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Lot 8

ARTHUR TREVOR BRISCOE (1873-1943) The Calm etching, signed in plate, and pencil signed and numbered 55/75 in lower margin Pl. 3 x 6in; an etching by Francis Seymour Haden depicting Egham Lock; an unframed etching by David Young Cameron depicting a Street Scene, Amboise (c.1903); and an unframed etching (2nd state) by Auguste Lepere titled L`Abrevoir au Pont Marie, Paris; four (4)

Lot 23

REMBRANDT VAN RIJN (1606-1669) The Rat Catcher etching signed with initials in plate with minor indentations, and discolouration trimmed, laid down 5 1/2 x 5 in (13.9 x 12.7 cm)

Lot 25

WILLIAM LIONEL WYLLIE, R.A., R.B.A. (1851-1931) The Custom House, London pencil signed in lower margin published by R. Dunthorne & Son February 1929 etching Pl. 10 x 14 3/4in (25.4 X 37.6cm)

Lot 27

WILLIAM LIONEL WYLLIE, R.A., R.B.A. (1851-1931) Cowes, with the Royal Yacht `Victoria and Albert` pencil signed in lower margin etching Pl. 7 1/2 x 9 1/2in (19.1 x 24.2cm)

Lot 28

WILLIAM LIONEL WYLLIE, R.A., R.B.A. (1851-1931) Sailing Boats off a Coast pencil signed in lower margin etching Pl. 8 1/4 x 19 1/4in (20.9 x 48.9cm) and two other etchings by the same artist depicting `Fishing boats in a Calm` and `A fishing Fleet`, three (3)

Lot 29

WILLIAM LIONEL WYLLIE, R.A., R.B.A. (1851-1931) Barges passing The Tower of London pencil signed in lower margin etching pl. 9 3/4 x 14 1/2in (24.8 x 36.7cm)

Lot 31

ROWLAND LANGMAID, R.A. R.E (1897-1956) H.M.S. Victory etching, proof pencil signed in margin, Pl . 10 x 7in (25.4 x 17.8cm)

Lot 36

ROLAND LANGMAID, R.A. R.E. (1897-1956) Westminster etching, pencil signed and inscribed in lower margin Pl. 7 1/2 x 6in (19.1 x 15.3cm); and an etching by Edward Popple depicting Windsor Castle; two (2)

Lot 50

MORTIMER MENPES, R.I., R.B.A., R.E. (1860-1938) St. Paul`s Cathedral pencil signed `Mortimer Menpes` lower margin etching Pl 9 x 12 1/4in (22.8 x 31.2cm) Sold with an engraving by J. Malton titled `Trinity College, Dublin`, A/F, and an engraving depicting Blenheim Palace, three (3)

Lot 658

After Leon Danchin. Coloured etching depicting a spaniel hunting dog flushing out ducks,signed in pencil, 33cm x 60cm.

Lot 462

James Ballard Henry Walker, six various etching of boats

Lot 469

Ronald Spence, Oliver Cromwell, etching, signed in pencil l.r. and inscribed `to CH Hunter-Blair` l.l., sheet 42.5 x 35cm, unframed, and a chromolithograph of The Garter King of Arms, after Sir Peter Lely, sold with letters referring to the original drawing

Lot 5

Ken Howard - View of the Interior of a Cathedral, colour etching, signed in pencil, approx 59.5cm x 31.5cm.

Lot 7

E.M. Synge - View of a Courtyard through an Archway, early 20th Century etching, signed with studio stamp, approx 32.5cm x 27cm, within a gilt frame.

Lot 36

After Mortimer Menpes - Portrait of a Japanese Child, monochrome etching, approx 21cm x 15cm, together with another etching by David Gee.

Lot 73

F. Seymour Haden - Battleship firing, monochrome etching, signed in pencil, approx 22cm x 31.5cm, together with two etchings.

Lot 75

Willie Rawson - A Wind-swept View of a Country Lane, early 20th Century monochrome etching, signed in pencil, approx 26.5cm x 19cm, together with five further prints.

Lot 100

Lewis Baumer - Portrait of a Girl seated on a Bench, monochrome etching, signed in pencil, approx 22cm x 18.5cm.

