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Lot 1
walter Spradbury (1889-1969) Downham Mill, Ely signed lower right Walter Spradbury etching 31 x 24cm walter Spradbury (1889-1969) The Cobblers Shop, Church Lane, Walthamstow the first signed lower right Walter Spradbury woodblock in colours 18 x 21cm; and 20 x 23cm (2); and olive Baylis and Vera Duxson Two other etchings; and v Timkiss (British, 20th Century) Marksburg signed lower right V Timkiss etching 41 x 30cm (6) marksburg Castle is the only hill castle on the Rhine that has never been destroyed. Rising above the town of Braubach, the castle has been lived in for over 700 years in which time it has served as a state prison and is now the home of the German Castles Association
Lot 1
charles Chaplin (British, 1907-1987) Night signed lower right Charles Chaplin 1946 etching 29 x 40cm exhibited: royal Academy, 1946 (letter refers); and the Lane, Mundon signed lower right C H A Chaplin 1931 etching 17 x 21cm; and r B Allen (British, 20th Century) Rickmansworth, 1947 signed lower right R B Allen etching 18 x 23cm (3) charles Chaplin (1907 - 1987) was an English artist, engraver, and printmaker. You teach me a little about engraving and I will teach you a little about art was the remarkable offer made by Robert Austin to his new student, Charles Chaplin. Austin, an eminent engraver himself, had become Chaplins tutor at the Royal College of Art in September 1947. Chaplin, a mature student, was a printers commercial engraver; he was also an amateur artist whose prints had already received some recognition and had been hung at the Royal Academy Summer Exhibitions. He had, however, had little formal education or art training. Austins encouragement was a major influence on Chaplins subsequent career as an artist. The years before the Second World War cover Chaplins birth into a large working-class family, his early love of drawing, the accident which left him with only one eye, and his apprenticeship in a large printing works. After the war, he enrolled as a Saturday student at the Royal College of Art and, thereafter, his style developed significantly. Following his retirement from the printing industry, his prolific output continued unabated, encouraged by new contacts in Sweden and Canada. A shy man who loved the countryside and recorded its trees, lakes, its farmyard, his family life is revealed in the detail of his work. his favourite technique was line engraving on copper, although he used several techniques during his career
Lot 1
pALMER, Samuel, The Minor Poems of John Milton with illustrations, London 1889 4to, twelve plates as listed, some staining to outer margins of the plates, untrimmed in somewhat worn cloth gilt; PALMER, A.H., Samuel Palmer A Memoire, London: The Fine Art Society 1882 with original etching frontispiece, title and plates as listed (gutta percha perished), foxing, in worn binding; LISTER, Raymond and A.H. PALMER, The Life and Letters of Samuel Palmer, 1972 and another (4)
Lot 1
dOBSON, Austin, (Poet and essayist). First state proof etching by William Strang of Christ comforting three figures, inscribed by the artist below to Dobson, 24 x 18.5cm (rather spotted); A pen and ink design for a bookplate by Hugh Thomson for Robert Baker, 19 x 16cm; and BEERBOHM, Sir Max. The Poets Corner, Heinemann 1904, folio, with 20 coloured litho caricature plates (covers rather soiled, spine damaged) (3)
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71174 item(s)/page