*Peter Laszlo Peri (Hungarian, 1899-1967) 'Western culture' etching plate 20 x 27.5cm; 'Fighting for his family II' etching and aquatint, 1943, signed and dated in pencil plate 20 x 30cm; 'Let me stay with him' etching and aquatint, 1943, signed, dated and numbered 3/100 in pencil plate 15 x 19.5cm; 'VE Day' etching, signed in pencil plate 20 x 15cm *Artist's Resale Right may apply to this lot.Condition report: Western culture: no obvious flaws. Fighting for his family II: paper a little yellowed. A light diagonal crease running through the left area. A couple of creases elsewhere including a light crease along top edge. A couple of specks of brown and white stains on top edge. Let me stay with him: a little cockling along top edge. A crease in top left margin outside printed area. Possibly a light stain in lower centre of margin. A white curved line in printed area on right side, possibly from the printing process VE day: A few light creases including a prominent crease top right. A spot of brown foxing in the centre. Paper a little yellowed. None seen outside of glazed frames
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Roberto Matta (Chilean, 1911-2002) Untitled etching with aquatint for ‘Paroles Peintes’, 1959, from a limited edition of 56 copies, signed in pencil on blue paper below sheet size 32 x 27cm, unframed Literature: Georges Visat catalogue raisonne “L’Oeuvre Grave de Matta'', no. 36 & 37.Condition report: Paper stuck down, vertical light creases.
*Bryan Ingham (1936-1997) 'Spotted Jug I (Kynance)', 1982 soft and hard ground etching finished with hand colouring, signed, titled, dated 1980 and inscribed `TP' in pencil, aside from the edition plate 7.5 x 10.5cm, unframed *Artist's Resale Right may apply to this lot.Condition report: original condition.
*Mick Rooney RA (b.1944) 'The Dream Arcade', 1996 etching, a two-plate copper etching in colours with collograph on Somerset TP 300gsm paper; signed, titled and numbered 10/40 in pencil from the edition of 40 (plus 4 artist's proofs & 2 printer's proofs); printed at the studios of Pratt Contemporary Art by Martin Saull sheet 43 x 48cm, unframed *Artist's Resale Right may apply to this lot.Condition report: in good condition.
*Mick Rooney RA (b.1944) 'The Magic Moth', 1996 Etching 10 / 40, atwo-plate copper etching in colours with collograph on Somerset TP 300 gsm paper, signed, inscribed and numbered10/40 in pencil from the edition of 40 (plus 4 artist's proofs & 2 printer's proofs); printed at the studios of Pratt Contemporary Art by Martin Saull sheet 43 x 48cm, unframed *Artist's Resale Right may apply to this lot.Condition report: in good condition.
*Paul Drury (1903-1987) Portrait of Carel Weight (Garton 38) etching, 1939, numbered 'A 16/25' in pencil l.l., from the The Paul Drury Memorial Portfolio 1994, with their blindstamp sheet 30 x 24.5cm, mounted *Artist's Resale Right may apply to this lot.Condition report: Attached to backboard by two pieces of tape at top edge. Paper lightly cockled at left edge. Light dirt along top edge. A little light paper discolouration verso. Overall good condition.
*Paul Drury (1903-1987) Head of a young woman etching, 1930, signed in pencil, inscribed with initials and date within the plate plate 14.5 x 12cm *Artist's Resale Right may apply to this lot.Condition report: The paper is lightly yellowed. A few light spots of foxing. There is a stamp verso that is visible in the lower left margin. Otherwise good condition and ready to hang. Not seen outside of glazed frame.
*John Duffin (b.1965) 'Battersea Sky' etching, 1987, signed, dated, inscribed with title and numbered 8/25 in pencil plate 32.5 x 23cm *Artist's Resale Right may apply to this lot.Condition report: Some light speckles of brown foxing visible in the margins. No other obvious flaws, otherwise in good condition and ready to hang. Not seen outside of glazed frame.
*Douglas Portway (1922-1993) Untitled etching and aquatint printed in colours, signed and numbered 12/20 in roman numerals in pencil sheet 69 x 56cm, mounted *Artist's Resale Right may apply to this lot.Condition report: Some light half-moon handling creases throughout, although only visible from certain angles. A little light dirt in places. The area visible through the mount is in good condition. Attached to the mount with strips of tape at the top and sides.
