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John Crome (British, 1768-1821), Norfolk Grove, etching, plate 7, 15x23cm, framed and glazed

John Crome (British,1768-1821), 'Road by a Stricken Oak', etching, dated 1813, 15x19cm, framed and glazed.

Annabella Norford (British, active circa 1800) The Wanlip Bull, watercolour, 38cm x 50.8cm The picture has a label to rear stating 'The Wanlip Bull, Painted by Annabella Norford, 1800, Supposed to be the original of the engraving in "Nicholls Leicestershire". This watercolour was published as a soft ground etching by Georgiana Keate. The etching was produced in 1800. It has been suggested that the figure shows Charles Thomas Hudson, cousin of Georgiana Keate and used as an illustration to Nicholls' 'History of Leicestershire'.

Folio of assorted works on paper, inc. etching by J. Jungtow, a large lithograph by Hans THONI (1906-1980) of a lakeside scene with goats, and other prints and watercolour sketches

Carl March, 'Flowers For Adelaie' Limited Editon Etching, of 150, 34 x 46.5cm. David Birtwhistle, The King's School, Worcester, limited edition of 250, both pencil signed. (2).

Parasols, Koppelsdorf Doll 300-30, linen, manicure set, two Sheffield Steelworks engravings, images 16 x 23.5cm, montage of Battleship print, etching of Royal Exchange, London.

Dunkery Beacon, from church porch dry point etching, signed, in card mount and ebonised frame under glass, 21 cm x 30 cm overall

Simon Bull (Cumbrian, contemporary) "Soprano", a depiction of a violin laying atop sheet music, etching, limited edition, artist's proof, 4/20, signed in pencil, in card mount and ebonised frame under glass, 64 cm x 64 cm overall, with artist's receipt [Bull is a British artist who lives and works in California. In 2009 he was commissioned by Muhammad Ali to paint a portrait of Barack Obama]

A Victorian 19th century anatomical etching on paper plate printed by C. Hullmandel, London John Taylor. The plate framed & glazed in retro wooden frame with neon pink lining. Measures approx. 55cm x 36cm x 3cm

Steve Barraclough (Irish b. 1953-1987) - A late 20th century circa 1980s unsigned etching with screen print on handmade paper abstract painting part of the Circle Series from Barraclough. Framed. Measures approx. 75 x 94cm (frame)

Agathe Sorel (b.1935) - A mid 20th century 1950s abstract etching entitled "Saule Pleureur". Signed, titled, dated 1958 and numbered 8/50. Framed and glazed. Measures approx. 43cm x 53cm.    

Two framed Helen Bradley prints along with an etching of "The Apple-Seller" by D. Mordant of a painting by J E Saintin

Einbände - - Prosper Mérimée. Carmen. Mit 28 Radierungen von Eugène Decisy nach Gaston Vuiller mit einer zusätzlichen avant la lettre-Suite und 10 mit eingebundenen Farbradierungen von Charles Martin sowie 1 mont. Rad. von T. Polat. Paris, Ferroud, 1911. 2 Bl., 152 S., 1 Bl. 8°. Orangefarbener Maroquin (signiert Saulnier) auf 4 Bünden mit dreis. Goldschnitt, goldgepr. RTitel, RVerg. u. goldgepr. Fleurons auf grünen und blauen Maroquin-Intarsien, schwarz u. goldgepr. Deckelfileten mit Eckfleurons jeweils bestehend aus 3 goldgepr. Blumen auf grünen und blauen Maroquin-Intarsien, Stehkantenverg., Innenkantenvergoldung auf dunkelblauem Maroquin mit intarsierten Eckfleurons u. fliegenden Seidenmoiré- u. Buntpapier-Vorsätzen in mit Buntpapier bezogenen HLdr.-Schuber. Eines von 110 Exemplaren auf (wie hier) Japan oder Grand Vélin (GA 1000) mit den Radierungen in zwei Druckzuständen. - Cartetet IV, S. 277. - Die Farbradierungen von Martin für die Ausgabe der Éditions de la Roseraie von 1926. - Tafeln teils minimal gebräunt, sehr dekoratives Exemplar in ausgezeichnetem Zustand. One of 110 copies on (as here) Japan or Grand Vélin (total ed. 1000) with the etchings in two states of printing. With 28 etchings by Eugène Decisy after Gaston Vuiller with an additional avant la lettre suite and 10 bound in colour etchings by Charles Martin as well as 1 mounted etching by T. Polat. Orange morocco (signed Saulnier) on 4 raised bands with gilt edges, gilt stamped title to spine, spine gilt and gilt fleurons on green and blue maroquin inlays, black and gilt stamped cover fillets with corner fleurons each consisting of 3 gilt flowers on green and blue maroquin inlays, gilt stamped standing edges, gilt stamped inner edges on dark blue morocco with inlaid corner fleurons and flying silk moiré and coloured paper endpapers in a coloured paper-covered printed slipcase. - Martin's colour etchings for the 1926 edition of Éditions de la Roseraie. - Plates partly minimally browned, very decorative copy in excellent condition.

