We found 71174 price guide item(s) matching your search

Refine your search

Year

Filter by Price Range
  • List
  • Grid
  • 71174 item(s)
    /page

Lot 1

Cecil Charles Windsor Aldin (1870-1935), A Scottish Terrier, etching with drypoint, signed in pencil, 15 x 10cm (6 x 4in)

Lot 1

Herbert Thomas Dicksee RE (1862-1942), 'Down to the Sea', etching, published 1912 by Frost and Reed Ltd, London, signed in pencil to the margin, 49 x 43cm (23 1/4 x 17in), mahogany frame

Lot 1

Wilfred Heeley. Edinburgh Academy. Etching. 18cm x 33cm. Pencil signed

Lot 1

William Walcot. 'Marble Arch'. Etching. 14cm x 23cm. Pencil signed

Lot 1

William Walcott. 'Berkeley Square'. Etching. 14cm x 23cm. Pencil signed

Lot 1

John Houston. Bass Rock. Etching. 68cm x 76cm. Signed

Lot 1

A Highland NCO's dirk, blade 11.5" with scalloped back edge and faint traces of thistle etching, inspector's stamp and '00 at forte, wooden hilt with carved strapwork and WM studs, WM pommel cap with crown, in its WM thistle mounted leather sheath. GC

Lot 1

An 18th Century Hand Coloured Etching "The Small Water Hen" in carved frame having floral and leaf decoration, 24.5 x 17cm

Lot 1

An 18th Century Hand Coloured Etching "The Great Black Wood Pecker" in black and gilt frame, 23.5cm x 17cm

Lot 1

An 18th Century Hand Coloured Etching, "The Moor Buzard", in blue and gilt frame, 25.5cm x 19.5cm

Lot 1

Charles Edward Holloway (1838-1897), The Redundant Man O' War, a drypoint etching, signed in ink to the margin, 14 1/2ins x 18ins

Lot 1

William Lionel Wyllie (1851-1931), A Safe Return, a steam sailing vessel throwing down a buoy for mooring, drypoint etching, signed in pencil bottom left, 16ins x 12ins

Lot 1

An etching by: John Atkinson 6in. x 8in. (15 x 20cm) A horse resting in a field with a caravan beyond Signed on the plate.

Lot 1

A drypoint etching by: E*** J*** Detmold 8in. x 13in. (20 x 33cm) Two deer on a hillside Signed proof dated 1925.

Lot 1

A drypoint etching by: William Strang 7in. x 8in. (17.8 x 20.3cm) A woodcutter Signed proof: and A wallet of four reproduction etchings "The Art & Craft of the Etcher". (2)

Lot 1

A colour etching by: Anthony Benjamin 17 1/2in. x 21 1/4in. (44.5 x 54cm) "Time Piece" Signed Artist's proof, edition limited to seventy five impressions, 1981.

Lot 1

A colour etching by: Philip Solly 11 1/2in. x 12 1/2in. (29 x 31.8cm) "Balloon Race" Signed Artist's proof.

Lot 1

A colour etching by: Hannah Swain 6in. x 4 1/4in. (15 x 11cm) "Mother and child" Signed Artist's proof; and An engraving: 19th Century 8in. x 8 1/2in. (20 x 22cm) "The Shield of Achilles". (2)

Lot 1

An etching by: Harold Thornton 9 1/2in. x 13 1/2in. (24 x 34.4cm) "Knaresborough, Yorkshire" Signed Artist's proof.

Lot 1

A drypoint etching by: Graham Clilverd 11in. x 13 1/2in. (28 x 34.3cm) "Durham (mid summer)" Signed Artist's proof.

Lot 1

A drypoint etching by: Frank Henry Mason 5 1/2in. x 9in. (14 x 23cm) "Newcastle" Signed Artist's proof.

Lot 1

A drypoint etching by: David Young Cameron 15in. x 6 1/2in. (38 x 16.5cm) A cathedral doorway Signed Artist's proof.

Lot 1

An etching by: John Atkinson. 2 1/2in. x 3 1/2in. (6.5 x 8.6cm) "Breezy Day, Holland" Signed Artist's proof.

Lot 1

A pair of etchings by: **** Grenailldt 4in. x 2 3/4in. (10 x 7cm) Notredame; and another cathedral Signed on the plate, dated 1927 and 1928; and another etching: "Old Castle - Newcastle upon Tyne". (3)

Lot 1

William Lionel Wyllie - The Embankment at Cleopatra's Needle, Parliament beyond; etching, signed in pencil, 19.5 x 14.7cm.

