We found 71174 price guide item(s) matching your search

Refine your search

Year

Filter by Price Range
  • List
  • Grid
  • 71174 item(s)
    /page

Lot 24

Indistinctly signed and inscribed in pencil etching on paper, dated 1990, inscribed verso `Bought 7/5/91, St. Petersburg, Karlinkainbridge-Kovalev 1990 10 3/4" x 13".

Lot 30

Continental School, Middle East street scene, etching, signed indistinctly below, numbered 12/25, 26 x 19cm (image)

Lot 31

Edmund Blampied (1886-1966), Purring and Snoring, etching with drypoint, 17 x 23cm

Lot 33

Stanley Anderson (1884-1955), Avignon from the Rhone, etching, signed below in pencil, 22 x 39.5cm (image)

Lot 36

Robert Cruikshank after W H Pyne, Jumping in Sacks, coloured etching with aquatint, 24 x 33cm (plate); together with An Ordnance Survey Atlas of England and Wales, E Stanford, 1922 (2)

Lot 38

William Lionel Wyllie (1851-1931), St Paul`s, London, etching, signed lower left, 22.5 x 35cm (plate)

Lot 39

Gerald L. Brockhurst (1890-1978), Cypriano (A Basque), etching, signed lower right "G L Brockhurst", 16 x 9.5cm (plate)

Lot 40

Gerald L. Brockhurst (1890-1978), Una (The Young Creole), etching, signed below in pencil, 20 x 15cm (image)

Lot 47

James A M Whistler, Billingsgate, etching, 15 x 22cm (image)

Lot 48

Stanley Anderson (1884-1955), Quai D, Corre La Rochelle, etching, signed in pencil below, numbered "3", 20.5 x 34cm (plate)

Lot 49

Francis Dodd (1874-1949), St. George the Martyr, London, etching, signed below in pencil, 27.5 x 18.5cm (image); and another of Poplar (2)

Lot 57

William Lionel Wyllie (1851-1931), Gibraltar, etching, signed below in pencil, 16 x 38cm (plate)

Lot 58

William Lionel Wyllie (1851-1931), View of Valletta, Malta, etching, signed below in pencil, 16.5 x 37.5cm (plate)

Lot 60

William Lionel Wyllie, Shipping off a Harbour, etching, signed below in pencil, 16 x 38cm (plate)

Lot 67

Henry Emerson Tuttle, A Sharp-Shinned Hawk, signed lower right in pencil, etching, 21 x 17cm. Other Notes: Henry Emerson Tuttle is considered one of America`s greatest twentieth century etchers of birds. Tuttle was educated at Yale University and attended classes in art at the Slade School, in London. First pursuing a scholastic career, he created his first published drypoint engraving in 1925 at the age of thirty-five. His initial works of art in this medium were so widely received that Tuttle dedicated himself solely to his art from that point on.

Lot 69

R Havell after J.J Audubon, Three Ornithological Subjects, coloured etching with aquatint, circa 46 x 30cm

Lot 89

Richard Spare - dry point limited edition etching of a Campanula, 34/150, signed

Lot 447

Charles Bartlett: "Nets Drying", etching, artist`s proof

Lot 452

"White Rhino", etching, no.16/30, indistinctly signed

Lot 471

David Thomas Robertson, 1879-1952: "Gypsy Camp" dry point etching and another depicting a woodland scene

Lot 69

Small collection of Philatelic Bureau cards, etching, print and ephemera.

Lot 475

Claude Rowbotham, "Granny Green`s Cottage, St Mawes", hand-coloured etching and another similar, unframed, (2).

Lot 1928

Ten small art deco Glasses, small glass Mug with `The Flags of Allies 1914 in Freedom`s cause` with etching of Lord Kitchener on the reverse and Glass Inkwell, Measure and Oil Lamp.

Lot 468

MOGHUL SCHOOL "A horseman, figures and animals in a landscape, with birds in flight", gouache, within blue and gilt decorated borders, an Oriental panel painted with exotic birds in branches, and AFTER E VALES "Suzanne", six head studies in Eastern head wear, limited edition coloured etching, No`d. 40/120, inscribed and signed in pencil in the margin

Lot 516

AFTER ROBERT HILLS "Study of two donkeys", black and white etching, published 1809, and a companion study, a pair, together with a quantity of bird and animal pictures and prints

Lot 539

AFTER EDWARD KING "Cecil Paton, winter", coloured etching and AFTER F ROBSON-a pair of black and white dry point etchings mounted as one

Lot 197

Alfred R Blundell, Kersey the High Street, pencil signed etching, 27cm by 35cm

Lot 113

Boris O`Klein (French, 1893-1985) Chacun son tour, Color etching. h: 6.25 x w: 17.25 in. Signed lower right and titled lower left in graphite.

Lot 132

Roland Clark (1874-1957) Ring Neck Field, Drypoint etching, Signed in graphite lower right, full margins. Sheet size: h: 18 x w: 14 inches.

Lot 132A

Richard Evett Bishop (1887-1975) On the Eastern Shore, Etching, Titled and signed in graphite. h: 11 x w: 15 in. Note condition: toning and foxing throughout.

