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Lot 394
A British 1912 pattern Officers Cavalry sword, which by repute once belonged to a Canadian Victoria Cross winner. Nickel plated guard with foliate engraving, cast nickel pommel, and a fish skin grip with wire binding. Straight single edged blade with fuller, and etching to both sides. Maker marked for Hill of Norfolk Street, Sheffield at the ricasso. Complete with leather covered field scabbard with nickel throat, leather sword knot, and an associated soft leather cover. The scabbard has a leather tab onto which there is a gilt embossed name of ‘J.MacGregor CMR CEF’. This would relate to Captain (later Lt Col) John MacGregor VC MC & Bar DCM ED (1889-1952). MacGregor was originally born in Scotland, but moved to Canada in 1909. He served in the Canadian army as part of the Canadian Mounted Rifles, Canadian Expeditionary Force from 1915-1919. His Victoria Cross action took place in France in September 1918. Notes: it’s unclear if the aforementioned named leather tab has been added at a later date simply to identify who’s sword it was. There is a difference in colour and patina to leather between the tab and the leather on the scabbard. Length in scabbard approximately 110cm - blade length 89cm. Condition: generally good, with normal service wear. Some dulling to the nickel areas, and some darkening to the steel parts, plus a little dark spotting and tiny areas of corrosion to the blade. The fish skin grip has a visible seam running 2/3 of the way down from the pommel. The leather scabbard is good, with some darkened areas of patina. The sword cover is complete, and has darkened areas of patina and soiling from service wear.
Lot 15
Graham Clarke (b.1941). Hovis, artist signed and titled coloured etching, 290/300, 22cm x 32cm plus 15 others, Nice Stuff, Reg's Vegs, OXODXO, T4-2, Beside the Seaside, Plat du Jour, Bon Apetit, A la Carte, Careful Perusal, Viola, The Very Plaice, Special Delivery, Dog eared, Lost Sole, proper Job (16).
Lot 141
THE FALL/ JULIAN COPE - LP PACK. A selection of 6 LPs and 1 CD by The Fall, Julian Cope and related. Artists/ titles include The Fall inc Live At The Witch Trials (SPLP1, Tone/ T That's Plenty matrix etching. Record VG+/ sleeve VG+), Grotesque (LETV486LP, Ex/ Ex), Bend Sinister (BEGA 75, Ex/ Ex, record would benefit from a professional clean), The Wonderful And Frightening World Of The Fall (BBL 58, VG+/ Ex) and Hip Priest And Kamerads (SITU 13, printed inner. VG/ Ex). Julian Cope inc The Teardrop Explodes: Cope Notes #1 (HHPRESS4, CD & booklet set. CD appears to be in Excellent condition) and Julian Cope Presents 20 Mothers (ECHLP5, purple vinyl. Record sides VG+/ Ex. Sleeve Ex. Record 2 has a small chip in the edge of the record, doesn't affect the playing surface).
Lot 513
Venetian wall mirror, scrolled pediment, rectangular glass, engraved side panels, 190x99cm.Condition report:Yes it certainly has age - late 19th/ very early 20th century. Good quality cutting and etching throughout. The pediment is presently detached and the lower right hand scroll is loose from the main pediment. On the main mirror, one75cm length of border is loose and broken in two main parts but each of those lengths are further fracture. Other leaf-shaped mounts are loose from the corners, with subsequent damages to the loose aspects. The ebonised frame could be improved aesethically. Some speckling and blistering to the mirrored plates. The measurements are accurate - it is a large mirror. 190cm high includes the pediment if attached, the main rectangular aspect measures 154xm x 99cm.
Lot 10
JOY DIVISION/ NEW ORDER - LP PACK. A smashing pack of 2 LPs by Manchester punk/ alt legends. Artists/ titles include Joy Division - Unknown Pleasures (FACT 10, 1979 UK pressing on Factory Records. A PORKY PRIME CUT STEP/ A PORKY PRIME CUT THIS IS THE WAY etching. Square cornered inner sleeve has some light edge wear/ handling marks. Black vinyl record is strong VG+ condition, each side displays a couple of hairline/ light paper marks. Textured sleeve is VG+. has some light edge storage wear and a couple of light creases) & New Order - Power, Corruption & Lies (FACT 75, A2 THE ROBOT STRAWBERRY GG6 & B2 GG6 THE ROBOT STRAWBERRY WHERES MURDER matrix/ etching. Black glossy inner. Record Ex/ die-cut sleeve Ex).
Lot 20
OASIS - (WHAT'S THE STORY) MORNING GLORY LP (UK ORIGINAL - MPO PRESSING - CRE LP 189). A fantastic original UK LP pressing of Oasis' second studio album (What's The Story) Morning Glory (CRE LP 189, 1995 UK pressing on Creation. MPO crossed out matrix etching. Black, glossy inner sleeves. Records are both sharp Ex condition, display a couple of hairline/ wispy paper marks. The tri-fold sleeve is also in wonderful Ex condition).
