NO RESERVE Gillray (James, 1756-1815) Doctor Sangrado curing John Bull of repletion-with the kind offices of young Clysterpipe & little Boney- a hint from Gil Blas, Addington bleeds an exhausted John Bull, the blood spouting into Little Boney's outstretched hat, and another held by Addington's son, etching printed in brown ink on cream wove paper without watermark, platemark 257 x 357 mm (10 1/8 x 14 in), sheet 335 x 470 mm (13 1/4 x 18 1/2 in), minor surface dirt and handling creases, unframed, [BM Satires 9986], published by Hannah Humphrey, 1803; John Bull's Progress, etching printed in brown ink on cream wove paper without watermark, platemark 305 x 380 mm. (12 x 15 in), sheet 360 x 490 mm. (14 1/4 x 19 1/4 in), minor surface dirt and handling creases, unframed, [BM Satires 8328], published by Hannah Humphrey, 1793; together with three plates from Ackermann's Repository including two plates of Westminster Abbey, and a lithograph Harrow School Chapel printed by Hullmandel, all unframed (6).
We found 71174 price guide item(s) matching your search
There are 71174 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
71174 item(s)/page
Birds.- Audubon (After John James) A group of seven Havell edition plates from 'Birds of America', including Boat-Tailed Gackle [pl. 187], Townee Bunting [pl. 29], Chipping Sparrow [pl. 104], Traill's Fly-catcher [pl. 45], Snow Bunting [pl. 189], Pine Creeping Warbler [pl. 28], and Yellow Throated Vireo [pl. 119], engraving with etching, aquatint and hand-colouring on cream laid paper, the first two mentioned with J Whatman watermarks dated '1833' and '1827' respectively, the latter five plates using the similar paper stock but margins trimmed, Snow Bunting with partial Whatman watermark, the first two mentioned with full sheet but folded to 730 x 600 mm. (28 3/4 x 23 3/4 in) and 670 x 520 mm. (26 1/2 x 20 1/2 in), respectively, the latter five sheets trimmed to between 580 x 395 mm. (22 3/4 x 15 1/2 in) and 590 x 455 mm. (23 1/4 x 18 in), folds and handling creases, occasional surface dirt and spotting, loose, unframed, Robert Havell, [circa 1826-1838] (7)
NO RESERVE Gillray (James, 1756-1815) Political Mathematician's, Shaking the Broad bottom'd Hemispheres, etching in brown ink on cream wove paper without watermark, platemark 320 x 420 mm. (12 1/2 x 16 1/2 in), sheet 360 x 495 mm. (14 1/4 x 19 1/2 in), minor surface dirt, unframed, published by Hannah Humphrey, 1807.Literature:BM Satires 10697
IDRIS PARRY, ILLUSTRATED BY ISLWYN WATKINS Stream and Rock. Limited edition No.6 of 20 copies. Hand printed on Easter Sunday 1973 by Duine Campbell and signed by him, Idris Parry and Islwyn Watkins in pencil on the colophon. Printed on Barcham Green's Hayle demy handmade paper with three etchings by Islwn Watkins. This edition fully leather bound in morocco leather by Sangorski and Sutcliffe and to include another, signed loose etching by Watkins with number corresponding to the volume. With hard protective sleeve. Prov: The Estate of Islwyn Watkins
In the style of Christopher R.W. Nevinson, (PROBABLY BY CLAIRE LEIGHTON) a set of six early/mid-20th century framed and glazed monochrome dry-point etching depicting a labouring, farm scene, farm animals etc., together with one other similar smaller example (oak framed and glazed), depicting five farm workers at rest sitting below a tree and with tankards of cider, the larger etchings approx. 22cm x 26.5cm
Tracey Emin (1963-), "Suffer Love", signed and dated '09 in pencil in the margin, etching, plate size 10 x 14.5cm, 4 x 5.75in, sheet size 15.5 x 20.5cm, 6 x 8in. Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report: The print is in very good, original condition with no obvious faults to report. The print is ornately framed and glazed.
David Hockney R.A. (British, 1937-), "Sunflowers II", signed, dated '95 and numbered 36/80 in pencil in the margin, on Arches paper, co-published by the artist and Lococo Mulder, Inc., St. Louis, with the artist's blindstamp, with full margins, etching and aquatint, plate size 46.5 x 39cm, 18.25 x 15.25in, sheet size 68.5 x 57.5cm, 27 x 22.75in. Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report: The print is in very good, original condition. There are one or two tiny spots of foxing in the margins and a small area of light browning in the top centre margin. The sheet has slipped from its mountings and will need reattaching. The print is ornately framed and glazed.
