There are 78388 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribeAlbín Brunovsky (1935 Zohor - 1997 Bratislava)'Jozef a Putifarka', Radierung auf Papier, 30,5 cm x 25,5 cm Passepartoutinnenmaß, signiert, 1967 datiert, betitelt, 3/20 nummeriertAlbín Brunovsky (1935 Zohor - 1997 Bratislava)'Jozef a Putifarka', etching on paper, 30.5 cm x 25.5 cm mat inner dimensions, signed, numbered 3/20
Albín Brunovsky (1935 Zohor - 1997 Bratislava)'Mene, mene, Tekel, ufarsin', Radierung auf Papier, 30,5 cm x 25,5 cm Passepartoutinnenmaß, signiert, 1966 datiert, betitelt, 3/20 nummeriertAlbín Brunovsky (1935 Zohor - 1997 Bratislava)'Mene, mene, Tekel, ufarsin', etching on paper, 30.5 cm x 25.5 cm mat inner dimensions, signed, numbered 3/20
Albín Brunovsky (1935 Zohor - 1997 Bratislava)'Expulsion from Paradise', Radierung auf Papier, 30,5 cm x 25,5 cm Passepartoutinnenmaß, signiert, 1967 datiert, betitelt, 3/20 nummeriertAlbín Brunovsky (1935 Zohor - 1997 Bratislava)'Expulsion from Paradise', etching on paper, 30.5 cm x 25.5 cm mat inner dimensions, signed, numbered 3/20
'Betrachtung. Dazu drei Eintragungen aus den Tagebüchern'Franz Kafka, 1990, Hamburg, Raamin-Presse, 32 SS., mit 5 ganzseitigen O.-Stichen in Kunstharz, kombiniert mit Ätzungen und Aluminium von Roswitha Quadflieg, OPp.-Schuber, signiert, 133/185 nummeriert, Schuber staubig'Betrachtung. Dazu drei Eintragungen aus den Tagebüchern'Franz Kafka, 1990, Hamburg, Raamin-Presse, 32 pgs., with 5 full page original etchings in artificial resin combined with etching and aluminium by Roswitha Quadflieg, original cardboard slipcase, numbered 133/185, slipcase dusty
William Lionel Wylie RA (1851-1931) etching The Grand Fleet at Scapa Flow The Kaiser Class with the flag of Admiral Von Reuter flying in the Frederich de Grosse being taken to Scapa Flow for internment byt he second Division of the Grand Fleet 25 November 1918 signed by the artist and Albany E Howard Fine Art Trade Guild blind stamp TMC, etching 31cm x 71cm, ebonised frame side 56cm x 91cm, some small spotting foxing and sun staining to mount otherwise generally good
Stanley William Hayter CBE (1901-1988) ''Serre'' Signed and dated (19)79, inscribed and numbered 23/75, etching, 75cm by 55.5cm (unframed) Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business The print has a lot of creases within the margins. Vertical creases within the red and areas of creasing within the green. Tear 3cm to centre of right margin- this does not go into the plate. The print has a deckled edge. Slight nick upper right within the green to the right of the red line and one to the upper centre of the black Also possible surface scratches within this area, slight nick/surface scratch to bottom right corner within the green. Pencil line diagonal through lower left margin up into the red and orange area. Scuffs and the odd very sporadic foxing spot to margins. See images. Viewing recommended.
Norman Ackroyd CBE, RA (b.1938) ''Horn Head'' Signed and dated (19)98, inscribed and numbered 70/90 etching, 18cm by 25.5cm Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business See illustration Slight cockling to paper. Good overall condition. Not examined out of the frame.
Norman Ackroyd CBE, RA (b.1938) ''Bishop's Rock'' Signed and dated (20)05, inscribed and numbered 53/90, etching, 26cm by 37.5cm (unframed) Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business The print has a deckled edge. Crease upper left hand side with in the margin. Handling crease lower right mostly to the margin. Covered in a very thin layer of dust. Otherwise in good overall condition. Unframed.
Dame Elizabeth Violet Blackadder DBE, RA, RSA (b.1931) Scottish ''Banksia'' Signed and numbered 10/30, etching and aquatint, 19.5cm by 24.5cm Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business Slight cockling to paper. Otherwise in good overall condition. Not examined out of the frame.
