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Lot 675

Framed coloured etching/engraving 'Bass Rock' Signed Paul Ritchie 37/150 [57x48cm]

Lot 145A

Three various art works to include coloured etching titled 'Castlerigg' signed by the artist. Artist proof.

Lot 1377

Edward W Sharland, 'St Pauls Cathedral'; 'Westminster Abbey', a pair, each signed and titled, etching, pl.48 x 28cm.

Lot 1269

Piers Browne (Yorkshire, Contemporary) "Here by the Labouring Highway, A.E. Housman", an artists proof drypoint etching focused on a central tree surrounded by sparse, lush landscape, card mounted in frame under glass, signed and dated 1980, 32 cm x 29 cm

Lot 220

An Edward VII Pattern 1897 infantry officer's sword, retailed by W J Jeffery & Co of 13 King St, St James's, the blade etching incorporating a light infantry strung bugle device

Lot 1010

C,O, Murray Etching, Nausicaa and Her Maidens playing a t ball, together wih two XIX Century trivets.

Lot 317

Victorian silver mounted sword stick, Victorian silver mounted sword stick, the 68cm blade decorated with blue and gilt etching, the grip carved in the form of a bird head with glass eyes (one damaged) and mounted with Birmingham 1893 dated silver collar, the scabbard with a replaced London silver collar dated 1927. Together with a silver mounted walking cane bearing 1916 London hallmarks. The sword stick measures 91cm long.

Lot 264

ANITA KLEIN (AUSTRALIAN b.1960),BREAKFASTetching on paper, signed, numbered 20/25 and dated '03image size 30cm x 40cm, overall size 46cm x 56cm Mounted, framed and under glass.

Lot 56

A German Combined Priming-Flask, Wheel-Lock Spanner And TurnscrewLate 16th/Early 17th Century, Probably NurembergOf steel, with tapering cylindrical body seamed along one side and with rounded cap at the base incorporating the turnscrew, tapering nozzle of circular section with sprung tap (top missing), and three spanners of square section, decorated overall with etched scrolling foliage against a gilt ground (gilding worn), the etching on the body arranged in spiral bands inhabited by birds and monster-heads (suspension mount missing) 18.5 cm. Footnotes:ProvenanceThe Dr. Ernst-Joachim Rogahn Collection, sold in these Rooms, 24 April 2013, lot 235This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 432

Set of four etched glass sherry glasses with floral etching, signed to base 'JG', 11.5cm tall. (4)

Lot 555

MARGARET M RUDGE (British 1885-1972), Forth Rail Bridge, etching, pencil signed, 9.5cm x 13.5cm, 38cm x 29cm.

Lot 558

BORIS O'KLEIN (Russian/French 1893-1985) *ARR*, Chacun Son Tour! (Wait Your Turn!), coloured etching, signed lower right and titled lower left in pencil, 16cm x 42.5cm, frame size 23cm x 52cm.

Lot 442

An Etching by Giovanni Vitalbe (1738-1792). After Guercino (Giovvanni Francesco Barbier,1591-1666), A distinguished bearded man thinking, framed and glazed,19th century. 14cm x 18cm.

Lot 267

LAURA KNIGHT. 'Modern Masters of Etching....', 1932. Original boards, some spotting, clean etchings tipped in, The Studio, London, 1932.

Lot 415

Four 19th century satirical etchings The circle of JAMES GILLRAY. 'Morning, Noon, Night,' 19th century hand coloured satirical etching, pasted onto card, Thomas McLean, London, 24cm x 35cm; Attributed to WILLIAM HEATH. 'The Dandy and his Postillion or the Waay to laugh up Hill or the Waay to laugh up Hill,' hand coloured etching on ivory wove paper, pasted onto card, Thomas Tegg, London, 1819, 21.5cm x 33cm; S. HEATH. 'Aquatic Monstosities or Galley Slaves,' hand coloured etching, pasted onto card, W. Cole, London, 1826, 31cm x 23cm; with an early 19th century hand coloured etching of two drunk 'Red Coat' British' soldiers being escorted out of a pub, 26cm x 19cm. (4)