Lot 1

Paula Rego - 'Bull Fight'; etching, inscribed, dated 1956 and titled in pencil on mount, 17.2 x 24.7cm: Jorge Viera- Humorous bull; etching, signed, dedicated and numbered 17/19 in pen, 35.5 x 24.5cm., (2).

Lot 1

David Oxtoby - 'Boss Man', (Portrait of Elvis Presley); etching printed in colours, signed, titled, dated 1975, and numbered in pencil 73/10058 x 39cm: together with nine other similar etched portraits of musicians by the same hand, and a further quantity of prints by and after different hands including those by: H. Spender, R. Buler, F. Cuming, D. Bowen, L. Nan Kivell, (a lot), (unframed).

Lot 1

Raphael Soyer, American 20th century - Lady looking in the mirror: etching, signed in pencil, 24.7 x 19.7cm: together with twelve other etchings of figure subjects by the same hand, all signed in pencil, (13), (unframed).

Lot 1

Job Nixon, R.W.S., R.E. - Stevedores at work by a harbour; etching, signed within the plate and signed win pencil, 23.1 x 37cm: together with three reproduction prints after Marie Laurencin, one after Durer a lithograph of an Aztec design by Ziegler, and a further quantity of prints and reproductions, (a lot).

Lot 1

Francis Wells. The 'Clyde' at Arran Sudy of a Gaff Rigged Schooner off a Coastline. Coloured etching. Artists Proof signed in pencil. 8" x 12.5". (Edward Francis Wells, exhibited 1897-1938, Slade school & Royal Academy).

Lot 1

John Brunsdon 'The Cobb'. Coloured etching. Signed limited edtion. 18" x 24".

Lot 1

William Lionel Wyllie (1851-1931) Drypoint etching (proof) 'Swan Song' Signed in pencil 'Per pro W L Wyllie M L Wyllie' 16cm x 18.5cm With memorial letter to Mr & Mrs Oswald, dated 21st December 1931, from Mrs W L Wyllie

Lot 1

BY AND AFTER HOWARD SILVERMAN Untitled black and white etching, 15/75, signed in pencil to the margin, 10.25in. x 7.75in. (26.5 x 19.5cms), gallery label verso

Lot 1

Sir David Young Cameron (1865-1945) etching, Baths of Carracalla, signed in pencil, ex Abbott & Holder, 11 x 16.75 ins.

Lot 1

Sir Frank Brangwyn (1867-1956) etching, The Black Mill, Winchelsea, Gaunt 135, signed in pencil, ex Abbott & Holder, 22.5 x 26.5 ins.

Lot 1

David Donald unframed etching, 'Fondak el Nejjarine, Fez', signed in pencil, 15 x 10.5 ins.

Lot 1

Frederick G. Farrell etching, The Promenade at Nice, signed in pencil, 7.5 x 14.75 ins.

Lot 1

English School folio of prints and paintings, Including an etching of Gladstone and a watercolour landscape.

Lot 1

Fred. G. Farrell etching, Figures before the Bank of England, signed in pencil, 8 x 12 ins.

Lot 1

English School coloured etching, In An Eastern Bazaar, indistinctly signed, 7 x 8.25 ins.

Lot 1

After Wyllee, Tugs and steamboats in a harbour, etching, 16cms x 31cms, (6" x 12").

Lot 1

After Dorothy Sweet, "Mermaid Street - Rye", monochrome etching, pencil signed and titled on mount, 28cms x 18cms, (11" x 7").

Lot 1

Modern Masters of Etching - Thirteen monographs, namely Salaman, Malcolm C., intro., Alphonse Legros, No.9 in the series. London: The Studio, 1926. 1st edn, oblong 4to, 12 tipped-in monochrome plates, blue-grey boards with applied title label; with vols on Sir Francis Seymour Haden (No.11); F.L. Griggs (No.12); Charles Meryon (No.14); Francisco de Goya (No.15); William Walcot (No.16); E.S. Lumsden (No.17); H. Rushbury (No.18); G.L. Brocklehurst (No.19); Rembrandt (No.20); Malcolm Osborne (No.21); Levon West (No.24); and Robert Austin (No.25), uniformly bound, the latter two with dustjackets (No.24 lacking lower board); and Masters of the Colour Print No.7 - Bresslern Roth. London: The Studio, 1930. 1st edn, 4to, tan boards with applied title labels, dustjacket (jacket torn with loss), (14).