MAXIME MAUFRA (FRENCH 1861-1918) Paris and the Pont Neuf seen from St-Cloudoil on canvas 50 x 65 cm (19 3/4 x 25 5/8 in.) signed lower right PROVENANCE Gallery Keops, GenevaAcquired from the above by the present owner, circa 1987-1989 LOT NOTES Maxime Maufra was born in Nantes France a city on the Loire in 1861. Maufra started early in his artistic career at the age of eighteen. Maufra was inspired by two artists from Nantes, the Leduc brothers, Charles and Alfred, and the famed landscape painter Charles Le Roux. While inspired by these artists, Maufra did not start a career as a painter, painting only in his spare time from 1884-1890, during this period he discovered works from Impressionists and displayed his paintings at the Paris Salon in 1886. By 1890 Maufra decided to embrace painting as a full-time career, leaving Nantes for Pont-Aven in the Finistere of Brittany, here is where he met Paul Gauguin and Paul Serusier. Maufra had his first solo exhibition in Paris in 1894, at Le Barc de Toutteville. Traveling back to Brittany each year, exploring the Quiberon region, and finding inspiration in Dauphine, Midi, Algeria and Savoy. Maxime Maufra is known for his landscapes and marine views, Maufra sometimes practice the pointillist technique of fellow artists Camille Pissarro and Alfred Sisley, incorporating strong and bold colors from the Pont-Aven School, and exploring other techniques such as etching and lithography. As an artist Maufra remained independent the enterity of his artistic career up until his death in May of 1923. CONDITION Observed in frame, the work appears in good condition. No apparent issues visible to the naked eye. Inspection under UV shows scattered retouching to around 5-10% of the surface, most notably a thin line in the sky emerging from the central left edge (about 1/3 the length of the surface), and an adjoining section of the bridge. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
AFTER ADRIAEN VAN OSTADE (DUTCH 1610-1685)Boers Drinking in a Tavern, 1663 etching14.6 x 12.5 cm (5 3/4 x 4 7/8 in.)signed and dated in platePROVENANCEJohn Bulfair Prints, New York (label on verso)CONDITIONObserved in frame, the etching is in overall very good condition. Toning to the margins consistent with age. Small water mark to the lower left corner of the margin. Otherwise, no issues apparent to the naked eye.N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
![A GROUP OF NINE ETCHINGS BY JOHN LEECH (BRITISH 1817-1864), colored etchingeach 9.3 x 15.2 cm (3 5/8 x 6 in.) [sight]LOT NOTE](https://cdn.globalauctionplatform.com/39dfb77b-ac6c-47cf-a313-ad02012d8a05/05e7fc16-a954-4eb8-8c85-ad030002ee18/468x382.jpg)
A GROUP OF NINE ETCHINGS BY JOHN LEECH (BRITISH 1817-1864), colored etchingeach 9.3 x 15.2 cm (3 5/8 x 6 in.) [sight]LOT NOTESThe present works are from a first edition of Handley Cross, a book by John SurteesCONDITION Observed in frame. Overall the group of nine appears in good original condition. Minor waviness to each sheet. Minor discoloration to one of the nine etchings near the top edge. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
![PAIR OF FRENCH ETCHINGScomprising: a) Vue de la Colonnade du Louvre (Paris: Chez Basset, [circa 1780-1800]) hand colored et](https://cdn.globalauctionplatform.com/39dfb77b-ac6c-47cf-a313-ad02012d8a05/650a90b6-7ead-4173-bf34-ad030002daa4/468x382.jpg)
PAIR OF FRENCH ETCHINGScomprising: a) Vue de la Colonnade du Louvre (Paris: Chez Basset, [circa 1780-1800]) hand colored etching. plate: 20.4 x 40 cm ( 9 1/2 x 15 3/4 in.). b) Vue de la Grande Place a Mexico (Paris: Chez Basset, [circa 1780-1800]) hand colored etching. plate: 20.4 x 40 cm ( 9 1/2 x 15 3/4 in.).CONDITIONObserved in frame. Both etchings in overall age-appropriate condition. a) Vue de la Colonnade du Louvre, age-appropriate discoloration in paper. Foxing is apparent most notably above the Colonnade and the lower right corner of sheet. b) Vue de la Grande Place a Mexico, age-appropriate discoloration in paper. Water damage has occurred on the upper and lower right corners of sheet. Foxing is apparent most notably on the left upper corner of the sheet. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
