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Victorian silver mounted sword stick, Victorian silver mounted sword stick, the 68cm blade decorated with blue and gilt etching, the grip carved in the form of a bird head with glass eyes (one damaged) and mounted with Birmingham 1893 dated silver collar, the scabbard with a replaced London silver collar dated 1927. Together with a silver mounted walking cane bearing 1916 London hallmarks. The sword stick measures 91cm long.
A German Combined Priming-Flask, Wheel-Lock Spanner And TurnscrewLate 16th/Early 17th Century, Probably NurembergOf steel, with tapering cylindrical body seamed along one side and with rounded cap at the base incorporating the turnscrew, tapering nozzle of circular section with sprung tap (top missing), and three spanners of square section, decorated overall with etched scrolling foliage against a gilt ground (gilding worn), the etching on the body arranged in spiral bands inhabited by birds and monster-heads (suspension mount missing) 18.5 cm. Footnotes:ProvenanceThe Dr. Ernst-Joachim Rogahn Collection, sold in these Rooms, 24 April 2013, lot 235This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Four 19th century satirical etchings The circle of JAMES GILLRAY. 'Morning, Noon, Night,' 19th century hand coloured satirical etching, pasted onto card, Thomas McLean, London, 24cm x 35cm; Attributed to WILLIAM HEATH. 'The Dandy and his Postillion or the Waay to laugh up Hill or the Waay to laugh up Hill,' hand coloured etching on ivory wove paper, pasted onto card, Thomas Tegg, London, 1819, 21.5cm x 33cm; S. HEATH. 'Aquatic Monstosities or Galley Slaves,' hand coloured etching, pasted onto card, W. Cole, London, 1826, 31cm x 23cm; with an early 19th century hand coloured etching of two drunk 'Red Coat' British' soldiers being escorted out of a pub, 26cm x 19cm. (4)
Collection of satirical etchings WILLIAM HEATH. 'An Election Ball,' hand coloured satirical etching, pasted onto card, from 'William Heath On Womens Hats and Fashion Madness', McLean, London, 1829; 'A La Mode 1829,' hand coloured satirical etching, pasted onto card, from 'William Heath On Womens Hats and Fashion Madness', McLean, London, 1829; With two other satirical hand coloured etchings. (4)All measurments are of the leaf in which the engraving was pressed and not the mounts.An Election Ball- 26cm x 37cmA La Mode- 26.5cm x 37cmSmithfield Market- 24cm x 39cmMaking Decent- 30.5cm x 43cm
ISSAC ROBERT CRUIKSHANK. 'Drawing for Twelfth Cake at St Anne's Hill!!' Etched caricature with contemporary hand colouring, pasted onto card, T. Williamson, 1803, 19cm x 24cm; 'The Piccadilly Nuisance,' satrical hand coloured etching, pasted onto card, George Humphrey, London, 1818, 25cm x 36cm; Unknown. 'Sketches At Margate, Caught on the Jetty A Couple of Real Margateers,' hand coloured lithograph from 'Tregear's flights of Humour' series, pasted onto card, G. S. Tregear, Humorous Print Shop, Cheapside, 1833, 35.5cm x 27cm; With three other engraved caricatures. (6)
Engraved Sheet Music. after ARCANGELO CORELLI (1653-1713). 'In Praise of Bacchus,' hand coloured song sheet etching of three fashionable drinkers toasting a statue of Bacchus while a stubborn donkey eats the holy grapevine, music is written for both two voices and two flutes, plate mark, c1700; GEORGE BICKHAM. 'The Masque at the Old House,' hand coloured copper engraved sheet music from 'The Musical Entertainer', plate mark, George Bickham, London, c1740; With three other hand coloured copper engraved song sheets. (5)
A collection of nine pictures to include; after James Fade, Anna Maria Tollemache, Countess of Dysart, mezzotint on paper, 35 x 29cm; Charles Louis Lingee, Les Confidences and Le Prominade de Soir, coloured engraving on paper; Caroline Romer, Taylor Chichoga, inscribed 'C.E. Romer' (lower right) watercolour on paper, 27 x 23cm; Shiva's temple above Bangar, signed 'C.E. Romer' inscribed with title lower right, 25 x 19cm, Provenance: The Brotherton Gallery, London; Lillian Isabel Peterson Hingston (Canadian, 1881-1967) Street scene in winter, signed 'Lilian Hingston' (lower right), oil on canvas, 34 x 44.5cm; together with Albert Mead Pattison (1887-1957), Saint Georges Church, Montreal, etching 19.5 x 15.5cm (9)