Gerhard Hoehme. (1920 Greppin - 1989 Neuss). Die Schnur ist die plastische Form des Heraklit'schen Denkens. Mit drei Original-Farbradierungen. Braunschweig, Kunstverein, 1984. Blattmaße je 48 x 48 cm. In Original-Mappe (etwas gebrauchsspurig). Eines von 60 Exemplaren. - Die Radierungen jeweils signiert, datiert u. nummeriert. - Wohlerhalten. 3 Etchings. Each colour etching on buff vélin. Each signed, dated and numbered. - Well preserved. Portfolio somewhat worn. - Each one 60 copies. - Edited by Kunstverein Braunschweig, 1984.

Zoologica Specifica - - Wilhelm Kuhnert. Spitzmaulnashorn. 1921. Radierung auf Velin. 28 x 49,5 cm (36,5 x 56,5 cm). Signiert und nummeriert, in der Platte datiert. Unter Glas gerahmt. Eines von 100 Exemplaren. - Papierbedingt sehr zart und gleichmäßig gebräunt. Insgesamt in sehr gutem Zustand. Kontraststark, gratiger Druck mit sich deutlich abzeichnender Plattenkante. Etching on wove paper. Signed and numbered, dated in the plate. Framed under glass. - One of 100 copies. - Due to paper delicately and evenly browned. Overall in very good condition. Burr-like print high in contrast with clearly visible platemark

Frankreich - - Pierre Michel Alix. Vue du Pont de Westminster (Paris). 1799. Kolorierte Aquatinta-Radierung. Sichtmaß ca. 45 x 63 cm. Dekorativ unter Glas gerahmt (ungeöffnet). In der Velegeradresse bezeichnet "d'aprés le Tableau original, qui est dans le Cabinet de M.F. Drouhin 1799." - Teils minimal braunfleckig und etwas knickspurig. Ausgezeichneter klarer Druck mit zarter Tonalität. France. - Coloured aquatint etching. Decoratively framed (unopened). - Partly minimaly brownstained and with slight crease marks. Fine clear print with gently tonality.

Erotica - Curiosa - - Heinrich Lossow u.a. Sammlung von 24 Bll. OGraphik mit erotischen Darstellungen. 20. Jh. Versch. Techniken, darunter Radierung, Aquatinta u.a. auf Papier (BFK Rives u.a.), Seide aufgezogen auf Japan u.a., tls. handkoloriert. Enthält u.a. 7 (von 8) Bll. Radierungen des seltenen Mappenwerks "Ein treuer Diener seiner Frau" von Heinrich Lossow, je in der Platte mit dem Pseudonym "Ferran" signiert. - Die Bll. tls. etw. fleckig u. mit blassbraunen Flecken, wenige Bll. im Rand etw. knickspurig u. mit kl. Einrissen. Insgesamt in guter Erhaltung. Collection of 24 original prints with erotic depictions. Various techniques, etching, aquatint a.o. on paper (BFK Rives a.o.), silk mounted on Japan a.o., partly hand coloured. - Contains, among others, 7 (of 8) ll. etchings of the rare portfolio "Ein treuer Diener seiner Frau" by Heinrich Lossow, each signed in the plate with the pseudonym "Ferran". - The leaves partly somewhat stained a. with pale brown spots, a few leaves in the margin somewhat creased a. with small tears. Altogether in good condition.

No�l Le Mire. (1724 Rouen - 1801 Paris). Vue des Restes d'un Temple de Venus dans l'Isle de Nisida près de Pouzzol au Golfe de Naples. 1761. Radierung auf Velin, voll aufgezogen auf Velinkarton. 34,5 x 45 cm (37,5 x 49 cm). In der Platte signiert, datiert und betitelt sowie mittig mit Wappen. Nach der Arbeit von Charles François Grenier de Lacroix (1700(?) -1782). - Etwas altersspurig und punktuell schmutzfleckig. Verso mit Spuren der ehemaligen Montierung. Insgesamt ordentlich. Ausgezeichneter, nuancierter Druck mit kräftig mitzeichnender Plattenkante und breitem Rand. Etching on wove paper, fully mounted on wove paper board. Signed, dated and titled in the plate and with coat of arms in the centre. - Somewhat age-marked and spotted with dirt. Verso with traces of the former mounting. At all neat. Perfect, nuanced impression with strong plate margins and wide margins. - After the work by Charles François Grenier de Lacroix (1700(?) -1782).