Lot 103

John G. Mathieson - Landscape with a Distant Town, monochrome etching, signed in pencil, approx 26cm x 36cm, together with another etching by the same hand.

Lot 123

Arthur Michael Stuart Cummings - Political Cartoon with Harold Wilson tossing a Caber, pen and ink, signed, approx 48cm x 20cm, together with a watercolour, an etching and two colour prints.

Lot 124

Percival Gaskell - Italian Lake Scene, monochrome etching, signed in pencil, approx 22cm x 19cm, together with a collection of prints.

Lot 68

KAREL APPEL ABSTRACT AQUATINT ETCHING, SIGNED Karel Appel (DUTCH, 1921-2006) aquatint etching depicting an abstract scene. Titled `Nightface on Broadway` Signed to lower right and numbered 97/110 to lower left. Measures 35 1/4" height x 29 1/8" width x 6 1/8" mat & frame (89.5cm x 73.9cm + 15.5cm). Includes a hand signed COA from Martin Galleries.

Lot 776

Michael McVeigh `Longafish` Coloured etching, signed 38/50 in pencil, 36 x 54cm

Lot 804

Henry Wilkinson `Putting Out` Coloured etching, signed 76/150 in pencil, 28 x 36cm

Lot 857

William Walcot (1874-1943) `Forth Bridge` Etching, signed pencil, 11 x 27cm

Lot 2002

William Monk, framed and mounted etching of a Cathedral

Lot 2149

A large gilt framed and mounted coloured Etching/Print of a dam with village in foreground and figures walking along a pathway with church and mountains in distance. 83cm x 55.5cm

Lot 1202

Frank Brangwyn (1867-1956): 'The Building of South Kensington Museum', an etching published 1910, monogrammed lower right, with title verso, 17 by 12cm.

Lot 1204

James Cadenhead R.S.A. (Scottish 1858-1927): 'Shadowed Burn' an etching signed lower left margin, with title verso, The Royal Scottish Academy 1927, 26 by 20cm.

Lot 1211

A 19th century etching of 'The Most Noble & Right Honourable William Byron, Baron Byron of Rochdale, ..., Peter Tillemas invent et feit', poor condition, 47 by 105cm.

Lot 1226

E Barram: a watercolour of Arum Valley, February, signed in pencil lower right, 26 by 36cm, and an original etching of Wydale, titled verso 'The Load', indistinctly signed in pencil, lower left margin, 27 by 30cm. (2)

Lot 365

Continental Square Cut Glass Goblet, the Amber goblet with rose etching.

Lot 379

E J Maybury Etching of the The Feather Hotel Ludlow 31 x 18 cms signed in pencil together with a coloured lithograph of Edgar`s Tower Worcester, published by Alex Hogg circa 1760, 19 x 15 cms.

Lot 115

Frank Henry Mason (1876-1965) Steam Paddle Tug and sailing Ship off Dover, monochrome drypoint etching, pencil signed by the artist and publisher`s stamp to the margin, 17cm by 35cm, unframed

Lot 613

George Huardel-Bly, Fishing boats, Dieppe, signed etching, framed, together with a watercolour of fishing boats by the shore and a mid 20th Century watercolour by Jill Walker of Distins, Barbados (3)

Lot 26

AFTER WILLIAM LIONEL WYLLIE, R.A. (1851-1931), The Battle of Trafalgar, Etching, published London June 1st 1893 for the Fine Art Society, Signed in pencil `W.L. Wyllie` (lower left), Plate size 15 x 35in. (38 x 89cm.)

Lot 31

William Lionel Wyllie R.A. (British, 1851-1931), The Victory entering Dry Dock, Drypoint etching, Signed in pencil `W.L. Wyllie` (lower left), Plate size 8½ x 12½in. (21.5 x 32cm.). Framed and glazed, Provenance: Wyllie Gallery, London.

Lot 33

William Lionel Wyllie R.A. (British, 1851-1931), Drypoint etching of H.M.S. Victory, 14 x 10in. (35.5 x 25.5cm.). Framed and glazed, Provenance: with Chris Beetles, 1988

Lot 254

William Lionel Wyllie R.A. (British, 1851-1931), The Thames looking from the Observatory at Greenwich, Drypoint etching, Signed in pencil `W L Wyllie` (lower left), Plate size 8½ x 12½in. (21.5 x 32cm.). Framed and glazed, Provenance: Wyllie Gallery, London.

