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Lot 62
Italy.- Rossi (Giacomo Giovanni) Patrimonto di S. Pietro, olim Tuscia Suburbicaria, regional map of Tuscany, with large decorative title cartouche upper left, etching and engraving on four sheets, unjoined, excellent clean impressions, each on laid paper with watermark of an encircled fleur-de-lis, each platemark approx. 440 x 570 mm. (17 3/8 x 22 1/2 in), sheets approx. 470 x 675 mm. (18 1/2 x 26 1/2 in), minor drying creases visible, light spotting and surface dirt, unframed, rolled, 1696; together with the four sheet map Il Lazio ..., etching and engravings, each on laid paper with watermark of an encircled fleur-de-lis, each platemark approx. 435 x 570 mm. (17 1/4 x 22 1/2 in), all with full margins, light spotting and surface dirt, unframed, rolled, 1693, (2 maps, 8 sheets).⁂ Excellent impressions of Rossi's scarce regional maps of Italy.
![Voyages.- London to Tianjin.- Anonymous [Map detailing a voyage from London to Tianjin, China], Italian map showing from the](https://cdn.globalauctionplatform.com/9354bd56-d7cb-4d5b-9f5d-a8f000e9b3ff/58e78141-19f6-4ad1-aab9-ba0ac8978beb/468x382.jpg)
Lot 89
Voyages.- London to Tianjin.- Anonymous [Map detailing a voyage from London to Tianjin, China], Italian map showing from the British Isles to Japan, including Africa and part of America and Australia, with reference in the text to the conquests of The Qianlong Emperor, the sixth emperor of the Manchu-led Qing dynasty, etching, a good impression on laid paper with watermark of initials 'A.M.', platemark 245 x 330 mm. (9 5/8 x 13 in), sheet 305 x 380 mm. (12 x 15 in), minor handling creases and old folds, unframed, [18th century].
Lot 3077
Collection of framed prints, comprising: Sara A Bird (20th Century), 'Woodland Path1', Artist's Proof, aquatint etching, signed l.r.; Sara A Bird (20th Century), 'Garrick House, Hampton', Working Proof, aquatint etching, signed and dated March 1976; an etching of Pulteney Bridge in Bath, indistinctly signed l.r.; stipple engraving of N. Poines Knight (court of Henry VIII), engraved by Francesco Bartolozzi after Hans Holbein, published November 22nd 1796 by I. Chamberlaine. (4)
Lot 3123
Eleven original framed watercolours, mid to late 20th Century, various artists, landscapes and maritime and a study of birds and a watercolour, noted as original artwork used in the TV programme Jackanory (The Small Miracle), two mounted and unframed watercolours and a dry point etching of a dog (16)
Lot 3178
Collection of ten framed pictures to include six 19th Century hand coloured sporting sprints (aqua tints and lithographs) an 18th Century engraving depicting a scene from Tristran Shandy, an original watercolour, comical shooting scene 'sporting characters' 19th Century and an early 20th Century etching of a beach (10)
Lot 1361
Antiquarian Book And Natural History Interest, Parker & Others, Shooting By Moor, Field And Shore, Signed, Limited First Edition No. 169/360. Published by Seeley, Service & Co,London, 1929 For Lonsdale Library Signed by the author, tipped in etching facing title page by Winifred Austen, pencil signed to bottom left by her, this large paper edition printed on hand made paper. The boards of full Morocco, gilt decorated with the Lonsdale Library logo, spine faded, monochrome illustration plates intact. Heraldic book plate of Henry Kenyon Stephenson to inside cover. Please see accompanying image
Lot 366
Amadis Aldano Maldo, known as Maldonado (Italian, fl. 1759-1800s) Trompe l'oeil, circa 1798-1811 signed lower left "Le Major d'Aldana Maldonado d' et f:t" watercolour, pen and ink on paper, in a maple frame 38.50 x 59cm (15 x 23in) Other Notes: Amadis Maldonado was a painter and etcher active in Florence in the second half of the eighteenth century. He was Captain of the Corps of Engineers in the service of the Grand Duke Peter Leopold of Lorraine and in 1777, he was promoted to the office of Major. The painted engraving of Admiral Nelson right of the centre is taken from an etching known to have been executed in 1798 by Carlo Lasinio (Italian,1759–1838) from a painting by Daniel Orme (British, 1766–1832). This, therefore, places the present work after this date. The dedication, "M.sa M.ra Settimmia Strozzi / Vedova Ferroni / Montughi" on the painted etching on the right, is to the Marquise Maria Settimia Strozzi (1745-1811). This provides a 'terminus ante quem' for the work as 1811, since the Marquise Strozzi continued to live in the Villa di Montughi after her husband's death until circa 1811. Some scattered foxing. Chipping to the paper close to lower left corner.