Janssen, Horst - - Birgit u. Horst Janssen Jacobsen. Nocturno. Mit einer signierten ORadierung von Janssen sowie zahlr. teils farb. Abb. Hamburg, CC-Verlag, 1977. Folio. 30 Bll. Illustr. OHLwd. mit montiertem RSchild. Eines von 950 Exemplaren (GA 1500). Im Druckvermerk signiert und datiert. Die signierte, datierte und nummerierte Radierung eines von 95 Exemplaren. - Die Photographien (bis auf 4) machte Birgit Jacobsen in der Nacht vom 19. auf den 20. Juli 1976. - Einige wenige Bll. unscheinbar fleckig. Insgesamt sehr gutes Exemplar. With a signed etching by Janssen and numerous partly coloured illustrations. Orig. illustr. half cloth with mounted spine label. - One of 950 copies (total ed. 1500). Signed and dated in the imprint. The signed, dated and numbered etching one of 95 copies. - A few pages inconspicuously spotted. Overall a very good copy.

Corinth, Lovis - - Jonathan Swift. Gullivers Reise ins Land der Riesen. Eine Reise nach Broddingnag. Mit 25 (10 blattgr.) Original-Lithographien sowie 1 sign. Orig.-Radierung von Lovis Corinth. Berlin, Propyläen-Verlag, 1922. 75 S., 2 Bll. Folio. Roter OHMaroquin mit goldgepräg. verziertem Rücken u. Deckeltitel u. Kopfgoldschn. (ob. Kapital mit kl. Läsur). Schauer II, 87. - Müller 641-666. - Eins von 200 (GA 400) Exemplaren der Vorzugsausgabe mit der zusätzl. sign. Original-Radierung auf Kaiserlich-Japan, Druckvermerk von Corinth signiert. With 25 (10 sheet-size) original lithographs and 1 sign. original etching by Lovis Corinth. Red original half morocco with gold-stamped spine and cover title and gilt top edges (some light margins). - One of 200 copies of the special edition (total 400) with the additional sign. original etching on Imperial Japan, printing note signed by Corinth.

Musik - - Klaus Böttger. Notenbilder. Kunstmappe mit sechs Faksimiles nach Musik-Autographen von György Ligeti und mit dem Reprint eines Ligeti-Portraits von Klaus Böttger. Mainz / München, B.Schott's Söhne / kunst publik Monika Limbacher GmbH, 1991. Doppelblatt (Titel / Text von Eckhard Roelcke: György Ligeti im Gespräch, mit 6 Schwarzweiß-Abb. / Impressum), 1 Transparent-Bl. (Text von Hannes Reinhardt: Klaus Böttger), 1 Bl. (grüngetönte, mit Bleistift num., betitelte, sign. und dat. Original-Radierung von Klaus Böttger: Bild: 23 x 16,5 cm, Blatt: 34 x 26,8 cm) und 6 einzeln mit Bleistift num. und von Ligeti (mit vollem Namen) hs. sign. Faks.-Tafeln auf Vélin Arches-Bütten, insgesamt 10 Bll. lose in weißer OKt.-Flügelmappe mit weißem Titelaufdruck in Reliefprägung (Gr.-Fol). Exemplar der Vorzugsausgabe aus römisch zehn Exemplaren, D II/X der A-Auflage (150 Ex.): Nr. II von X der Künstler- bzw. Verlagsexemplare, die von Ligeti und Böttger im Anschluss an das Impressum zusätzlich signiert sind. - 2 Beilagen, darunter Gesamtverzeichnis der veröffentlichten Werke Ligetis. Er gilt als einer der bedeutenden Komponisten des 20. Jahrhunderts und als Repräsentant der Neuen Musik. Music. - Numbered, titled, signed and dated in pencil. Original etching by Klaus Böttger and 6 individually numbered in pencil and signed by Ligeti (with full name) facsimile plates on Vélin Arches handmade paper. Copy of the special edition of Roman ten copies, D II/X of the A edition (150 ex.): No.II of X of the artist's or publisher's copies, additionally signed by Ligeti and Böttger following the imprint. 2 inserts, including a complete list of Ligeti's published works. He is considered one of the most important composers of the 20th century and a representative of New Music.