Joachim Albrecht (1913-1997) Untitled, signed 'Joachim Albrecht' (lower right), silkscreen, unframed, 50 x 66cm; together with Ado Sato (1936-1995), Untitled, signed and dated 'ADO. 74' (lower right); numbered 307/ 500, silkscreen, unframed, 70 x 50.5; Marcel Fiorini (1922-2008); Untitled, signed 'Fiorini' (lower right); numbered II/XXX, etching, unframed, 65.5 x 51cm; and Jean Robert Ipoustéguy (1920–2006), Homage to Michelangelo, signed 'Ipousteguy' (lower right); numbered 125/200, etching, unframed, 60 x 80cm (4)
Joe Tilson RA (1928-) Earth Earth Earthsigned and dated 'Tilson 1980' (lower right); numbered 28/60etching and aquatint, unframed98 x 107cmCreasing to all margins, encroaching on the plate slightly at the lower left hand side. Some foxing noted to the margins of the top right hand quadrant, again, there is a very slight encroachment to the plate. All corners a little knocked, but with no losses or nibbles. A small stain on the lower margin. See additional images.
DOROTHY WOOLLARD; etching, 'Ye Olde Lattice', signed lower left, 22 x 29cm, framed and glazed, with four other framed engravings (5). (D)Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit https://www.dacs.org.uk or https://artistscollectingsociety.org
PHILIP RUSHWORTH; artist proof etching, 'Rook Skeleton', signed and dated '98, 32 x 24cm, framed and glazed. (D)Additional InformationImage clean and bright, frame appears to have been reglued at all corners, with some general scuffs and marks.This lot qualifies for Artist Resale Rights. For further information, please visit https://www.dacs.org.uk or https://artistscollectingsociety.org
JAMES ABBOT MCNEILL WHISTLER (1834-1903); etching, Chelsea Bridge, monogrammed in plate, 15 x 22cm, framed and glazed.Additional InformationThe mount is browned throughout and the edge of the paper of the etching may be slightly toned, a couple of slight foxing spots along the bottom edge, the back board with Fine Art Trade Guild label and heavy old worm damage to the wooden panel, the worm damage does not appear to have come through the paper however it has come through once in the mount.
RACHEL GRIGOR; a signed limited edition black and white etching, 'Trio', no 5/20 with exhibition details verso, 34 x 23.5cm, framed and glazed. (D)Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit https://www.dacs.org.uk or https://artistscollectingsociety.org
PETER FORD; etching, 'Spring' no. 37/60, signed in pencil, 11 x 15cm, and a further coloured etching 'Hay Making and Curlew, Wensleydale', 21.5 x 20cm, framed and glazed (2). (D)Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit https://www.dacs.org.uk or https://artistscollectingsociety.org
SHEILA WOOD; three watercolours, two signed, various sizes and an etching no. 1/1 'Family and the Beach', all framed and glazed (4). (D)Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit https://www.dacs.org.uk or https://artistscollectingsociety.org
Pierre SOULAGES (after)Poster after etching XIIPrinting on thick paperSigned and justified artist's proof in the platePublished by the SOULAGES Museum in Rodez, France60x40cmCondition: In excellent condition Height : 60 cm / Width : 40 cm The shipping costs will be 15 € incl. VAT for Belgium and France / 22 € incl. VAT Europe EEC / 45 € incl. VAT for European countries outside outside the EEC / 60 € incl. VAT for Japan and the United States (this fixes rates apply only to works that can be shipped in tubes and without insurance). For other countries, and for paintings and other works of art, a reasonable shipping charge will be added to your invoice. The shipment of grouped lots is possible, depending on the case, by sale, with an extra of 3 €incl. VAT per object.
