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Lot 215

LAXMA GOUD (born 1940); a signed limited edition artist's proof zinc etching, signed in pencil lower right and dated 1972, numbered 2/5, 41 x 67cm, unframed.

Lot 212

LAXMA GOUD (born 1940); a signed limited edition artist's proof zinc etching, signed in pencil lower right and dated 1972, numbered 2/20, 16 x 25cm, unframed.

Lot 210

LAXMA GOUD (born 1940); a signed limited edition artist's proof zinc etching, signed in pencil lower right and dated 1970, numbered 6/20, 15.5 x 26cm, unframed.

Lot 214

LAXMA GOUD (born 1940); a signed limited edition artist's proof zinc etching, signed in pencil lower right and dated 1972, numbered 1/20, 15.5 x 24.5cm, unframed.

Lot 260

LAXMA GOUD (born 1940); a signed limited edition artist's proof zinc etching, signed in pencil lower right and dated 1970, numbered 4/10, 24 x 15cm, unframed.

Lot 261

LAXMA GOUD (born 1940); a signed limited edition artist's proof zinc etching, signed in pencil lower right and dated 1970, 19.5 x 24.5cm, unframed.

Lot 221

LAXMA GOUD (born 1940); a signed limited edition artist's proof zinc etching, signed in pencil lower right and dated 1972, numbered 3/15, 22.5 x 17.5cm, unframed.

Lot 219

LAXMA GOUD (born 1940); a signed limited edition artist's proof zinc etching, signed in pencil lower right and dated 1972, numbered 5/20, 29.5 x 49.5cm, unframed.

Lot 1110

Trevor Ken, Limited Edition 10 / 50 black and white print ' Edenhurst ', dated 69, 23 x 28cm, and another Francis Kelly, Limited Edition etching 4 of 50, ' Games ', 24 x 13cm

Lot 1118

Elyse Ashe Lord, signed Limited Edition hand coloured dry point etching, Chinese figures seated below a tree, No. 35 of 75, 39 x 35cm, gilt framedBoth in good clean condition with no damage or repair noted

Lot 1138

W.A. Narbeth, artist signed etching, figure reading from a book, dated 1918, 6cm square, framed

Lot 1169

Leonard Robert Brightwell, signed dry point etching, ' The Upper Ten ', 21 x 38cm, framed

Lot 1206

Hellmut Weissenborn, artist signed coloured etching, cottages in a landscape, 29 x 40cm, framed

Lot 33

Early 19th century Eglish glass goblet, engraved with a sailing vessel - CERES - the shield-shaped cartouche later engraved by another hand 'G & M Austen, Gravesend, 1853', enclosed by bunches of grapes, knopped stem, 16cm.Condition report:No chips or evident areas of polishing. There is a slight unevenness to the foot where the glass has cooled with a slight ridge in one area. The boat name and dedication is clearly by another hand, or perhaps just the difference in the techniques of wheel-engraving to etching of the lettering.

Lot 205

Marius Bauer, Benares 1905,etching, signed and numbered in pencil '41', 58x68cm.

Lot 17

A large cider glass, c.1760, the deep slightly ogee bowl with diamond point etching of a fruiting apple tree, the reverse inscribed 'CYDER', raised on a thick opaque twist spiral enclosing a gauze core, the foot trimmed, 17.3cm.

Lot 147

A signed limited edition etching, Cherry Grove, framed and glazed. H.63 W.70cm

Lot 136

An unsigned hand coloured etching with 'Chalcographie Du Louvre' watermark in an oak frame. H.37 W.54cm

Lot 63

Susan Norrie 'Flamingo' 1989 ed. 31/60 signed, dated and editioned etching. Susan Norrie 'Mole' 1989 ed. 31/60 signed, dated and editioned etching in a metal frame. A pair, H.26 W.26cm

Lot 51

A signed framed and glazed etching, cathedral interior, C.1900. H.72 W.51cm.