Architektur - - Sammlung von 1 Original-Zeichnung und über 60 Original-Graphiken mit architektonischen Darstellungen. Verschiedene Techniken: u.a. lavierte Federzeichnung, Kupferstich und Radierung. Blattmaße von 40,5 x 26,5 bis 56 x 82,5 cm. Enthält: Anonymer frz. Künstler. Une Académie. Original-Zeichnung. Mit Wasserzeichen von J. Honig. - Giovanni Battista Piranesi. Veduta del Pantheon d'Agrippa oggi Chiesa di S. Maria ad Martyres. (gebräunt und (braun-)fleckig, mit Läsuren). - Karl Friedrich Schinkel. Saal in dem Trauerspiel König Yngurd. Act I. (mit hinterlegten Einrissen) - Johannes Blaeu/Pierre Mortier. Pantheon nunc vulgo La Rotunda. Pantheon ou la Rotonde à Rome. - 48 Bll. nach Karl Friedrich Schinkel. Wohl aus Sammlung architektonischer Entwürfe, 1858 (mit Defekten). - 23 Bll. überwiegend von Deneufforge. Architecture - Collection of one original drawing and over 60 original prints with architectural representations. Various techniques: including wash pen drawing, copper engraving and etching. Contains: s.o. - Browned due to their age. Partly with defects.

Sammlung von 13 Original-Graphiken überwiegend deutscher Künstler des 20. Jahrhunderts. Verschiedene Techniken: (Farb-)Lithographie und Radierung. Blattmaße von 29 x 21 cm bis 64 x 54,5 cm. Alle bis auf 2 signiert sowie teils datiert, nummeriert und bezeichnet. Enthält Arbeiten von: Paul Adolf Seehaus (2, je mit Nachlass-Signatur), Karl Schwesig, Heinrich (Heiggi) Müller (3), Jo J. Lindemann (3) und Günther Stiller sowie 2 unsignierte Porträts unbekannter Künstler und eine signierte Radierung eines nicht identifizierten Künstlers. - Teils etwas gebräunt. Die Radierung von Schwesig mit Defekten. Eine Radierung von Müller stärker fleckig. Teils etwas griffspurig. Insgesamt wohlerhalten. Collection of 13 original prints by mainly German artists of the 20th century. Various techniques: (colour) lithography and etching. All but 2 signed and partly dated, numbered and inscribed. - Contains works by: see above. - Partly somewhat browned. The etching by Schwesig with defects. One etching by Müller more strongly stained. Partly a little bit worn. At all in good condition.

Braque, Georges - - Erik Satie. Léger comme un oeuf. Mit einer Original-Farbradierung von Georges Braque. Paris, Louis Broder, 1957. 26 S., 4 Bll. Kl.-8°. Schwarzes Kalbsleder mit goldgepr. RTitel, aufwendigem geometrischen Mosaik-Dekor in Weiß und Orange auf Deckeln, Kopfgoldschnitt, fliegende Vorsätze in orangenem Glanzpapier. In schwarzer Pp.-Chemise mit transparentem Rücken und schwarzem Pp.-Schuber (diese etwas berieben). Einband signiert: Pierre-Lucien Martin, 1958. Erste Ausgabe. - Monod 10174. - Erstes Werk der Serie "Miroir du poète". - Eines von 100 (GA 120) nummerierten und von Georges Braque im Druckvermerk signierten Exemplaren auf Japon ancien. - Mit der in Schwarz und Orange gedruckten Frontispiz-Radierung von Braque, gedruckt bei Crommelynck et Dutrou. - OUmschlag und Rücken miteingebunden. Sehr gutes Exemplar in aufwendig gestaltetem Einband. With an original colour etching by Georges Braque. Black calf with gilt title on spine, elaborate geometric mosaic decoration in white and orange on covers, top gilt edge, flyleaves in orange glossy paper. In black cardboard chemise with transparent spine and black cardboard slipcase (these somewhat rubbed). Binding signed: P.-L. Martin, 1958. - First edition. - First work of the series "Miroir du poète". - One of 100 (total ed. 120) numbered copies on Japon ancien signed by Georges Braque in the imprint. - With the frontispiece etching in black and orange, printed by Crommelynck et Dutrou. - Orig. wrappers and spine bound in. Very good copy in elaborately designed binding.