David Hockney OM, CH, RA (b.1937) ''The Haunted Castle'' - (The Boy Who Left Home to Learn Fear) Artist's proof aside from the unsigned edition of 400, etching, one of 39 etchings created for the series ''Six Fairy Tales from the Brothers Grimm'', 40.5cm by 25cm Provenance: Goldmark Gallery, Rutland Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business See illustration The paper has a deckled edge. Cockling to paper. Otherwise good overall condition. Not examined out of the frame.
Artist: Henri Matisse (French, 1869 - 1954). Title: "Cite - Notre Dame". Medium: Original etching. Date: Composed 1937. Dimensions: Overall size: 20 x 15 1/16 in. (508 x 383 mm). Image size: 13 1/8 x 10 1/4 in. (333 x 260 mm).Lot Note(s): Signed in reverse in the plate, lower right. Edition of 500. Cream wove paper. Full margins. Fine impression. Fine condition. Literature/catalogue raisonne: D248. Comment(s): An example has sold at auction for as high as $2,585 (Christie's, East [19th & 20th Century, Contemporary Prints & Multiples, Sale #8423] - 09/20/2000 - Lot #71). Image copyright © The Estate of Henri Matisse. [17489-4-800]
Artist: Paul Klee (Swiss/German, 1879 - 1940). Title: "Jungfrau im Baum ["Virgin in the Tree"]". Medium: Lithograph after the original etching. Date: Composed 1903. Printed later. Dimensions: Overall size: 6 11/16 x 8 11/16 in. (170 x 221 mm).Lot Note(s): Titled in the plate, lower center; Felix Paul Klee handstamp, verso. Edition unknown, presumed small. Cream wove textured paper. Printed to the edge of the sheet. Fine impression. Very good to fine condition. Provenance: Acquired directly from Felix Paul Klee. Comment(s): Please note that the original image was created as an etching by Klee in 1903. At a later date the original etching was used to create this lithograph, hence the very low pre-sale estimates. This edition was authorized by Klee shortly before his death in 1940 but delayed by World War II until after the war. It was printed under the immediate supervision of Klee's son, Felix Paul Klee (1907-1990), a prominent art historian and later the director of the Paul Klee Foundation. Image copyright © Artists Rights Society (ARS), New York. [29301-1-400]
Artist: Jean Pierre Marie Jazet (French, 1788 - 1871). Title: "La promenade du Jardin Turc - 1810 [Paris]". Medium: Color engraving, etching, and aquatint, with handcoloring. Date: Composed 1812. Dimensions: Overall size: 16 x 23 3/4 in. (406 x 603 mm). Image size: 12 x 21 7/8 in. (305 x 556 mm).Lot Note(s): After Jean Joseph Bostier de Bez (1780-1845). An extremely rare proof (1 of 3) before letters. Cream wove paper. The full sheet, deckle edges four sides. An excellent impression. Condition: good; some foxing and browning with color attenuation; no serious problems. Literature/catalogue raisonne: See: Beraldi, Volume 8, pg. 229; IFF2; B4. Provenance: Ex-collection Cortlandt F. Bishop, with his stamp, verso; M. Knoedler, NYC, with their labels from frame back, separate from the print, since lost. Comment(s): A rare print even with letters. We could find only three sales at auction, all with letters, in the past 25 years, the last in 1995 (sold at $1,168). The print shows a part of the Boulevard du Temple, then called the Boulevard du Crime. "Jean Pierre Marie Jazet was one of the most prominent aquatint engravers of the Napoleonic era. He worked almost exclusively in aquatint, reproducing the paintings of the grand Republican artists such as David, Vernet, de Gros, and Grenier. Although the majority of his prints were patriotic images, he also produced many fine aquatints of pastoral paintings and genre scenes. His fresh images exhibit the beauty of the medium and exemplify his amazing technical ability. His extremely complex prints are fluid yet detailed; they express the beautiful painterly technique of the medium…" Courtesy: Donald A. Heald. [24412-4-800]
