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Click here to subscribeSean Scully (Irish/American 1945-), "She Weeps over Rahoon", signed, dated '93 and numbered 21/33 in pencil, etching and aquatint, plate size 15 x 20cm, 6 x 8in, sheet size 55.5 x 41.5cm, 21.75 x 16.25in. Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report: The print is in very good, original condition. There are some tiny spots of foxing running down the right hand side of the sheet. The print is framed and glazed.
PABLO PICASSO (1881-1973); a pencil signed black and white etching from the Vollard Suite, with Vollard watermark, 19 x 26.3cm, the margin 8 x 9.5cm, unframed. (D)Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.ukProvenance: these have come from a private European collection.
BEN NICHOLSON OM (1894-1982); etching with aquatint on wove paper, '2 Sculptural Forms', 1968, 46/50, signed in pencil and dated lower right, embossed Lafranca and with Lafranca Locarno blind stamp lower left, 42 x 36cm, framed and glazed. (D)Additional InformationImage 30.5 (at highest point) x 27cm. Some very light marks to the mount. Frame with wear. Paper very slightly wavy. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
BEN NICHOLSON OM (1894-1982); etching with aquatint on wove paper, 'Ronco', 1968, signed in pencil and dated lower right, 27 x 30cm, framed and glazed. (D)Additional InformationPaper very slightly wavy, some visible spotting or dirt, dust, etc. Frame with light general wear.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
AR Colin Self (born 1941 "Nuclear Bomber" black and white etching, signed, dated 2 Nov 2005, inscribed (Unique Variation) intaglio, Odyssey/Iliad Suite in pencil to lower left image 74 x 105cm Colin Self is a draughtsman, printmaker, sculptor and painter. He is best known as a ‘Pop Artist’, whose work addressed the theme of Cold War politics. He studied first at Norwich Art School and in 1961 he entered the Slade School of Fine Arts in London. Artist Richard Hamilton called him:“the best draughtsman in England since William Blake.”Whilst at the Slade, he met artists, David Hockney and Peter Blake, who greatly admired Self’s paintings. He went on to become one of the forerunners, along with the likes of Andy Warhol and Roy Lichtenstein, of the ‘Pop Art’ movement. Note:Quote from www.paintoutnorwich.orgNote: Art by Colin Self has been exhibited at the Tate and they hold 34 pieces of his artwork. Information taken from www.tate.org.uk/art/artists/colin-self-1922
AR Colin Self (born 1941 "Euro" (from The Odyssey Series) black and white etching, signed, dated 27 Sept 2006 and numbered 14/40 in pencil to lower right image 105 x 74cm Colin Self is a draughtsman, printmaker, sculptor and painter. He is best known as a ‘Pop Artist’, whose work addressed the theme of Cold War politics. He studied first at Norwich Art School and in 1961 he entered the Slade School of Fine Arts in London. Artist Richard Hamilton called him:“the best draughtsman in England since William Blake.”Whilst at the Slade, he met artists, David Hockney and Peter Blake, who greatly admired Self’s paintings. He went on to become one of the forerunners, along with the likes of Andy Warhol and Roy Lichtenstein, of the ‘Pop Art’ movement. Note:Quote from www.paintoutnorwich.orgNote: Art by Colin Self has been exhibited at the Tate and they hold 34 pieces of his artwork. Information taken from www.tate.org.uk/art/artists/colin-self-1922
