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Lot 407
Daniel de Savoye (1654-1716) - Travellers resting Etching, on laid paper, with partial watermark of flowerhead Scratched signature lower right 15 x 19 cm (6 x 7 1/2 in) A rare example of the printed work of the Dutch artist de Savoye. The Rijksmuseum have three other examples of etchings by the artist, but his artistic output is otherwise largely unknown.
Lot 409
Giovanni Battista Piranesi (1720-1778) - Veduta della Basilica di S.ta Maria Maggiore con le due Fabbriche Laterali di detta Basilica, Etching with engraving Circa 1750, Rome edition, 3rd state with publisher's Strade Felice address and price [H.9 III; F.791; W-E. 140] 40 x 55 cm. (15 3/4 x 21 3/4 in)
Lot 479
Louis Auguste Mathieu Legrand (1863-1951) - La Loge; Fin de Soiree Etching and drypoint, with delicate plate-tone, on cream wove paper Published by The Beaux Arts, Paris, c.1895 19.5 x 14 cm. (7 3/4 x 5 1/2 in) Together with A Genoese Girl, by Jules Jacquemart (1837-1880), etching, on pale cream laid paper Published by Cadart, Paris (1877) [Gomse 388.II] 27.5 x 20 cm. (10 3/4 x 7 3/4 in), (2)
Lot 150
George Mackley (British, 1900-1983) Below the Bridge, Kingston; Foxgloves, wood engravings signed in pencil and numbered 10/75 and 13/15, 17 x 21cm and 26 x 20cm. Born in Tonbridge, Kent, George Mackley was educated at the Judd School, Tonbridge. He trained as a teacher of art at the Goldsmiths' College, London, specialising particularly in engraving and etching. However, it was not until the 1930s that George Mackley began to focus on wood engraving as his preferred technique. A true master of his craft, George Mackley produced some of the finest examples of white-line wood engraving of the post-war era and his book on the practical aspects of the subject (published 1948) is still one of the leading manuals on technique. He made his final wood engraving, The Bridge of St. Boniface in 1968, after which a stroke made it impossible for him to continue engraving.
Lot 152
Four musical subject prints from the collection of the late Christopher Hogwood CBE. Wenceslas Hollar after Holbein, portrait of a young man, etching, dated 1646 in the plate, 13.5 x 9cm; with William Hogarth, A Bold Stroke for a Wife, a Theatre Royal ticket, engraving, 15 x 11cm; Hendrick Goltzius (German 1558-1617), Clavichord-player and singer, two plates, text below, 17 x 12.5cm (4)
Lot 162
Six unframed prints and watercolours E. Herbert Whydale, View from a barn door, two figures returning, etching signed in pencil 19 x 16cm (image; unframed); together with two caricatures of Victorian gentlemen in top hats, largest 29 x 18cm; coloured aquatint 'Watering Cart' published by W.Miller, London 1805, 26 x 35cm; etc (6)
Lot 188
A folder of prints and engravings, including: Albert Meyeringh, classical landscape with figures near statuary, etching 22 x 33cm (plate); Portraits des Grandes Hommes et Femmes de France, nos. 46-47-48, with 12 coloured plates and text, in damaged paper wrappers; and three engravings relating to the death in 1780 in New York of Major Andre, and a printer's sentiment dedicated to Benjamin Franklin
Lot 482
Hunting. PAGET (Major Guy) The Melton Mowbray of John Ferneley, Leicester 1931, 4to, edition de luxe no. 171 of 220 copies, signed, with a mounted original drawing by the Ferneleys as frontispiece, t.e.g. others uncut, morocco backed boards; OSBALDESTON (Squire) His Autobiography, London: John Lane 1926, 4to, no.2 from an extra-illustrated edition of 100 copies on hand made paper, cloth backed boards; SPARROW (W Shaw) Angling in British Art, 1923, 4to, no. 104 of 125 copies, signed, and with signed etching by Norman Wilkinson, cloth (soiled); MILES (W J) Modern Practical Farriery, circa 1880, 4to, plates, half morocco rubbed, others (a box)
Lot 637
A signed coloured print after David Shepherd showing an elephant, signed to mount and also to back of frame, 24 x 31 cm approx together with a signed limited edition black and white etching of wildebeest, signed bottom right Debby Mason and dated 94, edition 21/150, 9 x 19 cm approx in red and gilt frame
Lot 359
***Graham Clark (born 1941) - Limited edition coloured etching - "The Goose Girl" 21.5ins x 27.25ins, (No. 88 of edition of 150), and an uncoloured first state - "Late Euphonium", 21ins x 27ins, No. 3 of edition of 10, both signed, titled and numbered in pencil, in modern white frames and glazed (both close framed)
Lot 363
***Graham Clarke (born 1941) - Two limited edition coloured etchings - "Snowdrop" (No. 134 of edition of 150) and "Left, Right Oops!" (No. 28 of edition of 250) and uncoloured etching - "Along with the Gypsy Davy" (No. 26 of edition of 100) all 13.5ins x 21.5ins, and three other Graham Clarke etchings, various, all framed and glazed
Lot 244
Hagop Kasparian 'Oasthouses, Chiddingstone, Kent' and 'Estuarine Landscape'. Both watercolour, signed together with Philip Pimlott (1871 - 1960), pencil drawing of a half timbered house, signed and dated 1935. Kathleen Caddick 'Winter Lilies and Daisies', an etching signed, an oil portrait of Napoleon, a pencil sketch of a church signed Braunstone? June 69 and a watercolour of fishing boats signed Edmond?.
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71174 item(s)/page