Molière - Corneille - - J. M. Moreau Le Jeune - nach. Zwei Alben mit 56 Illustrationen zu den Werken von Molière und P. Corneille. Frankreich, 19. Jh. Verschiedene Techniken: u.a. Radierung und Stahlstich. Blattmaße je ca. 27 x 17 cm. Montiert in zwei späteren braunen Lwd. Kl.-4°. Der erste Bd. enthält die Suite der 30 in den Jahren 1812 und 1813 von Renouard in Auftrag gegebenen Illustrationen zu den Oeuvres de Molière, gestochen nach Moreau Le Jeune von Basq, Ribault, Roger, Simonet, Croutelle, de Ghendt, Girardet, Villerey und Delvaux, sowie ein weiteres, bei De Villiers fratres erschienenes Bl. Der zweite Bd. umfasst 25 Bll. größtenteils Stahlstiche wohl um 1840 erschienen und ebenfalls Illustrationen u.a. nach Moreau Le Jeune für die Oeuvres de Pierre Corneille. Darunter ein Porträt gezeichnet und gestochen von Augustin de Saint-Aubin nach einer Büste von Caffiery. - Bll. teilweise leicht braunfleckig. Im zweiten Bd. 2 Bll. lose eingelegt. Insgesamt in sauberem Zustand. Two albums with 56 illustrations of the works of Molière and P. Corneille. France, 19th century. Various techniques: etching and steel engraving among others. Mounted in two later brown linen cloths. - The first volume contains the suite of 30 illustrations commissioned by Renouard in 1812 and 1813 for the Oeuvres de Molière, engraved after Moreau Le Jeune by Basq, Ribault, Roger, Simonet, Croutelle, de Ghendt, Girardet, Villerey and Delvaux, as well as another sheet published by De Villiers fratres. The second volume contains 25 sheets mostly steel engravings probably published around 1840 and also illustrations a.o. after Moreau Le Jeune for the Oeuvres de Pierre Corneille. Among them a portrait drawn and engraved by Augustin de Saint-Aubin after a bust by Caffiery. - Partly slightly brownspotted. In the second vol. 2 fol. loosely inserted. Overall in clean condition.

Rainer, Arnulf u.a. - - Odradek. Die Realität des Unverständlichen. Mit 12 (von 13) signierten Original-Radierungen u.a. von Arnulf Rainer, Alfred Hrdlicka und Ernst Fuchs. Burgdorf/Hannover, Steintor Verlag, 1971. Folio. Titelbl. und Graphiken lose eingelegt in roter OLwd.-Kassette mit DTitel (berieben) Eines von 100 Exemplaren. Die Original-Graphiken je signiert, datiert und nummeriert sowie unter Passepartout (je 42 x 31 cm) befestigt. - Es fehlt die Radierung von Friedrich Meckseper. Enthält je eine Radierung von Peter Ackermann, Peter Collien, Michael Coudenhove-Kalergi, WP Eberhard Eggers, Ernst Fuchs, Thomas Häfner, Alfred Hrdlicka, Arnulf Rainer, Kurt Regschek, Markus Vallazza, Woldemar Winkler und Franz Anatol Wyss. Zu der Erzählung "Die Sorge des Hausvaters" von Franz Kafka. - Graphiken unter dem Passepartout-Ausschnitt teils etwas lichtrandig. Insgesamt sehr gut erhalten. With 12 (of 13) signed original etchings by Arnulf Rainer, Alfred Hrdlicka and Ernst Fuchs, among others. Title-page and prints loosely inserted in red orig. cloth box with cover title (rubbed). - One of 100 copies. The original prints each signed, dated and numbered and mounted under passepartout. - The etching by Friedrich Meckseper is missing. Includes one etching each by Peter Ackermann, Peter Collien, Michael Coudenhove-Kalergi, WP Eberhard Eggers, Ernst Fuchs, Thomas Häfner, Alfred Hrdlicka, Arnulf Rainer, Kurt Regschek, Markus Vallazza, Woldemar Winkler and Franz Anatol Wyss. - Graphics partly a little bit light-margined under the passepartout. At all very well preserved.

12 Graphiken verschiedener Künstler mit überwiegend landschaftlichen Motiven. 19.-20. Jh. Mit Radierungen und Holzschnitten sowie Heliogravüren auf Vélin, vereinzelt auf China. Blattmaße von 26 x 37,5 cm bis 42,5 x 50 cm. Überwiegend signiert, teils datiert, betitelt, nummeriert. Vereinzelt punktuell auf Unterlage bzw. unter Passepartout montiert. Enthält u.a. Arbeiten von: Anton Scheuritzel - nach Max Liebermann - Klaus Richter - Rosa Ulsamer - A.Becker - Ludwig Dettmann. - - Teils lagerspurig und etwas unfrisch. Vereinzelt mit Rand- bzw. Einrissen. Ausgezeichnete bis sehr gute und kräftige Drucke mit breitem Rand. - Dabei: Jorge Castillo. Luise und Friederike von Preußen. 1974. Radierung auf Velin. Signiert, datiert u. als "E.A." bezeichnet. 12 prints by various artists with mainly landscape motifs. With etchings and woodcuts as well as heliogravures on wove paper, some on China. Mostly signed, partly dated, titled, numbered. Some mounted on a backing or under a passepartout. - Partly with traces of storage and somewhat unfresh. Occasionally with margins and tears. Excellent to very good and strong prints with wide margins. - With works of artists among others as listed above. - Added: - 1 etching by Jorge Castillo on paper. Signed, dated and inscribed "e.a.".

