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Lot 241
*Dighton (Richard). A Striking View of Richmond, 1810, etching with contemporary hand colouring, slight spotting, 320 x 220 mm, framed and glazed, together with another three caricatures by Dighton comprising of ' A Gentle ride from Exeter Change to Pimlico', 'A View taken from Christ Church Meadows Oxford' and 'Ireland in Scotland, or a trip from Oxford to the land of Cakes', all framed and glazed, various sizes and condition, toghether with, Rowlandson (Thomas), Bug Breeders in the Dog Days, 1812 (or slightly later), etching with contemporary hand colouring, four lines of verse below image, slight staining to margins, 275 x 315 mm, framed and glazed, with another six caricatures with examples by Bunbury, Humphrey (publisher), Vanity Fair and Heath, various sizes and condition (11)
Lot 260
*Rowlandson (Thomas). Miseries of London, 1812, etching with contemporary hand colouring, small margins, laid on later card, 330 x 280 mm, together with, Raising the Wind. 'When Noblemen have lost Racehorse and all their Rino spent - Then little Isaac drains the Bond and lends for Cent per Cent, 1805, etching on wove with contemporary hand colouring, 335 x 240 mm, with, The Careful and the Careless led, to join the living and the dead, published R.Ackermann, 1815, aquatint with contemporary hand colouring, 130 x 220 mm (3)
Lot 261
*Royalty. A Prospect of the Inside of Westminster Hall, Shewing how the King and Queen, with the Nobility and Others, did Sit at Dinner on the day of the Coronation, 23 Apr. 1685. With the manner of Serving up the First Course of Hot Meat to their Majesties Table. S. Moore fecit. circa 1690, hand coloured engraving, trimmed to image on three margins, 395 x 495 mm, mounted, framed and glazed, together with, Parker (James), The Revolution 1688, circa 1790, uncoloured engraving after James Northcote, old folds, 420 x 605 mm, mounted, framed and glazed, with, Bowles & Carver (publishers), The Inthronization of their Majesties. A View of the West End of the Choir of St Peter's in Westminster and of the manner of Placing and Seating also the Company in that part of the Choir, circa 1780, hand coloured engraving, 285 x 235 mm, mounted, framed and glazed, with one other allegorical uncoloured etching of a coronation (possibly George IV), 320 x 500 mm, mounted, framed and glazed (4)
Lot 266
Scrap albums. An album of handwritten poetry and literary quotations, natural history, enigmas, etc., and various printed illustrations, circa 1820-40, apparently without ownership inscription, but includes a note to an early leaf signed A.W.M. Merryweather, and dated 30th May 1844, the illustrations include various engravings of British topographical scenery, some natural history, some with hand-colouring and natural history, a pencil view of Cape Town, Cape of Good Hope, and a tipped-in printed prayer in German, inscribed to verso 'A present to me from a poor Prisoner at Magdeburg. Elizabeth Fry. 1842', contemporary red plain full morocco, rubbed and somewhat worn, particularly to spine, 4to (280 x 210 mm), together with another early-mid 19th century scrap album containing numerous printed newspaper extracts, carefully arranged, and interspersed with illustrations, of which many are in colour, and including some original watercolour landscapes, caricatures by Boilly, many humorous images and coloured illustrations, a hand-coloured engraving by Cruikshank of Miss Tree as Julia in Two Gentlemen of Verona, March 1822, another hand-coloured etching by George Cruikshank entitled To Calais, dated June 5th 1824, contemporary straight-grained dark blue morocco, somewhat worn with backstrip deficient, oblong folio (270 x 370 mm), plus two other 19th century albums of engravings, one containing numerous portraits of artists, including many from the series published by Jan Meyssens (1612-1670) entitled Image d'divers hommes d'esprit (1649), and several similar portraits of artists published by Theodore Galle, and a folio of early to mid 19th century steel engravings of landscapes, female beauties, historical scenes, etc., disbound without covers, folio (390 x 300 mm) (4)
Lot 333
*Wyllie (William Lionel, 1851-1931 ). Autograph letter signed 'W.L. Wyllie', Tower House, Tower Street, Portsmouth, 3 December 1913, to Captain Ronald A. Hopwood, thanking him for his letter and 'the copy of those splendid "Laws of the Navy" which I have known and loved for some years', then recommending the publisher R. Dunthorne, wishing he had known who it was sitting by him at the Trafalgar dinner and 'I will send you the sketches for "Our Fathers" before I scratch them on the copper and perhaps you may be able to make some suggestions. Where could I get a sketch of a crew working a seaplane gun? One need not show the mountings if there is anything secret about it' with a postscript, 'If I can succeed with Our Fathers I will be very pleased to try to illustrate the "Laws of the Navy", one page on embossed letterhead, a few minor spots, 4to, together with an autograph letter signed to Admiral Hopwood from Wyllie's son Harold Wyllie (1880-1973), same address, 30 January 1921, asking him to make use of "Golden Hind" in "The Navy" or as he sees fit, 'I have given up the idea of making an etching of her on the very dark sky would not I think be well represented in line. Your idea that a large picture of her should go to the RA is a very good one, and I hope to carry it out someday... ', saying that he will send a proof, signed, as soon as the plate has been steel faced and thanking him for his inspiration, 2 pp. on ruled paper in a small neat hand, minor creasing and punch holes to left margin, 4to, plus an initial proof etching of the Golden Hind with quatrain by Hopwood in the lower part of the plate impression, 17 x 12 cm, initial note by Wyllie slightly indistinct to lower margin, pin holes to upper left corner where previously attached to Harold's letter A nice naval association between a famous naval poet and two naval artists. See also Kipling and Roosevelt letters above. (3)