PAIR OF ETCHINGS AFTER JOHN OGILBY (SCOTTISH 1600-1676)I. TAMARACA / OBSIDIO ET EXPUGNATIO PORTUS CALVI, hand colored etchingplate dimensions of each: 28 x 35 cm (11 x 13 3/4 in.)CONDITIONObserved in frame, both etchings are in overall stable age-appropriate condition.a) I. TAMARACA, Slight waviness to the sheet. age-appropriate discoloration in paper. Some foxing is apparent in the upper and lower corners of the sheet.b) OBSIDIO ET EXPUGNATIO PORTUS CALVI, Slight waviness to the sheet. Foxing is apparent on the upper left and lower middle of the sheet.N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
DAVID HOCKNEY (BRITISH B. 1937) On It May Stay His Eye, from "The Blue Guitar" portfolio, 1976-77 etching plate: 35.5 x 42.5 cm (14 x 16 3/4 in.) signed lower right, inscribed with edition 19/200 lower left PROVENANCEMargo Leavin Gallery, Los Angeles (gallery label on verso)CONDITION Observed in frame, some discoloration apparent in the lower margin of the sheet, not affecting the image. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
OLEG KUDRYASHOV (B. 1932) Bar Scene , 1969 etching on cream wove paper plate mark: 29 x 25 cm (11 3/8 x 9 7/8 in.); full sheet: 46 x 40 cm (18 1/8 x 15 3/4 in.) inscribed with proof edition, signed and dated lower right and inscribed on verso PROVENANCE The Nasher Museum of Art at Duke University, DurhamCONDITION Unframed, the work appears in very good original condition with no significant issues to report. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
A GROUP OF SIX PRINTS BY LEONID LAMM (RUSSIAN 1928-2017)comprising: a) Byaka-kaka, Objects in Space, 1972, plate mark: 49.53 x 31 cm (49.53 x 12 1/4 in.), full sheet: 65 x 44 cm (25 5/8 x 17 3/8 in.), etching on cream woven paper, mounted on thick paper, signed lower left, monogrammed and dated in plate, titled and edition 1/1 lower right b) From the Series Scary Dances Libdo, 1971, lithograph, image: 48 x 36 cm (18 7/8 x 14 1/8 in.), full sheet: 64 x 44 cm (25 1/4 x 17 3/8 in.), signed and titled, lower left, monogrammed and dated in image, edition 5/12 and signed lower right c) Self-Portrait, 1971, lithograph, image: 49 x 33 cm (19 1/4 x 13 in.), monogram and dated in image, titled lower left and signed with edition 7/12 lower right, export stamp in purple on verso d) Byaka-kaka, Objects in Space, 1972, plate marks: 49 x 32 cm (9 1/4 x 12 5/8 in.), full sheet: 62 x 44 (24 3/8 x 17 3/8 in.), etching on cream woven paper, signed, titled and signed again with edition 1/1, monogrammed and dated in plate, export stamp on verso. e) Eve, 1978, monotype, pen, ink on paper mounted on thick paper board, 36.2 x 24.77 cm (9 3/4 x 14 1/4 in.), titled lower left and monogrammed and dated lower right f) Marked Woman, 1972, monotype, pen, ink, watercolor mounted on paperboard, 36.83 x 25 cm (14 1/2 x 9 7/8 in.), titled lower left and monogrammed and dated lower rightPROVENANCE The Nasher Museum of Art at Duke University, DurhamCONDITION a) Unframed, the work appears in overall very good condition. Minor discoloration to the corners. b) Unframed, the work appears in overall very good condition. c) Unframed, the work appears in overall very good condition. Slight bending at the corners. The sheet is not fully laid down, creases visible throughout the sheet. d) Unframed, the work appears in age-appropriate condition, minor crease top left corner, discoloration to sheet. e) Unframed, the work appears in overall good original condition. Minor crease to the top perimeter. Slight lifting to the sheet from the paper board. f) Unframed, the work appears in age overall good original condition. Minor wear to the corners and tear to the left edge. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