Picasso, Pablo - - Robert J. Godet. L'âge de soleil. Mit einer Heliogravüre von Pablo Picasso (Negativdruck der Radierung "Pour Roby"). Paris, aux dépens de l'auteur 1950. 1 S., 78 S., 1 S. Lwd. mit schwarzem RSchild (OUmschlag miteingebunden). Bloch 680. - Cramer 57. - Auf dem Vortitel mit einer kleinen Zeichnung und Widmung von Robert J. Godet. Eins von 1000 Exemplaren. Die schöne Heliogravüre zeigt Picassos Geliebte Françoise und die Mutter seiner Kinder Paloma und Claude. - Papierbedingt etwas gebräunt, sonst gutes Exemplar. With a heliogravure by Pablo Picasso (negative print of the etching "Pour Roby"). On the pre-title with a small drawing and dedication by Robert J. Godet. One of 1000 copies. The beautiful heliogravure shows Picasso's mistress Françoise and the mother of his children Paloma and Claude. - Paper somewhat browned, otherwise good copy.

Wood framed hand colored etching of a street scene with ladies and children. Hand signed in pencil, bottom right. Sight size - 9.5"W x 7.75"H. Frame size - 16"W x 15.25"H. Artist: Jerome MyersIssued: c. 1930Edition Number: 40 of 50 Condition: Age related wear.

Etching in color titled Valley Lake. Signed lower right numbered II/XXV. Sight size 22.25" x 30"

L' Age du Soleil (Pour Roby) is a monochrome restrike etching from the original that Pablo Picasso created in 1950. It is the portrait of a young man made with minimal lines and it was edited in 1968 by The Collector Guild, NYC. Signature and title in reverse on lower part of the plate: Picasso, Pour Roby. Housed in a simple gilded frame with cream matting to emphasize Picasso's simplified portrait. Certificate of Authenticity included. Sight size: 8"L x 9.90"H. Frame size: 15.25"L x 17.25"H x 1"W. Artist: Pablo Ruis PicassoIssued: c. 1968Country of Origin: SpainCondition: Age related wear.

Etching and aquatint by Contemporary landscape artist, Pino Finocchiaro (Italian, b. 1937, of a landscape with a linear house surrounded by red poppies and hard-edge trees partially covering the sun. Signature in pencil on lower left: Pino Finocchiaro. On lower right: 17/150. Sight size: 13.50"L x 14.25"H. Frame size: 20.25"L x 20.90"H x 1"W. Artist: Pino FinocchiaroIssued: c. 2000Edition Number: 17 of 150 Condition: Age related wear.

This abstracted relief etching on gold paper is inspired by the Mesoamerican culture of the Toltec. Marilyn Sica airbrushed in black, red and blue a circle within a rectangle around a metallic central square with Pre-Columbian signs. Housed in a gold frame. Inscribed on lower left: Artist Proof. In lower center: "Toltec". On lower right: Sica. Sight size: 11.75"L x 9"H. Frame size: 16.75"L x 12.75"H x 0.90"W. Artist: Marilyn SicaIssued: c. 1970Edition Number: Artist Proof Country of Origin: United StatesCondition: Age related wear.

This large etching entitled Here's Health Unto His Majesty is based on an original oil painting by British aristocratic genre scene painter Walter Dendy Sadler (1854-1923). British artist James Dobie etched the royal toast with utmost details and an array of rich tones that result in a handsome composition. Signed in the plate. Inscribed on lower center: London Published 1909, Lefevre and Son, King Street, St James Proprietor of the Copyright. Signature in pencil on lower left: Walter Dendy-Sadler. Signature on the lower right: James Dobie. Housed in a black wood frame with a gilded border and an off-white mat. Sight size: 13.55"L x 18"H. Frame size: 23"L x 27.50"H x 0.75"W. Artist: James Dobie (British, 1849-1911)Issued: 1909Country of Origin: EnglandCondition: Age related wear.

This beautiful etching represents an intimate moment between a mother and her young child that she holds in her arms. Printed by reputed Cuban artist and Master Printer Agustin Rolando Rojas, this etching embodies his early realistic artworks made before moving to Canada and the United States. Signature pencil in lower right: A. Rolando Rojas. Title in lower center: Tenderness. On lower left: 15/25. Sight size: 24"L x 29.50"H. Frame size: 33.10"L x 38.70"H x 1.50"W. Artist: Agustin Rolando RojasIssued: c. 2000Edition Number: 15 of 25 Country of Origin: CubanCondition: Age related wear.

Christine Tacq BA (fine artist and author) - Collagraph print, AP etching, 110mm x 160mm, framed and glazed, 230mm x 280mm.  Christine Tacq is a published author and one of her etchings is on display in the British Library.

