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Lot 446
After E Peters, view of the Port of Flushing, Netherlands, an 18th century coloured print, engraved by Sparrow for Bankes New System of Geography, inscribed, 23cm by 33cm, after Marianne Colston, the Temple of Minerva, near Rome, an early 19th century coloured print, 28cm by 37cm, and a coloured etching of an estuary with ships at anchor, 16cm by 44cm
Lot 146
**A COMPOSITE GERMAN LIGHT FIELD ARMOUR, PARTLY NUREMBERG, LATE 16TH TO EARLY 17TH CENTURY, WITH LATER ETCHED DECORATION comprising burgonet with rounded one-piece skull slightly boxed at each side and rising to a high file-roped medial comb, projecting forward to an obtusely-pointed peak struck at its centre with the quality-control mark of the City of Nuremberg and three circles in triangular formation, fitted at its flanged lower edge, just beneath a slender tapering plume-holder, with an obtusely-pointed neck-guard of one lame, and at each side with a cheek-piece shaped at its upper front corner to fit over the rear of the peak and flanged outwards at its lower edge to form a continuation of the neck-guard, and pierced at its centre within a raised circular panel decorated with an eight-pointed recessed asterisk with nine small circular auditory holes arranged in rosette-formation; 'Almain' collar formed of three lames front and rear, the lowest front one struck internally with the Nuremberg mark of an N within a circle (the lowest rear one associated), and each side fitted with an integral spaudler, the left formed of seven lames and the right of eight (two of the left and five of the right restored or associated, and one of each patched); breastplate formed of a medially-ridged main plate fitted at its arm-openings with moveable gussets (the right restored) and at its flanged lower edge with a fauld of three lames of which the lowest is cut at its centre with a shallow arch separating a pair of long pendent tassets each of seven lames extending to just above the knee (the right associated and reworked to match the left and the inner end of three of its lames patched); backplate formed in one piece with a broad shallow neck-opening and a short flange at the waist; a circular besague (restored) rising slightly to a conical boss at its centre; fingered gauntlets (the right restored) each formed of a long, flared and pointed cuff fitted with a short separate inner plate, five metacarpal-plates, a transversely-roped knuckle-plate, a shaped finger-plate, and scaled finger and thumb-defences, the latter laterally attached by a short leather hinge to the inner end of the last metacarpal-plate, and the whole retaining a fragmentary buff-leather lining-glove; the main edges of the armour turned inward and decorated, except on the backplate, with roping, the subsidiary edges of the burgonet decorated with pairs of incised lines, and the surface of the armour decorated with bands and borders of later etching consisting for the most part of running foliate scrolls executed on a blackened and stippled ground, but including on the breastplate three coats of arms and on the comb of the burgonet, warriors in combat accompanied by a bear and lion on the right and a scroll bearing the inscription HERCVLA on the left See note at front of catalogue for information concerning stands Provenance The armour without burgonet, Charassé, rue Bonaparte, Paris, circa 1889 The burgonet, Seymour Hayden, sold F. Muller & Co., Amsterdam, 26 April 1911, lot 219 The armour with burgonet, Dr Bashford Dean, Riverdale, New York, sold American Art Association, New York, 23 November 1928, lot 148 JWHA Inv. No. 610 Exhibited Worcester Art Museum, Massachusetts, 1928-30 Literature F.H. Cripps-Day, A Record of Armour Sales 1881-1924, London, 1925, p.153
Lot 273
A RARE NORTH EUROPEAN PAPPENHEIM RAPIER, CIRCA 1620-30, PROBABLY FLEMISH with tapering blade of diamond-section, decorated on one face with later etching including trophies-of-arms and a running pattern of foliage, pomegranates, and differing flowers, the forte decorated with a shield charged with a pair of fish beneath a visored helm, recessed ricasso retaining an early velvet covering, symmetrical gilt-iron hilt of faceted bars, comprising a pair of straight quillons with fluted fishtail terminal (the other terminal missing), knuckle-guard interrupted by a central moulding and with terminal en suite with the quillon, outer guard joined to the knuckle-guard, upper ring-guards joined by a short moulded bar, the lower filled with a delicately pierced sprung-in plate, small lower ring-guard, matching inner-guard, and fluted pear-shaped pommel decorated with triangular mouldings, wooden grip with an early plaited wire binding between 'Turk's heads', and much early gilt finish 96.5 cm; 38 in blade A sword with a similar hilt, finished with silver and also retaining its velvet covering at the ricasso, was formerly in the armoury of the Princes zu Salm-Reifferscheidt-Dyck at Schloss Dyck. Another example, from the de Cosson collection, is preserved in the Victoria and Albert Museum, London (inv. no. M.56-1946), and another is preserved in the Wallace Collection (inv. no. A645). The close similarity between the present and these three swords would suggest that they form part of a larger group that was intended for a specific guard. The hilt conforms to Norman type 67.