Lot 409

After Harold Wyllie, coloured etching. The Royal William in Portsmouth Harbour. 27 x 44cm

Lot 427

W.L. Wyllie RA. (1851-1931) Etching The Royal Yacht Squadron Cowes, signed in pencil. 14 x 40cm

Lot 428

W.L. Wyllie RA. (1851-1931) Etching, Warship at Sea, signed in pencil. 15 x 19cm.

Lot 447

Kathleen Jeffries, etching, Bristol Docks, signed in pencil, 32 x 25cm, and another print, of a river in Continental city with Cathedral, 26 x 18cm.

Lot 448

David Law, etching, Fishing boats off Whitby, 19 x 27cm, and after Abbott, portrait print of Admiral Lord Nelson, 13 x 10cm.

Lot 514

E. WILLIS PRYCE. The Barbican, Sandwich, etching, pencil signed and inscribed in lower margin, Pl. 7 x 9 1/2 in. Exhibited: Bristol Savages, Annual Exhibition, 1929. No. 49

Lot 515

GILLIAN LAWSON. `Who Goes Shooting?`, coloured etching, pencil signed, inscribed and dated 79, Pl. 12 x 9 1/2 in

Lot 523

WILLIAM TATTON WINTER R.B.A. Salisbury Cathedral, coloured etching,pencil signed, 20 x 24 in

Lot 635

SIDNEY TUSHINGHAM. A group of children picnicing on a heathland, a distant view to London beyond, etching, pencil signed, 8 x 11 in

Lot 188

PAUL ADOLPH RAJON (French, 1843-1888), a framed and glazed etching of a monochromatic half length portrait of Sir Frederick Lord Leighton in profile, after the painting by George F Watts, dated 1880, having the pencil signature of both the sitter and the print maker to the base, 33 x 45 cm.

Lot 560

F Griffiths: Bluebell wood, watercolour, dated `44, together with an etching by Simon Winch and a framed Oriental embroidery

Lot 569

William Lionel Wyllie, 1851-1931: Battleships at sea with an aircraft in the sky, signed to the margin, etching

Lot 571

William Lionel Wyllie, 1851-1931: Battleships on a calm sea with a rowing boat to the foreground, signed to the margin, etching, together with a signed etching by Rowland Langmaie

Lot 596

An early 20th century etching depicting a Continental street scene, No. 6/25 and indistinctly signed

Lot 15

After Graham Clarke (b1941), `Alfred King`, artist`s proof coloured etching, endorsed in pencil, 26cm x 30cm, framed and glazed; together with two books, `Graham Clarke` by Clare Sydney, signed to the title page by the artist, and `Graham Clarke`s Grand Tour`, and five greetings cards

Lot 17

W.L. Wyllie (1851-1931) - River Thames with Tower Bridge in background, etching, pencil signed to margin, 21 x 27 cm Condition Report Good

Lot 27

W. Russell Flint (1880-1969) - Amazons on Breton beach, drypoint etching, signed to margin and dated '39, 20.5 x 34 cm Condition Report Good condition

Lot 283

Four books - Modern Masters of Etching, books 7 and 8 Sir D.Y. Cameron and Marius Bauer; Fishing boats and barges, and The English Year, all clothbound (4)

Lot 396

Glynn Thomas: framed and glazed signed etching with aquatint; Yellow Iris together with another Reedmace (both 45/200), originally purchased Christies Contemporary Art 1982.

Lot 325

MARIA EATON St Paul`s, Etching, signed and titled in pencil, 18cm x 24.5cm, and SIMILAR, After A Le Pere, "The Watering Place, au Pont Marie, Paris, 17.5cm x 26cm, similarly framed with white mounts, (2)

Lot 119

AFTER E S LUMSDEN (1864-1952) (ARR) "Cliff and Cactus", "The Aleantara Bridge, Toledo", "A Spanish cart", a set of three black and white dry point etchings, each signed in the margin, each bearing original label verso, image size 23.5 cm x 33 cm, and AFTER WILLIAM P ROBBINS "A fisherman seated in a rowing boat in a river landscape", black and white dry point etching, signed and dated 1923 in the margin, 21.5 cm x 36 cm

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