Artist: Pablo Picasso (Spanish, 1881 - 1973). Title: "L'Age de Soleil (Pour Roby)". Medium: Etching. Date: Composed 1960. Printed later. Dimensions: Overall size: 16 1/8 x 13 1/16 in. (410 x 332 mm). Image size: 9 1/8 x 7 1/8 in. (232 x 181 mm).Lot Note(s): Signed in reverse in the plate. The original edition was 114. Cream wove paper. Full margins (deckle edges four sides). Fine impression. Fine condition. Literature/catalogue raisonne: Bloch 680. Comment(s): Another impression of this work sold at an auction high of $1,880 in 2008. Image copyright © Artists Rights Society (ARS), New York. [25683-3-300]
Artist: Pierre Bonnard (French, 1867 - 1947). Title: "Le Parc Monceau". Medium: Original etching. Date: Composed 1937. Printed later. Dimensions: Overall size: 17 7/8 x 13 in. (454 x 330 mm). Image size: 13 1/4 x 10 1/8 in. (337 x 257 mm).Lot Note(s): Signed in the plate, lower left. Edition of 500. Cream laid paper. Very wide (full?) margins. Fine impression. Very good condition; would be fine condition but for a crease in upper right and left margin, well away from image, would be matted out when framed. Literature/catalogue raisonne: Francis Bouvet, “Bonnard: The Complete Graphic Work” #114. Comment(s): This print is sometimes erroneously called “Jardin public” or “Les Champs-Elysees.” Image copyright © Artists Rights Society (ARS), New York. [25685-3-300]
Artist: Karima Muyaes (Mexican, b.1960). Title: "Naufragio". Medium: Color etching with drypoint and aquatint a la poupee. Date: Composed 1983. Dimensions: Overall size: 19 13/16 x 14 7/8 in. (503 x 378 mm). Image size: 11 3/4 x 9 15/16 in. (298 x 252 mm).Lot Note(s): Signed, titled, dated and numbered in pencil. Print #5 of Edition of 5. Soft handling creases; otherwise fine condition. Upon request, a Letter of Authenticity (LOA) from the Artist accompanies this lot. Comment(s): The winner of the first prize in the print category at the Toronto School of Art in 1983, when the artist was 23. A listed artist, Karima Muyaes is currently one of the most innovative and talented international painters/printmakers. A major monograph on her work authored by Avelina Lesper, the foremost contemporary Mexican art critic, will be published early in 2021. Muyaes’s work has sold at Sotheby's (New York City), Swann Auction Galleries (New York City), Martin Gordon Auctions (Phoenix), Louis C. Morton (Mexico City), and Casa de Subastas Odalys (Madrid/Caracas), among others. In April of 2013 and again in 2018 she was chosen by the prestigious Mexican newspaper "Milenio" as one of the top 34 currently active Mexican artists and featured in a series of newspaper articles and TV appearances. Muyaes has an extensive worldwide exhibition history which includes a show that travelled throughout Sweden for two years, 2010-2012. Image copyright © Karima Muyaes. [18624-0-300]
Artist: Steve Wheeler (American, 1912 - 1992). Title: "Seafarers [tan]". Medium: Color etching. Date: Composed c1940. Dimensions: Overall size: 7 x 9 3/8 in. (178 x 238 mm).Lot Note(s): Signed "Wheeler" in pencil, lower right. Edition size unknown (perhaps never editioned, with only a few proofs pulled). Cream wove paper. Wide margins. Fine impression with pronounced platemark. Very good to fine condition; printed slightly off-center; would be fine save a few ink smudges in the margins. Comment(s): Wheeler’s prints in woodcut and etching are rare. ‘Gordon’s Print Prices’ lists only his silkscreens – not a single woodcut or etching. He is often spoken of as one of the least appreciated, but most deserving, of 20th Century American artists. The influence of Arshile Gorky on Wheeler’s oeuvre is often overlooked. His work is increasingly being "discovered," as evidenced by the sale of his painting "W22 (Man Looking at Pork Chop)" at Christie's New York, 05/21/2008, lot #8, at $109,000 (including premium). There has been recent increasing interest in his fine prints as well. Image copyright © The Estate of Steve Wheeler. [30114-1-800]