Lot 283

Antique Etching of working Donkeys titled " taking a break ", signed in pencil S R Brightwood, framed and glazed approximately 54 x 43 cm

Lot 282

Antique Etching of a squirrel titled 'Babes in the Wood', signed in pencil S R Brightwood, framed and glazed, approximately 43 x 53cm

Lot 284

Antique Etching of ducks on a lake side signed in pencil Winifred Austen, framed and glazed approximately 55 x 48cm

Lot 1018

A box containing various pictures and picture frames to include a Judy Taylor mixed media study, two Katie Davie still lifes and a Henry G Walker pencil signed etching

Lot 22

T Waghorn, "The Monument", signed etching

Lot 37

A pencil signed etching, Continental cathedral dated 1925

Lot 594

A SELECTION OF PAINTINGS AND PRINTS, to include a Brian Amor watercolour of French landscape and an over painted print of Chateau Milandes (home of Josephine Baker), a John Howe ink and wash coastal view with boats on the shore, two etchings from the American Showboat series 1925 engraved by A Fare, a Dutch etching of Dordrecht signed by Sintmaatensdijk dated 1997, two Roy Perry sporting prints, etc, largest size including frame 81cm x 65cm

Lot 1770

Nelson Dawson (1859-1941), three original works and an etching, WW1 studies, ‘German Air Raid over London July 1917 shelled by HMS Gen Crawford in the Thames Estuary’, 20 x 25cm.Dirigible off the cliffs of Dover, 20 x 26cmPencil sketch of dirigible over the sea, 20 x 26cmAirship of the Dover patrol landing at Aerodrome, seen from another airship, Mar 18, sheet 33 x 22cm, and a typed list ‘War Time Etchings’. Condition - fair, general browning and foxing

Lot 1676

Jan Parker (b.1945), drypoint etching, 'The Little Circus', artists proof, limited edition 5/15, signed and dated '72 in pencil, 38 x 29cm. Condition - good

Lot 1764

Nelson Dawson (1859-1941), original design for the Ships badge for HMS Zubian, signed and inscribed, a hand coloured example of the etching derived from it and a commemorative etching for Capt Neville, 3rd Dragoon Guards, killed the same day at the 2nd Battle of Ypres, Preliminary sketch in ink and watercolour on paper, signed and inscribed ‘please return to N.Dawson Shathe House, Chiswick Mall London W4’, 26 x 20cm.Etching sheet overall 30 x 20cm, dated June 12 - 18.Proof Dragoons etching, sheet 25 x 18cm.All unmounted. Condition - two fair, one poor with foxing throughout

Lot 78

RICHARD BEER, 'Syracuse' etching in colours, signed and numbered 15/100, framed.

Lot 533

20th Century Annie Hole etching artist proof and signed portrait of 'Colette' (20cm x 25cm), together with an artist proof etching by Ali Yanya (14cm x 11.5cm)

Lot 508

Marciel Julien Baron 1872-1956 (French) - Signed etching view of the Basilica Of The Sacred Heart Of Paris with figures in foreground, 21cm x 15.5cm

Lot 549

Riera Rojas 1913-1992 - Signed etching portrait of a flamenco dancer with blind stamp, together with a pop art watercolour collage portrait of a young woman

Lot 317

Annie Williams RWS RE RA Etching and wash limited edition 'Still Life in a Summer Place' 14 of 40

Lot 108

Paul Eliasberg (German, 1907 - 1983) framed etching of Bull fighting 42 of 950 57 x 48cm

Lot 462

William Douglas Macleod, Palace Tower, Siena, etching, signed.

Lot 461

Andrew Fairbairn Affleck, A Venetian doorway, etching, signed.

