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Lot 637
RALPH STEADMAN. Reproduction monochrome print, girl and sheep and in a boat, signed and dated 4/12/77, 47cm x 67cm, unframed. CHRIS PLOUGHMAN. Etching, “Desk Top Confusion”, signed, dated 1982 and titled in pencil, 28cm x 39cm, unframed; ROSE FINN-KELSEY, screen print, “Finger Print”, signed, dated 82 and titled in pencil, numbered 13/50, 66cm x 50cm, unframed. (3).
Lot 228
Eileen Alice Soper (British, 1905-1990) Sympathy, 1925 signed lower right in pencil "Eileen A. Soper" etching 11.5 x 7.5 cm (unframed) Provenance: From the estate of George and Eileen Soper. Literature: Beetles/Wootton 92 Excellent impression printed with tone. One of only 14 signed proofs from the sole published edition. On cream wove paper, watermarked New York, with full margins and deckle edge. Generally very good condtiion.
![Sir Francis Seymour Haden (British, 1818-1910) A River's Bank [Dundrum or Multeen River, Ireland] etching, signed in the pla](http://lot-images.atgmedia.com/SR/10091/2746302/234-61-10091_468x382.jpg)
Lot 234
Sir Francis Seymour Haden (British, 1818-1910) A River's Bank [Dundrum or Multeen River, Ireland] etching, signed in the plate 15.5 x 14 cm Literature: Schneiderman 46b iv/iv; Harrington 49 ii/ii Good bright impression in the fourth state, as published in Etchings for the Art Union of London by the Etching Club in 1872, under the title "A River's Bank".
Lot 237
Evelyn Gibbs (British, 1905-1991) The Haunted Ruin, circa 1927 signed by the artist in pencil etching 19 x 23 cm 'Unique' touched proof impression, with pencil shading on the lintel above the cottage door. A particularly good signed proof impression prior to the only edition. The granddaughter of an Edinburgh engraver, Evelyn Gibbs trained as an artist in her native town of Liverpool. She came to London after winning an Exhibition to the Royal College of Art where she learned the techniques of printmaking under Malcom Osborne. In 1929 Evelyn Gibbs won the Prix de Rome for engraving and was to spend the following two years in Italy. Upon her return to England she became an influential teacher of art, being appointed Lecturer in Art at Goldsmiths' College in 1934. Highly regarded as an original printmaker, her works were handled by the prestigious XXI Gallery.
Lot 241
Pablo Picasso (Spanish, 1881-1973) Composition au Verre et Compotier bearing pencil signature and numbered 262/300 published by Atelier Crommelynck, Paris and with their blindstamp etching and aquatint in colours 49 x 60cm (image) Provenance: Private collection, London Purchased from Natalie Knight Gallery, Johannesburg in 1983, with original invoice attached verso
![Salvador Dali (Spanish, 1904-1989) Gretchen (from Goethe's Faust) [1969] signed in pencil lower right over 'Dali' embossed s](http://lot-images.atgmedia.com/SR/10091/2746302/258-61-10091_468x382.jpg)
Lot 258
Salvador Dali (Spanish, 1904-1989) Gretchen (from Goethe's Faust) [1969] signed in pencil lower right over 'Dali' embossed stamp and numbered 50/145 coloured etching on Japan paper 38 x 29cm (sheet) Provenance: Forster & Raab, Koeln gallery label verso 'Faust' is Goethe's most famous work and considered by many to be one of the greatest works of German literature. Faust (part one) begins in heaven. Mephistopheles makes a bet with God. He says that he can deflect God's favourite human being, Faust, who is trying to learn the best in life and turns to magic for the showering of infinite knowledge. Fearing failure, Faust goes for a walk with his assistant Wagner and is followed home by a stray poodle. In Faust's study, the poodle transforms into the Devil. Faust makes an arrangement with the Devil that the Devil will do everything that Faust wants whilst on earth, and in exchange Faust will serve the Devil in Hell. Faust then meets a young girl, Gretchen, to whom he is deeply attracted and the devil draws Gretchen into Faust's arms. After the sudden death of her mother and brother Gretchen discovers she is pregnant. She drowns her illegitimate child and is convicted of the murder. Faust tries to save Gretchen from death but finding that they cannot free her, Faust and the Devil flee the dungeon, while voices from heaven announce that Gretchen shall be saved.
![Richard Bawden (British, b.1936) My Darling [Olive Cook] signed and numbered 11/85 below etching printed in red/brown and bl](http://lot-images.atgmedia.com/SR/10091/2746302/264-61-10091_468x382.jpg)
Lot 37
AFTER OF SIR PETER PAUL RUBENS BORROWING A LIGHT Inscribed, oil on canvas 91cm x 74cm (36in x 29in) Provenance: Glendoune, Ayrshire Note: The inscription at the bottom of the canvas identifies this work as after an etching which Rubens engraved from the original painting, now is a Private Collection. Rubens kept the original canvas in his personal collection until his death. The night-time scene is a rare subject matter for the artist.