Lot 417

Collection of satirical etchings WILLIAM HEATH. 'An Election Ball,' hand coloured satirical etching, pasted onto card, from 'William Heath On Womens Hats and Fashion Madness', McLean, London, 1829; 'A La Mode 1829,' hand coloured satirical etching, pasted onto card, from 'William Heath On Womens Hats and Fashion Madness', McLean, London, 1829; With two other satirical hand coloured etchings. (4)All measurments are of the leaf in which the engraving was pressed and not the mounts.An Election Ball- 26cm x 37cmA La Mode- 26.5cm x 37cmSmithfield Market- 24cm x 39cmMaking Decent- 30.5cm x 43cm

Lot 413

ISSAC ROBERT CRUIKSHANK. 'Drawing for Twelfth Cake at St Anne's Hill!!' Etched caricature with contemporary hand colouring, pasted onto card, T. Williamson, 1803, 19cm x 24cm; 'The Piccadilly Nuisance,' satrical hand coloured etching, pasted onto card, George Humphrey, London, 1818, 25cm x 36cm; Unknown. 'Sketches At Margate, Caught on the Jetty A Couple of Real Margateers,' hand coloured lithograph from 'Tregear's flights of Humour' series, pasted onto card, G. S. Tregear, Humorous Print Shop, Cheapside, 1833, 35.5cm x 27cm; With three other engraved caricatures. (6)

Lot 414

Engraved Sheet Music. after ARCANGELO CORELLI (1653-1713). 'In Praise of Bacchus,' hand coloured song sheet etching of three fashionable drinkers toasting a statue of Bacchus while a stubborn donkey eats the holy grapevine, music is written for both two voices and two flutes, plate mark, c1700; GEORGE BICKHAM. 'The Masque at the Old House,' hand coloured copper engraved sheet music from 'The Musical Entertainer', plate mark, George Bickham, London, c1740; With three other hand coloured copper engraved song sheets. (5)

Lot 800

Rowland Longmaid - etching of Tower Bridge, 9 x 29cm

Lot 1155

Unity Spencer - etching seated garden scene, signed and dated 1952, 15 x 12cm

Lot 256

Jean Rees (1914-2004), Wiltshire Downs, signed and numbered 1/25, etching and gouache, 19 x 21.5cm

Lot 260

A collection of nine pictures to include; after James Fade, Anna Maria Tollemache, Countess of Dysart, mezzotint on paper, 35 x 29cm; Charles Louis Lingee, Les Confidences and Le Prominade de Soir, coloured engraving on paper; Caroline Romer, Taylor Chichoga, inscribed 'C.E. Romer' (lower right) watercolour on paper, 27 x 23cm; Shiva's temple above Bangar, signed 'C.E. Romer' inscribed with title lower right, 25 x 19cm, Provenance: The Brotherton Gallery, London; Lillian Isabel Peterson Hingston (Canadian, 1881-1967) Street scene in winter, signed 'Lilian Hingston' (lower right), oil on canvas, 34 x 44.5cm; together with Albert Mead Pattison (1887-1957), Saint Georges Church, Montreal, etching 19.5 x 15.5cm (9)

Lot 324

A panoramic view of Florence - Veduta della città di Firenze dal muricciolo del prato de' padri di San Francesco al monte after Valerio Spada, coloured etching, 41 x 116cm

Lot 368

Henri Goetz (1909-1989) Untitledsigned 'Goetz' (lower left); numbered 14/33etching, unframed56 x 37.5cm

Lot 369

Joachim Albrecht (1913-1997) Untitled, signed 'Joachim Albrecht' (lower right), silkscreen, unframed, 50 x 66cm; together with Ado Sato (1936-1995), Untitled, signed and dated 'ADO. 74' (lower right); numbered 307/ 500, silkscreen, unframed, 70 x 50.5; Marcel Fiorini (1922-2008); Untitled, signed 'Fiorini' (lower right); numbered II/XXX, etching, unframed, 65.5 x 51cm; and Jean Robert Ipoustéguy (1920–2006), Homage to Michelangelo, signed 'Ipousteguy' (lower right); numbered 125/200, etching, unframed, 60 x 80cm (4)