Lot 299
An Edward VIII 1897 Pattern Infantry Officer's Sword, the 83cm single edge fullered steel blade etched with Royal cypher, by Wm. Anderson & Sons, Edinburgh, the steel hilt pierced with Royal cypher, with wire bound fishskin grip, leather sword knot and scabbard; a Victorian 1822 Pattern Infantry Officer's Sword, the 78cm pipe back steel blade faintly etched, the brass gothic hilt pierced with Royal cypher, with wire bound fishskin grip, lacks hinged guard, with steel scabbard (2-af)1 - Blade and hilt has orange rust pitting 2 - Etching is very faint on the blade, the hinged guard has broken off and is missing. Some damage to grip under pommel
Lot 305
A Victorian 1827 Pattern Naval Officer's Sword, the 76cm quill back steel blade faintly etched with crowned fouled anchor and indistinct maker's name, the gilt brass gothic hilt with hinged guard, cast with a fouled anchor below a Queen's crown, wire bound fish skin grip and lion head pommel, with brass mounted leather scabbard and bullion sword knotBlade pitted, etching very faint. Gilding to hilt is worn. Leather of the scabbard could be replacement, mounts original
Lot 311
An Edwardian 1896 Pattern Cavalry Officer's Sword to the 17th (Duke of Cambridge's Own) Lancers by Henry Wilkinson, the 89cm single edge fullered steel blade crisply etched with the Royal cypher over owner's initials H.S.N., with maker's name, Regimental badge and gold Proved poincon, the back edge stamped 39727, the steel bowl hilt pierced and engraved with honeysuckle, with wire bound chequered black composition grip and chequered back strap, with associated leather service scabbard, 106cmBlack patching to parts of the blade, etching crisp. Light pitting to hilt. Leather scabbard associated.
Lot 325
A George III Spadroon by Thomas Gill, Birmingham, the 85.5cm single edge fullered steel blade faintly etched and engraved with GR cypher, martial trophies, one side inscribed Thos.Gill, Warranted Never to Fail at the ricasso, the opposing side dated 1798, the gilt brass stirrup hilt with D shape guard, facetted ferrule and back strap and ribbed ivory grip, the leather scabbard with gilt brass mounts and hanging straps with lion head buckles, Black patching and pitting to blade, engraving and etching very faint. Some wear to gilding on hilt and scabbard, but generally good. Tiny edge splits to ivory grip at ferrule and pommel. Surface of leather scabbard is flaking and worn, dent to one side of chape.
Lot 326
An Imperial German Naval Sword, the 72.5cm quill back steel blade etched with a fouled anchor, Man o' War and foliage, the ricasso stamped with King's head and visored helmet logos/ W.K. & C., the brass gothic hilt with hinged guard engraved Rehder, with ribbed bone grip, well cast lion head pommel with inset glass eyes and long mane, lacks scabbardBlade with black patching and pitting to surface, particularly towards the tip. Etching is crisp. Bone grip is cracked and chipped. Lacks scabbard.
Lot 364
A George V 1827 Pattern Indian Service Rifle Regiment Officer's Sword, the 82.5cm steel blade etched with crowned GRI cypher, strung bugle and foliage by Phelps & Co., Calcutta, with Proved poincon, the nickel plated steel gothic hilt pierced with a crowned strung bugle, with wire bound fishskin grip, lacks scabbard; an Indian Service Officer's Mameluke Sword, with plain 82cm curved steel blade, brass hilt with orange painted grip scales, with brass scabbard (2)1 - Blade rust pitted and with black patching, although etching is quite crisp. Hilt dirty. Would clean up. 2 - Black patching to blade, hilt a little wiggly.
Lot 691
†ERNEST HERBERT WHYDLE, ARE (1886-1952) THE ROAD FROM THE PIT OR THE CHURCH PIT etching with margins, signed by the artist in pencil, 25 x 30cm and five other etchings by contemporary artists including George Soper, and Clifford Isaac Addams (1876-1942) (6)++The odd slight mount stain but all in good condition, non examined out of the frame
Lot 697
GEORGE SOPER, RE (1870-1942 BRINGING IN THE CATCH etching with drypoint with margins, signed by the artist in pencil, 18.5 x 27cm and six other contemporary British etchings by Andrew F Affleck, Joseph Gray, John Fullwood, Ralph Bingham and two others, all signed (7)++Several with time staining, otherwise fine
![ROBIN TANNER [1904-88]. Wiltshire Roadmaker, 1928. Etching on cream laid paper with full margins. Signed, dated '28 and inscr](https://cdn.globalauctionplatform.com/abed1dc5-83aa-4457-ab6f-a8da0098d4e4/b509d39b-1dc5-4c50-c440-21a67528ca4d/468x382.jpg)
Lot 162
ROBIN TANNER [1904-88]. Wiltshire Roadmaker, 1928. Etching on cream laid paper with full margins. Signed, dated '28 and inscribed XLIX from the edition of 50. Printed by David Strang and published by John Nicholson. 10 x 14.9 cm [plate size], 19.4 x 26 cm [sheet size] hinge mounted to conservation standards, unframed. Ref: Garton 6. [excellent condition - a fine impression]. Buyers premium 20% + Vat payable.
