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Lot 419
Pierre-Auguste Renoir, French 1841-1919- "Baigneuse debout à mi-jambes", (Delteil&Stella 23); etching on laid, bears pencil inscription on the reverse, 16.6x11.1cm CONDITION REPORT: Framed, glazed and mounted in a wood effect and canvas style frame with intentional spotting decortation Frame has scratches and marks throughout May or may not be stuck, it hasn't been inspected out of frame Mount has a few minor grubby marks The back of the frame is not secure and has come slightly loose Remains of tape present to the back of frame Slight ruckling to paper Overall in good condition
Lot 442
Frank Archer RWS RE, British 1912-1995- "Job & his Friends"; etching, signed, titled and dated 1937 in pencil, 25x20cm, Provenance: with the Catto Gallery , London, according to label attached to the reverse, (may be subject to Droit de Suite) Frank Archer for an Art Teacher's Diploma at Brighton School of Art (1932), and then took up a place at the Royal College of Art (1934-38). The engravings that he produced as a student won him the coveted Prix de Rome (1938) and led to his election to the Royal Society of Painter-Etchers and Engravers (ARE 1940, RE 1960). After the war, Archer taught at Eastbourne School of Art, and later at Kingston College of Art, eventually becoming its head. Though he continued to use some kinds of printmaking, his essential development was as a painter with a breadth of vision. The Royal Society of Painters in Water-Colours elected him as a member (ARWS 1971, RWS 1976) and mounted a retrospective of his work at the Bankside Gallery (1990).
Lot 444
Salvador Dali, Spanish 1904-1989- "Le Torse" (Torso) from "Vénus aux Fourrures", (M&L 362f), 1969, publ Graphik Europa Anstalt; hand-coloured drypoint etching on Japanese paper, with blindstamp, signed in pencil and numbered 82/145 in pencil, 31.7x23.7cm, (may be subject to Droit de Suite) Note: Included in the book of the same title with texts by Leopold von Sacher-Masoch (1836-1895) CONDITION REPORT: Mounted in a glazed ebonised wooden frame with edges of the mount acidified. Edges of the sheet completely visible.
Lot 458
Evelyn Gibbs ARE, British 1905-1991- "Palm at Les Mimosas"; black ink with coloured chalk, signed and dated 53 in pencil, bearing hand inscribed label on the reverse, 55x42cm, Provenance: with The Zwemmer Gallery, London, according to label attached to the reverse: together with one engraving and one further etching with aquatint printed in colours by the same hand entitled "Cliff Fantasy" and "Blind Man", ea. signed, one dated 1928 and one numbered 7/30 in pencil, 60x45cm and 12.7x5.5, (3), (may be subject to Droit de Suite) Provenance: from the St Gabriel's College Collection, London
Lot 463
After Adriaen van de Velde, Dutch 1636-1672- Three cows; engraving, signed 'A V Velde del' within the plate, 11x13.2cm: After Wenceslaus Hollar, Czech/British 1607-1677- A woman standing to left on a ledge with hands folded, wearing a houpette, veil and cloak over ornate gown; etching, from St Gabriel's College Collection, bequest Mr & Mrs Houthuesen according to label attached to the reverse, 13.9x17.5cm: After Raphael, Italian 1483- 1520- "Madonna della Sedia" publ. Medici Society, London; colour reproduction print, bearing label for Medici Society, London attached to the reverse, 38x38cm, (3) Provenance: from the St Gabriel's College Collection, London
Lot 312
Max Beckmann, German 1884-1950- "Portrait of Naila Leaning on her Arms, with Glass", (Glaser 236, Gallwitz 230, Hofmaier 265, B b. Rifkind 147) from the unsigned edition of 1500, published by Verlag R. Piper & Co., Munich 1924; drypoint etching, 21x15.7cm, (may be subject to Droit de Suite) Note: see MoMA New York, Moma number: 545.1953, for example of the same. There is also a signed edition of 180 of this print
Lot 410