Lot 135

Roi Partridge (1888-1984) Untitled, Etching, Signed in plate lower left and signed in graphite lower middle below engraving. h: 12.80 x w: 15 in.

Lot 143

Artist Unknown, (19th/20th Century) English Village Scene, Etching on paper, Signed lower left. Sheet size: h: 6 x w: 8 inches. h: 3.75 x w: 4.75 in.

Lot 144

Herbert Railton (1857-1910) Court Yard with Stags, Etching on paper, Signed in print and in graphite. h: 6 x w: 8.75 in.

Lot 146

Otto Henry Bacher (1856-1909) Daube at Walhalla, Etching on paper, Signed and dated Aug `79 lower left. Sheet size: h: 7.75 x w: 13.5 inches. h: 3.75 x w: 6.25 in. Note condition: slight tear to upper left margin.

Lot 148

A Hand Colored Shakespeare Chandos Portrait Etching, Laid on Board and Mat. h: 8 x w: 6.50 in.

Lot 150

After Dante Gabriel Rossetti (1828-1882) Dante with Flowers, Florence, Etching on paper. Sheet size: h: 14.5 x w: 21 inches. h: 7 x w: 10 in.

Lot 152

Eugene Delacroix (1798-1863) Medea About to Kill Her Children, 1858, Etching, Etched by A. Salmon. Sheet size: h: 17 x w: 11.25 inches. h: 9.25 x w: 6.25 in.

Lot 153

Leopold Flameng (1831-1911) Le Sommeil, Sleeping, Etching on wove paper, Artist proof signed lower right. Sheet size: h: 6.5 x w: 9.5 inches. h: 5.50 x w: 8.25 in.

Lot 154

Jean Daulle (1703-1763) Allegorical Scene, Etching on wove paper. h: 12.25 x w: 18 in.

Lot 155

Pietro Testa (1611-1650) The Goddess Thetis Plunging Achille into a Vessel of Water, Etching on laid paper. h: 10.75 x w: 16.50 in. Note condition: verticle center crease, repair to upper right corner, margins missing, and glue damage on verso to all 4 corners.

Lot 158

Louis Icart (1888-1950) Lady Writing Letter, Dry point etching, Signed and numbered lower right. h: 12.50 x w: 16.75 in. Note condition: minor acid damage and foxing.

Lot 159

Louis Icart (1888-1950) Eve, Dry point etching, Signed and numbered lower right. h: 8.50 x w: 11.25 in.

Lot 162

Reinhold H. Palenske (1884-1954) Joining the Circle, Etching, Signed and titled in the print. h: 7.63 x w: 10.75 in.

Lot 170

Dorothy D. Lundquist (20th Century) Quail in Summer, 1985 and Quail in Winter, 1985 Etching, Both signed in plate and in graphite lower right. Quail in Summer: 86/300 Quail in Winter: 109/300 Diameter: 6.75 inches.

Lot 129

A NORTH EUROPEAN DISH-HILT RAPIER, SECOND QUARTER OF THE 17TH CENTURY, AUSTRIAN OR GERMAN with tapering slender hollow-triangular blade, etched with exotic birds, scrolls of foliage and inscriptions at the forte (the etching rubbed, obscured in places), steel hilt comprising pierced, engraved large shallow circular dish-guard embossed with a pattern of spiralling flutes to form a large expanded flowerhead, a pair of straight slender quillons with attenuated bud-shaped terminals, quillon-block chiselled with volutes and scrolls, tall fluted ovoid pommel formed en suite with the quillon terminals, and retaining an early grip of twisted wire and `Turks` heads` 111cm; 43 3/4in blade

Lot 251

AN OFFICER`S SWORD, EARLY 19TH CENTURY; A 1796 PATTERN LIGHT CAVALRY OFFICER`S SWORD; AND ANOTHER OFFICER`S SWORD, 19TH CENTURY the first with curved blade by Runkel with traces of etching, brass stirrup hilt including lionhead pommel and chequered ivory grip; the second of regulation type (pitted, grip with losses); and the third with slightly curved blade etched with stars, trophies and foliage at the forte; and brass stirrup hilt the first: 76cm; 30in blade (3)

Lot 257

AN 1803 PATTERN INFANTRY OFFICER`S SWORD; AND A GENERAL OFFICER`S SWORD, FIRST HALF OF THE 19TH CENTURY the first with curved regulation blade by Runkel, with traces of etched decoration, and gilt-brass regulation hilt; and the second with curved blade retaining traces of etching (pitted), mameluke hilt with steel cross-piece, and a pair of ivory grip-scales (repaired) the first: 82.5cm; 32 1/2in blade (2)