Lot 1

Charles Bird, ARE (1856-1916) View of Bristol from the roof of the tramway stables, Colston Street Etching Pencil signed Published by Frost & Reed, 1911 27cm x 50cm

Lot 1

Edward Sharland (exh. 1911-1925) St Stephen's Church, Bristol Etching Pencil signed 40.5cm x 23cm; Three other etchings by the same hand The Corn Exchange, Redcliff Backs and St Mary Redcliffe; A colour etching of St Mary Redcliffe by the same hand; And four etchings by Charles Bird, (9)

Lot 1

After Percival Gaskell 'Riva degli Schiavoni, Venice' Etching Pencil signed 15.5cm x 20cm; and a companion, 'Venice from the Lido', uniformly framed, (2)

Lot 1

Stanley Anderson, RA, RE (1884-1966) Chelsea Embankment Etching Pencil signed FATG blindstamp Dated 1920 to block 22cm x 34cm

Lot 1

WILLIAM WILSON, TIERGARTNER TOR, NURNBERG. Etching, signed, inscribed and dated 'Zoological Gardens entrance, 1929', unframed, 20cm x 15cm and another etching by Ian Fleming, 'Comment 16' (2)

Lot 1

WILLIAM LIONEL WYLLIE (1851-1931), A busy shipping scene on the Thames with the Tower of London in the background, etching, pencil signed in the margin, 6 1/4" x 14 3/4".

Lot 1

WILLIAM LIONEL WYLLIE (1851-1931), Shipping scene on the Thames by St Pauls Cathedral, etching pencil signed in the margin, 8" x 16".

Lot 1

18TH CENTURY ITALIAN SCHOOL, The Nativity, etching, 19" x 14 1/2" and a coloured mezzotint, 'The Fern Gatherers' after George Morland. (2)

Lot 1

RICHARD GAYWOOD after TITIAN, A chamber organist entertaining a nude female and her dog in a palatial setting, etching, 10 1/4" x 14 1/2".

Lot 1

J HARRIS afer H HALL, 'The Merry Beaglers', etching with handcolouring, 18" x 25 1/2", and other loose prints to include a mezzotint of a Scottish camp in the manner of Landseer, two engravings after G D Rowlandson 'My Lady Leads' etc. (7)

Lot 1

FRANK SHORT after ANTONY VANDYKE COPLEY FIELDING, 'A Beach Sunset', etching, pencil signed in the margin, 11 1/2" x 15 1/2", and a Dutch etching in colours of a busy harbour scene indistinctly signed. (2)

Lot 1

PERCY ROBERTSON (1869-1934), View of Eros, Piccadilly, etching, pencil signed in the margin, 6" x 8".

Lot 1

WILLIAM TATTON WINTER (1855-1928), 'Canterbury Cathedral from the Stour', etching in colours, pencil signed by the artist, 11 1/2" x 15"; and two further by the same hand 'Fordwich near Canterbury' and 'Christ Church Gate'. (3)

Lot 1

WILFRID R WOOD (1880-1976), Tenby Harbour, linoblock print, pencil signed in the margin, 8 1/2" x 11"; a lithograph of Manchester Grammar School, an etching by Harold Thornton of Canterbury, all unframed. (3)

Lot 1

RICHARD BEER (b. 1928), A view of Merton College, etching with aquatint in colours, pencil signed and numbered 39/100, 18" x 24"; Edwin Ladell 'Canford', artists proof lithograph in colours; and two further engravings of Merton and Radcliffe Camera. (4)

Lot 1

Percy Thomas, a portrait and landscape genre and architectural painter and etcher, studied under Whistler, address in London, 1846-1922. A collection of six etchings; two of Chelsea Embankment, first state, 1884; third state, 1884; another, second state, 1871, on the lefthand side of etching "Briton Rivere 1871"; another "Trial Proof" depicting church and figures"; another of Winchester, 1896; and one of old London Housees, all signed in pencil "Percy Thomas", sizes 25cm x 19cm, 21.5cm x 16cm, 24cm x 17cm, 19cm x 22.5cm, 20cm x 13cm, 27cm x 19.5cm, (respectively).

Lot 1

Caricature. Gillray (James), "One of the Advantages of a Low Carriage", pub. H.Humphrey, 1st June, 1801, hand coloured etching, approx. 255 x 360 mm, framed and glazed B.M. Cat No 9767. (1)

Loading...Loading...
  • 71174 item(s)
    /page

Recently Viewed Lots