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Lot 437

* WILLIAM WILSON OBE RSA RSW SAP SSA (SCOTTISH 1905 - 1972), SWANSTON FARM (1937) etching, signed in pencil 10.5cm x 14.5cm Mounted, framed and under glass.

Lot 503

JAMES ABBOTT MCNEILL WHISTLER (AMERICAN 1834 - 1903), LONGSHORE MEN etching, signed and dated 1859 in the plate 15cm x 22cm Mounted, framed and under glass Label verso: T&R Annan and Sons, 518 Sauchiehall Street, Glasgow

Lot 475

A 19th century print of Clifton suspension bridge, T C Neverson, etching of Silver Strand loch Katrine, signed, framed and glazed; John Fullwood etching, river scene, signed, framed and glazed

Lot 414

Folio of eight proof etchings by Charles Maurice Detmold (British, 1883-1908) and Edward Julius Detmold (British, 1883-1957), Animal and fish studies, all signed in pencil in the margins by one or both artists, published October, 1898, some hand-coloured, various plate sizes 7 x 10.5cm, 2.75 x 4.25in, 12 x 9.5cm, 4.75 x 3.75in, in original card folder with additional coloured etching on the cover.Condition report: The etchings are in good, original condition. The paper has browned universally across the sheets and there are some minor spots of foxing across the prints and margins. The prints are unframed. The card folder has areas of browning on both front and back covers and scuffs and bumps to corners.

Lot 316

FRAMED POLYCHROME ETCHING- THE RETURN FROM HAWKING, APPROXIMATELY 60cm x 88cm

Lot 279

George Vernon Stokes coloured etching of an English Bull Terrier and Siamese Cat.23.5cm x 30cm.Signed and no. 75/75 in pencil.

Lot 386

An Elizabeth II 1912 pattern cavalry officer's sword of the 16th (The Queen's) Lancers, regulation Wilkinsons blade 3 in., etching including regimental emblem and initials 'R.D.B.'; EIIR cypher, numbered 86406; scroll embellished nickel-plated steel guard; complete with service and full cress scabbards, corresponding sword knots and a sword bag.

Lot 200

ADRIAEN JANSZ VAN OSTADE (DUTCH 1610-1685) THE QUACKSALVER Signed in plate, arched top, etching (Dimensions: 15.5cm x 12.5cm (6in x 5in))(15.5cm x 12.5cm (6in x 5in))Footnote: Note: Hand-written label verso suggests that the work was from the Duke of Hamilton's collectionCondition report: Paper age-stained - some spots of foxing to top left corner and to A of signature - visible in illustration - no obvious tears or creases

Lot 316

TESSA BEAVER ARTISTS PROOF ETCHING OF A HEMLOCK BRANCH (64 X 70)CM

Lot 317

JOHN BRUNSDEN LIMITED (38/150) ETCHING TITLED 'VIEW FROM HOME BROW' (53 X 60)CM

Lot 1

A FRAMED AND GLAZED ETCHING

Lot 52

A MIDDLE EASTERN STYLE COLOURED ETCHING, PENCIL SIGNATURE INDISTINCT

Lot 174

Black and white etching of Rembrandt by H.C. Shenton. Framed in foliate gilt frame and glazed. (B.P. 24% incl. VAT)

Lot 146

HENRY MOORE (1898 - 1986)Reclining Nude Etching, 36 x 46 cmSigned and numbered 42/50 in pencil

Lot 293

A framed colour etching "Holy Island Castle", a framed print - marshland and a framed black and white photograph Newcastle Quayside in the early 1900's

Lot 1515

Valerie Thornton (1931-1991) signed artists proof etching and aquatint - Fermiguano, dated ‘88, in glazed frame, 42cm x 56cm

Lot 1566

Samuel Palmer (1805-1881) signed etching - Opening of the Fold, Early Morning, 1879, signed in pencil, in glazed frame, 17cm x 23.5cm, published by The Fine Arts Society Provenance: Wolseley Fine Arts

Lot 1485

James Gilray (1757-1815) hand coloured etching - Age and Luxury, published 1803 by Fores , in glazed frame, 27cm x 40cm

Lot 1595

Group of 17th and 18th century engravings and etchings to include: Johann Roos etching of livestock, two etching and mezzotints after Claude Lorraine, mezzotint after Philippe Mercier and an 18th century etching of horses in training by 'Remigius' Parr, each framed and glazed (5)