Lot 1831

EGLAU, OTTO (1917-1988), "Kyushu VIII", 1963, Aquatintaradierung/Bütten, u.re. mit Bleistift von Hand signiert und datiert, u.li. mit Bleitstift num. 1/50, HxB: Platte ca. 33x60 cm, Blatt ca. 50x77 cm, Außenmaße Passepartout ca. 60x85 cm. Alters- und Knickspuren, leicht gebräunt, fleckig. In Passepartout montiert. DAZU: 2 Plakate Otto Eglau , Kleine Galerie Biberach, 1965.|EGLAU, OTTO (1917-1988), "Kyushu VIII", 1963, Aquatint etching/ laid paper, signed and dated by hand in pencil lower right, numbered 1/50 in pencil lower left, HxW: plate approx. 33x60 cm, sheet approx. 50x77 cm, outer dimensions passepartout approx. 60x85 cm. Traces of age and creasing, slightly browned, stained. Mounted in passepartout. ALSO: 2 posters Otto Eglau , Kleine Galerie Biberach, 1965.

Lot 1815

SCHUCHARDT, DIETRICH (geb. 1945), "am großen deich", 1978, Farb-Aquatintaradierung, u.li. num. EA 3/8 und betitelt, u. re. sign. und dat. "(19)78", HxB: Platte ca. 38x29 cm, Blatt ca. 60,5x50 cm, Bilderglas ca. 60,5x50 cm. Altersspuren. Hinter Bilderglas fixiert. VERSO Informationen zu Künstler und Werk, verfasst von Prof. Dr. med. H.K. Schneider.| SCHUCHARDT, DIETRICH (born 1945), " at the large dike", 1978, color aquatint etching, lower left num. EA 3/8 and titled, lower right sign. and dat. "(19)78", HxW: plate approx. 38x29 cm, sheet approx. 60.5x50 cm, picture glass approx. 60.5x50 cm. Traces of age. Fixed behind picture glass. VERSO information on the artist and his work, written by Prof. Dr. med. H.K. Schneider.

Lot 1814

SCHUCHARDT, DIETRICH (geb. 1945), 2 Grafiken, jeweils Aquatinta-Radierung, 1) "eine Quelle", u.li. mit Bleistift von Hand num. 19/70 und betitelt, u.re mit Bleistift von Hand sign., HxB Platte: ca. 24x34 cm, Außenmaße Rahmen ca. 42,5x52,5 cm. VERSO Werbung zur Einzelaustellung "dietrich schuchardt" von 1979. Hinter Glas gerahmt. 2) ohne Titel, u.li. mit Bleistift von Hand num. 26/45, u.re. mit Bleistift von Hand sign. und dat. "(19)75", HxB: Platte ca. 30x20 cm, Passepartout-Ausschnitt ca. 39,5x28,5 cm, Bilderglas ca. 60x40 cm. VERSO Ausdruck eines Artikels über Schuchardt. Jeweils Alters- und Beriebspuren. | SCHUCHARDT, DIETRICH (born 1945), 2 prints, each Aquatint etching, 1) " a spring", lower left numbered 19/70 and titled by hand in pencil, lower right signed by hand in pencil, HxW plate: approx. 24x34 cm, outer frame dimensions approx. 42.5x52.5 cm. VERSO advertisement for the solo exhibition "dietrich schuchardt" from 1979. Framed behind glas. 2) untitled, lower left hand numbered 26/45 in pencil, lower right hand signed in pencil and dat. "(19)75", HxW: plate approx. 30x20 cm, passe-partout cut-out approx. 39.5x28.5 cm, picture glas approx. 60x40 cm. VERSO print of an article about Schuchardt. Traces of age and wear in each case.