Lot 278
This monumental tribute in respect to the memory of Ad. Ld. Nelson, who in the moment of victory glorious fell fighting ...Hand coloured etching, London: I. Hinton, March 1, 1806. Framed, small size Note: Similar to Le Quesne 43, this is a rare example of one of the prints used as the basis for the glass pictures. Such prints are all togther different from the high quality mezzotints used as the basis for glass pictures in the previous century. The prints are largely etchings strengthened in places by some dirct engraving of the plates, together with some light use of the mezzotint rocker. Surving prints are rarer than the glass pictures themselves and Professor Le Quesne records only ever having seen two. (Le Quesne pp. 94-95).
Lot 279
Baron Nelson, of the Nile and Burnham Thorpe in the County of Norfolk. Hand coloured aquatint with etching, London: John Fairburn, Nov. 26, 1798. Framed, 37cm x 25cm; together with 'Sir Edward Hawke', a glass print, 36cm x 26cm; and 'Nelson', a glass print in black, backing missing, 31.5cm x 25cm (3)
Lot 280
The Jubilee Naval Action on the Serpentine in Commemoration of the Battle of the Nile Hand colour aquatint with etching, Surrey: T. Palser, Aug. 24, 1814. Framed, image 22.5cm x 33cm; together with another of the same subject, London: Edwd. Orme, Aug 12, 1814. Framed, image 15.5cm x 23cm (2)
Lot 679
Wenceslaus Hollar (Von Parachna) 1607-1677- The Hunt, from the illustrations to Aesop's Fables; etching, signed within the plate, showing scattered worm holes and thin spots unexamined out of the frame, 25x19.5cm: European School early 17th century- View of Prague, circa 1618; engraving: together with two other 19th century engravings by and after various hands, (4)
Lot 776
* Georges Mercier, French 19th century- "Day's Work Done", after Jules Breton, copyright 1889 by C Klackner NY and G W H Ritchie, imp; etching with remarque, signed twice in pencil 49.5x70cm: Achille Jacquet, French 1846-1908- "Le Guide", after Meissonier, publ 1894 by Arthur Tooth & Sons, London; etching with remarque, signed within the plate and signed in pencil, in a good Kentian frame, bearing Arthur Tooth & Sons label attached to the reverse, 66.7x50.7cm: Leon-Auguste L'Hermitte, French 1844-1925- The Sermon, publ June 1st 1888 by Arthur Tooth & Sons, London; etching, signed and dated 1887 within the plate, signed in pencil, bears gallery label for Arthur Tooth & Sons attached to the backboard, 66.3x47.3cm., (3)
Lot 791
Sir Francis (Frank) Job Short RA PRE, 1857-1945- "Walberswich Pier, Sept, 1890"; drypiont etching, signed in pencil, signed, titled and monogramed, within the plate, 16x24cm: together with four other prints by the same hand, as follows: "Old Quay on the Nith"; drypoint etching, signed in pencil and within the plate: "Canal at Cookley, Dee Sands"; lithograph, initialed in pencil: "Seine Fishing"; lithograph, signed in pencil: "Cloudburst Over Dee Sands, mill at Ash, Kent"; lithograph, initialed in pencil, in matching gilt frames, (5)
Lot 897
Jean-Baptiste Valadie b.1933- Seated female nude; etching printed in colours, signed, numbered and dated indistinctly in pencil, 29x39cm: After Mariette Lydis 1890-1970- "Dominique"; reproduction printed in colours, signed within the plate, 37x27cm: Hanfstaengl, publ- "Die Zukunft", after Herbert von Herkomer; colour reproduction print, signed and dated 1905 within the plate, bears additional printed facimile signature, 27x18cm: After Howard Elcock- "New York Dance Hall" and "'Tis Woman's Whole Existence"; hand-coloured reproduction prints: 29x44cm., ea: After Barbara Wood- "Tea Time"; colour reproduction print, signed and numbered 641/750 in pencil: together with a colour reproduction print of a garden subject, signed and titled in pencil, two contemporary paintings on silk and a contemporary Egyptian painting on papyrus, (10) (may be subject to Droit de Suite)
Lot 937
After Charles Philips 1708-1747- "Her Royal Highness, Augusta princess of Wales"; published by Thomas Bowles, London, 1737, mezzotint, 36x25cm: Jean Jacques De Boissier 1736-1810- "The Village square"; etching, initialed and dated 1774: together with other 19/20th century etchings and lithographs after various hands to include Ernest Meissonier 1815-1891- "The Dispute"; etching, with remarque, bears signature in pencil,Tatton Winter 1855-1928, etching and Charles E Peers 1875-1944, lithographs, (8) (part unframed)
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71174 item(s)/page