Lot 1581

Henry Edridge (1768-1821) etching by Cardon - portrait of The Right Hon . William Pitt, published 1804, in glazed gilt frame, 46cm x 30cm

Lot 1049

Cecil Aldin (British 1870-1935)/Study of a West Highland Terrier/signed in pencil and numbered 98/150/etching, 16cm x 20.5cm/and two other canine prints

Lot 146

Stanley Roy Badmin (1906-1989) - 'Priory Pond', signed, limited 25/30, black and white etching, 13 x 16cm, framed

Lot 48

Julian Trevelyan (1910-1988) - 'Nimes', signed, etching with aquatint, Artists Proof, 35 x 48cm, unframed

Lot 49

Julian Trevelyan (1910-1988) - 'St James' Park', signed, etching with aquatint, 69/75, 35 x 48cm, unframed

Lot 73

John Brunsden (1933-2014) - 'Helmsley Castle', signed, 54/150 Etching in Colours, 11 x 19cm, framed

Lot 57

Mary Fedden (1915-2012) - 'The Etching table', lithograph, 44 x 58cm, unframed

Lot 164

Brendan Neiland (B.1941) - Abstract metallic study in blue, signed and dated 1970, screen print, 6/75, 45 x 90cm, unframed, together with T* A* Wilson (20th/21st century) - 'A Part of Lifes Rich and Varied Tapestry', singed, coloured etching, 20/50, 59 x 49cm; together with David Lublinski? (20th/21st century) - 'Maid in England', signed, artist proof, 58 x 39cm, unframed (2)

Lot 38

'Semur', etching, (22cm x 37cm), signed in pencil lower right, framed and glazed, labelled to the back 'Malcolm Osborne, R.A., R.E. Semur. Dry-Point'

Lot 140

Andrew Fairbairn Affleck, (1874 - 1935), Gothic Cathedral, etching, signed, framed and glazed, 54 x 44 cm

Lot 141

19th century Scottish school, Dryburgh Abbey, Scotland, etching, signed A. Grieger' in pencil, framed and glazed, 38 x 49 cm

Lot 142

Henri le Riche (1868-1944), Two views of Paris, hand-coloured etching, framed and glazed, 36 x 26 cm; together with a etching titled 'Fontainebleau, la foret' and a print of bouquet of flowers, each approx 40 x 35 cm

Lot 305

Patricia Wright (British, 1919 - 2019), 'Star seeker', etching, 40 x 33 cm

Lot 306

Patricia Wright (British, 1919 - 2019), 'Of Africa', etching, 40 x 33 cm

Lot 96

An aquatint and etching of University College, Oxford, with blindstamp, signed Nicholson, no.40 in pencil to lower margin, 26 x 35cm

Lot 150

Boris O'Klein (1893-1995):Dirty Dogs of Paris, colour etching, hand-signed in pencil, approx. 20 x 50 cm

Lot 165

David Hockney, O.M., C.H., R.A. (b. 1937): 'The Rescued Princess', etching & aquatint from Grimm's Fairy Tales series, signed in pencil, numbered 37/100, from the edition with margins, impression 45 x 33 cm CONDITION REPORT: Excellent, clean condition

Lot 189

Tom Wood (b. 1955): Frank Bruno, etching, 1983, hand-signed in pencil, & numbered 22/100, impression size 52 x 52 cm, sheet size 90 x 60 cm. Provenance (Lots 173-190): Private, local collection amassed by the present vendor's late father, an associate & friend of the artist John Bratby.

Lot 347

An early print of Steeple chase and etching after F S Tuker

Lot 135

JULIAN TREVELYAN 'Camels', 1972, etching and aquatint, handsigned in pencil, 59cm x 78cm, framed and glazed. (Subject to ARR - please see Buyers Conditions)