Lot 289
AN ITALIAN BURGONET, CIRCA 1570 with rounded one-piece skull rising to a high boldly roped medial comb (perforated towards its rear), projecting forward at the brow as an acutely-pointed integral peak (the point bent upwards), at its rear as a similarly pointed integral neck-guard, and fitted at each side with a hinged cheek-piece (in each case associated, the right cut and retaining traces of simple linear etching) flanged outwards at its lower edge to serve as a continuation of the neck-guard and pierced at its centre with small auditory holes, the main edges of the helmet formed with boldly roped inward turns accompanied by recessed borders, and the comb decorated to either side of its crest and base with single incised lines (painted black over an oxidised surface) 30.0 cm; 11¾ in
Lot 119
Salvador Dalí (1904-1989) - Tour de France Cycliste (M.&L.66A) the rare etching, 1959, signed in blue ink verso, numbered 6/20, published by J.Foret, Paris, on wove paper, with margins, 152 x 200 mm (6 x 7 7/8 in) This work is accompained by a certificate of authenticity signed by the publisher. IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 123
Salvador Dalí (1904-1989) - Le Roi Marc (M.&L.407) etching with drypoint printed in colours, 1970, signed in pencil, numbered XVII/XXV, from Tristram and Iseult , printed by Ateliers Rigal, Paris, on BFK Rives paper, with margins, 400 x 265 mm (15 3/4 x 10 1/2 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 125
Salvador Dalí (1904-1989) - Iseult aux blanches Mains (M.&L.422) etching with drypoint printed in colours, 1970, signed in pencil, numbered 34/125, from Tristram and Iseult , printed by Ateliers Rigal, Paris, on BFK Rives paper, with full margins, 400 x 265 mm (15 3/4 x 10 1/2 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 126
Salvador Dalí (1904-1989) - Iseult et Brangaine (M.&L.423) etching with drypoint printed in colours, 1970, signed in pencil, numbered XVII/XXV, from Tristram and Iseult , printed by Ateliers Rigal, Paris, on BFK Rives paper, with full margins, 400 x 265 mm (15 3/4 x 10 1/2 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 127
Salvador Dalí (1904-1989) - Reuben (M.&L.620;F.72-6) etching with stencil printed in colours, 1973, signed and inscribed EA in pencil, an artists proof aside from the edition, from The Tribes of Israel , printed by Ateliers Rigal, Paris, on wove paper, with margins, 505 x 370 mm (19 7/8 x 14 5/8 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 128
Salvador Dalí (1904-1989) - Asher (M.&L.626;F.72-6) etching with stencil printed in colours, 1973, signed and inscribed EA in pencil, an artists proof aside from the edition, from The Tribes of Israel , printed by Ateliers Rigal, Paris, on wove paper, with margins, 505 x 370 mm (19 7/8 x 14 5/8 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 133
Salvador Dalí (1904-1989) - Le Tournoi de Galore (M.&L.784) etching with drypoint printed in colours, 1975, signed in pencil, numbered 146/249, from La Quete du Graal, published by Pamela Verlag and Oeuvres Graphiques Contemporaines, Paris, on wove paper, with margins, 395 x 265 mm (15 1/2 x 10 1/2 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 138
Salvador Dalí (1904-1989) - Los Cabaleros (M.&L.799) etching with aquatint printed in colour, 1975, from La Vida es Sueno, on wove paper, with margins, 220 x 325 mm (8 5/8 x 12 3/4 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 157
Max Ernst (1891-1976) - Untilted etching with aquatint printed in colours, 1976, signed in pencil, numbered XI/XLV, as inluded in La Mysticité Charnelle de René Crevel, published by Éditions Georges Visat, Paris, on wove paper, with full margins, sheet 380 x 285 mm (15 x 11 1/4 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 163
Marie Laurencin (1885 - 1956)(after) - Girl with Mandolin etching with hand-colouring in watercolour, signed and inscribed Eau Forte Originale in pencil, on wove paper, with full margins, 200 x 170 mm (7 7/8 x 6 3/4 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 170
Marino Marini (1901-1980) - Cavallo in Armonia (G.A219) etching and aquatint printed in colours, 1978, signed in pencil, numbered 16/125, printed by Grafica dei Greci, Rome, on Magnani paper, with full margins, sheet 493 x 670 mm (19 1/2 x 26 3/8 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 183
Joan Miró (1893-1983) - Barcelona III (D.594) etching with aquatint and carborundum printed in colours, 1972, signed in pencil, numbered 45/50, on wove paper, the full sheet printed to the edges, 700 x 1040 mm (27 1/2 x 41 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 22