Lot 487
Menpes (Mortimer). Whistler As I Knew Him, A & C Black, 1904, 125 colour and b & w plates, top edges gilt, remainder rough-trimmed, original decorated cream cloth, finger-soiled, darkened spine slightly rubbed at ends, 4to Edition de Luxe, 138/500 copies, signed by Mortimer Menpes, with an original etching of the Menpes children. (1)
![[ARR] ROWLAND LANGMAID (BRITISH, 1897-1956), H.M.S. 'Victory' at sea, Signed in pencil 'Rowland Langmaid' (lower right), Etch](https://cdn.globalauctionplatform.com/1549e2bc-0f33-4c48-96b6-a5e10115989c/47e581ed-bf4a-4fa9-a04a-bcd5dfd6fed8/468x382.jpg)
Lot 41
A GROUP OF WARSHIP ETCHINGS INCLUDING WORKS BY WILIAM L. WYLLIE, ROWLAND LANGMAID AND FRANK H. MASON, Works by Wyllie comprising of 'Battleship in Portsmouth Harbour' signed etching; 'Battleship and Torpedo Boats at Sea' signed etching; and a signed print 'Off Portsmouth'; works by Langmaid comprising 'Portsmouth Harbour' and 'Battleships', both signed; and Frank H. Mason including signed etching of Torpedo boats and signed print of torpedo boats (faded)., (7),
Lot 669
George Chapman (British, 1908-1994) - 'The Bridge' Large scale pencil signed etching, approx 71x60cm, framed. NB: The etching was part of the George Chapman touring exhibition organised by Aberystwyth Art Centre entitled 'A Welsh Story ' a retrospective exhibition no 50. A copy of the catalogue accompanies this lot. CONDITION REPORT: Etching good, bold and unfaded, minor stains in margins, no tears, no restoration, see images.
Lot 8
Isaac Cruckshank - 'The duel or Charlie takes a Pop' Hand coloured etching depicting a duel between Charlie and William Pitt, published by S. W. Fiores, 50 Piccadilly, 1798, 24x38cm, further hand tinted satirical satire entitled 'Bold Maids of Quality at a Cats Funeral Grand Procession to St Pauls' depicting couples cavorting, 24x41cm, another titled 'A Barbers Examination', published November 25 1795 by S. W. Fiores, 34x23cm and a further tinted print titled 'A Friend of Humanity and the Knife Grinder', 36x25cm, all framed and glazed (one af) (4).
Lot 865
Pierre Adolphe Valette (French, 1876-1942) - 'Church of St. Severin, Paris', Pencil signed etching, bears label verso for the City of Salford Art Galleries, exhibition of September 21st - October 28th 1984, with accession number '121', approx. 20x14cm, mounted and framed. Provenance: from the private collection of the late Mervyn Levy, Mervyn Levy (1914 - 1996) was a British artist, art teacher and writer of art. He made several popular television series about painting techniques, published monographs of contemporary artists, and a catalogue raisonnee of the works of his friend L S Lowry. Consigned to this sale by the Levy Family.
Lot 866
Pierre Adolphe Valette (French, 1876-1942) - 'Job Praying', Pencil signed etching, bears label verso for the City of Salford Art Galleries exhibition, The Perera Collection, September 21st - October 28th 1984, with accession number '119', and dating this etching to 1910, approx. 20x15cm mounted and framed. Provenance: from the private collection of the late Mervyn Levy, Mervyn Levy (1914 - 1996) was a British artist, art teacher and writer of art. He made several popular television series about painting techniques, published monographs of contemporary artists, and a catalogue raisonnee of the works of his friend L S Lowry. Consigned to this sale by the Levy Family.
Lot 704
GREAT WAR - EDGAR L. PATTISON (1906 - 1935) 'AN AIR RAID' COLOURED ETCHING signed in pencil lower right, framed and glazed, 46cm x 36cm. The West London based dry point engraver and colour printmaker, Edgar L. Pattison, specialised in middle eastern themes and images of the orient. A regular exhibitor at the Royal Academy of Arts between 1906 in 1935, his printed works were issued in editions of 175 impressions by the well-known London dealers Lefèvre. A member of the Society of Graphic Artists, Edgar Pattison became especially interested in colour printmaking, using a combination of dry point to delineate his basic image and aquatint for the larger areas of tonal colour. Each proof impression would be inked by hand 'à la poupée' and then printed in one single pull through the press. Although this can cause a slight blur to the edge of the masses of colour, it avoids the complicated and time consuming process of multiple printings with their inherent problems of registration.
Lot 369
AFTER SONIA ROLLO "Day Dreaming", study of whippet type dog head, limited edition colour print No'd. 116/160, together with AFTER BUNBURYN (probably) "John A Bertram Wine Merchant Leith", coloured etching and AFTER M R ROGERS "Jinking", study of hare, limited edition colour print No'd. 36/500 CONDITION REPORTS Condition - both the dog and the rabbit pictures are generally good, frames generally good. Postage information: For our inhouse post and packing charges please see our Moore Allen website under "essential information" (packing charges start at £15, plus postage), if using the Moore Allen packing service, these pictures would need to be sent without glass. Other carriers or packers are available who would be able to ship the picture including glass and frame.
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71174 item(s)/page