Lot 391

Joe Tilson RA (1928-) Earth Earth Earthsigned and dated 'Tilson 1980' (lower right); numbered 28/60etching and aquatint, unframed98 x 107cmCreasing to all margins, encroaching on the plate slightly at the lower left hand side. Some foxing noted to the margins of the top right hand quadrant, again, there is a very slight encroachment to the plate. All corners a little knocked, but with no losses or nibbles. A small stain on the lower margin. See additional images.

Lot 73

William Lionel Wyllie, Capt. Scott's "Discovery", signed etching, housed in a glazed ebonised frame, the etching 38.5cm x 26.5cm

Lot 1021

ROBINSON AFTER FRANK STONE;  a 19th century steel engraved, 'Bonjour Messieurs', 41 x 80cm, with a further Steel engraved 'Life at the Sea-side' (2).Additional InformationThe first etching has some light spotting and browning, the other etching has heavy acid staining.

Lot 1022

DOROTHY WOOLLARD; etching, 'Ye Olde Lattice', signed lower left, 22 x 29cm, framed and glazed, with four other framed engravings (5). (D)Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit https://www.dacs.org.uk or https://artistscollectingsociety.org

Lot 1121

PHILIP RUSHWORTH; artist proof etching, 'Rook Skeleton', signed and dated '98, 32 x 24cm, framed and glazed. (D)Additional InformationImage clean and bright, frame appears to have been reglued at all corners, with some general scuffs and marks.This lot qualifies for Artist Resale Rights. For further information, please visit https://www.dacs.org.uk or https://artistscollectingsociety.org

Lot 1132

JAMES ABBOT MCNEILL WHISTLER (1834-1903); etching, Chelsea Bridge, monogrammed in plate, 15 x 22cm, framed and glazed.Additional InformationThe mount is browned throughout and the edge of the paper of the etching may be slightly toned, a couple of slight foxing spots along the bottom edge, the back board with Fine Art Trade Guild label and heavy old worm damage to the wooden panel, the worm damage does not appear to have come through the paper however it has come through once in the mount.

Lot 1152

RACHEL GRIGOR; a signed limited edition black and white etching, 'Trio', no 5/20 with exhibition details verso, 34 x 23.5cm, framed and glazed. (D)Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit https://www.dacs.org.uk or https://artistscollectingsociety.org

Lot 1157

PETER FORD; etching, 'Spring' no. 37/60, signed in pencil, 11 x 15cm, and a further coloured etching 'Hay Making and Curlew, Wensleydale', 21.5 x 20cm, framed and glazed (2). (D)Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit https://www.dacs.org.uk or https://artistscollectingsociety.org

Lot 1158

ERIC GILL; black and white etching, 'Eliz.G', profile portrait study of a young woman, 19.5 x 14.5cm, framed and glazed.

Lot 1235

SHEILA WOOD; three watercolours, two signed, various sizes and an etching no. 1/1 'Family and the Beach', all framed and glazed (4). (D)Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit https://www.dacs.org.uk or https://artistscollectingsociety.org

Lot 37

Virginia Ridley, oil on board of a vase of daffodils, signed, along with a signed artist's proof etching of a horse, indistinctly signed. H.30 W.27cm.

Lot 56

Pierre SOULAGES (after)Poster after etching XIIPrinting on thick paperSigned and justified artist's proof in the platePublished by the SOULAGES Museum in Rodez, France60x40cmCondition: In excellent condition Height : 60 cm / Width : 40 cm The shipping costs will be 15 € incl. VAT for Belgium and France / 22 € incl. VAT Europe EEC / 45 € incl. VAT for European countries outside outside the EEC / 60 € incl. VAT for Japan and the United States (this fixes rates apply only to works that can be shipped in tubes and without insurance). For other countries, and for paintings and other works of art, a reasonable shipping charge will be added to your invoice. The shipment of grouped lots is possible, depending on the case, by sale, with an extra of 3 €incl. VAT per object.

