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Lot 1088
Marie Hartley MBE (1905-2006) ''Fossdale'' signed and inscribed woodblock print, together with two further prints by the artist ''Bainbridge'' and ''Askrigg and Water Fell'', a print by Sarah Van Niekerk ''Leaves from the Walnut Tree'', ''The Eccentric Miss Wooton'' by Charles Shearer, etching, two further woodblock prints by Brenda Latham Cheese, a print after David Hockney and one after Turner, etc (qty)
Lot 292
Quantity of eight assorted military-related prints, one the Queens Lifeguard after Christine Bousfield with 1987 presentation label to Captain RCD Lendrum, another The Trumpet Polka, composed and dedicated to Lieut. Co. Bouverie and the officers of The Royal Regiment of Horse Guards, five others of continental uniforms published by T. Goddard, and one other etching of Horse Guards Whitehall.32cm x 44cm
![* John Brunsdon [1933-2014]-Print Room,:-coloured etching , signed, inscribed and numbered 1/50 in pencil in the marginimage,](https://cdn.globalauctionplatform.com/e18c8ef5-a5ec-4e7d-88fe-ac1400c43657/76ff2c92-cd53-4ee9-9fdf-ac1400d09ac2/468x382.jpg)
![* John Piper [1903-1992]-Figures from a seal,:-etching, block-stamped signature John Piper JECPplate size 21 x 15.5cm.](https://cdn.globalauctionplatform.com/e18c8ef5-a5ec-4e7d-88fe-ac1400c43657/1ddddb43-0531-40b1-9247-ac1500a9e696/468x382.jpg)
Lot 316
* Cruikshank (George, 1792-1878). A Going! A Going! the last time A Going! Down - !!!, hand-coloured etched caricature on wove paper, published by George Humphrey, April 13, 1821, trimmed to plate margins, sheet size 29 x 21.5 cm (11.5 x 8.5 ins), together with: [ Darly, Matthew, circa 1720-1780]. The Auction, circa 1756, etching on laid paper, watermarked with Strasburg Lily with initials LVG ( Lucas van Gerrevink), margins close-trimmed, sheet size 23.5 x 30.5 cm (9.25 x 12 ins), plus: Attributed to Egbert van Heemskerck II (Circa 1674-1744). 'Now Gentlemen - See here's a peice : - I hope you'll all bid up for this..., circa 1730, etched caricature of an auction, uncoloured etching on laid paper, numbered 6 to lower left corner, trimmed to plate margins, sheet size 29 x 25.5 cm (11.4 x 10 ins)Qty: (3)NOTESThe first caricature is a satire on Queen Caroline, wife of George IV. The second work: BM Satires 3467. The third work is attributed by Princeton University Library, Graphic Arts Collection to Egbert van Heemskerck II, as one of a series of 8 satires on 18th-century life, in which the figures are depicted with animal heads on human bodies, each with an 8-line caption below the image.
Lot 317
* Cruikshank (Isaac, 1764-1811). The Royal Jersey!!, 1797, hand-coloured etched caricature on pale cream laid paper (watermarked J WHATMAN, 1794), published by S.W. Fores, February 22, 1797, a few marks and handling marks to sheet edges, plate size 373 x 270 mm (14.75 x 10.7 ins), sheet size 41.8 x 290 mm (16.5 x 11.4 ins), together with: Future Prospects or Symptoms of Love in High Life, 1796, hand-coloured etching on pale cream wove paper, some soiling and fraying to margins, plus: My Grandmother, alias The Jersey Jig, alias The Rival Widows, [1794], hand-coloured etching on pale cream laid paper, with indistinct watermark, some marks and soiling, mainly to margins, and four others by Isaac Cruikshank, including The Pot Calling the Kettle Black, [1791], A Meeting of Creditors (British Museum Satires 8634), The Ghost or the Closet Scene in Hamlet, 1799, & Washing the Blackamoor, [1795], hand-coloured etchings on laid paper, with watermarks, some soiling and fraying to margins, A Meeting of Creditors with some damage to right edgeQty: (7)NOTESBritish Museum Satires 8988; 8810 for the first two works.