AR Colin Self (born 1941 "Ploughman" (from The Odyssey Series) coloured etching, signed, dated 2 Nov 2005, numbered 15/40 and inscribed "Odyssey/Iliad Suite" in pencil to lower image 105 x 74cm Colin Self is a draughtsman, printmaker, sculptor and painter. He is best known as a ‘Pop Artist’, whose work addressed the theme of Cold War politics. He studied first at Norwich Art School and in 1961 he entered the Slade School of Fine Arts in London. Artist Richard Hamilton called him:“the best draughtsman in England since William Blake.”Whilst at the Slade, he met artists, David Hockney and Peter Blake, who greatly admired Self’s paintings. He went on to become one of the forerunners, along with the likes of Andy Warhol and Roy Lichtenstein, of the ‘Pop Art’ movement. Note:Quote from www.paintoutnorwich.orgNote: Art by Colin Self has been exhibited at the Tate and they hold 34 pieces of his artwork. Information taken from www.tate.org.uk/art/artists/colin-self-1922
AR Colin Self (born 1941 "The Siege of Troy" (Old Men's Battle Tales (from The Odyssey Series) black and white etching, signed, dated 2 Nov 2005, numbered 15/40 and inscribed "Odyssey/Iliad Suite" in pencil to lower image 105 x 74cm Colin Self is a draughtsman, printmaker, sculptor and painter. He is best known as a ‘Pop Artist’, whose work addressed the theme of Cold War politics. He studied first at Norwich Art School and in 1961 he entered the Slade School of Fine Arts in London. Artist Richard Hamilton called him:“the best draughtsman in England since William Blake.”Whilst at the Slade, he met artists, David Hockney and Peter Blake, who greatly admired Self’s paintings. He went on to become one of the forerunners, along with the likes of Andy Warhol and Roy Lichtenstein, of the ‘Pop Art’ movement. Note:Quote from www.paintoutnorwich.orgNote: Art by Colin Self has been exhibited at the Tate and they hold 34 pieces of his artwork. Information taken from www.tate.org.uk/art/artists/colin-self-1922
AR Colin Self (born 1941 "John Barry, String Beat" (from the Odyssey Series) coloured etching, signed, dated 2 Nov 2005, numbered 15/40 and inscribed "Odyssey/Iliad Suite" in pencil to lower left image 105 x 74cm Colin Self is a draughtsman, printmaker, sculptor and painter. He is best known as a ‘Pop Artist’, whose work addressed the theme of Cold War politics. He studied first at Norwich Art School and in 1961 he entered the Slade School of Fine Arts in London. Artist Richard Hamilton called him:“the best draughtsman in England since William Blake.”Whilst at the Slade, he met artists, David Hockney and Peter Blake, who greatly admired Self’s paintings. He went on to become one of the forerunners, along with the likes of Andy Warhol and Roy Lichtenstein, of the ‘Pop Art’ movement. Note:Quote from www.paintoutnorwich.orgNote: Art by Colin Self has been exhibited at the Tate and they hold 34 pieces of his artwork. Information taken from www.tate.org.uk/art/artists/colin-self-1922
AR Colin Self (born 1941 "Stealth Bomber II" black and white etching, signed, dated 2 Nov 2005, numbered 15/40 and inscribed "Odyssey/Iliad Suite" in pencil to lower left image 74 x 105cm Colin Self is a draughtsman, printmaker, sculptor and painter. He is best known as a ‘Pop Artist’, whose work addressed the theme of Cold War politics. He studied first at Norwich Art School and in 1961 he entered the Slade School of Fine Arts in London. Artist Richard Hamilton called him:“the best draughtsman in England since William Blake.”Whilst at the Slade, he met artists, David Hockney and Peter Blake, who greatly admired Self’s paintings. He went on to become one of the forerunners, along with the likes of Andy Warhol and Roy Lichtenstein, of the ‘Pop Art’ movement. Note:Quote from www.paintoutnorwich.orgNote: Art by Colin Self has been exhibited at the Tate and they hold 34 pieces of his artwork. Information taken from www.tate.org.uk/art/artists/colin-self-1922