Lot 1817

SCHUCHARDT, DIETRICH (geb. 1945), "3 Aktgrafiken", 1975, jeweils Aquatinta-Radierung, jeweils u.li. mit Bleistift von Hand num. 3/70, jeweils u.re. mit Bleistift von Hand sign. und dat. "(19)75", 1) liegender Frauenakt in Rückenansicht, HxB: Platte ca. 29x38,5 cm, Blatt ca. 48x57 cm, Bilderglas ca. 50x60 cm. 2) sitzender Frauenakt in Seitenansicht, HxB: Platte ca. 39x28,5 cm, Blatt ca. 57,5x48 cm, Bilderglas ca. 60x50 cm. 3) sitzender Frauenakt in Rückenansicht, HxB: ca. 39x29 cm, Blatt ca. 58x48,5 cm, Bilderglas ca. 60x50 cm. Je Altersspuren, gewellt, gebräunt. Je hinter Bilderglas fixiert.| SCHUCHARDT, DIETRICH (born 1945), "3 Nude Graphics", 1975, each aquatint etching, each numbered 3/70 in pencil by hand lower left, each signed and dated in pencil by hand lower right. "(19)75", 1) reclining female nude in back view, HxW: plate approx. 29x38.5 cm, sheet approx. 48x57 cm, picture glass approx. 50x60 cm. 2) Seated female nude in side view, HxW: plate approx. 39x28.5 cm, sheet approx. 57.5x48 cm, picture glass approx. 60x50 cm. 3) Seated female nude in back view, HxW: approx. 39x29 cm, sheet approx. 58x48.5 cm, picture glass approx. 60x50 cm. Each with traces of age, wavy, browned. Each fixed behind picture glass.

Lot 1841

HÉROUX, BRUNO (1868-1944), "Portrait Ludwig van Beethoven", Radierung/Papier, u.re. mit Bleistift von Hand signiert, HxB: Platte ca. 39,5x28,5 cm, Passepartoutausschnitt ca. 40,5x29 cm, Außenmaße Rahmen ca. 59x47 cm. Leichte Altersspuren. Im Passepartout hinter Glas gerahmt (Glas beschädigt am Rand oben links, Fassung beschädigt).| HÉROUX, BRUNO (1868-1944), "Portrait Ludwig van Beethoven", Etching/paper, signed by hand in pencil lower right, HxW: plate approx. 39.5x28.5 cm, mat cut-out approx. 40.5x29 cm, outer frame dimensions approx. 59x47 cm. Slight traces of age. Framed behind glass in passepartout (glass damaged at upper left edge, frame damaged).

Lot 1839

REMBRANDT VAN RIJN, NACH (R. v. R.: 1606-1669), "Christus heilt die Kranken", Radierung/Papier, Druckausführung wohl 19. Jh., HxB: Blatt ca. 28x38,5 cm (30x41 cm mit Rahmen). Altersspuren, gebräunt und minim. fleckig, minim. gewellt. Mit verglastem Rahmen (Beriebspuren). VERSO Etikett Kunsthaus Schaller, Stuttgart mit handschriftlicher Bezeichnung. | REMBRANDT VAN RIJN, AFTER (R. v. R.: 1606-1669), ‘Christus heilt die Kranken’, etching/paper, print probably 19th century, HxW: sheet approx. 28x38.5 cm (30x41 cm with frame). Signs of age, browned and minimally stained, minimally wavy. With glazed frame (traces of rubbing). VERSO label Kunsthaus Schaller, Stuttgart with handwritten inscription.

Lot 200

A pair of John Kay (Scottish 1742-1826) etchings from "A Series of Original Portraits and Caricature Etchings..." one titled, Courtship, first edition etching, gallery label verso, in a glazed wooden frame (9cmx12cm), the other, Dr Joseph Black Lecturing in a glazed frame. (12cmx9.5cm) (2)

Lot 205

James Bacon & Sons, A 1920/30's style Portrait of a woman, photo etching, in a glazed gilt frame. (35cmx25cm)

Lot 217

Taylor Brown, The Old Town of Dundee, etching, signed pencil bottom right, in a glazed frame. (31cmx21cm)

Lot 82

W. Penn, Canning Half Tide, etching together with a collection of prints

Lot 66

Ray Richardson, Eastenders, etching, limited edition number 4/40, signed in pencil, 19cms x 18cms

Lot 191

The Hereford Beacon, Malvern Hills - etching framed and glazed

Lot 110

Etching of the Swan Inn, near Newbury 1980 and another etching of a snake called Angelina by Edna Arthur