Lot 320
* Dighton (Robert, 1752-1814). A Celebrated Public Orator, January 1808, hand-coloured etching on pale cream wove paper, plate size 28 x 20.5 cm (11 x 8 ins), sheet size 34.2 x 22.3 cm (13.5 x 8.75 ins), together with five other hand-coloured caricatures by Robert Dighton, including The Father of the Corporation of Oxford, March 1808, A View taken at Oxford, January 1808, The Classical Almamater Coach Oxford, January 1808, Vil you give us a Glass of Gin, and one other, some marks and soiling, two trimmed inside plate margin, plus other various hand-coloured etched or engraved cartoons and caricatures, including The Thrifty Wife, published by G. Thompson, October 10th 1795, Dove-Tailing, by George Hunt, 1827, Mr. Liston as Sam Swipes, published by Ingrey & Madeley, January 1826, Take your Choice Instantly, by Pigul, two hand-coloured lithographs from Musée de l'Amatuer (Le Curieux Puni, & Le Tourlourou Piqué au Vif), published by Jeannin, La Puce indiscrete, & La Souris maladroite, two hand-coloured lithographs by Raunheim, after Vallou de Villeneuve, and many others published by Spooner, Kohler and Soffe, generally with some marks and soiling, occasional closed tears to marginsQty: (35)
Lot 328
* Gillray (James, 1757-1815). The Jersey Smuggler detected; - or - Good cause for Discontent - "Marriage Vows, are false as dicers oaths.", 1796, hand-coloured etching on pale cream wove paper, some minor marks and light handling marks to margins, plate size 260 x 363 mm (10.2 x 14.25 ins), sheet size 280 x 385 mm (11 x 15.25 ins), together with seven other caricatures by James Gillray, including The Guardian Angel, 1805 (British Museum Satires 10389), The Grand-Signior retiring, 1796 (British Museum Satires 8807), Fashionable-Jockeyship, 1796, The Ghost, 1799, Duke William's Ghost, 1799, La Promenade en Famille, 1797, and another copy of The Guardian-Angel, 1805, some marks and soiling, mainly to edges, frayed and with closed tears to margins, occasionally encroaching on imageQty: (8)
Lot 330
* Heath (William, 1795-1840). And if I have got a pension have I not a right to It?, November 20, 1829, hand-coloured etching on pale cream wove paper, watermarked J WHATMAN and dated 1829, published by Thomas McLean, November 20, 1829, some soiling to blank outer margins, plate size 37 x 26 cm (14.5 x 10.25 ins), sheet size 43 x 30 cm (17 x 11.75 ins), together with: Leo Sacks - one of the charity crabs (from Parish Characters), June 1st, 1829, hand-coloured etching on pale cream wove paper, published by S. Gans, June 1st 1829, two old vertical creases towards left margin, some light soiling to margins, plate size 25 x 35 cm (9.8 x 13.75 ins), sheet size 43.2 x 28.6 cm (17 x 11.25 ins), plus: The Man wot drives the Sovereign, 1829, hand-coloured etching on pale cream wove paper, published by Thomas McLean, April 1829, some light soiling to margins, plate size 37.3 x 26 cm (14.7 x 10.25 ins), sheet size 43 x 29.5 cm (17 x 11.6 ins), and three others by William Heath (Does the Harp of Rosa Slumber, I Haxes Parden marm, boots if you please, & Very cold outside eh? Why I'm a Perfect Icicle Don't I Look the Picture of Misery..., all hand-coloured etchings on pale cream wove paper, the latter two trimmed to margins, one with partial watermark dated 1829, and 56 other hand-coloured Regency caricatures, including Rowlandson (The Road to Preferment Through Clarkes Passage & I Smell a Rat or a Rogue in Grain), William Dent, Story of Nell's Coach Made Good by the Cunning Man, The Brunswick Alarm or A Retreat from Pall Mall, 1794, The Padlock. To Be or Not To Be a Queen is the Question, 1786, etc., generally with some soiling and fraying to margins, some closed tears, and occasional defects or lossQty: (62)