Lisa Stubbs (printmaker) - Drypoint etching using Tetra Pak, 290mm x 200mm, framed and glazed, 440mm x 320mm.

Sally Booth (artist) - Etching, 120mm x 120mm, framed and glazed, 240mm x 330mm.

Christine Tacq BA (fine artist and author) - AP etching, no. 12/30, 190mm x 245mm, framed and glazed, 230mm x 280mm.  Christine Tacq is a published author and one of her etchings is on display in the British Library.

Lisa Stubbs (printmaker) - Drypoint etching, 150mm x 290mm, framed and glazed, 320mm x 440mm.

Christine Tacq BA (fine artist and author) - AP etching, no. 2/30, 100mm x 170mm, framed and glazed, 130mm x 200mm.  Christine Tacq is a published author and one of her etchings is on display in the British Library.

Christine Tacq BA (fine artist and author) - AP etching, 350mm x 420mm, framed and glazed, 430mm x 530m. Christine Tacq is a published author and one of her etchings is on display in the British Library.

Christine Tacq BA (fine artist and author) - AP etching, 350mm x 420mm, framed and glazed, 430mm x 530mm. Christine Tacq is a published author and one of her etchings is on display in the British Library.

John Hoyland R.A. (British 1934-2011) "Fly Away" 1981, signed and marked P/P (Printer's Proof) in pencil in the margin, printed at Kelpra Studio, published by Leslie Waddington, etching and carborundum on wove paper with full margins.sheet size 68.5 x 91.5cm (framed 75 x 98cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition. There is some minor time staining and creasing around the edges of the sheet. The print is ornately reframed and glazed.

Sir Antony Gormley O.B.E., R.A. (British 1950-) "Domain" Signed and dated '00 in pencil in the margin, marked Studio Proof, published by the Clore Duffield Foundation for their Artworks Awards programme, on BFK Rives Natural 280 gsm paper, etching and aquatint.plate size 75.5 x 60.5cm, sheet size 91 x 77cm (framed 100.5 x 85.5cm)Wilson55 can help with delivery! Click the shipping tab for more details.Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition. There are one or two faint marks and spots of foxing in the margins. There is a minor crease to the paper in the centre of the lower margin. The print is ornately framed and glazed.

Sir Antony Gormley O.B.E., R.A. (British 1950-) "Feeling Material" 2006, signed, titled and marked BAT (Final Proof) in pencil in the margin, on wove paper, published by Sadler's Wells, London, etching, with margins.plate size 49.5 x 35cm, sheet size 61 x 45cm (framed 69.5 x 53cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition. There are one or two faint marks and spots of foxing in the margins. The print is ornately framed and glazed.

Merlyn Evans (British 1910-1973) "Standing Figure" Signed, titled and dated '57 in pencil in the margin, numbered 9/50, etching.101 x 69cm (framed 105 x 73cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition. There are some faint marks and spots of foxing in the margins. The print is ornately framed but not glazed.

Property of a Gentleman. William Hogarth (1697 - 1764), An Election Entertainment (Four Prints Of An Election). The complete set of four engravings. Published 1758. Etching and engraving on paper. Dimensions: (Paper) 19 in. (H) x 25 in. (W)

Giovanni Battista Piranesi (1720 - 1778) Two Roman Views. [a] Veduta del Tempio do Antonino e Faustino in Campo Vaccino The Temple of Antoninus and Faustina Original etching from the "Vedute di Roma" Hind 49, iii/vi Rome, 1758 [b] Veduta degli avanzi di due Triclinj che appartenevano alla Casa aurea. Original etching from "Veduta di Roma" Hind 50, iii Rome, 1758. Dimensions: [a] 15.75 in. (H) x 12.25 (W) [b] 20.25 in. (H) x 30.25 (W)

To be sold without reserve. Property of a Gentleman. Percy Roberts, George Riley (pub.) Admiral Lord Nelson K.B. and the Victory of the Nile. Published 25 March 1799 Stipple engraving with etching on wove paper. Dimensions: (Print) 16.75 in. (H) x 11 in. (W) (Frame) 22 in. (H) x 15.5 in. (W)

Property of a Gentleman. Giovanni Battista Piranesi (1770 - 1778) Vasi, Candelabri. [a] Vasi, Candelabri, Cippi, Sarcofagi, Tripodi, Lucerne, Ed Ornamenti Antichi Disegn Marble Tripod found at Ostia by Gavin Hamilton in 1775l. Etching Rome 1778 Wilton Ely 947 [b] Vasi, Candelabri, Cippi, Sarcofagi, Tripodi, Lucerne, Ed Ornamenti Antichi Disegn. Marble topped tripod found at Ostia by Gavin Hamilton in 1775. Etching Rome 1778 Wilton Ely 948 Dimensions: [a] 29 in. (H) x 21 in. (W) [b] 29 in. (H) x 21 in. (W)