Lot 655
A SMALL QUANTITY OF PICTURES AND PRINTS ETC, to include two unframed early 20th century oils on board signed A. Mearns, an unframed oil on board depicting a Jubilee class steam locomotive 'Kolhapur', early 20th century portrait photographs, a black and white print after James Gutherie 'The Velvet Cloak', Mabel Oliver Rae etching 'The Bridge of Sighs, Cambridge', etc
Lot 145
Assorted pictures, including a French etching of a man holding a basket with doves; Another print after D.M.Rouche; a print of the Three Kings, bearing gifts; a small watercolour of birch trees; a decorative print of a girl, after Millais; and a study of Tummel-Garry generating station, etc (a lot)
Lot 1814
LIEBERMANN, MAX (1847-1935), "Markt", mit zahlreichen Personen an den Marktständen, Radierung/Papier, u.li. mit Bleistift von Hand signiert, HxB: Platte ca. 14,5x19,5 cm, Passepartoutausschnitt ca. 17x21 cm, Außenmaße Rahmen ca. 27x31 cm. Gebräunt, part. leicht fleckig. Im Passepartout hinter Glas gerahmt (Passepartout gebräunt und fleckig). | LIEBERMANN, MAX (1847-1935), "Markt", with numerous people at the market stalls, etching/paper, signed by hand in pencil lower left, HxW: plate approx. 14.5x19.5 cm, mat opening approx. 17x21 cm, outer frame dimensions approx. 27x31 cm. Browned, partially slightly stained. Framed behind glass in passepartout (passepartout browned and stained).
Lot 1806
JANSSEN, HORST (1929 - 1995), "Unter Kerinnes", 1988, Aquatintaradierung auf Japanbütten, in der Platte monogrammiert, datiert und bezeichnet.. Mit Bleistift nummeriert (Ed. 55/100), signiert, datiert. Hinter Passepartout montiert. Durchmesser Platte: ca. 25 cm, Durchmesser Passepartoutausschnitt: ca. 26,5 cm, HxB Rahmen: ca. 49 x 41,5 cm. Alters - und Beriebspuren. Mit verglastem Rahmen (Altersspuren).| JANSSEN, HORST (1929 - 1995), "Unter Kerinnes", 1988, Aquatint etching on Japan laid paper, monogrammed, dated and inscribed in the plate. Numbered in pencil (Ed. 55/100), signed, dated. Mounted behind passepartout. Diameter of plate: approx. 25 cm, diameter of mount cut-out: approx. 26.5 cm, HxW frame: approx. 49 x 41.5 cm. Signs of age and rubbing. With glazed frame (traces of age).
Lot 5028
PORSCHE - Kristallglasradierung 911 (996) Carrera Coupe, limitiertes Pressegeschenk, das im Rahmen der Präsentation der 911 (996) Facelift Modelle in Murnau im Jahr 2001 an die eingeladenen Pressemitglieder herausgegeben wurde. HxBxT: ca. 5 x 8 x 5 cm. In Originalverpackung. Alters- und Gebrauchsspuren.| PORSCHE - Crystal glass etching 911 (996) Carrera Coupe, limited press gift, which was issued to invited members of the press as part of the presentation of the 911 (996) facelift models in Murnau in 2001. HxWxD: approx. 5 x 8 x 5 cm. In original packaging. Signs of age and use.
Lot 1811
OSTADE, ADRIAEN VAN (1610 - 1685), "Der Raucher und der Trinker", in der Platte signiert: "Av. Ostade", Radierung auf Bütten, auf Träger montiert. HxB Platte: ca. 7,6 x 5,9 cm, HxB Blatt: ca. 7,9 x 6,3 cm, HxB Träger: ca. 32,3 x 24 cm. Alters - und Beriebspuren, leicht gebräunt, minimal fleckig.| OSTADE, ADRIAEN VAN (1610 - 1685), "The Smoker and the Drinker", signed in the plate: "Av. Ostade", etching on laid paper, mounted on support. HxW plate: approx. 7.6 x 5.9 cm, HxW sheet: approx. 7.9 x 6.3 cm, HxW support: approx. 32.3 x 24 cm. Signs of age and rubbing, slightly browned, minimally stained.
Lot 1652
FUCHS, KARL (1872 -1968), Paar Landschaften, 20. Jh., 1.) "Pliensaubrücke in Esslingen", unten links signiert: "K. Fuchs", Öl auf Leinwand, HxB: ca. 35 x 48 cm (HxB Rahmen: ca. 41,5 x 54 cm). Alters- und Beriebspuren, Leinwand leicht wellig. Mit Rahmen (Altersspuren).2.) "Esslingen, Blick nach der Frauenkirche", Farbradierung auf Papier, mit Bleistift betitelt und signiert: "Esslingen, Blick nach der Frauenkirche", "K. Fuchs", HxB Platte: ca. 15 x 12 cm, HxB Sichtmaß Blatt: ca. 26,5 x 20,5 cm, HxB Rahmen: ca. 29 x 23 cm. Alters- und Beriebspuren. Mit verglastem Rahmen (Altersspuren).| FUCHS, KARL (1872 -1968), Pair of landscapes, 20th century, 1) "Pliensau Bridge in Esslingen", signed lower left: "K. Fuchs", oil on canvas, HxW: approx. 35 x 48 cm (HxW frame: approx. 41.5 x 54 cm). Signs of age and rubbing, canvas slightly wavy. With frame (traces of age). 2.) "Esslingen, view towards the Frauenkirche", colour etching on paper, titled and signed in pencil: "Esslingen, view towards the Frauenkirche", "K. Fuchs", HxW plate: approx. 15 x 12 cm, HxW sheet size: approx. 26.5 x 20.5 cm, HxW frame: approx. 29 x 23 cm. Signs of age and rubbing. With glazed frame (traces of age).