Lot 328

NICHOLSON (BEN)Drawings Paintings and Reliefs 1911-1968. Introduction by John Russell, FIRST EDITION, NUMBER 18 OF 60 COPIES WITH AN ORIGINAL SIGNED ETCHING, numerous colour plates, publisher's cloth, dust-jacket, the etching loose as issued in folder held within matching cloth solander box, large 4to, Thames and Hudson, 1969Footnotes:Limited edition with the additional etching '1966 (Olympic Fragment)', on wove, numbered (18/60), signed and dated in pencil, 185 x 225mm.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 139

A 19th century oval looking glass, 41cm x 36cm; a 19th century oak pedestal bowl, 14.5cm tall x 27cm diameter; a Victorian tapestry sampler; etching, etc, (6).

Lot 261

Pictures and prints - 19th and 20th century etchings and aquatints - Albert Robida, (1848–1926) by and after, French town, signed in pencil, etching; Harry Elliott, set of five, Caricatures of Friars; etc, qty, (1 box).

Lot 247

J. H Dowd (1884-1956) - young boy with an Old English Sheepdog signed drypoint etching, signed in pencil to lower margin, 29.5cm x 21cm, glazed frameLocation:

Lot 336

R Hobson: a dry point etching, "The Lonely Mill", a similar companion, "Shelley's cottage Lynmouth", and an artist proof, "The Sun in the Valley", framed and glazed

Lot 11

George Vernon Stokes, RBA, RMS (British, 1873-1954), otterhounds and a border terrier in a stream searching for their prey, signed in pencil in the margin and numbered in pencil, limited edition '73/75', drypoint etching, 23.5 x 28.5cm (Image), frame 47 x 51.5cmLindsey Knapp (Victoria Gallery).Ok.Unexamined out of frame.

Lot 12

George Vernon Stokes, RBA, RMS (British, 1873-1954), three foxhounds giving chase, signed in pencil in the margin, limited edition drypoint etching, numbered in the margin '1/75', published circa 1940, 25 x 30.2cm (I), frame 47 x 51.3cmLindsey Knapp (Victoria Gallery).Ok.Unexamined out of frame.

Lot 338

William Lionel Wyllie RA,(British 1851-1931) Old Waterloo Bridge from the south,etching, pencil signed in lower margin, Pl. 18.5cm x 35.1cm, frame 36.2cm x 50.8cm, together with another etching by the same artist depicting 'Sugar Boats off Greenwich. '(2)Some surface yellowing yellowing at margin edges, otherwise in reasonably good conditionOld Waterloo Bridge from the South appears to be in generally good conditionSugar Boats off Greenwich - please note there is surface yellowing , particularly in all four margins (particularly where the margin edges border the mountsSold unexamined out of frames

Lot 242

School of RembrandtMan leading a cameletching15.5 x 18cmCondition ReportFramed: 38.5 x 40cm in glazed frame. Two repaired holes in upper centre and right. Minor cockling throughout Presents well.

Lot 246

After H RogersThe desiccated corpse of a boy, about twelve years old, found in a vault under Saint Botolph's Aldgate old Church in 1742etching, signed in plate32.5 x 20.5cm;Lettering reads: This print is an exact representation of a boy about 12 years old who was found erect with his cloaths on in a vault under Saint Botolph's Aldgate Old Church in the year 1742, and is supposed to have been shut in at the time of the plague in London 1665, as the vault had not been open'd from that period till the time above mentioned when the church was pull'd down. The extraordinary circumstance of this boy is that his skin, fibres, & intestines are all dried & very little of his bones appears, and weighs about 18 pounds. He is in the possession of Mr. J. Rogers, No. 2 Maiden Lane Wood Street, London. This print may be had price 2s with a ticket for a sight of the boy./In the Possession of John Symmons Esq',together with an etching by a different hand, 15.5 x 6.5cm (2) Condition ReportFramed sizes: 57.5 x 42cm and 28.5 x 22cm.Unexamined out of glazed frames, both well-presented in clean and smart mounts, the H Rogers print has some foxing emerging and light time staining, also two light creases across the paper through skeleton's chest and ankles, skinning to paper around 'John Symmons' text, please refer to images.

