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Lot 322
* Gooden (Stephen, 1892-1955). The Great Whore of Babylon (Book of Revelations), 1926,. copper engraving, signed and dated in pencil, plate size approx. 133 x 102 mm, framed and glazed, together with Whistler (James Abbott McNeill), Woman seated in an armchair, b&w lithograph, printed by The Studio, signed with butterfly monogram in the image, Studio blindstamp to lower margin, approx. 250 x 170 mm, mounted, plus Hartrick (A. S., 1864-1950), Hayrick on fire, b&w lithograph, signed and titled in pencil, image size approx. 275 x 360 mm, mounted, and other various modern prints, watercolours, etc., including six mounted b&w reproductions after Josef Herman, each signed, a panoramic mezzotint landscape etching by Frank Short, signed in pencil, a colour lithograph by Ceri Richards illustrating Dylan Thomass The force that through the green fuse drives the flower (published in Poetry London, September-October 1947), an etched illustration by Dunoyer de Segonzac to Les Georgiques de Virgile, 1947, a collection of approx. twenty wood-engravings and a few etchings by Leo Wyatt, including several signed, and a collection of thirteen watercolour sketches and studies by John Pinches, R.A. (approx. 45)
Lot 366
* Read (David Charles, 1790-1851). A group of four landscape etchings,. unsigned, various sizes (plate size approx. 100 x 235 mm and smaller), each mounted, together with Gavarni. Les Parens Terribles, plate 18 (Masques et Visages), c. 1850, hand-coloured lithograph, sheet size approx. 375 x 260 mm, mounted, plus Eeckhout (Gerbrandt van den, 1621-1674), Examining Botanical Specimens, hand-coloured etching, trimmed to margins, approx. 90 x 127 mm, mounted, and six other uncoloured continental landscape etchings, late 17th/early 18th c., including views after Ruisdael, Stefano della Bella, Zeeman, etc. (12)
Lot 541
Rome, etc. An album of fifty-eight various engraved views of Rome and elsewhere, 18th-early 19th c.,. consisting of three large etched views by Giuseppe Varsi (Prospetto principale del celebre Palazzo di Caprarola Fontana della celebre acqua Vergine, volgarmente detta di Trevi & Fontana dellAcqua Paola sul Monte Gianicolo, 1746, stained with some spotting), eight large engraved views by Andrea Gasparini of Greek ruins, 1842-43, an unidentified view of the Villa Pamphili (stained and some minor marginal paper repairs), four engraved views near Como by G. Maritelli, a small etched view by Rossini, etching by Paoletti Veneto of the New Bridge under construction by the Palazzo Salviati, 1827, an etched view of the Colosseum by Paolo Barbazza, two tinted litho. views of church interiors in Rome by Chapuy, two proof etchings before letters of a classical landscape (the second by P. Parboni, dated 1835), an etched view of the Interno dellArco di Settimio Severo by Rossini, 1833, ten etched views by C. Piccoli, including the Pantheon, Tempio Antonino, Piazza e Basilica Vaticana porta Maggiore Interno del Pantheon etc., plus twenty-three b&w etched views by Carlo Labruzzi [from the Via Appia Illustrata], with title by Gaetano Cottafavi, each with title in Italian and French, approx. 540 x 760 mm and smaller, all bound in mid-19th c. cloth-backed marbled boards, some wear to extrems., with hand written list of titles at front, large folio (1)
Lot 1
Lucy Willis (b. 1954), Sleeping Child, Limited edition etching, Signed and dated 1986 within the margin lower right, Inscribed 1/100 lower left, P. 15.5cm x 14cm, Lucy Willis studied at Ruskin School of Drawing and Fine Art, Oxford. She gained first prize for her picture Her Majesty's Pleasure in 1992, in the BP Portrait Award at the National Portrait Gallery. Provenance: Chris Beetles Ltd, Exhibition No. 84
Lot 1
Valerie Thornton (1931-1991), 'Cley Hall Farm'; 'Bishops Palace, St. Davids', Each limited edition etching and aquatint, The first signed and dated 77 lower right, inscribed with title lower centre, and 43/70 lower left, The second signed and dated 79 lower right, inscribed with title lower centre, and 36/75 lower left, The first p. 40cm x 57cm, The second p. 43cm x 65cm (2)
Lot 1
John Brunsdon (b. 1923), 'Pennard Cliffs', Limited edition aquatint, Signed in pencil lower right, Inscribed with title lower left and 136/150 lower centre, P. 45cm x 60cm, Graham Evernden (?) (Contemporary), 'Hayfield'; 'Cloud Lilies', Each etching and aquatint, Each signed indistinctly in pencil within the margin lower right, The first inscribed with title and 179/350 lower left, The second inscribed with title and 214/350 lower left, The first p. 30cm x 24cm, The second p. 30cm x 40cm and four other prints by various artists, all unframed (7), (see illustration on our website), Brunsdon attended the Royal College of Art 1955-58, and worked under Julian Trevelyan. He is best known as the author of the standard textbook 'The Technique of Etching and Engraving', published 1965.
Lot 1
Simon Bull (b. 1958), 'Arncliffe in Littledale', Etching and aquatint, Signed in pencil within margin lower right, Inscribed with title lower centre, and 50/200 lower left, P. 30cm x 40cm, three other limited edition prints by other artists, and eleven screenprints by D. Bart, all unframed (15), Simon Bull's work particularly features Lake District and Yorkshire views, and he is best known as a etcher and illustrator.
Lot 1
Rowland Hilder (1905-1993), Beached vessel, Limited edition etching, Signed in pencil within the margin lower right, Inscribed 56/84 lower left, P. 16.5cm x 18.5cm, and Rachel Anne LeBas (Contemporary), 'Farm Buildings and Fallen Elms - Fyfield, Cotswolds', Limited edition etching, Signed in pencil within the margin lower right, Inscribed with title lower left and 26/75 lower centre P. 14cm x 37cm (2),
Lot 1
Catherine Grubb (Contemporary), 'Lady, weeping at the crossroads', Limited edition etching and aquatint, Signed and dated 1972 lower right, Inscribed with title lower centre, Inscribed 18/30 lower left, P. 45cm x 60cm, Unframed, and a quantity of other unframed prints (qty), (see illustration on our website),
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71174 item(s)/page