Lyonel Feininger - - 1871 New York - 1956 New York The Disparagers (Die Höhnenden / Die Ausgestoßenen). 1911. Radierung. Prasse E 38. Signiert und datiert. In der Platte signiert, betitelt und datiert. Auf gelblichem Bütten. 21,7 x 26,4 cm (8,5 x 10,3 in). Papier: 30,5 x 34 cm (12 x 13,3 in). [KT]. • Seltenes und gesuchtes Blatt aus dem Frühwerk des Künstlers. • Feiningers Faszination für Architektur und Technische Konstruktionen lässt ihm wiederholt das Viadukt von Meudon zum Motiv werden, das er während einer Parisreise besichtigt. • Weitere Exemplare des faszinierenden Blattes befinden sich im Museum of Modern Art, New York sowie dem Art Institute, Chicago. PROVENIENZ: Sammlung Dr. Keins, Buenos Aires. Privatsammlung (vom Vorgenannten erworben). Aufrufzeit: 18.06.2021 - ca. 14.50 h +/- 20 Min. Dieses Objekt wird differenzbesteuert, zuzüglich einer Einfuhrumsatzabgabe in Höhe von 7 % (Ersparnis von etwa 5 % im Vergleich zur Regelbesteuerung) oder regelbesteuert angeboten (N).ENGLISH VERSIONLyonel Feininger -1871 New York - 1956 New York The Disparagers (Die Höhnenden / Die Ausgestoßenen). 1911. Etching. Prasse E 38. Signed and dated. Signed, titled and dated in the plate. On yellowish laid paper. 21.7 x 26.4 cm (8.5 x 10.3 in). Sheet: 30,5 x 34 cm ( x 12 x 13,3 in). [KT]. • Rare and sought-after sheet from the artist's early creative period. • Feininger's fascination with architecture and technical constructions made the Meudon Viaduct a motif that he visited during a trip to Paris. • Further copies of the fascinating sheet are in the Museum of Modern Art, New York and the Art Institute, Chicago. PROVENANCE: Collection Dr. Keins, Buenos Aires. Private collection (acquired from the above). Called up: June 18, 2021 - ca. 14.50 h +/- 20 min. This lot can be subjected to differential taxation plus a 7% import tax levy (saving approx. 5 % compared to regular taxation) or regular taxation (N).
Joseph Beuys - - 1921 Krefeld - 1986 Düsseldorf Zu Terremoto. 1982. Radierung und Bleistiftzeichnung. Schellmann 456 B (von B). Links oben signiert und bezeichnet 'a.p. 5/20'. Verso abermals signiert, datiert und mit Technikangabe versehen. Aus einer Auflage von 20 Künstlerdrucken. Auf Velin von Fabriano (mit Wasserzeichen). 16 x 12 cm (6,2 x 4,7 in). Papier: 49,5 x 35,4 cm (19,4 x 13,9 in). Gedruckt von Sebaste Carella, Studio Bernalda (mit Trockenstempel) und herausgegeben von der Galerie Schmela, Düsseldorf. [EH]. • Visualisierung der physischen, psychischen und sozialen Folgen des Erdbebens im Mezzogiorno. • Für Beuys birgt diese konzertierte Künstleraktion auch Potenzial zur Veränderung. PROVENIENZ: Galerie Schmela, Düsseldorf. Privatsammlung Deutschland (1984 beim Vorgenannten erworben). AUSSTELLUNG: Joseph Beuys: Wo ist Element 3?, Ketterer Kunst, Berlin, 26.3.–22.5.2021. Nach einem schrecklichen Erdbeben im Mezzogiorno am 23. November 1980 regt der Galerist Lucio Amelio seine Künstler an, Arbeiten zum Thema 'Erdbeben' zu schaffen, die in der Villa Campolieto ausgestellt werden. Beuys konzipiert 1981 den Raum „Terremoto in Palazzo“ und die Skulptur „Terremoto“, deren Erlös er darüber hinaus aus Solidarität mit der linken Gruppe „Lotta Continua“ für den Erhalt der gleichnamigen Zeitung spendet. Auf eine der an eine ausgediente Setzmaschine der italienischen Druckerei gelehnten Tafeln finden sich die schmerzvollen Physiognomien der übereinander gestaffelten mit Kreide gezeichneten Köpfe, die Beuys auf der vorliegenden Radierung wiederholt. [Eugen Blume] Aufrufzeit: 19.06.2021 - ca. 12.42 h +/- 20 Min. Dieses Objekt wird regel- oder differenzbesteuert angeboten.ENGLISH VERSIONJoseph Beuys -1921 Krefeld - 1986 Düsseldorf Zu Terremoto. 