Lot 259

AN UNUSUAL GEORGIAN PRESENTATION SWORD TO MAJOR ALEXANDER HARVEY BY THE CRIMOND, LONMAY, ST FERGUS, LONGSIDE AND RATHEN CORPS OF VOLUNTEERS, DATED 1805 with curved blade, double-edged for its last quarter and with a broad three-quarter length fuller, etched over the greater part of its surface with foliage, the winged figure of Victory and a lengthy presentation inscription on a scrolling panel above gilt trophies-of-arms and the Royal Arms on one face and further designs above gilt foliage and the crowned `GR` cypher on the other (the etching now faint, areas of patination), gilt-brass hilt comprising border-engraved boatshell guard, scrolling quillon engraved with an expanded flowerhead, knuckle-guard and a maned lion`s head forming the pommel and extending down the back-piece, the grip bound with plaited wire 83cm; 32 5/8in bladeThe presentation inscription reads: `From the Crimond, Lonmay, St Fergus, Longside and Rathen Corps of Volunteers to Major Alex.er Harvey in Testimony of their esteem and regard 1805`.The form of the hilt of this sword, combining a `boat-shell` stool or counterguard with a knucklebow of `stirrup` form, appears from surviving examples to have been one that was particularly popular with Scottish auxiliary infantry units of the period of the Napoleonic wars (1803-15).Alexander Harvey, the recipient of the sword, inherited great wealth from his father, also Alexander, one of three brothers who left Aberdeenshire to make their fortunes in the West Indies; the younger Alexander Harvey bought the Broadland estate, near Rattray, north of Peterhead, in 1788, marrying an heiress in the following year. Harvey was an `improving` landlord, notably active in managing his estate along `modern` lines and caring for the welfare of his tenants. On the outbreak of war with Revolutionary France, Harvey offered his services to the 4th Duke of Gordon and was commissioned lieutenant in the duke`s `Northern Regiment of Fencible Men` with effect from 1st March 1793. His time with the duke`s Fencibles was short, however, since he resigned his commission in December 1793. Harvey appears to have seen no further military service until December 1803, when he was appointed major-commandant of the three-company regiment of Aberdeenshire Volunteers that presented him with this sword in 1805. The three companies had been formed separately in October 1803, based upon the five north-eastern Aberdeenshire villages of Crimond and Lonmay, St Fergus and Longside and Rathen, but were regimented in December that year. Harvey remained the major-commandant until the formation of the Local Militia in 1808, whereupon his regiment was combined with a three-company regiment of Volunteers based upon Peterhead to form the 2nd Aberdeenshire Local Militia, and Harvey was commissioned the new regiment`s colonel. Harvey remained colonel until 1814, when the Local Militia was disbanded, and he died in 1817. See J.M. Bulloch 1914, pp. 146, 148, 324, 335 & 387; A. D. Fordyce 1885, p. 164 and J. A. Henderson 1907, p.79.

Lot 387

A NORTH ITALIAN MORION IN THE `SPANISH` FASHION, CIRCA 1580 with tall one-piece almond-shaped crown rising to a short `stalk` at its apex (repaired) and `swept` integral brim rising to an acute point at the front and the rear, its edges decorated with file-roped inward turns accompanied by narrow recessed borders (the right side with a slight loss), the base of the crown encircled by sixteen brass-capped lining-rivets and fitted at the nape with two further such rivets retaining a later brass plume-holder with punched ornament, the whole decorated on a formerly black from the hammer ground with later linear etching retaining much gilding, and including at each side of the crown the date 1600 and a coat-of-arms suspended from stylised acanthus foliage at its apex, and elsewhere, plain bands 26.4cm; 10¼in highProvenance Sotheby`s, Billingshurst, 15 July 1997, lot 41 The arms are possibly those of the Tyrolese family of Bredel

Lot 179

Pierre - Auguste Renoir, 1841-1919, 'Le Chapeaux et epingle' etching, second version, second state, stamped signature, 13cm x 9cm also Jean-Francoise Millet 'La Boullie' etching, signed and dated 1861 in the plate, 16cm x 12.5cm (2)

Lot 424

William Lionel Wyllie (1851-1931), The Thames at Westminster, etching, signed in pencil, 22.5cm x 36cm.

Lot 425

William Lionel Wyllie (1851-1931), The Thames near the Tower of London, etching, signed in pencil, 20.5cm x 25cm.

Lot 426

William Lionel Wyllie (1851-1931), H.M.S. Victory, etching, signed in pencil, 34cm x 25cm.

Lot 427

William Lionel Wyllie (1851-1931), H.M.S. Victory, etching, signed in pencil, 28cm x 20cm.

Lot 428

William Lionel Wyllie (1851-1931), The Thames at Greenwich, etching, signed in pencil, 8.5cm x 35.5cm.

Lot 429

William Lionel Wyllie (1851-1931), The Thames at St Pauls, etching, signed in pencil, 30cm x 21cm.

Lot 430

William Lionel Wyllie (1851-1931), Dock scene, etching, signed in pencil, 16.5cm x 38cm.

Lot 431

William Lionel Wyllie (1851-1931), Shipping at low tide, etching, signed in pencil, 25cm x 38cm.

Lot 432

William Lionel Wyllie (1851-1931), Yachts in a stiff breeze, etching, signed in pencil, 12 cm x 38cm.

Lot 436

William Lionel Wyllie (1851-1931), Warships off the coast, etching, signed in pencil, 17.5cm x 45cm.

Loading...Loading...
  • 71174 item(s)
    /page

Recently Viewed Lots