![MARIO DUBSKY [1939-85]. Two Figures, c.1964. etching and aquatint. signed. 30 x 22 cm. Framed. Provenance: artist's estate; p](https://cdn.globalauctionplatform.com/abed1dc5-83aa-4457-ab6f-a8da0098d4e4/ce59955a-ac40-4e5a-977c-012f78a6c037/468x382.jpg)
![MARIO DUBSKY [1939-85]. Group of Figures, c.1963/4. etching and aquatint. signed. 56 x 40 cm. Framed. Provenance: artist's es](https://cdn.globalauctionplatform.com/abed1dc5-83aa-4457-ab6f-a8da0098d4e4/90fc9c51-37e6-428a-8a72-35e1ebc98fbb/468x382.jpg)
Lot 186
MARIO DUBSKY [1939-85]. Group of Figures, c.1963/4. etching and aquatint. signed. 56 x 40 cm. Framed. Provenance: artist's estate; private collection, UK. Dubsky was a friend and student of Keith Vaughan. His work is included in the Tate Gallery collection. [good condition - unexamined out of frame]. Buyers premium 20% + vat payable.
![HEIDI KONIG [b.1964]. Arisaig, 1996. Etching with aquatint and hand colouring on wove paper. Signed and inscribed as an arti](https://cdn.globalauctionplatform.com/abed1dc5-83aa-4457-ab6f-a8da0098d4e4/6c361264-e259-43e4-9def-917f7b8a3a13/468x382.jpg)
![ROLAND BATCHELOR RWS [1889-1990]. Pub Garden Invaded by Pan, 1936. Etching on cream wove paper. Signed, inscribed with title](https://cdn.globalauctionplatform.com/abed1dc5-83aa-4457-ab6f-a8da0098d4e4/cd8d74c6-23fc-4665-d453-4f48fc6abc01/468x382.jpg)
Lot 206
ROLAND BATCHELOR RWS [1889-1990]. Pub Garden Invaded by Pan, 1936. Etching on cream wove paper. Signed, inscribed with title and numbered in pencil 24/40. 10 x 17 cm [plate size] 28 x 38 cm [sheet size] unframed. Published by New Academy Gallery, London 1986. Provenance: acquired directly from the publisher. [Excellent condition]. buyers premium 20% + vat payable.
![LEO ZOGMAYER [born 1949]. Abstract, 1988. etching, edition of 12 [2/12]. signed with initials in pencil. 65 x 49 cm. Unframed](https://cdn.globalauctionplatform.com/abed1dc5-83aa-4457-ab6f-a8da0098d4e4/d8c8882b-500b-49a3-f002-f0e524f64900/468x382.jpg)
Lot 59
LEO ZOGMAYER [born 1949]. Abstract, 1988. etching, edition of 12 [2/12]. signed with initials in pencil. 65 x 49 cm. Unframed. Provenance: private collection, Germany. Zogmayer was quite a major international painter and printmaker in the 1980s, but has since concentrated on minimal sculpture. [very good condition]. Buyers premium of 20% + VAT is payable.
![MICHAEL AYRTON [1921-75]. Minotaur - Full Grown, 1971. etching, edition of 75, artist's proof X/X. signed in pencil by the ar](https://cdn.globalauctionplatform.com/abed1dc5-83aa-4457-ab6f-a8da0098d4e4/6f0a2765-1bad-4828-c20b-f67f9458bb64/468x382.jpg)
Lot 63
MICHAEL AYRTON [1921-75]. Minotaur - Full Grown, 1971. etching, edition of 75, artist's proof X/X. signed in pencil by the artist [very few of the edition were signed, most had only the studio stamp signature]. 78 x 59 cm sheet size [framed]. The Tate Gallery collection includes 26 of his artworks. [very good condition - unexamined out of frame]. Buyers premium of 20% + VAT is payable.