Adriaen van Ostade (1610 in Haarlem, Niederlande - 1685 ebda.)Der Bauerntanz im Wirtshaus, Radierung auf Papier, u.r. plattenbez. "A. v. Ostade fecit et excud.", ca. 23,5x30,5cm, gerahmt (ca. 39x45cm), Papier gebräunt, lichtrandig, am oberen Rand RestaurierungsspurenAdriaen van Ostade (1610, Haarlem, Netherlands - 1685 ibid.)the farmer's dance in the tavern, etching on paper, plate-signed "A. v. Ostade fecit et excud." bottom right, ca. 23.5x30.5cm, framed (ca. 39x45cm), darkened paper, slight fading, traces of restoration on the upper edge
Nita Spilhaus (1878 in Lissabon - 1967 in Rondebosch)Lübecker Dankwartsbrücke, kolorierte Radierung, unten m. Bleistift bez., ca. 23x18,5cm, gerahmt (ca. 41,5x31,5cm)Nita Spilhaus (1878, Lisbon - 1967, Rondebosch)Lübeck Dankwartsbrücke, colored etching, inscribed with pencil to bottom, ca. 23x18.5cm, framed (ca. 41.5x31.5cm)
Maestro del Dado (Meister mit dem Würfel), tätig in Rom 1. H. 16. Jh. Zweikampf von Gladiatoren. Kupferstich auf Bütten, re. u. Ecke monogr., beschn. , kaschiert, Rand hinterlegt. Am linken rand abgetrennter Streifen wieder angefügt, partiell Bereibungen, re. ob. Ecke min. Ausriss, nachgezeichnet. Auf Untersatzkarton mont. 20,8 x 23,5 cm (Bl) Artist known by monogram, called master with the cube, active in Rome 1st half 16th ct.: gladiators fighting with swords, copper etching, lacks of condition. 20,8 x 23,5 cm
Beck (i.e. Beck, Detlef). Geb. 1958 Leipzig, lebt und arbeitet ebd. ''Sparkasse''. Um 2000. Radierung, sign., num. Ex. 1/70. Kalenderblatt, Büttenkarton, 39,5 x 30 cm (Pl), 74,5 x 55 cm (Bl) Beck (i.e. Beck, Detlef). Born 1958 Leipzig, lives and works ibid. ''Savings Bank''. Around 2000. etching, signed, num. Ex. 1/70. calendar sheet, handmade paper board
Beck (i.e. Beck, Detlef). Geb. 1958 Leipzig Verkehrsinsel mit Elefant. 2001. Radierung, sign., dat., num. Ex. 1/70. Bütten, Kalenderblatt, im Blattrand min. Stauchfalte. 44,5 x 29,5 cm (Pl), 75,5 x 55 cm (Bl) Beck (i.e. Beck, Detlef). Born 1958 Leipzig Traffic island with elephant. 2001. etching, signed, dated, num. Ex. 1/70. laid paper, calendar page, min. crease in margin.
Beier, Wolfgang. Geb. 1925 in Dresden, lebt ebd. 2 Bll.: a) ''Abendliche Stadt'', 1972, Farbradierung, sign., dat., auf Untersatz betitelt, 25 x 31,7 cm (Pl); b) ''Gotische Türme'', 1976, Farbradierung, sign., dat. und betitelt, auf Untersatz, 24,5 x 31,5 cm (Pl) Beier, Wolfgang. Born 1925 in Dresden, lives ibid. 2 sheets: a) ''Abendliche Stadt'', 1972, colour etching, signed, dated, titled on base b) ''Gothic Towers'', 1976, colour etching, signed, dated and titled,
Magnus, Klaus. Geb. 1936 in Gumbinnen, lebt in Fulda Im Riesengebirge, 1979. Radierung, u. re. sign., rücks. Stempel der Plauener Grafikgemeinschaft. 13,7 x 17,7 cm (Pl), 32,8 x 27,4 cm (Bl). Magnus, Klaus. Born 1936 in Gumbinnen, lives in Fulda. In the Giant Mountains, 1979. etching, signed lower right, reverse. Stamp of the Plauen Graphic Association
Hippold, Erhard. 1909 Wilkau-1972 Bad Gottleuba Arbeiterinnen auf einem kleinen Feld, 1933. Radierung, u. re. i. d. Pl. sign. und dat., u. re. Widmung von der Frau des Künstlers ''für Erhard Hippold Gussy Hippold''. 16,5 x 34,9 cm (Pl), 38 x 49,8 cm (Bl). Hippold, Erhard. 1909 Wilkau-1972 Bad Gottleuba. Workers in a small field, 1933. etching, lower right signed and dated on the plate, lower right dedication by the artist's wife ''für Erhard Hippold Gussy Hippold''.
Hippold, Erhard. 1909 Wilkau-1972 Bad Gottleuba Bildnis einer Frau. Farbradierung, u. re. Widmung von der Frau des Künstlers ''für Erhard Hippold Gussy Hippold''. 19,7 x 13,2 cm (Pl), 37,4 x 33 cm (Bl). Hippold, Erhard. 1909 Wilkau-1972 Bad Gottleuba. Portrait of a woman. Colour etching, u. r. dedication by the artist's wife ''für Erhard Hippold Gussy Hippold''.
GEORGE HENRY BOUGHTON (1833-1905) THE PORCELAIN FIGURINE Oil on canvas 49.5 x 59.5cm.; with an etching on silk of Lobster Fishermen by Colin Hunter, signed and dedicated to Boughton 33 x 58.5cm. (2) * Possibly a portrait of Miss Esme Robb ++ Lined; some associated retouching; the print stained
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