Julian Trevelyan R.A. (1910-1988), "Moscow", signed and titled in pencil in the margin, etching with aquatint, plate size 38 x 50cm, 15 x 19.75in. * He was a tutor at Chelsea School of Art, 1950-60 and engraving tutor at the Royal College of Art, 1955-63. Made Honorary Senior Royal Academician in 1986. Tate Gallery holds his work. Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report: The print is in very good, original condition. There are some light creases across the paper and some overall yellowing as well as one or two spots of minor foxing. The print is framed and glazed.
Damien Hirst (British, 1965-), "Xylene Cyanol Dye Solution", 2005, signed in pencil, on Hahnemühle etching paper, from an edition of 65, published by The Paragon Press, London, etching in colours, plate size 58.5 x 38cm, 23 x 15in, sheet size 97 x 73cm, 38.25 x 28.75in. Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report: The print is in good, original condition with strong colours. There are one or two very small spots of foxing within the central plate. The print is framed and glazed.
John Hoyland R.A. (British, 1934-2011), "Wish", signed, dated '86 and numbered 16/40 in pencil, etching and aquatint, on wove paper, with full margins, plate size 59.5 x 55.5cm, 23.5 x 21.75in, sheet size 87.5 x 68cm, 34.5 x 26.75in. Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report: The print is in very good, original condition. There are a few tiny spots of foxing and browning in the margins as well as some minor creasing to the paper most notably in the lower right hand corner of the sheet. The paper is mounted by tape in each corner of the sheet. The print is framed and glazed.
Ben Nicholson O.M. (British, 1894-1982), Goblet Forms (Untitled), signed, dated '62 and numbered 35/50 in pencil, published by Leslie Waddington Prints, London, etching and aquatint, on wove paper, with full margins, sheet size 45 x 27.5cm, 17.75 x 11in. Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report: The print is in very good, original condition. There is one small spot of browning at the top edge of the sheet and two very small spots of foxing down the left hand edge of the sheet. The paper is slightly wavy across the sheet. The print is ornately framed and glazed. There is one small scuff to the frame on the left hand inner edge.
Sean Scully (Irish/American 1945-), "Tutto E Sciolto (#4)", signed, dated '93 and numbered 21/33 in pencil, etching and aquatint, plate size 15 x 10cm, 6 x 4in, sheet size 55 x 41.5cm, 21.75 x 16.25in. Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report: The print is in very good, original condition. There are some tiny spots of foxing running down the right hand side of the sheet. The print is framed and glazed.
Sean Scully (Irish/American 1945-), "She Weeps over Rahoon", signed, dated '93 and numbered 21/33 in pencil, etching and aquatint, plate size 15 x 20cm, 6 x 8in, sheet size 55.5 x 41.5cm, 21.75 x 16.25in. Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report: The print is in very good, original condition. There are some tiny spots of foxing running down the right hand side of the sheet. The print is framed and glazed.
PABLO PICASSO (1881-1973); a pencil signed black and white etching from the Vollard Suite, with Vollard watermark, 19 x 26.3cm, the margin 8 x 9.5cm, unframed. (D)Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.ukProvenance: these have come from a private European collection.
BEN NICHOLSON OM (1894-1982); etching with aquatint on wove paper, '2 Sculptural Forms', 1968, 46/50, signed in pencil and dated lower right, embossed Lafranca and with Lafranca Locarno blind stamp lower left, 42 x 36cm, framed and glazed. (D)Additional InformationImage 30.5 (at highest point) x 27cm. Some very light marks to the mount. Frame with wear. Paper very slightly wavy. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
BEN NICHOLSON OM (1894-1982); etching with aquatint on wove paper, 'Ronco', 1968, signed in pencil and dated lower right, 27 x 30cm, framed and glazed. (D)Additional InformationPaper very slightly wavy, some visible spotting or dirt, dust, etc. Frame with light general wear.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