AR Colin Self (born 1941 "A Journey to my Childhood" (from The Odyssey Series) coloured etching, signed, dated 2 Nov 2005, numbered 15/40 and inscribed "Odyssey/Iliad Suite" in pencil to lower image 105 x 74cm Colin Self is a draughtsman, printmaker, sculptor and painter. He is best known as a ‘Pop Artist’, whose work addressed the theme of Cold War politics. He studied first at Norwich Art School and in 1961 he entered the Slade School of Fine Arts in London. Artist Richard Hamilton called him:“the best draughtsman in England since William Blake.”Whilst at the Slade, he met artists, David Hockney and Peter Blake, who greatly admired Self’s paintings. He went on to become one of the forerunners, along with the likes of Andy Warhol and Roy Lichtenstein, of the ‘Pop Art’ movement. Note:Quote from www.paintoutnorwich.orgNote: Art by Colin Self has been exhibited at the Tate and they hold 34 pieces of his artwork. Information taken from www.tate.org.uk/art/artists/colin-self-1922
AR Colin Self (born 1941 "Money Man" (from The Odyssey Series) black and white etching, signed, dated 27 9 2006 and numbered 14/40 in pencil to lower right image 105 x 75cm Colin Self is a draughtsman, printmaker, sculptor and painter. He is best known as a ‘Pop Artist’, whose work addressed the theme of Cold War politics. He studied first at Norwich Art School and in 1961 he entered the Slade School of Fine Arts in London. Artist Richard Hamilton called him:“the best draughtsman in England since William Blake.”Whilst at the Slade, he met artists, David Hockney and Peter Blake, who greatly admired Self’s paintings. He went on to become one of the forerunners, along with the likes of Andy Warhol and Roy Lichtenstein, of the ‘Pop Art’ movement. Note:Quote from www.paintoutnorwich.orgNote: Art by Colin Self has been exhibited at the Tate and they hold 34 pieces of his artwork. Information taken from www.tate.org.uk/art/artists/colin-self-1922
AR Colin Self (born 1941 "Nuclear Bomber" (variation) (from The Odyssey Series) black and white etching, signed, dated 2 Nov 2005, numbered 15/40 and inscribed "Odyssey/Iliad Suite" in pencil to lower left image 74 x 105cm Colin Self is a draughtsman, printmaker, sculptor and painter. He is best known as a ‘Pop Artist’, whose work addressed the theme of Cold War politics. He studied first at Norwich Art School and in 1961 he entered the Slade School of Fine Arts in London. Artist Richard Hamilton called him:“the best draughtsman in England since William Blake.”Whilst at the Slade, he met artists, David Hockney and Peter Blake, who greatly admired Self’s paintings. He went on to become one of the forerunners, along with the likes of Andy Warhol and Roy Lichtenstein, of the ‘Pop Art’ movement. Note:Quote from www.paintoutnorwich.orgNote: Art by Colin Self has been exhibited at the Tate and they hold 34 pieces of his artwork. Information taken from www.tate.org.uk/art/artists/colin-self-1922
AR Colin Self (born 1941 "Stealth Bomber I" black and white etching, signed, dated 2 Nov 2005, numbered 15/40 and inscribed "Odyssey/Iliad Suite" in pencil to lower left image 74 x 105cm Colin Self is a draughtsman, printmaker, sculptor and painter. He is best known as a ‘Pop Artist’, whose work addressed the theme of Cold War politics. He studied first at Norwich Art School and in 1961 he entered the Slade School of Fine Arts in London. Artist Richard Hamilton called him:“the best draughtsman in England since William Blake.”Whilst at the Slade, he met artists, David Hockney and Peter Blake, who greatly admired Self’s paintings. He went on to become one of the forerunners, along with the likes of Andy Warhol and Roy Lichtenstein, of the ‘Pop Art’ movement. Note:Quote from www.paintoutnorwich.orgNote: Art by Colin Self has been exhibited at the Tate and they hold 34 pieces of his artwork. Information taken from www.tate.org.uk/art/artists/colin-self-1922
