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Lot 1
George Edward Collins (1880-?). Thrush. Etching, Signed in pencil lower left. 25cm x 18cm. Together with Katherine Cameron (1874-1965). Butterflies and flowers. Etching. Signed in pencil lower left. 27.5cm x 12.5cm. Unframed. Richard Shirley Smith. Woman with cat. Wood engraving. Signed and numbered 30/200 in pencil. 9cm x 7.5cm. Fred Richards. Venezia. Etching. Signed in pencil lower right, inscribed lower left. 9.5cm x 14.5cm. Unframed Edward Bouverie Hoyton. Branscombe Smithy. Etching. Signed in pencil lower right, inscribed lower left. 23cm x 29cm. Unframed. (5)
Lot 1
Robins, W. P. Etching Craft, limited edition 29/65, The Studio, London 1922. Quarter Japanese vellum, illustrated and with a signed, limited edition frontis, quarto, plus Cox, David. A Treatise on Landscape Painting in Water Colours, limited edition 61/250, The Studio, London 1922. Chipped Japanese vellum, illustrated, quarto, plus twenty two other volumes, mainly Studio Special Numbers. (24)
Lot 1
Robinson (C.E.). A Royal Warren or Picturesque Rambles in the Isle of Purbeck, Typographic Etching Co., 1882, five etched and five "photograved" plts. by Alfred Dawson, full-page map, other illusts., slight foxing, orig. buckram, gilt, together with Eyton (R.W.), A Key to Domesday... an Analysis and Digest of the Dorset Survey, 1888, orig. cloth, a little rubbed, and St George (Henry, and Lennard, Sampson), The Visitation of the County of Dorset, Taken in the Year 1623. Edited by John Paul Rylands, Harleian Soc., 1885, nine plts. of seals and signatures, orig. cloth, spine worn, and Foster (J.J.), Wessex Worthies (Dorset). With an Introductory Note by Thomas Hardy, 1920, 216/325 copies, thirty-one plts., light foxing, orig. cloth-backed boards, a trifle rubbed, and Nightingale (J.E.), The Church Plate of the County of Dorset, Salisbury, 1889, sixteen plts. and text illusts., name on title-page, orig. cloth, a trifle rubbed, and three others, 4to and royal 8vo (8)
Lot 1
M Johnson 19/20th Century- 'Ben Ridding, Ullswater'; oil on board, signed, 17x27cm: Lionel Bethell 19th Century- London Street Scene; etching, signed and dated 1891 within the plate: together with a collection of 18/19th and 20th century watercolour, oil and engravings by and after various hands, (a lot)
Lot 1
After Gunter Huniat b.1939- 'Blick uach Juney'; screenprint in colours, signed, titled and numbered 103/200 in pencil, bears blind stamp, 35.5x35cm: Lesbia Thorpe b.1919- 'The Sea Bed'; linocut printed in colours, signed, titled and numbered 3/9 in pencil and with stamped initials: L Binder late 20th Century- Abstract form; etching, signed, dated 89 and titled, numbered 103/200: together with six other late 20th Century screen prints, etchings and lithographs by various hands, (9) (unframed)
Lot 1
Claude Francis Barry RBA 1883-1970- ''St Marks, Venice''; etching, signed and titled in pencil, 73x64cm: After Helen Bradley 1900-1979- 'Hot Pies, Now Ready', published by the Adam Collection 1975; reproduction printed in colours, with blind stamp for the Fine Art Trade Guild, signed in pencil: A Fawcett late 20th Century- 'Haze Liegh Post Box'; aquatint, artist's proof, signed, titled and dated 87 in pencil, (3) (part unframed)
Lot 1
James Alphege Brewer act.1909-1938- 'Amiens Cathedral' published Sept 2nd 1918, Alfred Bell & Co., Old Bond St London; etching with aquatint, signed and titled in pencil, bears blind stamp, 65x46cm: together with one other etching with aquatint by the same hand titled 'The North Transept Rheims Cathedral', published Jan 1st 1918, Alfred Bell & Co., signed and titled in pencil, bears blind stamp, (2)
Lot 1
Sir David Wilkie RA 1785-1841- 'The Sedan Chair', etching, 13x8.5cm: together with two further etching by the same hand, in a common mount: Note: bears label for The Scottish Fine Arts And Print Club, Loan Exhibition, Royal Scottish Academy Galleries, Edinburgh, 1937 verso: Victoria Goaman b.1951- 'Rosaceae'; watercolour, signed and titled in pencil: together with one other 19th century hand-coloured etching depicting part of the Forum, (NOTE:3 NOT4)
Lot 1
Arnold Chapman, late 20th Century- 'Irish Dinner'; etching with aquatint, artists proof, signed, dated 77 and titled in pencil, 27x27cm: M Oliver Rae late 20th Century- 'Trinity Great Court, Cambridge'; etching, signed and titled in pencil: Helen Duley Late 20th Century- Mother and child; mixed media, initialed and dated 98: together with other 20th century etchings, drawings and reproductions by and after various hands, (a lot)
Lot 1
Robert Baker (1909-1992). A group of assorted drawings and etchings, including a pen and ink sketch of farm labourers, a pen sketch of gleaners and an etching of the same subject, an etching of a head study after Durer, a pen and ink scene from Macbeth, and a drawing of figures, squared for transfer. All unframed (5). (see illustration on our website)
Lot 1
Feliks Topolski ‘This England'. Rcreenprint. R. 49cm x 75.5cm. Reginald Green ‘Friars Crag, Derwentwater';. Lake District view. Each etching. Each signed in pencil within the margin lower right. Each p. 16.5cm x 26.5cm. And two other prints (5). (see illustration on our website) . Best Bid
Lot 1
English School (circa 1800). Wooded landscape. Pen, ink and bodycolour. Circular 11cm diameter. D. Nee after H. Gravelot ‘Zulime'. Engraving. P. 23cm x 16cm. C. Howard. Garden and lake at Versaille. Hand coloured etching. Rigned in pencil within the margin lower right. Inscribed No. 157 lower left. P. 48cm x 62.5cm. And three Redoute prints (6). (see illustration on our website) . Best Bid
Lot 1
Rupert Shephard (1909-1992). Birds in trees. Limited edition linocut. Rigned in pencil within the margin lower right. Inscribed 'To Ginelle' and II 6/50 lower left. P. 48cm x 38cm. Reven botanical aquatints, each p. 45.5cm x 29.5cm, D. Docherty, 'Untitled after Grunerwald', etching and screenprint, p. 25.5cm x 28cm, unframed (9). (see illustration on our website)
Lot 1
DAVID HOCKNEY R.A. (b. 1937), THE PRINCESS WHEN OLD, ETCHING, from Illustrations for Six Fairy Tales for the Brothers Grimm, single image taken from the portfolio edition bound as a concertina folder and signed on the title page, framed with the artists signature in pencil with dedication, David Hockney for Heiner. 38cm by 29cm. Note: the dedication of the portfolio is highly likely to refer to Heiner Bastian, the credited translator of the text.
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71174 item(s)/page