Lot 1810
OSTADE, ADRIAEN VAN (1610 - 1685), "Der Tanz unter der Laube", um 1652, in der Platte signiert: "Av. Ostade", Radierung auf Bütten, auf alten Träger und hinter Passepartout montiert. HxB Platte: ca. 12,5 x 17 cm, HxB Blatt: ca.13,7 x 18,2 cm, HxB Passepartout: ca. 26,1 x 37,8 cm. Um die deutlich ausgeprägte Plattenkante ein ca. 4 - 7 mm breiter Rand. Alters - und Beriebspuren, leicht gebräunt, kleine Quetschfalte am linken Rand.| OSTADE, ADRIAEN VAN (1610-1685), "The Dance under the Arbour", c. 1652, signed in the plate: "Av. Ostade", etching on laid paper, mounted on old support and behind passepartout. HxW plate: approx. 12.5 x 17 cm, HxW sheet: approx. 13.7 x 18.2 cm, HxW passepartout: approx. 26.1 x 37.8 cm. A margin approx. 4 - 7 mm wide around the clearly pronounced platemark. Traces of age and rubbing, slightly browned, small crease in left margin.
Lot 1808
MÜLLER, RICHARD (1874-1954), "Erlegter Riesenhummer am Strand", 1930, Radierung/Papier, in der Platte signiert und datiert 'R. Müller 1930', darunter mit Bleistift num. 48/90, Trockenstempel links 'ORIGINALRADIERUNG' und rechts 'PROF. RICHARD MÜLLER DRESDEN', HxB: Platte ca. 21,5x42 cm, Passepartoutausschnitt ca. 25,5x45 cm, Außenmaße Rahmen ca. 57x76 cm. Leichte Altersspuren. Im Passepartout hinter Glas gerahmt. | MÜLLER, RICHARD (1874-1954), "Erlegter Riesenhummer am Strand", 1930, etching/paper, signed and dated in the plate 'R. Müller 1930', numbered 48/90 in pencil below, dry stamp 'ORIGINALRADIERUNG' on the left and 'PROF. RICHARD MÜLLER DRESDEN' on the right, HxW: plate approx. 21.5x42 cm, mat cut-out approx. 25.5x45 cm, outer frame dimensions approx. 57x76 cm. Slight signs of age. Framed behind glass in passepartout. BEI EINEM ZUSCHLAG ÜBER € 400 MÜSSEN 4% URHEBERRECHT AN DIE VG BILDKUNST ABGEFÜHRT WERDEN.
Lot 454
After Rembrandt van Rijn (1606-1669) - An etching on paper depicting a boat by lake with town in the background. Signed bottom left. Circa 1650. Framed & glazed. Measures approx. 19cm x 24cm Rembrandt Harmenszoon van Rijn, usually simply known as Rembrandt, was a Dutch Golden Age painter, printmaker, and draughtsman. An innovative and prolific master in three media, he is generally considered one of the greatest visual artists in the history of art.
Lot 1168
Frank Henry Mason (1875-1965) an etching of 'Scarborough', pencil signed, titled and dated Aug 23 1919 to lower margin 12 x 17cm together with John Hassell (1767-1825) after Thomas Bradley 'Barton Ferry', engraving pub. 9th July 1801, inscribed 'To the Corporation of the Mayor and Burgesses of the Town and Borough of Kingston upon Hull etc. image 33 x 49cm and a print of Holy Trinity Church, Hull 16 x 23cm.
Lot 1160
Sir James Peile KCSI (1833-1901), two grey wash landscapes 'Lincoln On the Witham' image 18 x 16.5cm and 'Ripon from Studley' 15 x24cm both titled and dated but unsigned with annotations verso together with an etching by Alfred Bentley (1879-1923) of 'Richmond Castle' pencil signed lower margin, image 24 x 32cm.
Lot 1362
Charles Watson (1846-1927), "Chelsea", a monochromatic riverscape with figures attending to small docked vessels along the River Thames, beyond sits the bustling city of London, dry point etching, signed, titled and dated within etching 1879, in card mount and ebonised and gilt frame under glass, 48.5 cm x 37 cm overall [Watson exhibited at the Royal Academy, the Glasgow Institute of Fine Arts amongst many other galleries and institutions.]
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71174 item(s)/page