Maurice Taquoy, French 1878-1952- "La Rentrée au Paddock"; etching printed in colours, signed and dated 13 within the plate, signed and dated 13 in pencil, 25x55cm: Maurice Taquoy, French 1878-1952- "Avant le Départ"; etching printed in colours, signed and dated 1913 within the plate, signed and dated 1913 in pencil, 25x55cm., (2) (may be subject to Droit de Suite)
Lot 414
Luigi Kasimir, Austrian 1881-1962- The Opera House, Vienna; etching printed in colours, dated October 1922 within the plate, signed in pencil, 46x39cm: Luigi Kasimir, Austrian 1881-1962- "Grinzing"; etching printed in colours, signed, titled and dated Februar 1940 within the plate, signed in pencil, 46x59cm: Luigi Kasimir, Austrian 1881-1962- View of the Durnstein on the Danube, etching printed in colours, signed in pencil. 29x28cm., (3) (may be subject to Droit de Suite)
![JOHN SLOAN [AMERICAN 1871-1951], ETCHING, 1916, H 5 1/8", W 6 7/8", "MCSORLEY'S BACKROOM": Pencil signed; plate titled; #9](https://cdn.globalauctionplatform.com/49538219-d12d-4a93-bd82-a40200ab7926/ab4272b7-6c28-443e-acfd-abaef95b2ded/468x382.jpg)
Lot 415
R Halfnight: a signed etching, church by a river, in original oak strip frame, B W Leader: a signed engraving, pine trees with figures at dusk, in original oak strip frame, Alfred de Breanski: a signed limited edition photogravure published by Bovril Ltd, lakeland mountain scene, in original gilt frame, and Edward Waite: an engraving, "The Brook He Loved", in oak strip frame
Lot 1774
JOHN HAMILTON MORTIMER, ARA (1741-1779) SLEEPING MONSTERS Etching, published in a posthumous edition by the artist's executors, 1780 13.5 x 21cm. Provenance: Solomon Alexander Hart, RA (1806-1881), painter of portraits and historical and biblical genre. ++ A little discoloration and light-staining
Lot 1777
AFTER RICHARD WESTALL, RA (1765-1836) QUEEN JUDITH RELATING TO ALFRED THE GREAT WHEN A CHILD THE SONG OF THE BARDS, DESCRIBING THE HEROIC DEEDS OF HIS ANCESTORS Colour aquatint and soft-ground etching with some hand colouring, published by the artist, 1801 64.5 x 52cm. approx. * Westall produced a watercolour of this subject in 1799. Intended to inspire patriotism amongst the British during the Napoleonic Wars, the drawing was exhibited at The Royal Academy in 1800 (no.423) and is now in the British Museum. In 1801, Westall showed a further work with the same title (no.569), described as ` a print in imitation of a drawing`. ++ Image generally good; some wear at edges; approx. 5mm margins
Lot 1787
WALTER RICHARD SICKERT, RA (1860-1942) MAPLE STREET (Bromberg 212) Etching with drypoint, c.1923, full margins, on laid, signed in pencil, unframed 19.6 x 12.6cm. * This lot and the following lot are strikingly similar and were evidently composed from the same standpoint at the junction of Maple, Cleveland and Southampton Streets close to Tottenham Court Road. The site was close to Sickert's studio in Fitzroy Street and the prints were derived from a drawing and an oil executed in c.1917. The almost entirely vertical and linear technique used in `O Sole Mio` has been developed into the more complex textures afforded by the cross-hatched lines in `Maple Street`. It is probable that these were Sickert's experiments in assessing different moods in an etching as he tested subtly nuanced varieties of technique and scale. He varied the `weight` of etched lines and explored contrasts of light and dark by placing patches of blackness against the stark paleness of the paper. ++ Slight light-staining
Lot 1805
•SIX MODERN PRINTS comprising `Pines, Birds and Sea` (1948) after Milton Avery, coloured and inscribed by Gerald Dillon, 11 x 15cm.; `St. George`, etching by Leo Wyatt after Albrecht Durer, signed and inscribed, 10.5 x 8.5cm.; `Sitting Hare`, wood engraving by Charles Frederick Tunnicliffe, publ.2007, 18.5 x 11.5cm.; and three unframed prints by Mainie Jellett, Leo Wyatt and Barry Moser, two signed, various sizes. (6) ++ Each in good condition
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71082 item(s)/page