Mary Fedden (1915-2012) - Untitled etching with hand-colouring in watercolour, signed in pencil, numbered 63/100, on wove paper, with full margins, sheet 254 x 204 mm (10 x 8 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 280
Frank Auerbach (b.1931) - Head of Julia etching, 2001, signed and dated in pencil, numbered 31/150, printed by Mark Balakjian at Studio Prints, London, produced in collaboration with Malborough Graphics, London, on Somerset paper, with full margins, as included in the limited edition of the book Frank Auerbach: Paintings and Drawings 1954-2001 accompanying the artist's exhibition at the Royal Academy of Arts, London, bound as issued, overall size 290 x 255 mm (11 3/8 x 10 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 3
Norman Ackroyd (b.1938) - St Kilda - Stac Lee and Stac an Armin etching with aquatint, 1990, signed, titled and dated in pencil, numbered 18/90, on wove paper, with full margins, sheet 585 x 755 mm (23 x 29 3/4 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 316
Ian Davenport (b.1966) - Colourplan Series - Royal Blue etching with chine colle printed in colours, 2011, signed and dated in pencil, numbered 3/30, on wove paper, with full margins, sheet 830 x 800 mm (32 5/8 x 31 1/2 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 319
Peter Doig (b.1959) - Man by a River (from Black Palms) etching with aquatint printed in colours, 2004, signed and dated in pencil, from the edition of 119, published by Griffelkunst-Vereinigung, Hamburg, on Zerkall paper, with full margins, sheet 535 x 382 mm (21 x 15 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 32
Anthony Gross (1905-1984) - Cote de la Vierge, Fecamp etching with drypoint, 1924, signed, titled and dated in pencil, on wove paper, with margins, 140 x 360 mm (5 ½ x 14 1/8 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 322
Tracey Emin (b.1963) - Dragon Fly polymer gravure etching, 2010, signed, titled and dated in pencil, numbered 17/100, on laid paper, with full margins, 425 x 390 mm (16 3/4 x 15 3/8 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 324
Tracey Emin (b.1963) - For You polymer gravure etching, 2010, signed, titled and dated in pencil, numbered 219/300, on wove paper, with full margins, sheet 200 x 247 mm (7 7/8 x 9 3/4 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 325
Tracey Emin (b.1963) - Moth polymer gravure etching, 2010, signed, titled and dated in pencil, numbered 21/100, on laid paper, with full margins, 425 x 390 mm (16 3/4 x 15 3/8 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 327
Tracey Emin (b.1963) - Tiny Golden Hearts polymer gravure etching, 2010, signed, titled and dated in pencil, numbered 17/100, on laid paper, with full margins, 425 x 390 mm (16 3/4 x 15 3/8 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 33
Anthony Gross (1905-1984) - Rue Chat qui Peche etching with drypoint, 1924, signed, titled and dated in pencil, on wove paper, with margins, 220 x 240 mm (8 3/4 x 9 1/2 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 333
Barry Flanagan (1941-2009) - David Sylvester etching, 2003, signed and dated in pencil, numbered 6/20, on wove paper, with full margins, sheet 342 x 410 mm (13 1/2 x 16 1/8 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 334
Barry Flanagan (1941-2009) - Explic A Me etching with aquatint, signed and inscribed AP 6/10 in pencil, an artists proof aside from the edition, on wove paper, with full margins, sheet 455 x 375 mm (17 7/8 x 14 3/4 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 337
Barry Flanagan (1941-2009) - Nijinski etching with aquatint printed in colours, 1994, signed and inscribed AP 6/10 in pencil, an artists proof aside from the edition, on wove paper, with full margins, sheet 590 x 455 mm (23 1/4 x 17 7/8 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 34
Anthony Gross (1905-1984) - Pont Neuf, Toulouse etching, 1929, signed, titled and dated in pencil, the only known print from this plate, on wove paper, with margins, 150 x 300 mm (5 7/8 x 11 7/8 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 350
Antony Gormley (b.1950) - Sublimate etching with aquatint, 2008, signed and dated in pencil, numbered 20/60 verso, on BFK Rives paper, with full margins, 343 x 495 mm (13 1/2 x 19 1/2 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions. The image for 349 should be 350 and vice versa.
