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Click here to subscribeAfter Giovanni Battista Piranesi (1720-1778) ''Colonna Trajana'' etching, together with three further etchings ''Colonna Antonina'', ''Veduta della Basilica di S. Giovanni Laterano'', ''Veduta dell' esterno della gran basilica di S. Pietro in Vatanico'', 56cm by 41.5cm and 54.5cm by 75cm respectively (4) CONDITION REPORT:
After Giovanni Battista Piranesi (1720-1778) ''Veduta della Piazza de Popolo'', etching, together with six further etchings, ''Veduta della Basilica di S. Maria Maggiore'', ''Veduta della Basilica di S. Paolo fuori della mura'', ''Spaccato interno della Basilica di S.Paolo fuori delle mura'', ''Veduta interna della Basilica S. Pietro in Vaticano'', ''Veduta di Piazza di Spagna'' and a further view of Roman ruins, 43cm by 56.5cm and various other sizes (7) CONDITION REPORT:
Italy, ca. 19th century CE. This is an etching -- done using an acid called a "mordant" -- depicting two saints on the back of magnificent horses. Greek writing around their heads declares them to be Saints Theodore of Amasea (always shown in military dress when on horseback) and Theodore Stratelates, who is also known as a warrior saint. The artwork of this piece is clear and had many interesting details that will draw the eye over and over again. Size: 14.5" W x 18.5" H (36.8 cm x 47 cm). Provenance: Ex. M. Reiniger collection, Chicago, IL Condition: Very slight watermarks on the paper; in modern frame. All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #111586
BRITISH SCHOOL (EARLY 20TH CENTURY) The Houses of Parliament and the River Thames, etching, unsigned, 21cm x 27.5cm; together with a woodcut, limited edition 9/30, indistinctly signed and dated '[19]56', 17cm x 9.5cm; and a later print of a Venetian waterway, limited edition, 2/20, indistinctly signed, 31.5cm x 11.5cm, (3).
[MISCELLANEOUS] Salaman, Malcolm, intro. Modern Masters of Etching: James McBey, The Studio, London, 1924, boards with onlaid title label, dustjacket, plate illustrations throughout, oblong quarto; and Salaman, Malcolm, intro. Modern Masters of Etching: Sir D.Y. Cameron, second volume, The Studio, London, 1932, boards with onlaid title label, dustjacket (poor), plate illustrations throughout, oblong quarto, (2).
A selection of framed pictures and prints to include an oil on canvas depicting a dusk lake view signed bottom right hand side Goldthwait.98, a framed oriental silkwork panel of rectangular form with foliate detail, a pair of watercolours depicting French sail boats upon stormy scenes, further watercolours to include a small landscape with church spire in distance, further landscapes, coloured prints/etching to include views of Gloucester, Malmesbury Abbey, etc
AFTER WASSILY KANDINSKY (1866-1944) "Composition with balloons", chromolithograph, together with another "Composition in rainbow colours", and another "Composition on a green / aubergine background", chromolithographs, unsigned (ARR), AFTER GEORGES BRAQUE (1882-1963) "Composition with script in black, blue and browns, within a circular mount", chromolithograph (ARR), AFTER KAROLINA LARUSDOTTIR (1944-) "The talented cook", study of a chef playing the violin at table, etching with aquatint, monochrome, limited edition No'd. 14/100, signed, titled and No'd. in pencil to margin (ARR), AFTER ALEXANDER CALDER (1898-1976) "La lune et la montagne jaune", chromolithograph circa 1960, unsigned (ARR), 20TH CENTURY CONTINENTAL SCHOOL "Composition in green, white, orange and black on a blue / white background", chromolithograph, indistinctly signed bottom right, and AFTER JOAN MIRO (1893-1983) "Composition in black, yellow, red and green", (image used for Galerie Maeght catalogue cover entitled "Peintures Murales"), chromolithograph, limited edition No'd. 79/100, bears facsimile signature (ARR) (8)
AFTER W. RANSOM "Mans ingratitude", black and white etching, signed in pencil lower right, and ENGLISH SCHOOL "Edwardes Square 1822, looking towards Earl Court Farm", colour print and MURRAY McNEEL CAIRD URQUHUART (1880-1972) "Ballerinas in a landscape", pencil wash, signed and dated 1952 lower right
[Fleury-Husson (Jules)], "Champfleury". - Les Chats, fifth edition, Edition de Luxe with chromolithographed frontispiece, 4 etchings and 2 hand-coloured plates , other plates and illustrations, tissue guards, contemporary brown morocco-backed cloth, spine gilt, g.e., rubbed, spine a little worn at head, 8vo, Paris, J.Rothschild, 1870. Including the famous etching Le Chat et les Fleurs by Manet, showing the influence of Japanese woodcuts.
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![[MISCELLANEOUS] Salaman, Malcolm, intro. Modern Masters of Etching: James McBey, The Studio, London, 1924, boards with onlaid](https://cdn.globalauctionplatform.com/bde9fddb-23c4-45f6-8942-a57500cc9f14/d311ca43-cdf7-42bf-dd32-7ad010dbf8a0/468x382.jpg)
![[Fleury-Husson (Jules)], "Champfleury". - Les Chats, fifth edition, Edition de Luxe with chromolithographed frontispiece,](https://cdn.globalauctionplatform.com/0b733d08-d4b8-4eef-89a4-a55b00ba6bec/f5971cc2-d565-4eb4-a770-a8a212babd88/468x382.jpg)