NICHOLSON (BEN)Drawings Paintings and Reliefs 1911-1968. Introduction by John Russell, FIRST EDITION, NUMBER 18 OF 60 COPIES WITH AN ORIGINAL SIGNED ETCHING, numerous colour plates, publisher's cloth, dust-jacket, the etching loose as issued in folder held within matching cloth solander box, large 4to, Thames and Hudson, 1969Footnotes:Limited edition with the additional etching '1966 (Olympic Fragment)', on wove, numbered (18/60), signed and dated in pencil, 185 x 225mm.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
George Vernon Stokes, RBA, RMS (British, 1873-1954), otterhounds and a border terrier in a stream searching for their prey, signed in pencil in the margin and numbered in pencil, limited edition '73/75', drypoint etching, 23.5 x 28.5cm (Image), frame 47 x 51.5cmLindsey Knapp (Victoria Gallery).Ok.Unexamined out of frame.
George Vernon Stokes, RBA, RMS (British, 1873-1954), three foxhounds giving chase, signed in pencil in the margin, limited edition drypoint etching, numbered in the margin '1/75', published circa 1940, 25 x 30.2cm (I), frame 47 x 51.3cmLindsey Knapp (Victoria Gallery).Ok.Unexamined out of frame.
William Lionel Wyllie RA,(British 1851-1931) Old Waterloo Bridge from the south,etching, pencil signed in lower margin, Pl. 18.5cm x 35.1cm, frame 36.2cm x 50.8cm, together with another etching by the same artist depicting 'Sugar Boats off Greenwich. '(2)Some surface yellowing yellowing at margin edges, otherwise in reasonably good conditionOld Waterloo Bridge from the South appears to be in generally good conditionSugar Boats off Greenwich - please note there is surface yellowing , particularly in all four margins (particularly where the margin edges border the mountsSold unexamined out of frames
After H RogersThe desiccated corpse of a boy, about twelve years old, found in a vault under Saint Botolph's Aldgate old Church in 1742etching, signed in plate32.5 x 20.5cm;Lettering reads: This print is an exact representation of a boy about 12 years old who was found erect with his cloaths on in a vault under Saint Botolph's Aldgate Old Church in the year 1742, and is supposed to have been shut in at the time of the plague in London 1665, as the vault had not been open'd from that period till the time above mentioned when the church was pull'd down. The extraordinary circumstance of this boy is that his skin, fibres, & intestines are all dried & very little of his bones appears, and weighs about 18 pounds. He is in the possession of Mr. J. Rogers, No. 2 Maiden Lane Wood Street, London. This print may be had price 2s with a ticket for a sight of the boy./In the Possession of John Symmons Esq',together with an etching by a different hand, 15.5 x 6.5cm (2) Condition ReportFramed sizes: 57.5 x 42cm and 28.5 x 22cm.Unexamined out of glazed frames, both well-presented in clean and smart mounts, the H Rogers print has some foxing emerging and light time staining, also two light creases across the paper through skeleton's chest and ankles, skinning to paper around 'John Symmons' text, please refer to images.
AN ANTIQUE COLOUR PRINT OF A DRUM MAJOR OF THE ROYAL REGIMENT ARTILLERY C1840. SIGNED & DATED WITH A PARKER GALLERY LABEL. ALSO AN ANTIQUE COLOURED ENGRAVING “THE HOLY FAMILY” ALSO A COMMEMORATION CERTIFICATE GEORGE V FOR WORLD WAR I. AND A SIGNED COLOUR ETCHING OF CYPRES. LARGEST 15” X 12” [4]
LEONARD BREWER framed etching titled 'The Upper gate Conwy' dated 1919, 38 x 23cms, ALLAN ROWE limited edition prints (3) titled 'Richmond Castle' (701/1800), 'Dunstanburgh Castle' (1490/2300) and 'Bamburgh Castle' (1403/1880), 26.5 x 38.5cms, 27 x 38.5cms and 30 x 42cms, measurements respectively, W H BARTLETT - Conwy Castle with Suspension Bridge, 23 x 35cms and a decorative print of a pensive young girl, Classical Greek style, 54 x 38cms, the set of three all signed and numbered in pencil
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