of a farmhouse and animals, signed and dated in pencil to lower margin, and numbered 54/120, mount aperture 21.5 x 26.7 cm (8 1/2 x 10 1/2 ins), framed and glazed (41 x 44 cm), together with Mortimer (Roger, 20th/21st century). Coast Path Study, 1995, etching, signed, titled and dated by the artist to lower margin, numbered 1/10, plate size 24.5 x 17.2 cm (9 5/8 x 6 3/4 ins), framed and glazed (40 x 32 cm), plus Sidoli (Dawn, 1933-). Redland, 1979, screenprint, an artist's proof, signed, titled and dated lower margin, mount aperture 30.5 x 21.7 cm (12 x 8 1/2 ins), framed and glazed (50.3 x 40.4 cm)QTY: (3)
Lot 160
* Clarke (Graham, 1941-). Chalk Hills, circa 1966, colour blockprint on paper, signed and titled, image size 43 x 60.5 cm (17 x 23 3/4 ins), sheet size 55.5 x 76 cm (21 3/4 x 30 ins), together withSt. Anthonys, circa 1966, colour blockprint on paper, signed and titled, image size 43 x 60.5 cm (17 x 23 3/4 ins), sheet size 55.5 x 76 cm (21 3/4 x 30 ins), plusYear of the Horse, coloured etching, artist's proof, titled, signed and 'A/P' to lower margin, image size 12.5 x 10.5 cm (5 x 4 1/8 ins), framed and glazed (29 x 25 cm), and two other etchings by the same artist comprising: Nice Frame? signed and '1/75' to lower margin and Un Bon Cadre?, signed and '1/20' to lower margin, both framed and glazed (32 x 26.5 cm)QTY: (5)
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71174 item(s)/page