Lot 2302

Original vintage travel advertising poster published by London Transport and illustrated by the prolific artist Dame Laura Knight. This is a version before text with destination was applied to the poster. It advertises travel to Richmond Park, a convenient and popular retreat for Londoners. Until medieval times London was surrounded by great oak forests. Richmond Park formed part of that forest and is home to oaks that are over 800 years old. Knight uses the oak, a traditional symbol of national identity, to mark to the great park's past, present and future. The twisted dead wood of an ancient oak stands to left, a mature tree at its optimum size dominates the foreground and tiny sapling grows in the centre. In 1949, the poster and original artwork appeared in Art for All, an exhibition of London Transport posters at the V&A. It was among the most valuable on show and in the top three for reproduction sales. This copy is a 'before text' version. Printed by The Dangerfield Printing Company Ltd., London. Dame Laura Knight, (née Johnson), DBE RA RWS (4 August 1877 – 7 July 1970) was an English artist who worked in oils, watercolours, etching, engraving and drypoint. Knight was a painter in the figurative, realist tradition and who embraced English Impressionism. In her long career, Knight was among the most successful and popular painters in Britain. Her success in the male-dominated British art establishment paved the way for greater status and recognition for women artists. In 1929 she was created a Dame, and in 1936 became the first woman elected to full membership of the Royal Academy since its foundation in 1768. Her large retrospective exhibition at the Royal Academy in 1965 was the first for a woman. Knight was known for painting amidst the world of the theatre and ballet in London, and for being a war artist during the Second World War. She was also greatly interested in, and inspired by, marginalised communities and individuals, including Gypsies and circus performers.Year of printing: 1938, country of printing: UK, designer: Laura Knight, dimensions (cm): 101.5x63.5. Good condition, slight foxing, faint fold and cracks, small tears and creases in margins.

Lot 2069

An original etching 'Westminster' by Cyril H. Barrard.

Lot 2092

A W.T.G. Etching of Benton Hall (glass a/f), Essex along with a framed etching of Melford Hall, Suffolk.

Lot 2094

A limited edition no. 47/100 Print of etching by Robert C. Robertson of The Shrine Scottish National War Memorial along with K. Vernon etching of Peterhouse, Cambridge.

Lot 2122

An unusual Etching of Africa's animals and a monoprint of dancing figures

Lot 2123

An Albany Howarth unframed pencil signed Etching of Kings College, Aberdeen.

Lot 2132

A Cecily Sash Etching inscribed November 2nd 1975

Lot 2188

An Etching of a town scape in the mountains after Gabriel Bedenehr

Lot 2245

A limited edition Etching signed John Behan 1972, of reclining figure.

Lot 2257

An Etching of mound in Edinburgh, signature in etching or pencil, appears J Lavery.

Lot 63

Etching by S Russell ' Entrance to Inner Temple'

Lot 341

Carriage Print BRUGES via HARWICH from an original etching by Frank H Mason R.I. from the LNER original etching series issued in 1936. The print has its original mount and is in excellent condition and was a file copy, in an original type frame, print measures 20in x 10in

Lot 12

A signed Rowland Langmaid (1897 - 1956) dry point etching, Tower Bridge, London, framed

Lot 19

A signed Herbert Dicksee colour etching, published by Frost & Reed 1911, framed

Lot 503

HEDLEY FITTON RE Dumfries, signed, etching, 33 x 23cm Condition Report: Available upon request

Lot 533

SYDNEY TUSHINGHAM R.E, Arco Santa Teresa, Palermo, signed, etching, 33 x 32cm and RAJASTHAN SCHOOL Water Carriers, mixed media, 53 x 37cm (2) Condition Report: Available upon request

Lot 545

NICOLA HICKS Hen 1993, signed, etching, 2/50, 11 x 11cm Condition Report: Available upon request

Lot 133

Appleby, William Crawford - Etching - Gateway to KES, New Street - 36.5cm x 22cmWilliam Crawford Appleby (1889-?) Etching of the gate to King Edward School, New Street, Birmingham designed by Charles Barry and Augustus Pugin, constructed 1833-1837. The school was demolished in 1936 to make way for the present King Edward House. Signed W C Appleby on the stonework at lower right, and signed in pencil below.

Lot 1083

William Walcot (1874-1943), Baptistry, Florence, etching, signed in pencil, 13cm x 11cm.

Lot 1105

Edgar Degas (1834-1917), Sur la Scene, etching, 15cm x 9.5cm.; together with a further etching of figures by the same hand, one unframed.(2)

Lot 14

Frederick Farrell (1882-1935), Buckingham Palace, etching, signed, 17.5cm x 43cm.

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