![* Napoleon Bonaparte . La Crise salutaire, [1814], hand-coloured etching on laid paper, some light soiling and handling marks](https://cdn.globalauctionplatform.com/27556d06-14f1-4e11-85a7-ac1e00d5ce41/81dc96bf-b454-4a1d-9b15-ac1e010583e6/468x382.jpg)
Lot 343
* Napoleon Bonaparte . La Crise salutaire, [1814], hand-coloured etching on laid paper, some light soiling and handling marks, plate size 268 x 190 mm (7.5 x 10.6 ins), sheet size 305 x 228 mm (12 x 9 ins), with contemporary ownership signature in ink (along lower edge of the plate mark) of Alexander Hordern, together with: Proposition de Constitution aux Habitans de l'Ile St. Hélène par l'Ex Empereur et Roi, [1815], hand-coloured etching on laid paper, published Paris, chez tous les Marchands de Nouveautés, close-trimmed to top margin, just touching plate mark, some light handling marks to margins, and contemporary ownership signature of Alexander Hordern to lower left margin, plate size 255 x 330 mm (10 x 13 ins), sheet size 261 x 371 mm (10.25 x 14.25 ins), plus two others related: Testament de Buonaparte, and Les Anglaises de 1814, both hand-coloured etchings on laid paper, each with contemporary ownership signature of Alexander Hordern to lower marginQty: (4)NOTESBritish Museum Satires 12239.
Lot 536
Hardie (Martin). Etchings and Dry Points from 1902 to 1924, by James McBey, A Catalogue, 1st edition, P. & D. Colnaghi & Co., 1925, original etching (Artist and Model), bound in as frontispiece, from the edition of 510 proofs, signed in ink, monochrome illustrations, top edge gilt, original quarter reversed calf, rubbed and worn on spine, with loss, 4to, limited edition 443/500, signed by the publisher, together with: Carter (Charles). Etchings and Dry Points from 1924 by James McBey, A Supplement, Aberdeen Art Gallery, 1962, monochrome illustrations, original cloth, some light soiling and handling marks, 4to, plus: Dodgson (Campbell). Etchings & Dry Points by Muirhead Bone. I. 1898-1907, A Catalogue, 1st edition, Obach & Co., 1909, original etched frontispiece, top edge gilt, remainder untrimmed, original quarter reversed calf gilt, rubbed and scuffed to joints and head and foot of spine, 4to, limited edition 208/275, signed by the publishers, and: Dodgson (Campbell). A Catalogue of Etchings by Augustus John 1901-1914, 1st edition, Charles Chenil and Co., 1920, monochrome illustrations, original quarter cloth, rubbed and some soiling and staining, 4to, limited edition 134/325, with an exhibition catalogue of etchings by Augustus John at the Chenil Gallery, 1919, loosely inserted, 4to, and others related: Louis A. Wuerth, Catalogue of the Etchings of Joseph Pennell, Alan Wofsy Fine Arts, 1998, Loys Delteil & Harold J.L. Wright, Catalogue Raisonné of the Etchings of Charles Meryon, Alan Wofsy Fine Arts, 1989, Richard S. Schneiderman, The Catalogue Raisonné of the Prints of Charles Meryon, Garton & Co., 1990, Edward G. Kennedy, The Etched Work of Whistler, Alan Wofsy Fine Arts, 1978, Hjert & Hjert, Zorn, Engravings, A Complete Catalogue, 1980, plus a bound photocopy of Continuation of Etchings & Dry Points by Muirhead Bone, mostly in dust wrappers, all 4toQty: (10)
Lot 5158
After Francesco Solimena (1657-1747) A framed and glazed etching with aquatint with multiple tones 'The Judgement of Soloman'. Made by Johann Gottlieb Presel, published by Artaria and Co. circa 1783. Enscribed "Dessin de Francois Solimena de Naples/tire de la Collection de Mr Mathes, Peintre a Hambourg./ J.T Prestel sc." (A copy of this is held in the British Museum) Image size 32cm x 44cm
Lot 5162
KEVIN SINNOTT (Welsh b.1947) A framed and glazed limited edition etching with aquatint titled 'Impressions'. Pencil signed and dated '90 and numbered 12/20. Plate size 59cm x 45.5cm (Sinnott has work in the National Museum of Wales, Metropolitan Museum of Modern Art New York, Ashmolean, British Museum and Arts Council.