![MICHAEL AYRTON [1921-75]. Minotaur - As Yearling, 1971. etching, edition of 75 [artist's proof], signed in pencil by the arti](https://cdn.globalauctionplatform.com/abed1dc5-83aa-4457-ab6f-a8da0098d4e4/9ff2ed47-33d2-4bc7-eb64-ec16f0fe1bee/468x382.jpg)
Lot 64
MICHAEL AYRTON [1921-75]. Minotaur - As Yearling, 1971. etching, edition of 75 [artist's proof], signed in pencil by the artist - very rare as most of this series only included the studio stamp signature. 78 x 59 cm sheet size [framed]. The Tate Gallery collection includes 26 of his artworks and there are many books on the artist. [very good condition - unexamined out of frame]. Buyers premium of 20% + VAT is payable.
![LEONARD BASKIN [1922-2000]. William Shakespeare, 1970. etching, 65/200. Signed in pencil. 51 x 33 cm sheet size [unframed]. P](https://cdn.globalauctionplatform.com/abed1dc5-83aa-4457-ab6f-a8da0098d4e4/f7d78db4-9e03-444d-ef2a-b3d771fc2d8e/468x382.jpg)
Lot 67
LEONARD BASKIN [1922-2000]. William Shakespeare, 1970. etching, 65/200. Signed in pencil. 51 x 33 cm sheet size [unframed]. Provenance: Leinster Gallery, London; private collection, London. Baskin was a major international sculptor and printmaker, included in most major museum collections, including Tate Gallery and MOMA [New York]. [very good condition]. Buyers premium of 20% + VAT is payable.
![LEON UNDERWOOD [1890-1975]. St. Sebastian, 1921. etching [early state], artist's proof [very few known to exist]. Signed in t](https://cdn.globalauctionplatform.com/abed1dc5-83aa-4457-ab6f-a8da0098d4e4/37bc8750-c2e0-445f-a702-2a1fbfc9a3a7/468x382.jpg)
Lot 72
LEON UNDERWOOD [1890-1975]. St. Sebastian, 1921. etching [early state], artist's proof [very few known to exist]. Signed in the plate. 13 x 9 cm [overall including frame 29 x 23 cm]. Provenance: Private collection, UK. [good condition - probably some time toning to paper - unexamined out of frame]. Buyers premium of 20% + VAT is payable.
![LEON UNDERWOOD [1890-1975]. Goat, 1921. etching, edition of 50 [10/50]. A rare print, so unlikely the whole edition was print](https://cdn.globalauctionplatform.com/abed1dc5-83aa-4457-ab6f-a8da0098d4e4/230fa61b-cff8-45a1-adda-ee1d21077ac3/468x382.jpg)
Lot 73
LEON UNDERWOOD [1890-1975]. Goat, 1921. etching, edition of 50 [10/50]. A rare print, so unlikely the whole edition was printed. Signed by Mary Underwood [the artist's wife] on the reverse of the etching and marked 'This is the work of my husband Leon Underwood'. 13 x 18 cm image size [overall including frame 33 x 43 cm]. Provenance: artist's family; private collection, UK. [very good condition - paper slightly wavy top right - unexamined out of frame]. Buyers premium of 20% + VAT is payable.
![ROBERT CLATWORTHY R.A. [1928-2015]. Figures, 1952. etching, edition of 50, artist's proof [very few of the edition were print](https://cdn.globalauctionplatform.com/abed1dc5-83aa-4457-ab6f-a8da0098d4e4/3baa6883-05fb-4af7-fd4f-b8feb8467ac1/468x382.jpg)
Lot 90
ROBERT CLATWORTHY R.A. [1928-2015]. Figures, 1952. etching, edition of 50, artist's proof [very few of the edition were printed]. Signed and dated. 15 x 19 cm [overall including frame 42 x 52 cm]. Provenance: private collection, UK [acquired directly from the artist]. [very good condition - unexamined out of frame]. Buyers premium of 20% + VAT is payable.
![GEOFFREY CLARKE R.A. [1924-2014]. Blue Head, 1951. etching, edition of 50 [10/50], this is one of the 21 early etchings print](https://cdn.globalauctionplatform.com/abed1dc5-83aa-4457-ab6f-a8da0098d4e4/138a3632-fc71-4e33-e3a4-19561d732a40/468x382.jpg)
Lot 91
GEOFFREY CLARKE R.A. [1924-2014]. Blue Head, 1951. etching, edition of 50 [10/50], this is one of the 21 early etchings printed in 1951, signed in pencil. 45 x 22 cm [overall including frame 66 x 41 cm]. Provenance: Redfern Gallery, London, 1953 [label on reverse]; private collection, UK. Literature: 'Geoffrey Clarke - a Sculptors prints', J. LeGrove, 2012, Sansom, p.145, pl.114. [good condition - some time toning to paper - unexamined out of frame]. Buyers premium of 20% + VAT is payable.
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71174 item(s)/page