AR Colin Self (born 1941 "Nuclear Bomber" black and white etching, signed, dated 2 Nov 2005, inscribed (Unique Variation) intaglio, Odyssey/Iliad Suite in pencil to lower left image 74 x 105cm Colin Self is a draughtsman, printmaker, sculptor and painter. He is best known as a ‘Pop Artist’, whose work addressed the theme of Cold War politics. He studied first at Norwich Art School and in 1961 he entered the Slade School of Fine Arts in London. Artist Richard Hamilton called him:“the best draughtsman in England since William Blake.”Whilst at the Slade, he met artists, David Hockney and Peter Blake, who greatly admired Self’s paintings. He went on to become one of the forerunners, along with the likes of Andy Warhol and Roy Lichtenstein, of the ‘Pop Art’ movement. Note:Quote from www.paintoutnorwich.orgNote: Art by Colin Self has been exhibited at the Tate and they hold 34 pieces of his artwork. Information taken from www.tate.org.uk/art/artists/colin-self-1922
AR Colin Self (born 1941 "Euro" (from The Odyssey Series) black and white etching, signed, dated 27 Sept 2006 and numbered 14/40 in pencil to lower right image 105 x 74cm Colin Self is a draughtsman, printmaker, sculptor and painter. He is best known as a ‘Pop Artist’, whose work addressed the theme of Cold War politics. He studied first at Norwich Art School and in 1961 he entered the Slade School of Fine Arts in London. Artist Richard Hamilton called him:“the best draughtsman in England since William Blake.”Whilst at the Slade, he met artists, David Hockney and Peter Blake, who greatly admired Self’s paintings. He went on to become one of the forerunners, along with the likes of Andy Warhol and Roy Lichtenstein, of the ‘Pop Art’ movement. Note:Quote from www.paintoutnorwich.orgNote: Art by Colin Self has been exhibited at the Tate and they hold 34 pieces of his artwork. Information taken from www.tate.org.uk/art/artists/colin-self-1922
AR Colin Self (born 1941 "Ploughman" (from The Odyssey Series) coloured etching, signed, dated 2 Nov 2005, numbered 15/40 and inscribed "Odyssey/Iliad Suite" in pencil to lower image 105 x 74cm Colin Self is a draughtsman, printmaker, sculptor and painter. He is best known as a ‘Pop Artist’, whose work addressed the theme of Cold War politics. He studied first at Norwich Art School and in 1961 he entered the Slade School of Fine Arts in London. Artist Richard Hamilton called him:“the best draughtsman in England since William Blake.”Whilst at the Slade, he met artists, David Hockney and Peter Blake, who greatly admired Self’s paintings. He went on to become one of the forerunners, along with the likes of Andy Warhol and Roy Lichtenstein, of the ‘Pop Art’ movement. Note:Quote from www.paintoutnorwich.orgNote: Art by Colin Self has been exhibited at the Tate and they hold 34 pieces of his artwork. Information taken from www.tate.org.uk/art/artists/colin-self-1922
AR Colin Self (born 1941 "The Siege of Troy" (Old Men's Battle Tales (from The Odyssey Series) black and white etching, signed, dated 2 Nov 2005, numbered 15/40 and inscribed "Odyssey/Iliad Suite" in pencil to lower image 105 x 74cm Colin Self is a draughtsman, printmaker, sculptor and painter. He is best known as a ‘Pop Artist’, whose work addressed the theme of Cold War politics. He studied first at Norwich Art School and in 1961 he entered the Slade School of Fine Arts in London. Artist Richard Hamilton called him:“the best draughtsman in England since William Blake.”Whilst at the Slade, he met artists, David Hockney and Peter Blake, who greatly admired Self’s paintings. He went on to become one of the forerunners, along with the likes of Andy Warhol and Roy Lichtenstein, of the ‘Pop Art’ movement. Note:Quote from www.paintoutnorwich.orgNote: Art by Colin Self has been exhibited at the Tate and they hold 34 pieces of his artwork. Information taken from www.tate.org.uk/art/artists/colin-self-1922
AR Colin Self (born 1941 "John Barry, String Beat" (from the Odyssey Series) coloured etching, signed, dated 2 Nov 2005, numbered 15/40 and inscribed "Odyssey/Iliad Suite" in pencil to lower left image 105 x 74cm Colin Self is a draughtsman, printmaker, sculptor and painter. He is best known as a ‘Pop Artist’, whose work addressed the theme of Cold War politics. He studied first at Norwich Art School and in 1961 he entered the Slade School of Fine Arts in London. Artist Richard Hamilton called him:“the best draughtsman in England since William Blake.”Whilst at the Slade, he met artists, David Hockney and Peter Blake, who greatly admired Self’s paintings. He went on to become one of the forerunners, along with the likes of Andy Warhol and Roy Lichtenstein, of the ‘Pop Art’ movement. Note:Quote from www.paintoutnorwich.orgNote: Art by Colin Self has been exhibited at the Tate and they hold 34 pieces of his artwork. Information taken from www.tate.org.uk/art/artists/colin-self-1922