1982. Etching and Pencil drawing. Schellmann 456 B. Signed and inscribed 'a/p 5/20' in upper left. Verso once more signed, dated and inscribed with the dimensions. From an edition of 20 artist proofs. On Fabriano wove paper (with watermark). 16 x 12 cm (6.2 x 4.7 in). Sheet: 49,5 x 35,4 cm (19,4 x 13,9 in). Printed by Sebaste Carella, Studio Bernalda (with blindstamp) and published by Galerie Schmela, Düsseldorf. • Visualization of the physical, psychological and social aftermath of the earthquake in the Mezzogiorno. • For Beuys this concerted artist action bears potential for change. PROVENANCE: Galerie Schmela, Düsseldorf. Private collection Germany (acquired from aforementioned in 1984). EXHIBITION: Joseph Beuys: Wo ist Element 3?, Ketterer Kunst, Berlin, March 26 – May 22, 2021. After a terrible earthquake in the Mezzogiorno region on November 23, 1980, the gallery owner Lucio Amelio encouraged his artists to create works on the theme of 'earthquakes', which were exhibited in the Villa Campolieto. In 1981 Beuys created the room “Terremoto in Palazzo” and the sculpture “Terremoto”, proceeds of which went to the left-wing group “Lotta Continua” to fund the newspaper of the same name. The painful physiognomies of the heads in chalk, which Beuys repeated in this present etching, can be found on one of the plates leaning against an old typesetting machine in the Italian printshop. [Eugen Blume] Called up: June 19, 2021 - ca. 12.42 h +/- 20 min. This lot can be purchased subject to differential or regular taxation.
JAMES GILRAY Posting in Ireland . Hand-coloured etching and aquatint published by Hannah Humphrey 8 April 1805 320mm x 398mm together with the companion portrait published one month later by JAMES GILRAY Posting in Scotland hand-coloured etching and aquatint published by Hannah Humphrey 25 May 1805. * These two satirical etchings are among the largest James Gilray produced and were signed C.Lorraine Smith in comic reference to Claude Lorraine the classic landscape artist.
Renee Halpern (1914-) Tuscan Interior VIII/XV lithograph, signed and numbered in pencil, 53cm x 40cm; Reginald Montague Lander (1913-1982) Dunster castle, Minehead, Somerset, Artist's Proof, signed in pencil, 18cm x 27cm; Claire Brown (20th Century) British Fenlands colour etching edition of 150, signed and titled in pencil, 60 x 50cm (3)
George Edward Horton (1859-1950), 19th century etching heightened in colour depicting Tynemouth Sands with St. George's, Cullercoats in the distance, signed and titled in pencil, 15cm x 19cm; Mouth of Tyne looking to Tynemouth, 19th century etching heightened in ink, signed and titled in pencil, 10cm x 20cm (2)
Antony Gormley RA (British, born 1950)Domain etching and aquatint, 2000, on wove, signed and numbered 13/110 (on recto), the full sheet90 x 76cm (35 7/16 x 29 15/16in).This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Loading...
![Artist: Paul Klee (Swiss/German, 1879 - 1940). Title: "Jungfrau im Baum ["Virgin in the Tree"]". Medium: Lithograph after the](https://cdn.globalauctionplatform.com/e23002db-18f1-48f5-9b4a-acc7015ec544/98e0d50d-a05e-4539-b9e4-ad3c000525d0/468x382.jpg)
![Artist: Jean Pierre Marie Jazet (French, 1788 - 1871). Title: "La promenade du Jardin Turc - 1810 [Paris]". Medium: Color eng](https://cdn.globalauctionplatform.com/e23002db-18f1-48f5-9b4a-acc7015ec544/9a94c302-366a-4b72-8c01-ad3c00054a6a/468x382.jpg)
![Artist: Steve Wheeler (American, 1912 - 1992). Title: "Seafarers [tan]". Medium: Color etching. Date: Composed c1940. Dimensi](https://cdn.globalauctionplatform.com/e23002db-18f1-48f5-9b4a-acc7015ec544/88b89219-debd-455d-a012-ad3c000971e4/468x382.jpg)