Lot 125

Pair of 19th century sundae dishes, etched with vines and grapes, 15cm high, and a pair of early 19th century glasses with star etching and stepped bases, 13.5 cm high (4)

Lot 219

Abstract hand coloured etching, signed indistinctly in pencil 18cm x 14.5cm

Lot 226

Three signed Warfare prints, including Terence Cuneo, another depicting Salvador Dali and an etching of a bridge (5)

Lot 233

Harriet Brigdale (British, contemporary), 'Private View', etching in colours, ed. 70/75, signed in pencil to margin, 23 x 19cm, with another etching in colours by the same artist, 'The Bird Shop', ed. 26/75, signed in pencil to margin, 24 x 19cm, both framed and glazed. (2)

Lot 472

QTY OF PRINTS & PAINTINGS INCL; ORIGINAL ETCHING BY HE HAMPTON & A WATERCOLOUR BY H WRIGHT, 2 F/G PAPYRUS PICTURES

Lot 501

TWO FINE ETCHINGS AFTER COROT, SIGNED IN PENCIL INDISTINCTLY, LANDSCAPE WITH FIGURES AND CATTLE TOGETHER WITH ANOTHER PENCIL SIGNED ETCHING BY A DIFFERENT HAND WITH OLD SOTHEBY'S LABEL TO REVERSE, LARGEST 9" X 13" [3]

Lot 517

FRANK PATON [1855-1909] A DARKLY HUMOROUS PENCIL SIGNED ETCHING ENTITLED “MERRY CHRISTMAS” 13” X 15”

Lot 568

AN ANTIQUE COLOUR PRINT OF A DRUM MAJOR OF THE ROYAL REGIMENT ARTILLERY C1840. SIGNED & DATED WITH A PARKER GALLERY LABEL. ALSO AN ANTIQUE COLOURED ENGRAVING “THE HOLY FAMILY” ALSO A COMMEMORATION CERTIFICATE GEORGE V FOR WORLD WAR I. AND A SIGNED COLOUR ETCHING OF CYPRES. LARGEST 15” X 12” [4]

Lot 2056

John Blenkinsopp (contemporary, Manchester): artist signed limited edition etching, Why?, 1/35, 18 x 29 cm. Not available for in-house P&P

Lot 146

JOHN HOYLAND (1934-2011)MIRAGE (1986)Etching, 59.8 x 55.2cm (87.5 x 68.5cm sheet size)Signed and dated (19)'86Artist's proof 8/10 from an edition of 44Provenance: With Waddington Galleries, London; Private Collection Dublin

Lot 200

LEONARD BREWER framed etching titled 'The Upper gate Conwy' dated 1919, 38 x 23cms, ALLAN ROWE limited edition prints (3) titled 'Richmond Castle' (701/1800), 'Dunstanburgh Castle' (1490/2300) and 'Bamburgh Castle' (1403/1880), 26.5 x 38.5cms, 27 x 38.5cms and 30 x 42cms, measurements respectively, W H BARTLETT - Conwy Castle with Suspension Bridge, 23 x 35cms and a decorative print of a pensive young girl, Classical Greek style, 54 x 38cms, the set of three all signed and numbered in pencil

Lot 1143

Newton Fielding (1799-1856) set of six etching and aquatints - Cock Fighting, plates I-VI, framed as one in gilt frame, 94cm x 72cm overall

Lot 1157

James Henry Dowd (1833-1916) signed etching - Rock Pooling, 11.5cm x 16.5cm, in glazed gilt frame Provenance: Royal Exchange Art Gallery, London

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