Lot 5163
KEVIN SINNOTT (Welsh b.1947) A framed and glazed limited edition etching with aquatint titled 'Thin Man'. Pencil signed and dated '90 and numbered 11/20. Plate size 60.5cm x 37cm. (Sinnott has work in the National Museum of Wales, Metropolitan Museum of Modern Art New York, Ashmolean, British Museum and Arts Council.
Lot 533
John Bluck. (act. 1791-1819), after Thomas Christopher Hofland RBA (1777-1843), a set of six Derbyshire landscapes, of Dovedale, Matlock Bath and Matlock, numbered consecutively from 1-6, ruled borders painted in grey wash, [London: Published by T. Barber and T. Hofland, 1805], aquatint and etching with hand-colouring, 31cm x 39cm, framed en suite in contemporaneous rosewood with gilt insets, [6]
Lot 5231
Bernard Baron (1696? - 1762), after William Hogarth FRSA (1697-1764), The Right Reverend Father in God, Dr Benjamin Hoadly, Lord Bishop of Winchester, Prelate of the Most Noble Order of the Garter, ÆT. 67. A.D. 1743, [London: 1743-1744], etching, 41.5cm x 28cm, gilt and ebonised frame; Francesco Bartolozzi RA (1727-1815), after Giovanni Battista Cipriani RA (1727-1785), [The Rape of Dejanira], [London]: Publish'd as the Act directs by F. Bartolozzi 1787], monochrome etching, 26.5cm x 32cm; Pierre-Etienne Moitte (1722-1780), after Pierre-Antoine Baudouin (1723-1769), [Le Confessionnal], unlettered state, [Paris: 1777], etching and engraving, 32.5cm x 42cm, [3]
Lot 435
Giovanni Battista Piranesi (Italian 1720-1778) Perspective view of a funerary monument of a boar's headed rhyton on a vase (Wilton-Ely 994); Altar dedicated to Apollo, found in the Villa of Pompey the Great in Albano (Wilton-Ely 990); Large marble cinerary urn (Wilton-Ely 919); Perspective view of an ancient cinerary marble vessel (Wilton-Ely 920); Marble tripod found at Ostia (Wilton-Ely 947); Marble tripod found at Ostia (Wilton-Ely 948) Six each etching, from 'Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi disegnati' Each 75.7 x 49.1cm; 30 x 19ÎŒin (6)
Lot 446
Henry Bunbury (1750-1811) The Breakfast: Symptoms of Drowsiness Hand-coloured etching 22.3 x 30.4cm; 8ÎŽ x 12in Together with 'The Roads from London to Barnstable contains as follows & Comences at Andover'; two strip maps including Andover, Honiton and Ashburton; each 18.8 x 12.9cm; 7½ x 5in framed as one (2)
Lot 447
Adrien Godefroy (French 1777-1865) La Promenade en Bokei; Le Boulevard de Gand a Paris A pair, both hand-coloured etching, from 'Le suprκme bon ton' Each 21.6 x 27cm; 8½ x 10½in (image) Together with Johann Georg Mansfeld (Austrian 1764-1817) after Vincenz Georg Kininger (Austrian 1767-1851); Gemeiner Hussar Links; Hussaren Officier; a pair, both hand-coloured engraving; each 43.5 x 30.1cm; 17 x 11ÎŽin (image) (4)
Lot 452
Piers Brown, "Along the fields as we came by" (from A E Housman's A Shropshire Lad), signed inscribed and dated '79, etching with aquatint, numbered 30/100, 16cm x 23cm; J B Gray, The Pool of London, signed, watercolour; contemporary print of Waverley Station; ytwo equestrian portrait photographs, mounted.
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71174 item(s)/page