Lot 37
Anthony Gross (1905-1984) - La Route de Sainte Livrade etching, 1933, signed and titled in pencil, numbered 37/50, on laid paper, with margins, 200 x 281 mm (7 7/8 x 11 1/8 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 372
David Hockney (b.1937) - Riding around on a Cooking-Spoon (T.104) etching with aquatint, 1969, signed in pencil, numbered 61/100, from Illustrations for Six Fairy Tales From the Brothers Grimm , printed by the Print Shop, Amsterdam, Published by Petersburg Press, London, on Hodgkinson handmade paper, with full margins, 160 x 250 mm (6 3/8 x 9 7/8 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 374
David Hockney (b.1937) - The Poet (T.190) etching and aquatint printed in colours, 1976-77, signed in pencil, numbered 52/200, from The Blue Guitar, published by Petersburg Press, London and New York, on wove paper, with full margins 350 x 428 mm (13 3/4 x 16 7/8 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 378
Howard Hodgkin (b.1932) - Nick (H.Please see p.172) soft-ground etching with aquatint, 1977, signed, dated and inscribed Stage Proof in pencil, aside from the edition of 100, printed by Maurice Payne at the Petersburg Studios, London, published by Petersburg Press, London & New York, on wove paper, with full margins, sheet 660 x 796 mm (26 x 31 3/8 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 39
Anthony Gross (1905-1984) - Coloured Undergrowth etching with extensive hand-colouring, signed and titled in pencil, numbered 198/200 , on wove paper, with margins, 250 x 380 mm (9 7/8 x 15 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 40
Anthony Gross (1905-1984) - Paysage du Lot etching with yellow wash, 1951, signed and titled in pencil, inscribed VII/LX, on wove paper, with margins, 250 x 345 mm (9 7/8 x 13 ½ in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 43
Anthony Gross (1905-1984) - Chiarava/Tumult etching, 1960, signed and titled in pencil, inscribed artists proof, on wove paper, with margins, 352 x 455 mm (13 7/8 x 17 7/8 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 44
Anthony Gross (1905-1984) - La Foule, Praire des Filtres etching , 1961, signed and titled in pencil, numbered 31/40, on wove paper, with margins, 150 x 300 mm (6 x 11 ¾ in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 47
Anthony Gross (1905-1984) - Salisbury Cathedral etching, 1976, signed, titled and inscribed 'Homage to Constable' in pencil, on wove paper, with full margins, 270 x 344 (10 5/8 x 13 ½ in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 470
Colin Self (b.1941) - Out of Focus Object and Flowers No.1 (Provincial image) etching and aquatint printed in colours, 1968, signed, titled and dated in pencil, numbered 6/75, on wove paper, with margins, sheet 765 x 565 mm (13 1/8 x 22 1/4 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 471
Colin Self (b.1941) - Out Of Focus Object and Flowers No 3 (The 1940s) etching with aquatint printed in colours, 1968, signed and dated in pencil, inscribed B.A.T, from the edition of 75, on wove paper, with full margins, sheet 1010 x 700 mm (40 x 27 1/2 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 48
Anthony Gross (1905-1984) - Little Serignac Landscape etching, 1978 signed and titled in pencil, numbered 24/75, on wove paper, with full margins, 230 x 367 mm (9 x 14 ½ in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 481
David Tremlett (b.1945) - New Pastel Drawing/Idea for a Wall etching with aquatint printed in colours, 2007, signed and dated in pencil, numbered 2/25, on wove paper, with full margins, 1440 x 380 mm (56 3/4 x 15 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
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78391 item(s)/page