Lot 155

Victorian 1845 pattern British infantry officers sword with metal scabbard. brass hilt, wooden handles bound in fish skin, with VR cypher under crown to pierced hilt with leather backing. sword made by Pillin manufacturers of gerard street, Soho, London. single fullered single edge blade, with acid etching dipicting Royal cyper, 3rd London Rifle Volunteers, owners family crest of dolphin and motto avis la fin with initials "AGFK" Possibly belonging to Archibald Kennedy, 4th Marquess of Ailsa. with steel two hanger scabbard

Lot 209

Chris Orr (born 1943), A Short History of Motoring, coloured etching 1990, signed in pencil, no. 9/50, 75cm x 56cm, framed Good condition

Lot 23

William Hole after James McNeill Whistler, portrait of Whistler, etching, published by The Art Journal London, plate 25cm x 18cm, framed Even paper discolouration, no foxing or paper damage

Lot 166

Eileen Cooper (born 1953), communion, etching, 1999, signed in pencil, no. 3/45, plate 25cm x 19cm, unframed Very good condition

Lot 190

Edmund Blampied (1886 - 1966), the cuckoo in the nest, lithograph signed in ink with presentation inscription from J Blampied dated 1934, 23cm x 36cm, and S van Abbe, scene in Venice, etching, signed in pencil, framed (2) Blampied print is generally discoloured, van Abbe etching very slight paper discolouration

Lot 167

Eileen Cooper (born 1953), Shire, etching, 1999, signed in pencil, no. 7/45, plate 25cm x 19cm, unframed Very good condition

Lot 1756

Joseph Simpson (1879-1939)"Tin Hat", drypoint etching

Lot 4381

Alfred Dawson, attr., Englische Flusslandschaftan einem leicht bewölktem Sommertag ein ruhiger Fluss, mit zum Teil bewaldetem Ufer in bergiger Landschaft, auf dem Wasser ein Ruderboot mit Personen, auf der Wiese am rechten Ufer grasende Rinder, mit feinem Pinselstrich eingefangene Landschaftsmalerei, effektvoll gesetzte Spiegelungen der Bäume im Wasser, mit sicherer Hand zum Teil mit spitzem Pinsel getupftes Blattwerk, Öl auf Leinwand, Ende 19. Jh., rechts unten signiert "A. DAWSON", dazu schwer leserlich datiert oder ortsannotiert, rückseitig auf dem Rahmen auf Etikett maschinenschriftlich künstlerbezeichnet, diverse unleserliche Annotationen in Blei, auf Keilrahmen alter Preisvermerk "2400", Retuschen, Leinwand später auf neueren Keilrahmen umgeschlagen, Impressionistenrahmen jüngeren Datums, Falzmaße ca. 27,5 x 46 cm. Künstlerinfo: engl. Landschaftsmaler, Radierer und Holzschneider (1843 bis 1931 England), Sohn des Malers Henry Dawson (1811-1878), stellte 1860-89 in der Londoner Royal Academy, in Suffolk Street und in der British Institution aus, Fokus auf Landschaften, Radierungen, Schabblätter (Portraits) und Holzschnitte, produzierte Holzschnitte und Radierungen zu C. E. Robinsons „A roy. warren of picturesque rambles in the Isle of Purbeck“, mit seinem Bruder Charles Dawson Besitzer der Typographic Etching Company, Quelle: Benezit, Thieme-Becker, Royal Academy of Artists und Saur.

Lot 181

GRAHAM CLARKE (BRITISH, B.1941) 'Le Gout de Grenouille', etching and aquatint, limited edition 28/250, with Christie's Contemporary Art certificate of authenticity, 52cm x 67cm, framed and glazed. Condition Report : Note: The certificate states that the print has been signed and numbered by the artist but it has been framed in a manner that obscures the margin (where the signature would normally appear) behind the mount. The frame has not been opened for the purposes of further inspection. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.

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