AR Colin Self (born 1941 "Stealth Bomber II" black and white etching, signed, dated 2 Nov 2005, numbered 15/40 and inscribed "Odyssey/Iliad Suite" in pencil to lower left image 74 x 105cm Colin Self is a draughtsman, printmaker, sculptor and painter. He is best known as a ‘Pop Artist’, whose work addressed the theme of Cold War politics. He studied first at Norwich Art School and in 1961 he entered the Slade School of Fine Arts in London. Artist Richard Hamilton called him:“the best draughtsman in England since William Blake.”Whilst at the Slade, he met artists, David Hockney and Peter Blake, who greatly admired Self’s paintings. He went on to become one of the forerunners, along with the likes of Andy Warhol and Roy Lichtenstein, of the ‘Pop Art’ movement. Note:Quote from www.paintoutnorwich.orgNote: Art by Colin Self has been exhibited at the Tate and they hold 34 pieces of his artwork. Information taken from www.tate.org.uk/art/artists/colin-self-1922
AR Colin Self (born 1941 "A Journey to my Childhood" (from The Odyssey Series) coloured etching, signed, dated 2 Nov 2005, numbered 15/40 and inscribed "Odyssey/Iliad Suite" in pencil to lower image 105 x 74cm Colin Self is a draughtsman, printmaker, sculptor and painter. He is best known as a ‘Pop Artist’, whose work addressed the theme of Cold War politics. He studied first at Norwich Art School and in 1961 he entered the Slade School of Fine Arts in London. Artist Richard Hamilton called him:“the best draughtsman in England since William Blake.”Whilst at the Slade, he met artists, David Hockney and Peter Blake, who greatly admired Self’s paintings. He went on to become one of the forerunners, along with the likes of Andy Warhol and Roy Lichtenstein, of the ‘Pop Art’ movement. Note:Quote from www.paintoutnorwich.orgNote: Art by Colin Self has been exhibited at the Tate and they hold 34 pieces of his artwork. Information taken from www.tate.org.uk/art/artists/colin-self-1922
AR Colin Self (born 1941 "Money Man" (from The Odyssey Series) black and white etching, signed, dated 27 9 2006 and numbered 14/40 in pencil to lower right image 105 x 75cm Colin Self is a draughtsman, printmaker, sculptor and painter. He is best known as a ‘Pop Artist’, whose work addressed the theme of Cold War politics. He studied first at Norwich Art School and in 1961 he entered the Slade School of Fine Arts in London. Artist Richard Hamilton called him:“the best draughtsman in England since William Blake.”Whilst at the Slade, he met artists, David Hockney and Peter Blake, who greatly admired Self’s paintings. He went on to become one of the forerunners, along with the likes of Andy Warhol and Roy Lichtenstein, of the ‘Pop Art’ movement. Note:Quote from www.paintoutnorwich.orgNote: Art by Colin Self has been exhibited at the Tate and they hold 34 pieces of his artwork. Information taken from www.tate.org.uk/art/artists/colin-self-1922
AR Colin Self (born 1941 "Nuclear Bomber" (variation) (from The Odyssey Series) black and white etching, signed, dated 2 Nov 2005, numbered 15/40 and inscribed "Odyssey/Iliad Suite" in pencil to lower left image 74 x 105cm Colin Self is a draughtsman, printmaker, sculptor and painter. He is best known as a ‘Pop Artist’, whose work addressed the theme of Cold War politics. He studied first at Norwich Art School and in 1961 he entered the Slade School of Fine Arts in London. Artist Richard Hamilton called him:“the best draughtsman in England since William Blake.”Whilst at the Slade, he met artists, David Hockney and Peter Blake, who greatly admired Self’s paintings. He went on to become one of the forerunners, along with the likes of Andy Warhol and Roy Lichtenstein, of the ‘Pop Art’ movement. Note:Quote from www.paintoutnorwich.orgNote: Art by Colin Self has been exhibited at the Tate and they hold 34 pieces of his artwork. Information taken from www.tate.org.uk/art/artists/colin-self-1922
AR Colin Self (born 1941 "Stealth Bomber I" black and white etching, signed, dated 2 Nov 2005, numbered 15/40 and inscribed "Odyssey/Iliad Suite" in pencil to lower left image 74 x 105cm Colin Self is a draughtsman, printmaker, sculptor and painter. He is best known as a ‘Pop Artist’, whose work addressed the theme of Cold War politics. He studied first at Norwich Art School and in 1961 he entered the Slade School of Fine Arts in London. Artist Richard Hamilton called him:“the best draughtsman in England since William Blake.”Whilst at the Slade, he met artists, David Hockney and Peter Blake, who greatly admired Self’s paintings. He went on to become one of the forerunners, along with the likes of Andy Warhol and Roy Lichtenstein, of the ‘Pop Art’ movement. Note:Quote from www.paintoutnorwich.orgNote: Art by Colin Self has been exhibited at the Tate and they hold 34 pieces of his artwork. Information taken from www.tate.org.uk/art/artists/colin-self-1922
Loading...-
71174 item(s)/page