Strang, William Spanish Etchings Glasgow: James Maclehose and T. & R. Annan & Sons, 1892. First edition, large folio, title etching and 6 etchings signed by the artist, all loosely hinged onto thick card, loose as issued in original brown half cloth and brown board portfolio, lettered panel to upper cover, light spotting to printed title, the board portfolio, slightly wornCondition report: plates clean, gouge to upper cover, lower portfolio edges somewhat worn
Frink, Elizabeth The Art of Elizabeth Frink London: Lund Humphries, 1972. First edition, 4to, number 44 of 75 copies containing at etching signed by the artist, original cloth, dustwrapper lightly soiled, with small tearCondition report: etching very clean, and signed in pencil, Horse Lying Down, numbered 44/75
Rops, Félicien - Gustave Guiches 3 works, comprising La Pudeur de Sodome Paris: Maison Quantin, 1888. 4to, number 309 of 325 copies on Papier de Hollande, engraved frontispiece by Rops, contemporary tan quarter morocco, spine lettered in gilt, t.e.g.; Alexandre, A., & others. Félicien Rops et son Oeuvre. Brussels: E. Deman, 1897. 4to, limited to 366 copies, one of 310 on paper velin fort, plates, original wrappers bound in, blue half morocco by Ch. de Samblani, coloured onlays to spine, t.e.g., lightly rubbed at head of spine; Ramiro, Erastène. L'oeuvre lithographié de Félicien Rops. Paris: L. Conquet, 1891. 4to, plates, original wrappers (3)Condition report: a few light spots to extreme fore-edge of etching. 2 small spots to title, one or two light marks to cloth.Quant
AFTER MARK ANDREWS (GODWIN) (b. 1957) "Metropolis II" etching and aquatint in colours, signed lower right, titled centre and No'd 107/150 lower left together with DAVID TRACEY "Ties and sofa" colour print signed and dated 1981 lower right, Artist's Proof and F.G. DAVISON "Alverstoke" study of lake and church, pastel, signed lower left, titled lower right
AFTER JOSEPH WOLF (1820-1899) "Santa Maria della Salute, Venice" coloured lithograph, signed in pencil lower right together with AFTER DOUGLAS PORTWAY (1922-1993) limited edition etching of a woman wearing a hat No'd 2/30, signed in pencil lower right and a further etching AFTER M OLIVER RAE "Christ's College Cambridge (Entrance Gate)"
HAROLD CHEESEMAN "Landscape with yellow trees" watercolour, unsigned, inscribed on label verso together with SUSAN HORSFIELD "Coastal buildings and boat with figures and bike in background" mixed media, signed and dated 1959 lower right and AFTER VALERIE THORNTON "Stonehenge" coloured etching, limited edition 30/35, signed in pencil and a monochrome portrait print AFTER BERYL CHAPPLE signed in pencil and dated '59 top left
Rowland Langmaid (British, 1897-1956), Ryde; Britannia, White Heather and Shamrock, signed and inscribed in pencil 'Rowland Langmaid, Ryde' (in lower margin), and bears The Rembrandt Gallery label, and a further label with title and artist's name (verso), etching, 9 x 33cm. May be subject to ARR.
Rembrandt van Rijn (Dutch, 1606-1669)Saskia with Pearls in Her Hair1634. Etching on laid paper, New Hollstein's first state (of two), a very fine early impression with the finest lines printing very clearly, with good contrasts and trimmed marginsImage size: 3 5/15 x 2 5/8 in. (8.5 x 6.7cm)Sheet size: 3 5/15 x 2 5/8 in. (8.5 x 6.7cm)[Bartsch 347; Hind 112; Hollstein 347; New Hollstein 136]PROVENANCE:Collection of Viscount Fitz-Harris, Earl of Malmesbury (per pencil-inscribed name verso, not in Lugt).Private Collection, Maryland.NOTE:The subject of the present etching is Saskia Uylenburgh, daughter of a wealthy Leeuwarden burgomaster. Orphaned, she went on to live with her relative, the art dealer Hendrick Uylenburgh, who introduced her to Rembrandt-whom she married in 1634. Saskia with Pearls in Her Hair was executed during the couple's first year of marriage, hence her outfit, which may be bridal attire as she is depicted here with pearls woven into her hair and hanging from her neck and ears, along with a gown and stylish lace kerchief.
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