Property of a Gentleman. Giovanni Battista Piranesi (1720-1778). [a] Vasi, Candelabri, Cippi, Sarcofagi, Tripodi, Lucerne, Ed Ornamenti Antichi Disegn. Various lamps of bronze and terracotta including a view of a chariot lamp. Etching Published Rome 1778 Wilton Ely 896. [b] Vasi, Candelabri, Cippi, Sarcofagi, Tripodi, Lucerne, Ed Ornamenti Antichi Disegn. Various lamps of bronze and terracotta, one of them representing a small Silenus seated on a Priapus. Etching Published Rome 1778 Wilton Ely 899. Dimensions: 21 in. (H) x 28.25 in. (W)

To be sold without reserve. Property of a Gentleman. Edward Orme (1774 - 1848). The Funeral Procession of Lord Viscount Nelson Jan. 9th 1806. Published 12 January 1806 Etching, engraving, and aquatint on paper. Dimensions: (Paper) 12.75 in. (H) x 17 in. (W) (Frame) 20 in. (H) x 24.5 in. (W)

Giovanni Battista Piranesi (1720-1778), Veduta della Fontana di Trevi anticamente della Acqua Vergine. The Fountain of Trevi formerly called the Acqua Vergine Original etching from the "Vedute di Roma", Rome 1751. Dimensions: 17 in. (H) x 23 in. (W)

Property of a Gentleman. William Hogarth (1697 - 1764), Industry and Idleness. The complete set of 12 engravings. Published 1795. Etching and engraving on paper.  Dimensions: (Paper) 26 in. (H) x 19.25 in. (W)

Charles Frederick Tunnicliffe (British 1901-1979) "The Stallion" 1928, signed in pencil in the margin, etching.18.5 x 23.5cm (framed 36.5 x 41.5cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in good, original condition. The paper has browned universally across the sheet and there is some browning around the edges of the print near the mount board. There are some spots of browning across the sheet. The print is ornately reframed and glazed. The frame has some minor scuffs and knocks commensurate with age.

Tom McGuiness (1926-2006) "Fillers" Signed, titled and dated '77 in pencil in the margin, numbered 12/30, etching with aquatint.plate size 7 x 10.5cm (framed 34 x 39.5cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition. There are one or two minor spots of foxing and some light creases in the margins. The print is ornately framed and glazed.

Gillray (James) Light Expelling Darkness, - Evaporation of Stygian Exhalations,-or- The Sun of the Constitution, rising superior to the Clouds of Opposition, etching with hand-colouring, on cream wove paper without watermark, platemark 350 x 453 mm (13 3/4 x 17 3/4 in), sheet 363 x 483 mm (14 1/4 x 19 in), small marginal nick to the lower right corner, unframed, [BM Satires 8644], Hannah Humphrey, 1795⁂ William Pitt the Younger, as a Roman charioteer, wearing a laurel wreath, is seated in an ornate chariot drawn by the British Lion and the White Horse of Hanover.

Gillray (James) Armed Heroes, vide Military Appearances at St Stephens & at St Cloud's, on ye day of Defiance, etching with original hand-colouring, on cream wove paper, platemark 260 x 362 mm (10 1/4 x 14 1/4 in), sheet 267 x 380 mm (10 1/2 x 15 in), small marginal tear in the lower left corner, pin-holes to upper and lower corners, ink numbering in the upper right corner margin, unframed, [BM Satires 9996], Hannah Humphrey, 1803.⁂ A fully uniformed Addington, astride a dish of Roast Beef of Old England, faces Little Boney across the channel, issued the same day to mark the declaration of war between the two nations on May 18th.

Smith (Percy John Delf, British artist-soldier, printmaker, calligrapher and book designer, 1882-1948) Thiepval Hill from the River Ancre, watercolour over pencil, black chalk, heightened with white, signed and dated in pencil in the lower right corner, further inscribed verso 'Thiepval from the left bank of the Ancre (on the road to Beaumont-Hamel/ Indications of old German Trenches as seen/ on the slopes. The mound of earth/ on the top of the hill is all that remains/ of the Castle and other buildings/ Done Tues: March 22nd 1917/ P.S.', with the artist's London address and updated address inscribed below, minor handling creases to edges, minor browning, unframed, 1917Provenance: Private collection (bought in the late 1990s)⁂ Fully worked-up watercolour relating to Smith's drypoint etching of the same subject, plate VIII from the series "Twelve Drypoints of the War 1914-1918", published by P & D Colnaghi & Co, London, 1925.